• 2017 True West Award: Claudia Carson

    by John Moore | Dec 06, 2017
    True West Awards. Claudia Carson. Photo courtesy Jimmy Awards

    2017 TRUE WEST AWARDS  

    Day 6: Claudia Carson


    By John Moore
    Senior Arts Journalist

    Claudia Carson loves her job to her core. That job is to help high-students love theatre to their cores. And she’s pretty good at her job.

    There’s far more to it than that. Carson is also a stage manager, choreographer, director and teaching artist. But what really fuels her fire is coordinating two profoundly meaningful student programs for the Denver Center for the Performing Arts: The annual Bobby G Awards, which celebrate achievements in high-school musical theatre, and a year-round, statewide teen playwriting competition.

    “Claudia is just so joyful, so inspirational and so hungry to make an impact with students,” said DCPA Director of Education Allison Watrous. “She makes those programs possible with her year-round passion and commitment.”

    Claudia Carson True West BGA 2017The Bobby G Awards, which served 42 high schools and nearly 7,000 students last school year, are Carson’s true labor of love. She manages all operational elements of the wide-ranging, 5-year-old  program, including coordinating in-school workshops, professional adjudications of every production and a big, culminating Tony Awards-style party attended by nearly 2,000 each May at the Buell Theatre.

    Participating high schools have the opportunity to be mentored by DCPA Teaching Artists, and last year 24 schools signed on for 70 workshop classes. Once their school musicals go up, they are judged by a field of professional artists and educators who not only score each show for awards consideration, they provide detailed, constructive feedback that teachers can use to make their programs better.

    The awards ceremony itself is a remarkable celebration of the high-school theatre community. Carson not only directs the slick show, she choreographs sophisticated, original medleys that are performed by all of the male and female leading actor nominees. The two students ultimately named Outstanding Actor and Actress move on to the National High School Musical Theatre Awards in New York City, also known as The Jimmys. And Carson chaperones them every step of the way.

    “I think the magic of Claudia coordinating the Bobby G Awards program is that she cares so much about theatre in Colorado, and she cares so much about teachers,” Watrous said. “Claudia is a full-on champion of high-school theatre in Colorado.”

    More Colorado theatre coverage on the DCPA NewsCenter

    This past year, the DCPA’s fourth High School Playwriting Competition drew 132 one-act submissions from budding writers in 14 Colorado counties. That after Carson sent DCPA Teaching Artists to 46 high schools, where they conducted 138 workshops for more than 2,800 students. Four of the resulting scripts were chosen to be read by professional actors at the 2017 Colorado New Play Summit in February, and two were ultimately given fully staged productions through DCPA Education’s summer academy.

    Claudia Carson True West BGA 2016If that weren’t “job enough,” Carson also returned to her roots as a Stage Manager this year for the recent return engagement of Girls Only: The Secret Comedy of Women. And as a summer Teaching Artist for DCPA Education, she and a group of ambitious teens created an entire original musical from scratch — in just two weeks.

    If that sounds like a lot, you should know this about Carson: It's in her DNA. Her mother, Bev Newcomb-Madden, is a pioneer of  children's theatre in Denver and has directed more plays than any other woman in Colorado theatre history. Her sister, Glenna Kelly, is an accomplished actor who for a long time ran Kaiser-Permanente’s acclaimed Educational Theatre Programs for Colorado. And her daughter, Claire Carson, studied at Denver School of the Arts and SMU, and is now an actor in Dallas. That’s three generations of accomplished Newcomb women — and counting. And brother Jamie Newcomb performed in the DCPA Theatre Company's recent productions of Benediction and All the Way

    Pictured above and right: Claudia Carson with 2016 Bobby G Awards Outstanding Actors Curtis Salinger and Charlotte Movizzo, and DCPA  Senior Manager of Press and Promotions Heidi Bosk).

    “Claudia is a sensitive, caring and compassionate person, and she really has an innate ability to connect with teenagers,” said DCPA Broadway Executive Director John Ekeberg. “But at the same time, she is also a quintessential stage manager and mother, which is probably why she is so good at both jobs. Part of being a good mom is being a good stage manager.”

    Carson graduated from Denver East High School and studied journalism at Metropolitan State University of Denver. She came to the Denver Center as a stage manager for all Galleria Theatre shows for a five-year stretch starting in 2003 with the longest-running musical in Colorado theatre history, I Love You, You’re Perfect, Now Change. She later took charge of the global expansion of the runaway hit Girls Only and then served as Executive Assistant to DCPA President Randy Weeks, who died in 2014. She has also worked as a stage manager at Curious Theatre and the Arvada Center.

    But she seems to have found her sweetest spot working with students.

    “She’s doing what she loves with the people she loves the most,” Ekeberg said. “For someone who has done so many things, that’s a pretty cool culmination of a pretty cool career.”

    John Moore was named one of the 12 most influential theater critics in the U.S. by American Theatre Magazine in 2011. He has since taken a groundbreaking position as the Denver Center’s Senior Arts Journalist.


    True West Claudia Carson 2017

    The four finalists from the DCPA's fourth statewide High School Playwriting Competition had their plays presented as readings at the 12th annual 2017 Colorado New Play Summit, including 'Dear Boy on the Tree,' above, written by Jasmin Hernandez Lozano of Vista Peak Preparatory Academy in Aurora. Photo by John Moore for the DCPA NewsCenter.


    ABOUT THE TRUE WEST AWARDS: '30 DAYS, 30 BOUQUETS'
    The True West Awards, now in their 17th year, began as the Denver Post Ovation Awards in 2001. DCPA Senior Arts Journalist John Moore — along with additional voices from around the state — celebrate the entire local theatre community by recognizing 30 achievements from 2017 over 30 days, without categories or nominations. Moore was named one of the 12 most influential theater critics in the U.S by American Theatre Magazine in 2011. He has since taken a groundbreaking position as the Denver Center's Senior Arts Journalist. His daily coverage of the DCPA and the Colorado theatre community can be found at MyDenverCenter.Org

    A look back at the history of the True West Awards

    The 2017 True West Awards (to date)


    Video bonus 1: The 2017 Bobby G Awards




    Video bonus 2 Student playwriting:

  • Cast of 'Snowy Day': Parting thoughts on value of early arts education

    by John Moore | Nov 18, 2017

    A Snowy Day. Robert Lee Hardy. Zak Reynolds, Rachel Kae Taylor. Adams Viscom

    The cast of DCPA Education's 'The Snowy Day,' from left: Rachel Kae Taylor, Robert Lee Hardy and Zak Reynolds. Photo by Emily Lozow.

    'At an early age, the arts develop curiosity, empathy and whole little human beings through storytelling.'

    By John Moore
    Senior Arts Journalist

    DCPA Education launched its new Theatre for Young Audiences program this fall with The Snowy Day and Other Stories, which closes today after having been seen by about 20,000 underserved pre-school through 3rd graders from around the metro area.

    The production, staged in full partnership with the DCPA Theatre Company, told a sweet medley of four stories in the remarkable series authored by Caldecott Award-winning author and illustrator Ezra Jack Keats. The Snowy Day tells the simple story of a boy named Peter and the wonder of his first encounter with snow.

    The play, told largely with the assistance of puppets, was performed by three professional local actors and benefited from the full resources of the DCPA Theatre Company’s creative staff, who focused on making the production a tactile experience in which all of the young audiences’ senses were activated.

    Allison Watrous, Director of DCPA Education and also director of The Snowy Day, said it is crucial to introduce live theatre to young people during the early years. "Theatre has not only been shown to boost academic achievement among early childhood learners," she said, "live performance can have a large impact on the way a kindergartner views and thinks about the world."

    In all the company gave 99 performances of The Snowy Day.  "More than 15,000 attended on organized field trips, with 79 percent of the participating schools on scholarship," Watrous said. "We also welcomed more than 5,000 students for post-show workshops led by DCPA Teaching Artists."

    As the company prepares to make its final two of nearly 100 performances today (Saturday, Nov. 18), actors Zak Reynolds, Rachel Kae Taylor and Robert Lee Hardy reflected on the value of arts education in their own young lives, which has led them to their place on the Conservatory Theatre stage: 

    Robert Lee HardyROBERT LEE HARDY
    "I was first exposed to theatre in the second grade. I was always in the principal’s office, and my teacher decided to put me onstage. The experience changed my life. I wasn’t a horrible kid. I just needed an outlet and I needed to find my passion. The arts change lives."





    Zak ReynoldsZAK REYNOLDS

    "I was first exposed to live theatre around 5 or 6. I sat in Casa Mañana, a leading theatre in Fort Worth, Texas, when it was in the round, watching rehearsals of Big River happen while the orchestra was setting up and other actors were waiting around for their scene. I think that was the moment I sensed the smell of the theater and the energy of the entire dome, knowing that this is what I want to do. That sounds hilarious, being that young age, but it's true. I think that's why I love performing live theatre to young audiences — because I was there once. It helped me morph into the person I am today, and I just want to share those experiences with any age group."

    RachelKaeTaylor 160RACHEL KAE TAYLOR
    My older sister was a ballerina for Colorado Ballet when I was very young.  She was so stunningly beautiful. I wanted to be a part of all the splendor and the drama of the ballet so badly — but a dancer, I was not. My mother took me to the theater to see Frog and Toad when I was about 6 and mic drop — that was it. The arts are so very crucial at an early age because they develop curiosity, empathy and whole little human beings through storytelling. Whether that storytelling is done through a play, a book or a painting — it can be a game-changer.

    More Colorado theatre coverage on the DCPA NewsCenter

    A Snowy Day. Robert Lee Hardy. Zak Reynolds, Rachel Kae Taylor. Adams Viscom

    The cast of DCPA Education's 'The Snowy Day,' from left: Rachel Kae Taylor, Robert Lee Hardy and Zak Reynolds. Photo by Emily Lozow.

    Previous NewsCenter coverage of The Snowy Day and Other Stories

  • Meet Zak Reynolds of 'The Snowy Day': 'A fan of being happy'

    by John Moore | Sep 21, 2017
    Zak Reynolds, Rachel Kae Taylor and Robert Lee Hardy. Snowy Day.

    The cast of 'The Snowy Day Other Stories,' from left: Zak Reynolds, Rachel Kae Taylor and Robert Lee Hardy. Photo by John Moore for the DCPA NewsCenter.


    MEET ZAK REYNOLDS
    Zak Reynolds is one of three ensemble members in DCPA Education's The Snowy Day and Other Stories, by Ezra Jack Keats, playing through Nov. 18 in the Conservatory Theatre, located in the Newman Center for Theatre Education. 

    At the Denver Center: Debut. National tours: A Year with Frog and Toad. Regional: World premiere of Bella: An American Tall Tale (Dallas Theater Center); Spamalot, Les Miserables, Schoolhouse Rock Live! (Casa Mañana), Go Dog, Go!, Skippy Jon Jones, A Wrinkle in Time (Dallas Children's Theater), Dogfight (WaterTower Theater), The Liar, Less Than Kind (Theatre 3). Named Best Actor 2014 by D Magazine.

    • Zak Reynolds. Snowy DayHometown: Fort Worth, Texas
    • Training: Circle in the Square Theatre School, New York
    • Twitter-sized bio: I am always psyched to be consistently moving and working on something new or innovative. Challenging myself keeps me on my toes. I’m a fan of forming new relationships. I love being happy, and I feel that I can be a role model for young actors looking to find their own light, whether in theater or any other lifestyle.
    • What was the role that changed your life? When I did Dogfight at the WaterTower Theater, it was a difficult time for me. I had just joined the union at the beginning of that year, and began to lose my hair due to Alopecia right before the production went into rehearsals. That role challenged me to stay patient with my aspirations because no matter what I looked like on stage, hair or no hair, I knew I still could be successful, even with mental barricades in the way. It took a while to be comfortable, but looking back on that time it is something that I will never forget, and I am now grateful for.
    • Why are you an actor? Acting is a way to be free for a few hours a day. It takes me out of whatever I may be facing in real life and lets me portray another set of challenges in someone else’s shoes. It’s so rewarding to expose theater to children. I grew up around a theatrical family. It is in my blood to make sure future generations are just as inspired by theatre as I was.
    • What do you be doing if you were not an actor? I’m always up for the service industry. As crazy as this might sound, I love the high-end restaurant world. Or I would be a nurse. A nurse would be neat.
    • Ideal scene partner? Alan Langdon. When I went to school at Circle in the Square, he was always the teacher I never understood completely but I feel like I didn’t free myself enough to the work as much as I wanted to at 18 years old. He questioned every single moment of my scene work, no matter the text. He was definitely a mentor who challenged all of my senses, and I thrived.
    • Why does The Snowy Day matter? Because even though a kid might be timid or a little less animated than others it’s totally OK to be that way - and also have tons of fun. Peter is a kid who wants to go on adventures and play all of the time, but he still has a quiet, thoughtful side to him. We can all connect with learning how to whistle or finding out who our first crush is. No matter how hard a journey may be, this is a story that shows everything ends up just fine.
    • What do you hope the audience gets out of this play? I want them to feel chills leaving the theater, having seen something they might never have seen before. I hope they all feel connected by the notion of learning to whistle or dealing with mom making you put on your PJs. As long as they connect in some way, then we actors have done a great job.
    • Finish this sentence: "All I want is ..."
      " ... for people to chill out, look on the bright side of life, and know that someone is always there for you when hard times arise."

    More Colorado theatre coverage on the DCPA NewsCenter

    Previous NewsCenter coverage of The Snowy Day and Other Stories

    First rehearsal photos: Forecast calls for a Snowy Day at DCPA
    DCPA Education to launch Theatre for Young Audiences

    The Snowy Day and Other Stories: Ticket information
    Snowy DayFrom the joys of a first snowfall and learning how to whistle to thrilling encounters delivering a precious invitation, the delightful moments of childhood are perfectly captured in this medley of simple, sweet stories.

    • Written by Ezra Jack Keats; adapted for the stage by Jerome Hairston
    • Performances through Nov. 18
    • School performances: Weekdays 9:30 and 11:30 a.m. (except Thursdays are at 10 a.m. and 1 p.m.)
    • Public performances: 1:30 p.m. Saturdays
    • Conservatory Theatre, located in the Robert and Judi Newman Center for Theatre Education, 1101 13th St.,
    • Tickets $10 (discounts and scholarships available)
    • Best suited for: Pre-K through third grade
    • Call 303-893-4100 or BUY ONLINE
    • Teachers: Inquire by clicking here or calling 303-446-4829
  • First rehearsal: Forecast calls for 'A Snowy Day' at DCPA

    by John Moore | Sep 08, 2017
    Making of 'The Snowy Day'

    Photos from the first day of rehearsal for 'The Snowy Day Other Stories by Ezra Jack Keats‬‬‬‬‬,' featuring a cast of, from left: Zak Reynolds, Rachel Kae Taylor and Robert Lee Hardy. To see more photos, hover your cursor over the image above and click the forward arrow that appears. Photos by John Moore for the DCPA NewsCenter.

    Up to 20,000 area children will experience what Director Allison
    Watrous calls 'the largest pop-up book ever.'

    By John Moore
    Senior Arts Journalist

    DCPA Education is fully launching its new Theatre for Young Audiences program on Sept. 21 with the opening of The Snowy Day and Other Stories in the Conservatory Theatre. It is estimated that 20,000 children from around the metro area will see the fully interactive production sometime this fall. 

    The Snowy Day, written in 1962 by Caldecott Award-winning author and illustrator Ezra Jack Keats, tells the simple story of a boy named Peter and the wonder of his first encounter with snow. The stage production also will include Keats' Whistle for Willie, Goggles and A Letter to Amy, each representing one season of the year.

    The Denver Center production, staged in full partnership with the design team from the DCPA Theatre Company, will include multimedia, puppets, projections and, of course ... lots of snow. "We are approaching this as the largest pop-up book ever," said Allison Watrous, both the DCPA's Director of Education and the Director of The Snowy Day. Added Scenic Designer Lisa M. Orzolek: "We're excited for this opportunity to bring the same quality of theatre to little people that we regularly offer on our main stages."

    The cast, which gathered for the first time Tuesday, will feature Robert Lee Hardy as Peter, along with Zak Reynolds and Rachel Kae Taylor in ensemble roles. Hardy played Carl Lee Hailey in Vintage Theatre's recent production of A Time to Kill. Taylor, who also will assist in designing shadow puppets for the play, is a DCPA Teaching Artist and At-Risk Coordinator.

    "I am excited for students to walk into the Conservatory Theatre and say to themselves, 'I can see myself as the hero of a story. I can see myself inside a story. And I can create my own story,' " Watrous said. "What Ezra Jack Keats is saying to them is, 'Yes, you absolutely can create a story.' And we want to help them to discover their authentic voice in that process."

    Story continues after the photo:

    The Snowy Day. Photo by John Moore.


    Watrous promises a brightly colored world that will depict the simple beauty of discovery in singular childhood moments such as learning how to whistle, discovering snow and the art of the first jump-rope. Keats' series was considered revolutionary for its time because he chose to make a black child his protagonist. Keats' stories also address the challenges of growing up, from social interactions to bullying to how to properly ask a girl to a second-grader's birthday party.

    School groups will be invited to stay after each performance and participate in complementary (and complimentary!) 45-minute workshops presented by DCPA Teaching Artists. "That will give them the opportunity to really dive into the tactile world of the show inside our studio classrooms," Watrous said.

    More Colorado theatre coverage on the DCPA NewsCenter

    The creative team includes many family connections, including Stage Manager Rachel Ducat and her husband, award-winning Sound Designer Jason Ducat. "We have 3-year-old twins and we are excited to expose them to theatre," said Rachel Ducat.

    The goal of the Theatre for Young Audiences program is not only to expose children to theatre at a young age, but to give them an boost in their overall childhood development as well. According to the Denver Great Kids Head Start Community Assessment 2016, early exposure to the arts reduces dropout rates, improves standardized test scores, increases graduation rates and increases the likelihood of a student receiving a college degree (the latter by 165 percent).

    The Snowy Day. Patrick Elkins-Zeglarski, Photo by John Moore. “If you cultivate the wonder of the arts at an early age, then that becomes part of the fabric of the learner - and the human being,” Watrous said. “Theatre makes you a stronger reader. Theatre makes you more collaborative. Theatre makes connections in your mind that can change how you look at a book, how you look at a painting, how you look at a sculpture and how you look at difficult issues in our world. Of all the beautiful transferable skills you can develop through live theatre, perhaps the most important is that it can make you more empathetic in how you view the world."

    (Pictured right: The DCPA's Patrick Elkins-Zeglarski has developed the classroom curriculum that accompanies the 'Snowy Day' experience. Photo by John Moore.)

    Most of the 100 performances will be held on weekdays for schools taking field trips to the Denver Center. Saturday performances will be open to the public. Tickets are $10, but the DCPA will make 9,000 “scholarships” (free tickets) available to teachers whose students need financial assistance to attend.

    "I am just beyond excited for our community," said Denver Center President and CEO Janice Sinden. "This is why we are here. It's all about the children. This is our future." 


    John Moore was named one of the 12 most influential theater critics in the U.S by American Theatre Magazine in 2011. He has since taken a groundbreaking position as the Denver Center’s Senior Arts Journalist.

    Cast and creative team:

    • Actors: Robert Lee Hardy, Zak Reynolds and Rachel Kae Taylor
    • Director: Allison Watrous
    • Music Direction: Robyn Yamada
    • Scenic Design: Lisa M. Orzolek
    • Costume and Puppet Design: Kevin Copenhaver
    • Projection Design: Matthew Plamp
    • Composer: Victor Zupanc
    • Lighting Design: Shannon McKinney
    • Stage Manager: Rachel Ducat
    • Sound Design: Jason Ducat

    The Snowy Day and Other Stories: Ticket information

    • Written by Ezra Jack Keats; adapted for the stage by Jerome Hairston
    • Sept. 21-Nov. 18
    • School performances: Weekdays 9:30 and 11:30 a.m. (except Thursdays are at 10 a.m. and 1 p.m.)
    • Public performances: 1:30 p.m. Saturdays
    • Conservatory Theatre, located in the Robert and Judi Newman Center for Theatre Education, 1101 13th St.,
    • Tickets $10 (discounts and scholarships available)
    • Best suited for: Pre-K through third grade
    • Call 303-893-4100 or BUY ONLINE
    • Teachers: Inquire by clicking here or calling 303-446-4829
    Previous NewsCenter coverage of The Snowy Day

    DCPA Education to launch Theatre for Young Audiences

    The Snowy Day. Allsion Watrous. Photo by John Moore. Director Allison Watrous, with her cast behind her, at the first rehearsal for 'The Snowy Day.' Photo by John Moore.
  • Colorado Fall Theatre Preview: ‘The Revolutionists’ and 'The Wild Party'

    by John Moore | Sep 06, 2017
    For 10 days, the DCPA NewsCenter is offering not just 10 intriguing titles to watch on theatre stages throughout Colorado. This year we are expanding our preview by featuring 10 musicals AND 10 plays. Today is Day 7.

    PLAY OF THE DAY: Boulder Ensemble Theatre Company’s The Revolutionists


    Featured actor in the video above: Jada Dixon, who is also the Assistant Director of Curious Theatre's 'Appropriate.'

    • Sept. 14-Oct. 8
    • Dairy Center for the Arts, 2590 Walnut St., Boulder
    The Revolutionists Jada Dixon 303-440-7826 or go to betc.org
    • Playwright: Lauren Gunderson
    • Director: Allison Watrous (Denver Center's Director of Education)

    The story: The Revolutionists takes place during the Reign of Terror in 1790s France.  It tells the story of four historical women struggling to find their individual and collective voices in a time of chaos and madness. Full of wit and wisdom, this historical comedy shines a light on women's place in history, and what happens when society breaks down.

    But what is it about? As our own society breaks down into madness and chaos, how do we effect change in the face of a world in which we feel powerless? How do the disenfranchised assume a seat at the table in the conversations that will define who we are as a people? That Boulder Ensemble Theatre Company has assembled an all-female production team also speaks to its commitment to diversity and a broader array of voices in the theatre. (Provided by Boulder Ensemble Theatre Company.)

    What is it about that writer? Gunderson also wrote the DCPA Theatre Company's The Book of Will. This will be the fourth Gunderson title to be presented in the metro area in the past year. The others were The Catamounts' The Taming and Boulder Ensemble's Silent Sky.

    Please note: The Revolutionists contains adult language and content, so may not be suitable for patrons under 16 years old. Parental discretion advised.

    Cast list:

    • Olympe De Gouges: Rebecca Remaly
    • Marianne Angelle: Jada Dixon
    • Charlotte Corday: Maire Higgins
    • Marie Antoinette: Adrian Egolf

    More creatives:
    • Stage Manager: Karen Horns
    • Set Designer: Tina Anderson
    • Costume Designer: Brenda King
    • Lighting Designer: Katie Gruenhagen
    • Sound Designer: Ashley Campbell
    • Properties Designer: Amy Helen Cole
    • Dramaturg: Heather Beasley

    The Revolutionists Adrian EgolfImage above of Adrian Egolf. Photography: Michael Ensminger. Graphic Design: Brian Kolodziejski. Hair and Makeup: Vintage Hairstylings. Corset by Redthreaded.



    MUSICAL OF THE DAY: Off-Center's The Wild Party


    Featured actor in the video above: Emily Van Fleet.

    • Oct. 11-31
    • The Hangar at Stanley Marketplace, 2501 Dallas St., Aurora
    Emily Van Fleet. The Wild Party. Call 303-893-4100 or go to wildpartydenver.com
    Music and Lyrics by Michael John LaChiusa
    Book by Michael John LaChiusa and George C. Wolfe
    Based on the poem by Joseph Moncure March
    • Director: Amanda Berg Wilson
    • Music Director: David Nehls

    • The story:
    You’re invited to leave your inhibitions (and Prohibitions) behind for a decadent 360-degree party in the Roaring Twenties. Indulge your inner flapper as you mingle with an unruly mix of vaudevillians, playboys, divas, and ingénues in a Manhattan apartment lost in time. Debauchery turns disastrous as wild guests becomes unhinged and their solo songs reveal the drama bubbling underneath the surface. Whether you’re a wallflower or a jitterbug, you’ll think this jazz- and gin-soaked immersive musical is the bee’s knees.

    • But what is it about? Last summer, Off-Center took over a 16,000 square-foot warehouse in RiNo to bring you Sweet & Lucky. This fall, we’re breaking out the bathtub gin and heading to the Hangar at Stanley to tackle the first musical in Off-Center’s history. Much like Sweet & Lucky, The Wild Party will transport audience members to a different era, where they will be immersed in the story as guests at Queenie and Burr’s party. The live band will be swinging and we’ll find out what happens when you let down your guard and give yourself over to the party.” (Provided by Off-Center curator Charlie Miller.)

    Cast list:
    Brett Ambler: Gold
    Leonard Barrett Jr.: Oscar D’Armano
    Allison Caw: Sally
    Laurence Curry: Black
    Diana Dresser: Miss Madelaine True
    Katie Drinkard: Mae
    Trent Hines: Phil D’Armano
    Drew Horwitz: Burrs
    Wayne Kennedy: Goldberg
    Sheryl McCallum: Dolores
    Jenna Moll Reyes: Nadine
    Marco Robinson: Eddie Mackrel
    Emily Van Fleet: Queenie
    Aaron Vega: Jackie
    Erin Willis: Kate

    More creatives:
    • Patrick Mueller: Choreographer
    • Jason Sherwood: Scenic Designer (DCPA Theatre Company's Frankenstein)
    • Meghan Anderson Doyle: Costume Designer
    • Jason Lynch: Lighting Designer
    • Sean Hagerty: Sound Designer
    • Erin Ramsey: Fight Coordinator

    Emily Van Fleet. The Wild Party.

    From left: 'The Wild Party' castmates Emily Van Fleet, Laurence Curry, Sheryl McCallum and Drew Horwitz. Photos by Adams VisCom.

    More Colorado theatre coverage on the DCPA NewsCenter


    Our complete 2017 Colorado Fall Theatre Preview:
    Day 1: Curious Theatre's Appropriate and BDT Stage's Rock of Ages
    Day 2: The Catamounts’ You on the Moors Now and Rocky Mountain Rep’s Almost Heaven: Songs of John Denver
    Day 3: Creede Repertory Theatre's General Store and Town Hall Arts Center's In the Heights
    Day 4: Avenue Theater’s My Brilliant Divorce and the Arvada Center’s A Chorus Line
    Day 5: Bas Bleu’s Elephant’s Graveyard and Evergreen Chorale’s The Hunchback of Notre Dame
    Day 6: Firehouse Theatre’s The Mystery of Love and Sex and the Aurora Fox’s ‘Company’
    Day 7: Boulder Ensemble Theatre Company’s The Revolutionists and Off-Center’s The Wild Party
    Day 8: Lake Dillon Theatre Company's Pretty Fire and the Aurora Fox's Hi-Hat Hattie
    Day 9: Edge Theatre Company’s A Delicate Balance and Midtown Arts Center’s Once.
    Day 10:  Local Theater Company’s The Rape of the Sabine Women, by Grace B. Matthias and Thin Air Theatre Company’s The Toxic Avenger Musical

    This 2017 Colorado fall preview is compiled by Denver Center for the Performing Arts Senior Arts Journalist John Moore as a service to the Colorado theatre community. Moore was named one of the 12 most influential theater critics in the U.S by American Theatre Magazine in 2011 and is the founder of The Denver Actors Fund.
  • 2017 Bobby G Awards: Persistence pays off at Valor Christian

    by John Moore | May 25, 2017

    A Bobby G AwardsThe cast of Valor Christian's production of 'Pippin,' which was named Outstanding Musical tonight. Photo by John Moore for the DCPA NewsCenter.

    Fourth time is the charm for Outstanding Actress
    Elleon Dobias, who will represent Colorado in New York.

    By John Moore
    Senior Arts Journalist

    The fifth annual Bobby G Awards, which celebrate achievement in Colorado high-school theatre, were proof positive that persistence pays off. Valor Christian High School Senior Elleon Dobias (pictured at right), who was nominated all three of her underclassman years but had never before won a Bobby G Award, was named Outstanding Actress. And her school won Outstanding Musical for the first time for its production of Pippin.

    Bobby G Awards. Elleon DobiasLakewood High School led all schools by earning four of the evening’s 19 awards for its epic production of Sweeney Todd. In all, a record 12 schools won at least one award, spreading the love wide among the 42 participating high schools. Valor Christian's Pippin earned three. Bobby G Awards will soon be taking up new residence at schools throughout the state, including at Aspen, Glenwood Springs and Niwot high schools.

    The Bobby G Awards are a culmination of a year-long program administered by the Denver Center that emphasizes camaraderie and shared experiences - but there is also much at stake. The students named Outstanding Actor and Actress go on to represent Colorado at the National High School Musical Theatre Awards in New York City.

    Bobby G Awards (Pictured at right: The cast of North High School/Strive Prep's production of 'In the Heights', which was nominated for best musical. Photo by John Moore for the DCPA NewsCenter.)

    Austin Hand of Fossil Ridge High School in Fort Collins was named Outstanding Actor for his performance as Gomez Addams in The Addams Family. Dobias had been nominated as a freshman and sophomore in the "Rising Star" category, for promising underclassmen. Last year she was nominated as Outstanding Supporting Actress, and this year, playing the widow Catherine in Pippin, she won for Outstanding Actress.

    "For this to be my fourth year to be nominated at the Bobby G Awards and to go out on such a high has been a delight, to say the least," said Dobias, who also graduated from high school earlier in the day.

    Moments after the ceremony ended, the newly named Outstanding Actors already were exchanging phone numbers with previous recipients. "This is a family you've entered into," said last year's Outstanding Actor, Curtis Salinger. 

    More Colorado theatre coverage on the DCPA NewsCenter

    Bobby G Awards. Austin Hand.As Colorado’s winners, Dobias and Hand (pictured right) will be joined next month by other regional honorees for "The Jimmys," as they are known in New York City. That’s 10 days of intensive training with some of Broadway's leading actors, choreographers and directors, all leading up to a fully staged, one-night performance at Broadway's Minskoff Theatre.

    Nominees for the Bobby G Awards are determined by scoring from a team of professional adjudicators. Unlike other awards categories, the Outstanding Actor and Actress winners are determined by two equally scored criteria: First, the students are judged for their actual performances in their respective school musicals. The five students with the highest scores then go before a professional panel for a private, scored audition.

    This year, a record 42 schools participated in the statewide Bobby G Awards program, up from 30 two years ago. Valor Christian, a private school with an enrollment of 879, is located on a 35-acre campus in Highlands Ranch. When she was a freshman, Dobias said, only 10 kids tried out for the school play at Valor Christian More than 60 auditioned for Pippin, she said.

    Bobby G AwardsColorado native Gene Gillette, who is a member of the national touring production of The Curious Incident of the Dog in the Night-Time, opening Tuesday at the very same Ellie Caulkins Opera House, presented two awards.

    (Pictured at right: Gene Gillette with former Outstanding Actor Curtis Salinger and Outstanding Actresses Abby Noble and Charlotte Movizzo.)

    Gillette encouraged the high-school kids in their pursuits, saying professional success takes discipline, a strong belief in yourself and a strong sense of wonder.

    Denver First Lady and prominent area singer and actor Mary Louise Lee, who runs a nonprofit called Bringing Back the Arts, presented two awards. Lee, who made her professional debut at the Denver Center when she was 18, riffed from the signature song from The Wiz, "Believe in Yourself." The students were also greeted by DCPA CEO Janice Sinden and Broadway Executive Director John Ekeberg.

    Among the heartfelt and comic acceptance speeches was Will Warner, who was named Outstanding Supporting Actor for his work as Beadle Bamford in Lakewood High School's Sweeney Todd. "I would like to thank the women in my life," Warner said ... "Because they told me I had to."

    (Story continues after the video.)

    Video: 2017 Bobby G Awards in 60 Seconds


    Video by DCPA Video Producer David Lenk. Interviews by Senior Arts Journalist John Moore. More video and photos to come.


    Of note to the local theatre community was longtime BDT Stage performer Shelly Cox-Robie's nomination as a fifth-year director at Boulder High School. She directed Rent, with her son playing Angel. Two of her actors were nominated as Outstanding Actor (Jesse Shafroth) and Actress (Asha Romeo). Boulder won for both Outstanding Chorus and Orchestra.

    Students and educators were honored in the areas of performance, design, direction, choreography, technical production and overall production excellence. All participating schools received one personal master class session with a DCPA Education theatre teacher. Winners of the Outstanding Supporting Actor, Actress and Rising Star (Outstanding Underclassman) awards also earn a full year of free classes at the Denver Center. "Theatre is alive in Colorado," said Education Director Allison Watrous. “The DCPA is proud to be a part of your journey.”

    A Bobby G AwardsWhile the Bobby G Awards culminate each year with Thursday's awards ceremony, which is modeled after the Tony Awards, the year-long focus of the program is to both celebrate and educate. The participating schools receive detailed feedback on their musical productions from the adjudicators. The 10 nominated Outstanding Actors and Actresses are invited to the Denver Center two weeks before the awards to prepare a medley together in community and friendship, which they then perform at the ceremony on the Ellie Caulkins stage.

    Each of the five nominated Outstanding Productions performed a musical number during the ceremony, each drawing thunderous appreciation from an enthusiastic Ellie Caulkins  crowd estimated at 1,800.

    The Bobby G Awards were founded in 2013 by the late DCPA President Randy Weeks. They are named after late producer Robert Garner, who established Denver as a top destination for touring Broadway shows.

    The Master of ceremonies was again Greg Moody, longtime known as Colorado's Critic-At-Large for CBS-4.

    John Moore was named one of the 12 most influential theater critics in the U.S by American Theatre Magazine in 2011. He has since taken a groundbreaking position as the Denver Center’s Senior Arts Journalist.

    THE 2016-17 BOBBY G AWARDS

    Hair and Makeup

    Outstanding Achievement in Hair and Make-up Design

    Cierra Denning and Izze Sajdak
    The Scarlet Pimpernel
    , Chaparral High School

    Other nominees:

    • Devan Green, Fiddler on the Roof, Brighton High School
    • Katie Kostenik, Sweeney Todd, Lakewood High School
    • Lydia Cole, Averi Davis, Emma Smith and Hannah Tester, Children of Eden, Mountain View High School
    • Maya Julien, Christina Larez and Simone Rodriguez, In the Heights, North High School and STRIVE Prep Excel High School


    Costumes

    Outstanding Achievement in Costume Design

    Camille Gionet, Kaila Govan and Alyssa Mader
    Sweeney Todd, Lakewood High School

    Other nominees:
    • Joe Kennedy and Anne Murphy, Aida, Fairview High School
    • Mollie Beck and Rebecca Spafford,The Addams Family, Fossil Ridge High School
    • Jen Bleem, Lauryn Starke, Cynthia Vega and Ramses Vega, Children of Eden, Mountain View High School
    • Mona Lucero, Simone Rodriguez and Sarah Davies-Schley, In the Heights, North High School and STRIVE Prep Excel High School


    Lighting


    Outstanding Achievement in Lighting Design

    Ethan Thomas and T.J. Thomas
    The Little Mermaid,
    Ralston Valley High School

    Other nominees:
    • Demian Detweiler and Scott Nelson, Pippin, Aspen High School
    • Brian Morgans, The Scarlet Pimpernel, Chaparral High School
    • Jude Franco, Dennis Gilsdorf and Nich Gilsdorf, Children of Eden, Mountain View High School
    • Karley Durate, Anthony Heredia, Joylene Quintana and Travis Roth, Tarzan, Westminster High School


    Scenic

    Outstanding Achievement in Scenic Design
    Hannah Freeman and Tom Ward
    Pippin,
    Aspen High School

    Other nominees:

    • Katya Hirsch and Chris Sweeney, Rent, Boulder High School
    • Clare Buntrock, Rachel Barckholtz, Taylor Dykstra and Jace Smykil, Sweeney Todd, Lakewood High School
    • Josh Belk and Starr Samkus, Starlight Express, Palmer Ridge High School
    • Tori Byam and Liam Southwick, Beauty and the Beast, Durango High School


    Choreography

    Outstanding Achievement in Choreography
    Angie Dryer
    Sweeney Todd, Lakewood High School

    Other nominees:

    • Lindsey Solano, Fiddler on the Roof, Brighton High School
    • Caitlin Parets, Guys and Dolls, Loveland High School
    • Evan DeBord, Tammy Johnson, Cydney Kutcipal and Rachel Miller, Children of Eden, Mountain View High School
    • John DeYoung and Jamie Geary, Pippin, Valor Christian High School


    Musical Direction

    Outstanding Achievement in Musical Direction
    Marty Magehee, Rick Paswaters and Jenny Timmons
    Pippin, Valor Christian High School

    Other nominees:

    • Duncan Cooper, Cabaret, Bear Creek High School
    • Mary Bateman, Rent, Boulder High School
    • Steve Hinman and Luke Tredinnick, The Scarlet Pimpernel, Chaparral High School
    • Bryce Melaragno and Debbie Miller, Sweeney Todd, Lakewood High School


    Chorus

    Outstanding Performance by a Chorus
    Rent

    Boulder High School

    Other nominees:

    • Sweeney Todd, Lakewood High School
    • Children of Eden, Mountain View High School
    • Pippin, Valor Christian High School
    • The Pirates of Penzance, Wheat Ridge High School


    Orchestra

    Outstanding Performance by an Orchestra

    Rent

    Boulder High School

    Other nominees:

    • Cabaret, Bear Creek High School
    • Fiddler on the Roof, Brighton High School
    • The Producers, Denver School of the Arts
    • Aida, Fairview High School


    Supporting Actress

    Outstanding Performance by an Actress in a Supporting Role
    McKinley Mueller
    Grandma Addams, The Addams Family
    Glenwood Springs High School

    Other nominees:

    • Stella Martin as Andrea, Once on This Island, Conifer High School
    • Anna Rosenthal as Grandma Addams, The Addams Family, Heritage High School
    • Alexa Hand as Sydney, It’s a Bird, It’s a Plane, It’s Superman, Resurrection Christian School
    • Libby Lukens as Jan, Grease, Steamboat Springs High School


    Supporting Actor

    Outstanding Performance by an Actor in a Supporting Role
    Will Warner
    Beadle Bamford
    Sweeney Todd

    Lakewood High School

    Other nominees:

    • Will Coleman as Lumiere, Beauty and the Beast, Arvada West High School
    • Brandon Michael as Herr Schultz, Cabaret, Bear Creek High School
    • Adrian Clark as Farleigh, The Scarlett Pimpernel, Chaparral High School
    • Luccio Dellepiane, Harold Bride, Titanic, Cherry Creek High School


    Rising Star

    Rising Star

    Joe Robinson
    Dewhurst
    The Scarlet Pimpernel

    Chaparral High School

    Other nominees:

    • Ana Lemus as Serena, Legally Blonde, D’Evelyn High School
    • Luke McKenzie as Theo, Pippin, George Washington High School
    • Sam Feng as Oz Guard, The Wizard of Oz, Lutheran High School
    • Ellie Hill as La Fou, Beauty and the Beast, Regis Jesuit High School

    Leading Actress

    Outstanding Performance by an Actress in a Leading Role

    Elleon Dobias
    Catherine
    Pippin

    Valor Christian High School

    • Asha Romeo as Joanne Jefferson, Rent, Boulder High School
    • Grace Nolte as Marguerite St. Just, The Scarlett Pimpernel, Chaparral High School
    • Cameron Marter as Mrs. Lovett, Sweeney Todd, Lakewood High School
    • Chantal King as Witch, Into the Woods, Niwot High School


    Leading Actor

    Outstanding Performance by an Actor in a Leading Role
    Austin Hand
    Gomez Addams
    The Addams Family

    Fossil Ridge High School

    Other nominees:

    • Jesse Shafroth as Mark Cohen, Rent, Boulder High School
    • Chandler Carter as Chauvelin, The Scarlett Pimpernel, Chaparral High School
    • Trey Kochevar as Sweeney Todd, Sweeney Todd, Lakewood High School
    • Gable Kinsman as Pippin, Pippin,Valor Christian High School


    Direction

    Outstanding Achievement in Direction
    Tami LoSasso and Yovana Milosevic
    Sweeney Todd

    Lakewood High School

    Other nominees:

    • Shelly Cox-Robie, Rent, Boulder High School
    • Kate McRaith, The Addams Family, Glenwood Springs High School
    • Katie Marshall, Children of Eden, Mountain View High School
    • Lindsey Hutcheon and Kurt Muenstermann, Pippin,Valor Christian High School


    Overall Production

    Outstanding Overall Production of a Musical
    Pippin

    Valor Christian High Schoo
    l

    Other nominees:

    • Rent, Boulder High School
    • The Scarlet Pimpernel, Chaparral High School
    • Sweeney Todd, Lakewood High School
    • In the Heights, North High School and STRIVE Prep Excel High School

    Valor


    Valor Christian High School's production of 'Pippin.'



    Video: A look back at the 2016 Bobby G Awards



    More video and photos from Thursday's awards ceremony will be posted next week.

    2017 SPECIAL ACHIEVEMENT WINNERS:

    • Achievement in Orchestra: Tim Costello, Cabaret, Bear Creek High School
    • Achievement in Scenic Design: Danielle Waldman, The Producers, Denver School of the Arts
    • Achievement in Technical Direction: Chris Brown, Into the Woods, Niwot High School
    • Special Achievement for a Premiere Production in Colorado: cast and crew of Starlight Express, Palmer Ridge High School
    Previous 2017 Bobby G Awards coverage
    Meet your 2017 Bobby G Awards Outstanding Actress finalists
    Meet your 2017 Bobby G Awards Outstanding Actor finalists
    2016-17 Bobby G Award finalists are announced

    Video: Montage welcoming all 42 participating schools:

    Watch our welcoming video introducing all 42 schools participating in the 2016-17 Bobby G Awards. Video shot by DCPA Video Producer David Lenk.

  • Photos: 'Shakespeare in the Parking Lot'

    by John Moore | May 24, 2017
    2017 Shakespeare in the Parking Lot

    Photo gallery: DCPA Teaching Artist John Hauser performs with 'Shakespeare in the Parking Lot' at the recent Denver Public Schools Shakespeare Festival. To see more, click the forward arrow on the image above. All photos by John Moore for the DCPA NewsCenter.


    Traveling to high schools across Colorado, DCPA teaching artists perform abridged versions of Shakespeare plays for a popular education program called Shakespeare in the Parking Lot. The next day, the actors often conduct classroom workshops to help students make the connection between the play its current-day relevance in their own lives. Here are photos from spring 2017, when the cast performed 45-minute versions of A Midsummer Night's Dream and Romeo and Juliet.

    Now finishing its third year, Shakespeare in the Parking Lot has now served about 25,000 Colorado students, 15,000 this school year alone. DCPA Education traveled to 31 schools in eight counties, did 98 performances and conducted 59 classroom workshops. The photos above come from performances of Midsummer at a local library, as well as the Denver Public Schools Shakespeare Festival.

    Our full coverage of the DPS Shakespeare Festival

    The current cast is made up of Jessica Austgen, John Hauser, Kevin Quinn Marchman, Chloe McLeod, Jenna Moll Reyes and Justin Walvoord, with technical support from Stuart Barr. The director is DCPA Director of Education Allison Watrous.

    Teachers can book performances for the fall by emailing education@dcpa.org.

    All photos by John Moore for the DCPA NewsCenter. 


    Shakespeare in the Parking Lot is made possible by a grant from Anadarko.

    Selected previous coverage of Shakespeare in the Parking Lot
    How Shakespeare in a truck rolls down the window on today's world
    Shakespeare in the Parking Lot brings Bard to life at Weld Central High
    2015 True West Award: Rosaline the 1980 Ford F-250 Farm Truck
    The Shakespeare in the Parking Lot home page

    More Colorado theatre coverage on the DCPA NewsCenter

  • With 'The Snowy Day,' DCPA Education launches 'Theatre for Young Audiences'

    by John Moore | May 06, 2017

    nowy Day Allison Watrous
    Photo by John Moore for the DCPA NewsCenter.



    Up to 20,000 area children will be introduced to live theatre
    next fall through the story of a boy who discovers snow.

    By John Moore
    Senior Arts Journalist

    Although the Denver Center served more than 84,000 youth last year through its expansive education programs, it recently identified a gap: Live theatre was being exposed to virtually every age group except pre-school through 3rd graders. And educators believe it is crucial to introduce the vital force that live theatre can be in the lives of young people during those early years, said DCPA Education Director Allison Watrous.

    Theatre has not only been shown to boost academic achievement among early childhood learners, “live performance can have a large impact on the way a kindergartner views and thinks about the world,” said Watrous. “This is a critical new audience base for the Denver Center to seek out and serve."

    A Snowy Day PeterAnd so, starting in the fall, DCPA Education is launching its new Theatre for Young Audiences program. In full partnership with the DCPA Theatre Company, DCPA Education will stage 100 performances of The Snowy Day and Other Stories in the Conservatory Theatre. It is estimated that 20,000 children from around the metro area will see the production between Sept. 21 and Nov. 18.

    “It is definitely a goal of the Education Department to make sure that we are engaging as many students as we can throughout the year through live performance,” Watrous said. “We think we are doing a fantastic job serving middle school and high school kids through our student matinee program; through our traveling Shakespeare in the Parking Lot program; and through our classes and workshops. But there is always more to do. And with The Snowy Day, now we have the opportunity to really open up the world to younger children.”

    By expanding the focus to welcome early education students, “the DCPA will now serve a full spectrum of ages and expand its opportunities for youth by more than 20 percent,” said Suzanne Yoe, DCPA Director of Communications and Cultural Affairs.

    The Snowy Day Ezra Jac KeatsThe Snowy Day, written in 1962 by Caldecott Award-winning author and illustrator Ezra Jack Keats, tells the simple story of a boy named Peter and the wonder of his first encounter with snow. Only there was something revolutionary in the story’s sweet simplicity: Peter is a black child. “Ezra Jack Keats was a Caucasian writer, and that he chose to put an African-American child at the center of several of his books during the civil-rights movement was really extraordinary,” Watrous said.

    The Denver Center production, which will last about an hour, will cover four books in the Snowy Day series – one for each season of the year (including Goggles, A Letter to Amy and Whistle for Willie.). So it essentially will cover a year of Peter’s childhood.

    The play, told largely with the assistance of puppets, will be performed by three professional local actors and will benefit from the resources of the DCPA Theatre Company’s full-time creative staff: Director of Design Lisa Orzolek will create the set; Costume Crafts Director Kevin Copenhaver will design the costumes; and the lights will be designed by Charles MacLeod. Watrous promises a dynamic, tactile production in which all of the audiences’ senses are activated.

    Most of the 100 performances will be held on weekdays for schools taking field trips to the Denver Center. Saturday performances will be open to the public. Tickets are $10, but the DCPA will make 9,000 “scholarships” (free tickets) available to teachers whose students need financial assistance to attend.

    Frozen OnSale.jpg_largeBecause this will be many of the audiences' first exposure to live theatre, DCPA Education will expand the experience by making preparatory classroom materials available to teachers in advance. Schools are also welcome to stay after each performance for complementary (and complimentary!) workshops modeled after the story and presented by DCPA Education’s staff of Teaching Artists.

    “As a large cultural institution within this community, it is important to the DCPA that we support schools, especially in the seven-county metro area, and advocate for arts and arts access for all students,” said Watrous, whose far-reaching involvement in the local theatre community includes directing the upcoming season-opening play The Revolutionists, by Lauren Gunderson (The Book of Will) for the Boulder Ensemble Theatre Company in September.

    More Colorado theatre coverage on the DCPA NewsCenter

    “If you cultivate the wonder of the arts at an early age, then that becomes part of the fabric of the learner - and the human being,” Watrous said. “Theatre makes you a stronger reader. Theatre makes you more collaborative. Theatre makes connections in your mind that can change how you look at a book, how you look at a painting, how you look at a sculpture and how you look at difficult issues in our world. Of all the beautiful transferable skills you can develop through live theatre, perhaps the most important is that it can make you more empathetic in how you view the world.

    “I hope this is the beginning of something really fantastic.”

    Ths month, Well not anymore! Denver Center for the Performing Arts’ Education is launching its first Theatre for Young Audiences program, which features two productions in 2017  Oily Cart’s In a Pickle

    Sneak peek: Oily Car's In a Pickle
    Oliy CartA small group of Denver schoolchildren are getting a taste of what is to come from the Theatre for Young Audiences program this month with In a Pickle, an interactive children's story that is being presented May 19-26 as a co-production between DCPA Education, New York’s Lincoln Center for the Performing Arts and the Brooklyn Academy of Music. This performance draws upon the inquisitive nature of children ages 2-5. Using all of their senses, these tiny audience members embark on a voyage of discovery through an excerpt from William Shakespeare’s The Winter’s Tale that features fancy costumes, live music, perfumes and textures to explore along the way.

    The story begins when the Shepherdess and her flock of sheep have a party to celebrate the sheep shearing. When they come across a lost baby, the children must follow the clues to determine what to do in search of a happy ending.

    Due to the interactive nature of the play, audience size is extremely limited. An invited group of 30 children per performance is attending In a Pickle from the Clayton Early Learning and Montclair, Barnum and Polaris elementary schools.

    John Moore was named one of the 12 most influential theater critics in the U.S by American Theatre Magazine in 2011. He has since taken a groundbreaking position as the Denver Center’s Senior Arts Journalist.

    The Snowy Day and Other Stories: Ticket information

    • Written by Ezra Jack Keats; adapted for the stage by Jerome Hairston
    • Sept. 21-Nov. 18
    • School Performances: Weekdays 9:30 and 11:30 a.m. (except Thursdays are at 10 a.m. and 1 p.m.)
    • Public Performances: Saturdays, time TBA
    • Conservatory Theatre, located in the Robert and Judi Newman Center for Theatre Education
    • 1101 13th St., Denver, CO
    • Tickets $10 (discounts and scholarships available)
    • Best suited for: Pre-K through third grade
    • Teachers: Inquire by clicking here or calling 303-446-4829
    • Public weekend performances will go on sale at a later date
  • Hurlyburly of nation's largest student Shakespeare Festival returns Friday

    by John Moore | Apr 24, 2017

    Our video report from the 2015 DPS Shakespeare Festival, which was considerably sunnier than last year's event. Video by David Lenk and John Moore for the DCPA NewsCenter.


    In Shakespeare's world, clothes make the man. Here's how they will make (but not break) 5,000 Denver students on Friday.

    By John Moore
    DCPA Senior Arts Journalist

    Friday’s 33rd annual Denver Public Schools Shakespeare Festival is expected to draw 5,000 students in adorable Shakespearean garb to perform more than 600 scenes and sonnets in theatres and tents and crannies all around the Denver Performing Arts Complex. Which, when you think about it, is a whole lot of Shakespearean garb. And garb ain’t cheap.

    But it can be.

    2016 DPS Shakespeare FestivalIn these tight times, some schools provide teachers with modest funding for the semester-long classroom project, culminating in the oldest and largest student Shakespeare festival in the country. And for this festival, bona fide costumes are mandatory. Over the years, some DPS teachers have been known to dip into their own pockets to help the costume cause, while others have simply had to go it alone.

    Steele Elementary School teacher Lane Miller is grateful not to be among them. He’s rallied an entire village of students, parents, school-district officials and members of the DCPA Education staff to help his students prepare for Friday’s festivities.

    “I really haven't ever raised money for the festival,” said Miller. “I think one thing DPS teachers need to know is where you can get the help you need. I have a key parent who orders T-shirts, occasionally helps with rehearsals, created our signs and helps with logistics at the festival.”

    Miller also called the DCPA for help with costume tips on a limited budget, and Costume Design Associate Meghan Anderson Doyle and At-Risk Coordinator Rachel Taylor responded by fashioning a free “Costuming on the Cheap” workshop at Steele Elementary that was attended by 160 parents and students on Feb. 23. The DCPA staffers got the children thinking about how you can spark costume creativity just by grabbing an old T-Shirt.

    “The goal of the workshop was to reinvent contemporary clothes from your closet or the thrift store as costumes that can help the students tell their stories,” said Doyle. “We wanted to make the experience kid-centered and the costumes kid-created without breaking the bank.”

    DPS Shakespeare Festival 2016
    The 2015 DPS Shakespeare Festival parade from the 16th Street Mall to the Denver Performing Arts Complex.  Photo by John Moore for the DCPA NewsCenter.


    Taylor and Doyle eased the potential intimidation of students and parents finding or crafting Shakespearean costumes by removing sewing from the equation altogether. “We made ruffs out of coffee filters, doublets out of T-Shirts and shoelaces, and togas for Julius Caesar out of pillow cases,” Doyle said.  

    DPS Shakespeare Festival QUOTEMiller said the workshop was amazing. He also credited Beau Augustin, the Dance and Theatre Arts Instructional Curriculum Specialist for Denver Public Schools, as well as its district-wide costume department, led by Costume Shop Specialist Jean Benson, for their assistance. DPS houses more than 5,000 costumes in different time periods and styles, all of which are available to teachers who need them for the festival, along with a vast selection of accessories. More than 70 DPS schools participate in the festival each year.

    “Jean is the most talented costumer,” Miller said. “I have ordered more then 180 costumes from her for the festival before. This year, I only ordered a measly 80. All of our third-graders will be in costumes supplied by her.

    But the responsibility for costumes, and really all things DPS Shakespeare Festival, begins with the students themselves, Miller said. 

    "Our fourth- and fifth-graders create their own costumes, research their own characters and block their own scenes,” he said. "You can do it with a lot of help or very little. But knowing and utilizing your resources is key. The help is out there.”

    DPS Shakespeare FestivalThis will be the Denver Center’s third year co-presenting the festival with Denver Public Schools. DCPA Education Director Allison Watrous, a past Grand Marshal of the pre-festival parade, thinks the entire experience is an opportunity for the students to take pride in all they have invested in the project.

    “These schools have been working really hard on their scenes for months, and so the festival becomes a day of celebration," Watrous said. "They have gone through an audition process; they have memorized their lines; they have created their costumes. And now they get to walk in the parade through downtown Denver. You can feel the excitement from the moment they come off the school bus. Then they get to perform on our stages and get adjudicated by experts who provide helpful feedback and awards.

    "It is a great day because we are celebrating as individual classes, as individual schools, as the largest school district in the state and we are celebrating as a city. That's awesome.”

    DPS Shakespeare FestivalDPS Superintendent Tom Boasberg says studying Shakespeare in the classroom is itself a rich lesson in literature, culture, language and politics. “But having the opportunity to act in a production of Shakespeare’s works at a world-class venue like the Denver Center takes those lessons a step further," he said, "giving students a chance to experience the thrill and personal rewards of creative expression, which is such a critical part of a well-rounded education."

    John Moore was named one of the 12 most influential theater critics in the U.S by American Theatre Magazine in 2011. He has since taken a groundbreaking position as the Denver Center’s Senior Arts Journalist.

    33rd Annual Denver Public Schools Shakespeare Festival

    • 10 a.m.: Opening Ceremonies will be held at 15th and Arapahoe streets
    • 10:15 a.m.: All students will join a short parade down the 16th Street Mall to the Denver Performing Arts Complex
    • 10:45 a.m. through 4:15 p.m.: Short performances of sonnets and scenes from the works of Shakespeare, as well as demonstrations of dance, music and songs from Shakespeare’s time.
    • Ages: Kindergarten through high school
    • This year’s theme play: Much Ado About Nothing
    • More information on auditioning, workshops and resources for educators: shakespeare.dpsk12.org

    Photo gallery: The 2016 DPS Shakespeare Festival:

    2016 DPS Shakespeare Festival

    Photos by John Moore for the DCPA NewsCenter. To see more, click the forward arrow on the image above. Photos may be downloaded and recirculated with source attribution. Click on any photo to download.

    Our 2016 DPS Shakespeare Festival coverage

    Our 2015 DPS Shakespeare Festival coverage

    Our 2014 DPS Shakespeare Festival coverage

  • 'Cult Following: Rated G' brings improv to the 'mini' masses

    by John Moore | Apr 19, 2017
    Cult Following Rated GA scene from 'Cult Following: Decide Your Destiny' in 2015. Next, 'Cult Following' is offering performances geared for third- through fifth-graders. Photo by John Moore for the DCPA's NewsCenter. 

    The Cult Following actors don’t have to awaken the
    inner child of this audience. They still are their inner child.

    By John Moore
    Senior Arts Journalist

    At its best, improv comedy is essentially game night – with a playful audience. A group of highly trained actors perform completely invented scenes driven by audience suggestions. It is unscripted theatre without a net. And when it is done well, the actors behave with the abandon of a third-grader – and their audiences snickering with the abandon of a third-grader.

    Which is what makes professional improv actors – and young audiences – the perfect match. And the Denver Center is doing some matchmaking. Better stated: The Denver Center is arranging a play date.

    Since 2011, Cult Following has been DCPA Off-Center’s signature series of unrehearsed team improv comedy evenings. They feature the fast-talking and quick-thinking talents of some of Denver’s best comic performers typically performing for a pretty cool crowd of generally younger adult audiences.

    But on April 29, and again on May 13, Off-Center and DCPA Education are joining forces for Cult Following: Rated G. Essentially the veteran Cult Following lineup of Jessica Austgen, Sarah Kirwin, Brian McManus, Nanna Sachiko Thompson and Chris Woolf will be creating improvised fairy tales with the help of (ideally) audience of third- through fifth-graders and their families.

    Cult Following Rated G Allison WatrousDCPA Director of Education Allison Watrous says the goal of improv comedy is to get audiences to think like a child, to be willing to play in a sandbox, to think on their feet and laugh at some seriously silly things. The Cult Following actors don’t have to awaken the inner child of this audience. They still are their inner child.

    Watrous emphasizes Cult Following: Rated G is an audience-involved performance, as Off-Center shows always are, but this is not a class teaching young people the basics of improv. (Those kinds of classes are separately available through DCPA Education.)

    “Improv is all about cultivating a sense of play, and all of us were more connected to our sense of play when we were in elementary school,” she said. “As we move through middle school and high school and into adulthood, we are in constant danger of losing that sense of play. Improv comedy is a good reminder for all of us how important play is, and also how productive play is.”

    More Colorado theatre coverage on the DCPA NewsCenter

    The Rated G program, developed by Watrous with Austgen, DCPA Associate Director of Education Patrick Elkins-Zeglarski and Off-Center curator Charlie Miller, will include two mid-week matinees for participating schools coming on field trips. The goal from the start was to create a program that will appeal to educators by complementing their classroom work, especially as it pertains to creative writing and effective storytelling.

    "Educators are really looking for experiences for their students that have real value," Watrous said. "We really wanted to make sure that we are connecting to what English teachers might be covering in their classrooms. We're playing within a form that really teaches the students about story structure, about character, about plot and about story climax. So if I were a teacher in an elementary school, I would be really excited about this opportunity to give their students an amazing, fun time, and yet they leave knowing their writing also just got stronger, their vocabulary also just got stronger and their understanding of literary terms also just got stronger."

    Cult Following Rated G Jessica Austgen and in a previous 'Cult Following' performance. Photo by John Moore for the DCPA NewsCenter.


    Cult Following: Rated G

    • 11 a.m. Saturday, April 29: Public performance in the Jones Theatre
    • 11 a.m. Sunday, May 13: Public performance in the Jones Theatre
    • Ticket price: $10
    • Run time approximately 60 minutes
    • Age recommendation: All ages. Designed with families of elementary-school children in mind. Children 4 and over are welcome.
    • Tickets: Teachers or schools. Call 303-446-4829 or email groupsales@dcpa.org. There are two student matinees currently available, at 10 a.m. and 11:30 a.m. on Tuesday, May 16.
    • Tickets: Public and families: Call 303-893-4100 or BUY ONLINE
  • Authentic voices: 2017 student playwriting winners announced

    by John Moore | Apr 11, 2017
    Video: We talked with the four 2017 student playwriting finalists whose plays were read by DCPA actors at the Colorado New Play Summit in February. Video by David Lenk and John Moore for the DCPA NewsCenter. 


    Two student writers will have their one-act plays
    fully staged in public performances in June.

    By John Moore
    Senior Arts Journalist

    The mission of DCPA Education’s annual year-long student playwriting competition is to help high-school writers find and cultivate their authentic voices. And this year, for the first time, it has ultimately chosen to celebrate two.

    The winning plays of the fourth annual Regional High School Playwriting Workshop and Competition are Dear Boy on the Tree, written by Jasmin Hernandez Lozano of Vista Peak Preparatory Academy in Aurora, and Spilt Lava, written by Ryan McCormick of Fort Collins High School. Both plays will be given full productions in June, performed by DCPA Education’s summer teen company.

    Teen Playwriting QuoteBoth plays feature young couples exploring connection in unusual places. In Spilt Lava, a boy and girl float across each other on doors in a world where the floor is made of burning lava. Dear Boy on the Tree is a gender-reversed take on Rapunzel, featuring a boy hiding in a tree who is trapped by his fear until a girl named Willow happens along.

    “At the DCPA, we know it is so important to cultivate young playwrights,” said Director of Education Allison Watrous. “That's what this program is all about.”

    Each fall, DCPA Teaching Artists go out into schools statewide, deliver playwriting workshops and encourage students to write and submit one-act plays for the competition. This year, those Teaching Artists went to 46 high schools and delivered 138 workshops for more than 2,800 students. “We really want to encourage teenagers to tell amazing stories and put their plays out in the world,” Watrous said.  

    This year, 132 one-act plays were received and judged blindly. In January, 10 were named as finalists. Of those, four were chosen to have a workshop and staged reading by DCPA actors at the 2017 Colorado New Play Summit in February. The process mirrors exactly what happens to the four new plays featured by the DCPA Theatre Company at each Summit. “It's really the first time these students have an opportunity to hear the play on its feet with a cast of actors,” Watrous said. “That gives the playwright the opportunity to really fine-tune the play as it moves to its next stage of development.”  

    IStudent Playwriting Ryan McCormickn previous years, one play has been ultimately chosen for a full summer production. This year, competition officials chose to advance both Lozano and McCormick’s scripts to full stagings.

    Lozano, a first-generation American whose parents do not speak English, asked her brothers if she was hallucinating when she read the email telling her she had been named a finalist.

    “I started crying right then and there because it was so emotional,” said Lozano. “Then my mom heard me crying and she said, 'What's happening? What's happening?' I explained everything to her in Spanish and then we all started crying, because we're a family of criers.

    Teen Playwriting Jasmin Hernandez LozanoLozano, who wrote her play in English, was born in a neighborhood “where I had a lot of limits,” she said, “so I would never assume I could win something like this. I don't have a family that has won a lot of awards. So winning this is one step toward getting out of that stereotype that Hispanic people can’t achieve as much as other people.”

    McCormick, now a senior, also was a top-10 finalist his sophomore year. He wrote Spilt Lava in part “because there was a girl I was trying to convince to date me, and she was reluctant,” he said. He credits the DCPA and his teachers for giving him the creative confidence to set his unlikely play on a floor of lava.

    “I've been working on it for a while, so it went through different phases,” he said. “As I got to higher English classes in high school, we started learning about postmodernism and the idea that if everyone believes something, then that is its own reality - and the lava floor is a perfect example of that. I wrote a love story where the floor happens to be lava.”

    Student Playwriting Allison WatrousThe winning plays will be performed back-to-back twice at 1:30 and 7 p.m. on Friday, June 16, in the DCPA’s Conservatory Theatre. Admission is free, and the public is welcome. Both will be directed by actor and published playwright Steven Cole Hughes.

    The other finalists were Parker Bennett of Fossil Ridge High School (Counting in Clay and Jessica Wood of Denver Christian School (Chill Winds). Wood is the first student in the competition's history to advance to the Colorado New Play Summit twice.

    “It was such an amazing experience last year to be able to see my play go through the workshop process and then have a staged reading,” said Wood. “I was so excited to come back and to experience that again. Programs like this just don't exist in very many places.”

    The four finalists each received personal mentoring from a professional playwright at the Summit, culminating in public readings that were attended by their families and friends alongside theatre professionals from all around the country. Last year, Wood was mentored by Lauren Yee, whose play Manford at the Line was developed at the 2017 Summit and will be fully staged as part of the DCPA Theatre Company’s next mainstage season.

    “It was so amazing to be able to meet with someone who actually makes a living from playwriting,” Wood said of Yee. “Just to hear her say, 'Your play was really good' was an incredible feeling for me.”

    Student Playwriting Allison WatrousMcCormick said advancing as far as the Summit was all he could have hoped for. “To come here and just be able to rub shoulders with professionals and just be a part of this whole Summit has been crazy,” he said.

    In addition, each teacher of the four finalists will receive a $250 gift certificate for books, supplies or other teaching tools for their classrooms. And as an added bonus, the DCPA will publish all four of the finalists’ plays.

    “We do that so we can continue to create a volume of the plays each year and to really commemorate this work,” Watrous said. “Now these writers are now all published playwrights, which is very exciting.”

    Some of the 132 participating students may become professional playwrights someday. But the greater goal, Watrous said, is to advance literacy, creativity, writing and communication, which are skills that can help them in all aspects of their adult lives.


    Photo gallery: 2016-17 Student Playwriting

    2017 Student Playwriting

    To see more photos, click the forward arrow on the image above. All photos are downloadable for free and may be used for personal and social purposes with credit. Photos by John Moore for the DCPA NewsCenter.
     

    2017 Regional High-School Playwriting Workshop and Competition Sponsors:
    Robert and Judi Newman/Newman Family Foundation with matching gifts from The Ross Foundation, June Travis and Transamerica.

    Our profiles of all 10 of the 2017 semifinalists:
    Parker Bennett, Fossil Ridge High School
    Corinna Donovan and Walker Carroll, Crested Butte Community School
    Jasmin A. Hernandez Lozano, Vista Peak High School
    Ryan Patrick McCormick, Fort Collins High School
    Abby Meyer and Nic Rhodes, Fossil Ridge High School
    Amelia Middlebrooks, Valor Christian High School
    Samantha Shapard, Overland High School
    Sarah Shapard, Overland High School
    Daniela Villalobo, York International
    Jessica Wood, Denver Christian School
  • Shakespeare rolls down the window on today's world

    by John Moore | Mar 12, 2017
    Shakespeare in the Parking Lot

    Photos from DCPA Education's 'Shakespeare in the Parking Lot' program over the past three years, most recently a visit to University Schools in Greeley. To see more, click the forward arrow on the image above. Photos by McKenzie Kielman and John Moore for the DCPA NewsCenter.

    How presenting Shakespeare in a pick-up truck
    rolls down the window on everyday issues for students 

    By McKenzie Kielman
    For the DCPA NewsCenter

    “What light through yonder window breaks?” 

    If you are Stuart Barr and Max McEwen, abosutely none. For the DCPA Education crew to arrive in Greeley on time, the equipment must be loaded onto a truck before the sun rises. On this Tuesday morning, that’s 4:30 a.m. Pitch dark.

    Traveling to high schools across Colorado, DCPA teaching artists perform abridged versions of Shakespeare plays for a popular education program called Shakespeare in the Parking Lot. The next day, the actors conduct classroom workshops to help students make the connection between the play its current-day relevance in their own lives.

    Stuart BarrThere would be no Shakespeare in any parking lot without the early morning prep work undertaken by Barr, the DCPA Education’s Technical Director, and McEwen, his Assistant Technical Director. They meet in the pre-dawn dark at the downtown warehouse where the equipment is stored, but they have devised a methodical system to load their rig under the helpful aid of a nearby streetlight. The main set piece going along for the ride is an old, white 1980 Ford F-250 Farm Truck. It’s a beat-up contraption with a crystal door handle to accessorize the gearshift. But it has no mirrors, license plates or other legalities necessary to be road-ready.

    In fact, the truck has been known to have a mind of its own when Barr tries to get the motor to turn over after chilly evenings. The gas pedal will stick, and off they often fly. Surely the Bard’s line, “Do you bite your thumb at us, sir?” has come to Barr’s mind during these moments. The crew jokes that in order for the truck to be the center of a production filled with interesting characters, it had to be a character itself. They call this truck Rosaline - after the poor girl Romeo dumped about two seconds after first seeing Juliet.   

    When the truck has been tamed and tethered onto the flatbed, there is a quick double-check of necessary equipment, and then off toward Greeley they go, the Hamilton soundtrack punctuating the crisp morning air.

    While the program is called Shakespeare in the Parking Lot, the “parking lot” portion of the title can be interpreted liberally. The location of the actual performance at each school can vary widely depending on the building layout, traffic, noise pollution and weather.

    Problems are solved as they come up through trial and error, which at times can be painful. During the program's pilot run in 2015, Barr found out the hard way that wireless microphones do not work well near metal buildings. So the crew had to completely dismantle the whole staging and reassemble elsewhere. Now it's more of a well-oiled machine.

    Read more: Shakespare in the Parking Lot visits Weld Central

    Upon arrival, Barr and McEwen go straight into memorized action. And one of the most important items on their daily checklist is to simply take a moment to enjoy the sunrise. After a brief discussion about its quality of color and a comparison to the numerous others they have experienced together, they go back into work mode. Soon the actors arrive and begin assisting with the equipment and other assigned tasks. 

    Shakespeare in the Parking Lot By McKenzie KielmanOnce the stage is set, the equipment operational and the sound check complete, it’s time for fight call. According to union rules, each fight sequence in the performance must be practiced in advance under the supervision of the designated fight captain. Although the actors could by now do these exercises in their sleep - and often do depending on how early their call time is - Fight Captain and actor Jessica Austgen reminds the crew: “Safety first, safety last, safety always.” 

    Other performers in this cast of Romeo and Juliet are John Hauser as Romeo, Jenna Moll Reyes as Juliet, with Napoleon M. Douglas, Chloe McLeod, Joelle Montoya and Justin Walvoord playing a variety of supporting roles. Depending on the size of school, the actors can do up to four performances a day, each 45 minutes long, for audiences that at times exceed 200. 

    Long days spent together in the parking lot or in the classroom together over an intensive five weeks have fostered close friendships among the crew. Between performances, the group will play Frisbee or occasionally luck out to find the school has, say, a disc golf course. It’s in the downtime this crew has gone from co-workers to comrades.

    The sun, if not a curtain, rises

    The performance is timed to coincide with a typical high-school class session so as not to disrupt the normal school routine. On this day, the students seem intrigued by the unusual setting of the performance, the fight scenes, the masquerade ball, Shakespeare in the Parking Lotthe love story and Shakespeare’s beguiling words – all happening on and around this broken-down truck.

    More than 400 years later, Romeo and Juliet remains steeped in recognizable themes of violence, blind loyalty and the origin of love. As the playwright himself said, “Never was a story of more woe than this of Juliet and her Romeo.”

    While the set and costuming are modernized, it is important to DCPA Education Director Allison Watrous, who conceived this pilot program, that the students hear Shakespeare’s actual, if abbreviated, language.

    More Colorado theatre coverage on the DCPA NewsCenter

    "Oftentimes, the students watching these performances have recently read Romeo and Juliet as part of their preparation for the actors’ visit. Seeing the play performed by professional actors after having read it can be vitally helpful in helping the students comprehend the action and its meaning," she said.

    Romeo and Juliet is a cornerstone of high-school reading curricula all over the country. And reading about a sword fight can certainly be exciting. However, it’s a completely different experience to watch a fully choreographed stage combat scene, let alone one that takes place against the cab of a truck.”

    Watrous came up with the idea for Shakespeare in the Parking Lot from seeing newfangled food trucks in action. Performing the play in an environmental setting gives the DCPA an opportunity to engage young audiences in a new way.

    “This unique approach breaks out of the physical theatre and directly delivers the show to students in an outdoor, non-traditional playhouse experience that introduces thousands of students across the region to the theatre arts,” Watrous said.

    Shakespeare in the Parking Lot By McKenzie Kielman 2
    On the second day, the 'Shakespeare in the Parking Lot' program moves into the classroom, here at University Schools in Greeley. Photo by McKenzie Kielman


    Why don't you take it inside?

    The next day, in this case a Wednesday at University Schools in Greeley, the actors lead students through three workshop activities to foster a discussion about the production and its meaning. They are asked to name a line from the play that sounded familiar to them, a character they related to, a moment in the play that stood out, or perhaps the trickiest question: Did Romeo and Juliet really experience true love? The fictional girl is only 14, after all, and the couple have no shared past. The question, put another way: Do you believe in love at first sight?

    With each question, the volume in the classroom grows along with the students' passionate opinions. “When you know, you know,” one group concludes. Another cluster of students disagrees, saying, “We’re too young to know anything for sure.”

    Shakespeare in the Parking Lot By McKenzie Kielman 3For the next segment, the students are asked to register their opinion on a suggested issue by moving to one side of the room or the other, like in a political caucus, to reflect whether they agree or disagree. Taking the middle ground – or being unsure – is not allowed in this exercise. They must take a stand. But as the students begin to defend their positions out loud, they can change sides by moving from one group to the other.

    More Colorado theatre coverage on the DCPA NewsCenter

    An example: “Holding a grudge is a sign of strength.” One student immediately moves to the side indicating that she agrees. When asked to support her position, she giggles and says, “Because I’m petty.” A fellow student disagrees, saying, “It takes more guts to forgive someone.”

    More consequentially, the students are asked: “Violence always leads to violence.” One student disagrees. “You shoot someone, they’re dead,” he says. “They can’t do anything.” But DCPA actor John Hauser, who is co-leading this session, plays devil's advocate by pointing out an example from the performance the day before: Tybalt kills Mercutio, so Romeo kills Tybalt. And in the end, both Romeo and Juliet are dead.

    Another student responds with a real-world example by saying simply: “ISIS.”

    In a lighter moment, the student are asked whether friends should always come first in every situation, even before significant others. A quieter student sets up the scenario more simply: “Pals before gals.” It's a moment of welcome levity after such an earnest examination of the play’s issues.

    (Story continues below video)

    Video: Our visit to Weld Central High School in 2015:



    The workshop allowed the students to dig deep into matters that are clearly important to them both at school and at home. The moderators suggested the following talking points, and each sparked meaningful back-and-forth among the students:

    • Loyalty is dangerous
    • The only appropriate punishment for murder is death
    • Parents can never understand what a child feels
    • Going behind someone’s back can be necessary
    • Teenagers have right to privacy no matter what
    • Parents have a right to know a child’s whereabouts at all times
    • Parents own and therefore can regulate any items they have bought for their child

    To finish up, the students are presented a “what-if” scenario involving a fictional teenager and her father: A senior in high school, a few months shy of turning 18, has been getting into trouble and is disrespectful to her father. She is breaking curfew and other house rules. Frustrated and concerned, the father would like to gain access to her password-protected cell phone and computer. So he asks his older, adult daughter for her help with the passwords. Should the older sister give them to her father? 

    Students immediately dive into arguments on both sides of the issue. As the debate continues, the DCPA moderator adds to the stakes: What if the girl is also coming home with alcohol on her breath, and is possibly experimenting with drugs?

    Most of the students remain on the daughter’s side: “People need privacy,” says one. “Strict parents make for sneaky children,” offers another.

    Others sympathize with where the father is coming from. “What if she’s getting into illegal stuff?” one asks. “If you are not doing anything bad, there would be nothing to hide,” opines another.

    Check out the Shakespeare in the Parking Lot home page

    There is one classroom consensus - that a direct, one-on-one conversation between the father and younger daughter is in order.

    From the start of one normal class period to the end, these students have gone from being quiet and impartial to conversational and assertive. DCPA actor Justin Walvoord later says the point of the workshop wasn’t to change the students' minds about any particular issue. It was to empower them to be opinionated, and also to more thoughtfully consider and respect the opinions of people they don’t necessarily agree with. 

    In its first two years, more than 15,000 students have participated in Shakespeare in the Parking Lot. The program returns on April 3 and runs through May 12 - one week longer than originally scheduled to accommodate demand. Participating schools can now choose between Romeo and Juliet and A Midsummer Night's Dream.

    The bottom line, Barr said, is that Shakespeare in the Parking Lot “is a touring production that introduces Shakespeare to young people who have never seen a play before with a group of very hard-working professional performers who have become a tightly knit group of friends," he said. 

    “And seeing some beautiful Colorado sunrises!”

    McKenzie Kielman is a sophomore at Wartburg College in Waverly, Iowa, and an intern for the DCPA NewsCenter.

    Shakespeare in the Parking Lot is made possible by a grant from Anadarko

    Selected previous coverage of Shakespeare in the Parking Lot
    Shakespeare in the Parking Lot brings Bard to life at Weld Central High
    2015 True West Award: Rosaline the 1980 Ford F-250 Farm Truck
    The Shakespeare in the Parking Lot home page

  • In the Spotlife: Sean Scrutchins of 'Bus Stop'

    by John Moore | Feb 22, 2017
    Sean Scrutchins Arvada Center 'Bus Stop.' M. Gale Photography
    Sean Scrutchins in the Arvada Center 'Bus Stop.' M. Gale Photography.

    (The DCPA NewsCenter regularly profiles actors performing in theatre productions throughout the state of Colorado.)

    MEET SEAN SCRUTCHINS

    Sean Scrutchins, who plays Bo Decker in the Arvada Center's 'Bus Stop,' is a DCPA Teaching Artist who won the 2012 Henry Award for Best Actor ('9 Circles') and the 2014 Henry Award for Best Ensemble ('The Whipping Man'), both at Curious Theatre. 

  • Hometown: Shawnee, Okla.
  • Home now: Denver
  • High School: Shawnee High School
  • Sean Scrutchins Quote College: BFA from the University of Central Oklahoma and MFA from the University of Southern Mississippi
  • What have you done for us lately? I played Damis in the Arvada Center's Tartuffe
  • What's next? I will be playing Guildenstern this summer in the Colorado Shakespeare Festival's Rosencrantz and Guildenstern Are Dead (opening July 21)
  • What is Bus Stop all about? The setting is 1955 Kansas, where a blizzard has stranded a bus of passengers in a small Kansas town diner. Stuck inside, people are forced to deal with each other and themselves. Everyone has something to learn and share about how to live and love one another.
  • Tell us about the challenge of playing Bo Decker: Bo is a young cowboy inexperienced with women. He's spent all his life on a ranch and now has fallen in love with a nightclub singer named Cherie. The character has a challenging journey as overnight he transforms from an inexperienced bucking bronco with no clue how to behave around women into a mature and humbled young man. This transformative journey, mixed with a strong Montana accent - and some really tight Wrangler jeans - makes Bo a very challenging feat.
  • What do you love most about this theatre community? I love this city! I'm from small-town Oklahoma. I lived in a small town in the Deep South for four years and spent several summers along the East Coast. Nothing compares to the Mile High City. It's a mecca of culture for this part of the country. Anything from art, food, craft beer, outdoors and innovation is at my fingertips. Anyone who lives here and isn't appreciative of its beauty and intrigue should try living where I've lived for a while.Devon James Full Code Michael Ensminger
  • What's one thing most people don't know about you? My career as an actor was decided on a coin flip. While looking at colleges, I was either going to pursue my passion for theatre or my passion of the outdoors as a National Park Ranger. I am not exaggerating. The day before enrolling in either the University of Central Oklahoma for theatre or Eastern Oklahoma State for Ranger School, I flipped a coin. It landed heads, and that gave me the amazing life I have today. I am doing theatre in a wonderful community with my talented my wife, Devon, and adorable 2-year-old son, Liam. I'm thankful for how it turned out (but I still fantasize sometimes about wearing that green-and-khaki ranger uniform).

    (Pictured above: Sean Scrutchins' wife, Devon James, recently appeared in the Boulder Ensemble Theatre Company's world-premiere play Full Code.' Photo by Michael Ensminger.)

  • Sean Scrutchins Arvada Center 'Bus Stop.' M. Gale PhotographyWhat’s one thing you want to get off your chest? I think this country needs to have a Bus Stop-ian scenario, where everyone is forced to deal with one another stuck inside. Unable to move forward or back, we must face each other. Listen to each other. Learn from each other. We're all on the same bus headed to the same destination, so why not unify and fight for each other? It's easy to distance ourselves from others when they aren't sitting across the table from you. The true challenge we face as a citizenry, if we're ever going to move forward, is to seek understanding and to empathize. 

  • Arvada Center's Bus Stop: Ticket information

    • Written by William Inge
    • Directed by Allison Watrous
    • Feb. 24-April 15
    • In the black-box theatre
    • Performances:
    7:30 p.m. Thursdays through Saturdays
    1 p.m. Wednesdays
    2 p.m. Sundays
    Also 7:30 p.m. Wednesday, March 29
    • 6901 Wadsworth Blvd.
    • Tickets $45
    • Info: 720-898-7200 or the arvada center’s home page

    (Photo at right: Sean Scrutchins and Emily Van Fleet in the Arvada Center 'Bus Stop.' M. Gale Photography.)

    Cast list:

    • Emily Van Fleet as Cherie)
    • Sean Scrutchins as Bo
    • Kate Gleason as Grace
    • Sam Gregory as Dr. Lyman
    • Geoffrey Kent as Will
    • Michael Morgan as Virgil
    • Jenna Moll Reyes as Elma
    • Josh Robinson as Carl

    Sean Scrutchins in Arvada Center's 'Tartuffe.' M Gale Photography
    Sean Scrutchins as Damis in the Arvada Center's recent production of 'Tartuffe.' M. Gale Photography.

    More 'In the Spotlife' profiles:

    Meet Lauren Bahlman of Wide-Eyed West's theMumblings
    Meet Mark Collins of And Toto Too's Lost Creatures
    Meet Carley Cornelius of Colorado Springs TheatreWorks' Constellations
    Meet Emily Paton Davies of Miners Alley Playhouse's God of Carnage
    Meet Sam Gregory of the Arvada Center's Tartuffe
    Meet John Hauser of Curious Theatre's Hand to God
    Meet Jim Hunt of Buntport's The Zeus Probem
    Meet Jeff Jesmer of Spotlight Theatre'sThe Crucible
    Meet Wayne Kennedy of BDT Stage's Mid-Life 2
    Meet Seth Maisel of Town Hall Arts Center's The Firestorm
    Meet Tim McCracken of Local Theatre's The Firestorm
    Meet Angela Mendez of Beauty and the Beast
    Meet Joelle Montoya of Su Teatro's El Sol Que Tu Eres
    Meet Anne Oberbroeckling of Boulder Ensemble Theatre Company's Ripcord
    Meet Jessica Robblee of Buntport Theatre for All Ages' Siren Song: A Pirate Odyssey
    Meet Cory Sapienza of Miners Alley Playhouse's Hir
    Meet Jane Shirley of Santa's Big Red Sack
    Meet Petra Ulyrich of Germinal Stage-Denver's Johnny Got His Gun
    Meet Megan Van De Hey of the Arvada Center's Sister Act
    Meet Sharon Kay White of the Arvada Center's I'll Be Home for Christmas

    More Colorado theatre coverage on the DCPA NewsCenter

  • 2016 True West Award: John Hauser

    by John Moore | Dec 25, 2016
    True West Awards John Hauser


    30 DAYS, 30 BOUQUETS

    Day 25: John Hauser

    If you were to call him Doogie Hauser, you would only be the latest. But given how well former child TV star Neil Patrick Harris’ career has turned out, John Hauser would surely take the compliment.

    We’re not saying Hauser is a kid. But his Biloxi Blues director Kate Gleason is saying that “as soon as John is potty-trained … he's gonna make a great actor.”

    True West Awards John Hauser QuoteSo he’s young. But there was nothing embryonic about his fully formed year on local stages: He starred in Biloxi Blues at Miners Alley Playhouse, and in Hand to God for Curious Theatre. He made a key appearance in Vintage Theatre's Rabbit Hole, and he performed as Romeo before 10,000 high-school students for DCPA Education.

    That’s a U.S. Army private who comes of age at Basic Training in Neil Simon’s 1943 Mississippi. A grieving, God-fearing teen in possession of (or possessed by) a devilish hand puppet. A guilt-wracked teen who plowed his car into a 4-year-old. And only the most famous lover in all of literature. Plus, he joined the cast of Off-Center’s immersive freakout Sweet and Lucky, and later understudied several roles in the DCPA Theatre Company’s Frankenstein.

    John Hauser may not be old. But as an actor, he grew up in 2016.

    “He’s so good, you forget how young he is,” said  Gleason, herself a 2014 True West Award winner. “I mean, he's barely teething, and yet he manages to find humanity in all his roles.”

    When DCPA Education Director Allison Watrous launched a new pilot program called Shakespeare in the Parking Lot in May 2015, she turned to Hauser first. A team from DCPA Education perform an abridged version of Romeo and Juliet on and around a beat-up old truck in school parking lots - sometimes four times a day. Meaning four times a day, students who otherwise might never be exposed to Shakespeare (or live theatre) crush on the Bard, crush on live performance and, invariably for some, crush on the actor who could win Prom King at just about every school he visits.

    “John is stunning as Romeo,” Watrous said. “He connects to the hearts and minds of the students through authenticity, vulnerability, humor, kindness and depth.” (Pictured below and right: John Hauser as Romeo. Photo by John Moore for the DCPA NewsCenter.)

    Read our recent profile on John Hauser

    Hauser and his castmates, all skilled DCPA Education Teaching Artists, return to each school the next day for classroom workshops and ask students tough, ethically ambiguous questions that revolve around teenagers, their parents and issues of privacy and personal responsibility. The point is to help them better understand the issues at the heart of Romeo and Juliet. Because being a teen hasn't changed as much as you might think.

    True West Awards John Hauser Shakespeare in the Parking Lot"I am so grateful for John's energy and impact,” Watrous said. “He is a true talent.”

    Next semester, the team will tackle A Midsummer Night’s Dream.

    Hauser did not just turn a finger up at his squeaky-clean image, but his entire right hand with Hand to God, Robert Askins’ profanely dark comedy about a troubled teen who is forced to join his mother’s church-led puppet group after his father dies. But when his foul-mouthed sock puppet Tyrone takes on a life of its own and begins to encourage all those around him to give in to their carnal desires, the teen starts to question everything he's been taught. 

    “John brings a true lightness to the room,” said Hand to God Director Dee Covington. “He is generous, reflective and tireless in his determination to not only conquer but totally devour the creative task at hand. He knew the mountain was steep and arduous, but I was so impressed by his ability to temper that slightly self-effacing inner critic with humor and fearlessness. His grit and heart are inspiring.”

    More Colorado theatre coverage on the DCPA NewsCenter

    Westword theatre critic Juliet Wittman wrote: “Hauser does brilliantly in the schizophrenic role of Jason, fully inhabiting both the teen’s innocence and Tyrone’s savagery, skillfully manipulating the intransigent puppet.”

    True West Awards John Hauser Rabbit Hole In July, Hauser and his Rabbit Hole cast were honored with the Colorado Theatre Guild’s Outstanding Ensemble Henry Award (with Haley Johnson, Marc Stith, Maggy Stacy and Deborah Persoff). As the accidental grim reaper who devastates a family when their son runs in front of his car, “John Hauser manages to deliver a handful of wallops in his limited scenes,” wrote the Aurora Sentinel’s Quincy Snowdon.

    But perhaps the most impressive evidence of Hauser’s stellar year is simply his dream team of directors: Kate Gleason, Allison Watrous, Dee Covington, Bernie Cardell  (Rabbit Hole), Zach Morris (Sweet and Lucky) and Sam Buntrock (Frankenstein).

    “He is a lovely human being,” Covington said, “and he makes the world a more artful place.”

    And he's not slowing down in 2017. In January, Hauser will be playing Ken in John Logan’s acclaimed Red, the story of the temperamental genius artist Mark Rothko and his apprentice, at the Breckenridge Backstage Theatre.

    (Pictured above and right: Haley Johnson and John Hauser in Vintage Theatre's 'Rabbit Hole.' Photo by Denver Mind Media.)

    John Hauser/At a glance

    • Hometown: Cocoa, Fla.
    • Home now: Denver
    • High school: The Classical Academy in Colorado Springs
    • College: Adams State University in Alamosa
    • Selected additional credits: The Few and Ambition Facing West for Boulder Ensemble Theatre Company; Jerusalem for The Edge Theatre Company
    ABOUT THE TRUE WEST AWARDS
    The True West Awards, now in their 16th year, began as the Denver Post Ovation Awards in 2001. DCPA Senior Arts Journalist John Moore — along with additional voices from around the state — celebrate the entire local theatre community by recognizing 30 achievements from 2016 over 30 days, without categories or nominations. Moore was named one of the 12 most influential theater critics in the U.S by American Theatre Magazine in 2011. He has since taken a groundbreaking position as the Denver Center's Senior Arts Journalist. His daily coverage of the DCPA and the Colorado theatre community can be found at MyDenverCenter.Org

    THE 2016 TRUE WEST AWARDS
    Day 1: Jada Suzanne Dixon
    Day 2: Robert Michael Sanders
    Day 3: After Orlando
    Day 4: Michael Morgan
    Day 5: Beth Beyer
    Day 6: Patrick Elkins-Zeglarski
    Day 7: donnie l. betts
    Day 8: Night of the Living Dead
    Day 9: The Killer Kids of Miscast
    Day 10: Jason Sherwood
    Day 11: Leslie O'Carroll and Steve Wilson
    Day 12: Jonathan Scott-McKean
    Day 13: Jake Mendes
    Day 14: Charles R. MacLeod
    Day 15: Patty Yaconis
    Day 16: Daniel Langhoff
    Day 17: Colorado Shakespeare Festival costumers
    Day 18: Miriam Suzanne
    Day 19: Yolanda Ortega
    Day 20: Diana Ben-Kiki
    Day 21: Jeff Neuman
    Day 22: Gabriella Cavallero
    Day 23: Matthew Campbell
    Day 24: Sharon Kay White
    Day 25: John Hauser
    Day 26: Lon Winston
    Day 27: Jason Ducat
    Day 28: Sam Gregory
    Day 29: Warren Sherrill
    Day 30: The Women Who Run Theatre in Boulder
    Theatre Person of the Year Billie McBride
  • 'Messiah of movement' Bob Davidson passes away

    by John Moore | Dec 22, 2016

    Above: A video close-up at Bob Davidson's work with the National Theatre Conservatory.

    Though he grew up in rural Minnesota, renowned dancer and movement coach Bob Davidson lived a life of adventure Hemingway would have envied. Just last summer, he was training a group of European movement teachers in Istanbul “when we were rudely interrupted by a coup,” he said with typical panache.

    Bob Davidson Quote His global world view was shaped early in his life. He toured Central and South America with his college a cappella choir, followed by a summer studying indigenous music and dance in rural Uganda and Uzbekistan. He later received his advanced degree from the University of Washington in Ethnomusicology, the study of non-Western cultures.

    Davidson was found dead at his home earlier today, his family confirmed. He was 70. The cause of death has not yet been determined.

    Davidson was a teacher to the core. He started teaching Sunday school at the tender age of 13 and took charge of his church choir at 15. But if anything, he was a messiah for movement. Davidson fundamentally believed that the way we think and move influences what we say and do.

    Davidson was born July 20, 1946. He joined the Denver Center’s former National Theatre Conservatory faculty as Head of Movement in 1997 through its closure in 2012 and was largely responsible for the DCPA’s reputation as the national leader in teaching students how to incorporate the art of trapeze into theatrical productions. The NTC was the only graduate school in the country where studying trapeze for three years was not only an option, but a requirement.

    “He could help turn an MFA actor into a cowboy from Texas, and then into a 17th century aristocrat,” DCPA Theatre Company Producing Artistic Director Kent Thompson told The Denver Post. “A lot of people don’t fully understand that isn’t simply clothing or dialect, but a physical process.”

    Davidson celebration
    To RSVP your attendance at Bob Davidson's life celebration on April 9, click here.


    His influence on the NTC's students was profound. A group of alumni led by Steven Cole Hughes (currently appearing in the DCPA's An Act of God), John Behlman and Eileen Little created a trapeze-based theatre company in New York called Fight or Flight, comprised almost entirely of NTC graduates. The troupe produces original works and aerial adaptations of classic stories.

    Davidson "changed a lot of tangible things about my life," Behlman wrote in tribute. "He's the reason I was ever introduced to the trapeze, and the source of a lot of joy and strange stories in my life. The world is significantly less interesting without Bob."

    Matt Zambrano, a member of the final graduating NTC class, called Davidson a brilliant teacher and student. "He was the man who taught me to fly, how to hold my head high with invisible strings and how to appreciate the space between things," Zambrano said.

    Bob Davidson. Photo courtesy DCPA EducationDavidson has collaborated with many directors on productions of Ibsen, Chekhov, Brecht and Shakespeare. He frequently choreographed productions for the DCPA Theatre Company, most recently a fully immersive movement adventure called Perception, which played out simultaneously as the audience toured several DCPA Education studios. The show was described as “a walk through a mind-bending, fantastical excursion where nothing is what it seems, and where every twist of your journey toys with your senses.”

    Read our recent faculty spotlight on Bob Davidson

    Davidson began exploring aerial dance on the triangular low-flying trapeze in 1986 and established his own aerial dance company in 1988. His epic, signature works were considered to be Rapture: Rumi and Airborne: Meister Eckhart, which have toured throughout the U.S., Europe and the former Soviet Union. He also choreographed successful aerial versions of Shakespeare’s “A Midsummer Night’s Dream” for Seattle’s Intiman Theatre as well as Portland Center Stage.

    (Story continues below)

    Video bonus: Masters students fly to poetry of Byron:

    Video highlights from the National Theatre Conservatory class of 2011's movement project inspired by the poetry of Lord Byron. Performed April 23, 2009.


    He was still teaching public classes as a faculty member for DCPA Education as recently as November. Asked what makes him a good teacher in a recent interview with the DCPA NewsCenter, he said, “Possibly because my education was so multi-disciplinary. And possibly because I’ve been doing it for almost 60 years!”

    Bob Davidson. Perception. Photo by Adams VisCom. DCPA Education Director Allison Watrous is a graduate of the NTC, and she considered being trained by Davidson on the trapeze to be an esteemed pleasure.

    “After my first year of graduate school at the NTC, everyone told me, ‘You seem taller’ - and it was true,” she said. “My already tall self had grown an inch because of trapeze and movement work with Bob. But I not only grew taller physically, I grew in artistry, passion, presence, creativity and love of the world because I met him.” 

    Davidson took particular pride in becoming certified in teaching the Skinner Releasing Technique way back in 1969, “making me the oldest living certified teacher of this technique in the world,” he said. SRT, he explained, “is a form of kinesthetic training that is essentially non-intellectual, yet image-oriented. So when SRT precedes an actor’s monologue work, the monologues generally improve greatly. It seems less strain, fear and ego are involved in the presentation — and more clarity, dynamics and confidence are the result.”

    More Colorado theatre coverage on the DCPA NewsCenter

    Davidson remained founder Joan Skinner’s primary assistant at the University of Washington throughout the 1970s, becoming the director of the Skinner Releasing School in the 1974. He was a leading dancer in her American Contemporary Dance Company as well as the Music and Dance Ensemble.

    Bob Davidson. 1Davidson trained more than 65 teachers to be certified in SRT all over the world. “I am so passionate about it, I sometimes do it for free,” he said, “and it is a rigorous, challenging, sometimes painful 12-week commitment.”

    Watrous called Davidson "an extraordinary teacher who had a superpower to help actors find the power of connecting to their bodies,” she said. "He inspired so many artists and actors to carve space and take on the world - and he will forever inspire me.”

    Davidson is survived by his sister, Peggy Nield.

    John Moore was named one of the 12 most influential theater critics in the U.S by American Theatre Magazine in 2011. He has since taken a groundbreaking position as the Denver Center’s Senior Arts Journalist.


    Photo gallery: Off-Center's Perception in 2015:

    PERCEPTION- Off-Center at the JonesPhotos from 'Perception,' choreographed by Bob Davidson for the DCPA's Off-Center. To see more, click the forward arrow on the image above. Photos by Adams VisCom.

    Additional testimonials

    Steve Jones, NTC, DCPA Theatre Company's 'As You Like It': "Bob taught me how to lift my skull to the heavens, plunge my feet down to the core of the Earth and how to fly with all of my heart."

    Geoffrey Kent, DCPA Fight Director: "If anyone deserves flights of angels, it's Bob."

    Alaina Beth Reel, student: "This man unleashed something in me, and made me surprised by how my own body could move. He was an incredible teacher I was lucky to have met and to have practiced under. Bob, thank you for all the lessons I practice daily and long to share with others. The Denver theatre community has another dark hole in its heart today."

    Curtiss Johns, student: Bob, you changed my life. You changed the way I looked at art and for that I am grateful. You changed the way I thought about theater and for that I am grateful. But most of all, you changed the way I move though this world and for that sir, I am forever in your debt. I, like so many of us who danced the dance of gossamer threads, will miss you terribly. But we will have you and the gifts you gave us in our bodies, minds and souls."

    Susanna Florence Risser, student: "This wild, mild, giant of a man shaped my artistic life as deeply as anyone I've known."

    Linnea Scott, student: Bob's spirit, grace, and suppleness are qualities that cannot be easily forgotten. His teachings were such a special gift, and I am so immensely grateful to have come in contact with his wisdom at such a young age.

    A Bob Davidson 800 1
    Photo below courtesy of DCPA Education.
  • Video, photos: DCPA, Macy's help 'Make-A-Wish' come true

    by John Moore | Dec 15, 2016


    Video above: The Denver Center for the Performing Arts teamed with Macy's on National Believe Day to help bring a young woman named Carter an unforgettable experience at the Cherry Creek Shopping Center. Carter was treated to performances by DCPA actors singing some of her favorite songs, as well as dance lessons from two Denver Broncos cheerleaders and members of the Monte Vista High School pom squad.

     Macy's Make A Wish. Steven J. Burge. Photo by John Moore DCPA performers Steven J. Burge (An Act of God) and Napoleon M. Douglas (A Christmas Carol) performed a song from Mary Poppins, while Christine Rowan and Jackie Vanderbeck (A Christmas Carol) sang from The Sound of Music.

    DCPA Director of Education Allison Watrous presented Carter with prizes including autographed show posters, free DCPA Education classes and the coup de gras ... an all-expenses trip to New York to see a Broadway musical.

    The Make-A-Wish Foundation grants the wish of every child diagnosed with a life-threatening medical condition. On average, a wish is granted every 35 minutes.

    Video by David Lenk for the DCPA NewsCenter.

    Photo gallery: Carter's National Believe Day:

    DCPA, Macy's help 'Make-A-Wish' come true
    To see more photos, click the forward arrow on the image above. Photos by John Moore for the DCPA NewsCenter.
  • 2016 True West Award: Patrick Elkins-Zeglarski

    by John Moore | Dec 06, 2016
    True West Awards Patrick Elkins-Zeglarski Lost Creatures


    30 DAYS, 30 BOUQUETS

    Day 3:
    Patrick Elkins-Zeglarski

                      Presented by Henry Award-winning actor Maggy Stacy

     

    His name is Patrick Elkins-Zeglarski. But you can call him by his initials: PEZ. It just seems to fit. Like the classic candy, he’s sweet, colorful, spreads joy – and is seemingly dispensed all over the world. Or at least throughout the Denver Center and surrounding theatre community.

    The DCPA’s Associate Director of Education is a master teacher, educator and administrator who also found time this fall to direct And Toto Too Theatre Company’s world premiere of the play Lost Creatures. Local playwright Melissa Lucero McCarl imagined what might have happened in 1978 when eminent British theatre critic Kenneth Tynan interviewed reclusive silent-film star Louise Brooks in her dingy apartment for a profile he was writing for The New Yorker. North Denver Tribune critic Craig Williamson said Elkins-Zeglarski “took the roots of the concept and watered it, fed it, nurtured it, and let it grow and fully blossom.”

     

    True West Awards Patrick Elkins-Zeglarski SonderElkins-Zeglarski’s day job is helping DCPA Director of Education Allison Watrous run every aspect of a massive program that has provided access to nearly 106,000 students in the past year, of which 84,000 were youth.

    Last summer, he directed Sonder (pictured right), the winning entry in the DCPA’s third annual statewide teen playwriting competition. This week, he is overseeing one of the entries in the DCPA’s Adult One-Act Festival. This winter, he will lead the DCPA’s highest-level adult acting masters class, which will culminate in a public performance of Born Yesterday. Next summer, he will direct advanced high-school students in a production of Our Town.

    Elkins-Zeglarski was born in Sacramento and began working at the DCPA as a Teaching Artist in 2000. He is as gentle with a beginning actor, Watrous says, as he is with a seasoned pro like Colorado Theatre Guild Lifetime Achievement winner Billie McBride (DCPA Theatre Company's Benediction), who starred in Lost Creatures alongside 2015 True West Award winner Mark Collins and Annabel Reader.  

    More Colorado theatre coverage on the DCPA NewsCenter

    Watrous said it is Elkins-Zeglarski’s authenticity that allows him to connect with artists of every experience level.

    “Truly, he leads with humor, grace and generosity,” Watrous said. “Our DCPA Education team is so joyful, and he is at the center of that joy. He provides an ear for every one of our teaching artists, and he is an example for how each of us can grow in our artistry. Everybody is better because PEZ is in the room.

    “Plus, he decorates our hallways for holidays. He brings that kind of joy to work with him every day. And, he owns more PEZ paraphernalia than anyone.”

    True West Awards Patrick Elkins-Zeglarski


    Elkins-Zeglarski's name was brought up for True West Award consideration by 2016 Henry Award-winning Denver actor Maggy Stacy. Elkins-Zeglarski directed Stacy in a short piece for And Toto Too Theatre Company’s fun annual play crawl along six blocks of Tennyson Street last summer. The event raised funds for one of the only theatre companies in the country that is fully dedicated to telling stories written by women. Elkins-Zeglarski also has furthered the cause of storytelling by women with his work on the Athena Project’s past three new-works festivals – in 2016, 41 performances by women playwrights over 38 days.

    “Patrick has been an artist, educator, director and mentor for many of us in Denver,” said Stacy. “His ethics are unwavering. His artistic approach is based on high values and quality standards. And his work supports and empowers his fellow artists and teaching artists.”

    Stacy nominated Elkins-Zeglarski for a True West Award, she said, “because Patrick rarely gets recognized for his commitment and efforts. But the impact of his contributions has had, and continues to have, a mighty rippling effect.”


    Our video report from the culminating performance of DCPA Education's statewide teen playwriting competition last summer. The winning entry was given a full performance directed by Patrick Elkins-Zeglarski.

    ABOUT THE TRUE WEST AWARDS
    The True West Awards, now in their 16th year, began as the Denver Post Ovation Awards in 2001. DCPA Senior Arts Journalist John Moore — along with additional voices from around the state — celebrate the entire local theatre community by recognizing 30 achievements from 2016 over 30 days, without categories or nominations. Moore was named one of the 12 most influential theater critics in the U.S by American Theatre Magazine in 2011. He has since taken a groundbreaking position as the Denver Center's Senior Arts Journalist. His daily coverage of the DCPA and the Colorado theatre community can be found at MyDenverCenter.Org

    THE 2016 TRUE WEST AWARDS
    Day 1: Jada Suzanne Dixon
    Day 2: Robert Michael Sanders
    Day 3: After Orlando
    Day 4: Michael Morgan
    Day 5: Beth Beyer
    Day 6: Patrick Elkins-Zeglarski
    Day 7: donnie l. betts
    Day 8: Night of the Living Dead
    Day 9: The Killer Kids of Miscast
    Day 10: Jason Sherwood
    Day 11: Leslie O'Carroll and Steve Wilson
    Day 12: Jonathan Scott-McKean
    Day 13: Jake Mendes
    Day 14: Charles R. MacLeod
    Day 15: Patty Yaconis
    Day 16: Daniel Langhoff
    Day 17: Colorado Shakespeare Festival costumers
    Day 18: Miriam Suzanne
    Day 19: Yolanda Ortega
    Day 20: Diana Ben-Kiki
    Day 21: Jeff Neuman
    Day 22: Gabriella Cavallero
    Day 23: Matthew Campbell
    Day 24: Sharon Kay White
    Day 25: John Hauser
    Day 26: Lon Winston
    Day 27: Jason Ducat
    Day 28: Sam Gregory
    Day 29: Warren Sherrill
    Day 30: The Women Who Run Theatre in Boulder
    Theatre Person of the Year Billie McBride
  • Statera Conference in Denver: Theatre has a problem. Women are the solution.

    by John Moore | Oct 15, 2016
    2016 Statera National ConferenceTo see more images from the opening day of the 2016 Statera Conference at the Denver Center, press the forward arrow on the image above. Photos by John Moore for the DCPA NewsCenter.


    The American theatre has a big, systemic problem. And those attending the 2016 Statera Conference for gender equity in the American theatre have a simple, systemic solution:

    More women. On stage. Off stage. Writing. Directing. And, perhaps most important: In leadership positions.

    It is not new information that while females make up 68 percent of the average theatre audience, fewer than 25 percent of the stories they see are written by women. But Friday’s opening keynote address at the Denver Center laid bare some deeper statistical atrocities. For example:

    In 2013-14, 73 percent of the Artistic Directors and 62 percent of Executive Directors at leading U.S. theatres were white men. That’s unsurprising. But tellingly - and some might say “damningly” - 65 percent of those working in jobs just below leadership positions were women or persons of color. That means a majority of women already are in place for executive advancement - they just aren’t being rewarded for their experience when leadership jobs become available.

    In other words, said one woman in the conference crowd: “Women do all the work – and men get promoted.”


    A video look at Tira Palmquist's upcoming world premiere of 'Two Degrees' in Denver.



    Tira Palmquist, writer of the DCPA Theatre Company’s upcoming world premiere production of Two Degrees, acknowledged there are employment opportunities out there for women. “But it would be better to have better employment opportunities for women,” she said.

    “There is a clear glass ceiling,” said Sumru Erkut, Senior Research Scientist for the Wellesley Centers for Women. “And it’s not getting better. We have come to the conclusion that for a woman to lead a theatre, she has to start one. That's how she gets to be a leader.”

    Statera ConferenceBut Friday’s featured speaker Carey Elizabeth Perloff, who has been the artistic director of the esteemed American Conservatory Theater in San Francisco for 24 years, dared to imagine another kind of future for women in the American theatre.  

    “If we could change the gender balance across the board in the theatre from leadership to playwrights to directors to what is happening backstage, I truly think we would be telling more inclusive, more complex and more richly imagined stories,” Perloff said via Skype. “Therefore we would start to cast our net much wider in terms of audiences who are passionate about the theatre.”

    Perloff addressed more than 200 women (and a few men) who have gathered in Denver this weekend to strategize, commune, commiserate, network, workshop and rally for the cause of gender equity. Guests include playwrights, directors, actors, teachers, students and administrators from organizations as varied as the Oregon Shakespeare Festival, Baltimore Playwright’s Festival, Shakespeare Detroit, the Arvada Center, Athena Project, Colorado Shakespeare Festival and Center Group of Los Angeles.

    More Colorado theatre coverage on the DCPA NewsCenter

    “We believe the answer to gender parity in the American theatre lies in the philosophy of ‘top-down and bottom-up,’ ” said Statera Foundation co-founder Shelly Gaza of the University of Northern Colorado in Greeley. “Yes, we work to affect change at the top tiers of American theatres. But we are also working from the bottom up so that we, in a sense, meet in the middle to achieve parity.”

    Statera, by the way, is a Latin word for “balance.”

    Statera quoteThe DCPA makes a perfect host for Statera’s second national conference, Gaza said, because the Denver Center not only acknowledges the prevailing gender disparity in the American theatre, it is actively working to eradicate it.

    DCPA Theatre Company Producing Artistic Director Kent Thompson drew applause when he announced that the Denver Center has recently changed one of its stated core company values to equity, diversity and inclusion. “I feel my most profound job as an Artistic Director is to offer windows on the world to audiences - and those windows have to reflect women in our society,” Thompson said.

    He introduced to conference attendees the now 11-year-old Women's Voices Fund, the Denver Center's $1 million endowment that makes directing and playwriting opportunities available to women.  Thompson pointed out that only about 15 of the company’s first 250 productions over 26 seasons were directed by women - and fewer than a dozen had been written by women. But in the 11 years since Thompson’s arrival, the Theatre Company has presented 26 plays by women - nine of them world premieres.


    Here are more key findings and killer quotes from Day 1 of the 2016 Statera Conference, which runs through Sunday at the DCPA:

    • “Until gender parity and gender equity are the norm, there will be a need for all of our passion and purpose and action,” said Statera CEO Melinda Vaughn, who is working for the day “when equal space and equal pay and equal opportunity are not ideals for which you have to fight or create - they are the expectation. That shift in expectation is powerful.”
    • Lucy Roucis, a longtime actor with Denver’s acclaimed Phamaly Theatre Company, which exists to create performance opportunities for actors with disabilities, acknowledged the loss just the day before of prominent Denver director and playwright Terry Dodd. “I saw Terry just last week, and we were talking about this very subject,” Roucis said. “Terry he told me, ‘Lucy, there will be equality in the theatre when there are more women producers. Women have to do it themselves.’ ”       
    • Jane Page, an original member of the DCPA Theatre Company in 1979 and most recently director of The Adventures of Tom Sawyer here in 2011, flew to Denver from Cairo to attend the conference, she said, ”because I feel very strongly about the issue of parity for women in theatre.” Page was accompanied by a college student from Yale she is mentoring at the conference. “After 40 years in the business, I think it's important for me to be a part of this conversation,” said Page. “But I also think it's important to hear from those young women who are just entering into the profession.” Page had been in Cairo directing a contemporary version of Tartuffe set in modern-day Orange County.
    • Carey Perloff tried to do everything right when she arrived at ACT in 1992, “but I did everything wrong instead," she said. She was convinced she would be fired after her first season in San Francisco - which makes her not uncommon among women, she said. “I felt how I think every woman leader feels, which is, 'When you fail, you fail for all women – and that when we succeed, it's luck,’ ” Perloff said. ”People told me, 'You have to stop saying that.' Because women always say they got lucky when they get a job. But men never do that. The fact is, men are hired on their potential, and women are hired on their resumes. And that makes our challenge that much greater.”
    • The beauty of being a leader in the American theatre, Perloff said, “is you get to choose the kind of plays you want to promote. I always said, 'It’s such a hard job, but at least you don't have to do Sylvia - that play where the woman plays a dog. When it's your own theatre, you get to say no. We are not going to do plays where women are tangential all the time. We're not going to do plays where women are demeaned. We are not going to do plays where women are two-dimensional. We are going to choose plays where there are women directors involved. And there are vigorous roles for women. And we are going to make sure that the backstage life has women.”
    • A priority of the Statera Foundation, Perloff said, is embracing the role of motherhood that often goes with artistic leadership. “Being a parent is like being in perpetual tech rehearsal,” Perloff said. “But you have to remember that while the days are long – the years are short. If you are a leader, you have more control over your own time and destiny, so it's all the more important for women to claim these leadership positions."
    • Sumru Erkut, the research scientist, said no woman needs to be told how difficult it is to maintain a work-life balance – especially in the arts. “I have to tell you - there is no conversation going on about the work-life balance in the American theatre,” Erkut said. “But it's a reality we have to confront. This is not just a women's issue. It's a human-being issue. We have to make it possible for the next generation to both work and be a parent.“
    • Among the more than 50 speakers and workshop leaders presenting this weekend are Actor’s Equity Association Executive Director Mary McColl and American social justice activist Chris Crass. Locally, speakers include DCPA Producing Artistic Director Kent Thompson; Directors Christy Montour-Larson (Two Degrees), Ina Marlowe (The Glass Menagerie) and Geoffrey Kent (An Act of God); Actors Meridith C. Grundei (Frankenstein), Lucy Roucis and Lisa Young; and Educators Allison Watrous, Jessica Austgen and Gillian McNally.

    John Moore was named one of the 12 most influential theater critics in the U.S by American Theatre Magazine in 2011. He has since taken a groundbreaking position as the Denver Center's Senior Arts Journalist.
  • Video: DCPA's high-school playwriting winner is staged

    by John Moore | Aug 03, 2016


    The DCPA's third annual year-long Regional High School Playwriting Workshop and Competition culminated June 17 with two public performances of Kendra Knapp’s Sonder. The playwright is a recent graduate of Valor Christian High School.

    Sonder. Photo by John Moore. Last fall, DCPA Education staff members conducted 145 classroom workshops for 3,100 Colorado students. That resulted in 212 one-act play submissions from young writers all over the state. A team of professional adjudicators determined 10 semifinalists. Of those, three were selected to have their plays workshopped by the DCPA Education staff and read by professional actors at the 2015 Colorado New Play Summit in February.

    Video: Finalist readings at the New Play Summit

    From there, Sonder was selected for a fully staged  production. The video above takes you there. Interviewees include Knapp, Sonder Director Patrick Elkins-Zeglarski, DCPA Director of Education Allison Watrous, and actors Avery Dell and Desmond Jackson (pictured above).

    Sonder follows a community of young people who are seeking real connection, but from the safety and distance of the internet.

    Video by David Lenk and John Moore for the DCPA's NewsCenter.

    Our complete 2015-16 Student Playwriting photo gallery:

    2016 Student Playwriting Competition
    Photos from rehearsal through performances of the three finalist readings at the 2016 Colorado New Play Summit. To see more, click the 'forward' arrow on the image above. Photos by John Moore for the DCPA NewsCenter. 

    More Colorado theatre coverage on the DCPA NewsCenter

    Selected previous NewsCenter coverage of the Student Playwriting Competition:
    Video, pic, story: Stirring the passions of student writers ... and future engineers
    2016 finalists named for Regional High School Playwriting Competition
    2016 Summit: An infusion of invisible color and hidden voices
    Denver Center launches statewide high-school playwriting initiative
    Direct link to our Flickr photo gallery

    Our complete countdown of 2016 semifinalists:
    No. 1: Jafei Pollitt, Denver School of the Arts
    No. 2: Jessica Wood, Denver Christian High School
    No. 3: Kristine Guo, Peak to Peak Charter School
    No. 4: Gabrielle Moore, D'Evelyn High School
    No. 5: Ashley Wright and Amelia Middlebrooks, Valor Christian High School
    No. 6: Kalina Gallardo, Kunsmiller Creative Arts Academy
    No. 7: Kiera Eriksen-McAuliffe, Denver School of the Arts
    No. 8: Stephanie Kiel and Mady McGraw, Chatfield Senior High School
    No. 9: Kendra R. Knapp, Valor Christian High School
    No. 10: Jacob Kendrick, Peak to Peak Charter School

    Sonder playwright Kendra Knapp. Photo by John Moore.

    "Sonder" playwright Kendra Knapp. Photo by John Moore.
  • Video, story: Stirring the passions of student writers ... and future engineers

    by John Moore | Jun 07, 2016

    In the video above, we interview the three 2016 student playwriting finalists and look at performance excerpts as their plays were read by professional actors at the 2016 Colorado New Play Summit in February. Video by John Moore and David Lenk for the DCPA NewsCenter.


    The DCPA's third annual year-long Regional High School Playwriting Workshop and Competition will culminate Friday, June 17, with two free, fully staged performances of student playwright Kendra Knapp’s Sonder in the Denver Center's Conservatory Theatre.

    Last fall, DCPA Education staff conducted 145 classroom workshops for 3,100 Colorado students. That resulted in 212 one-act play submissions from young writers all over the state - up from 158 the year before. A team of professional adjudicators determined 10 semifinalists. Of those, three were selected to have their plays workshopped by the DCPA Education staff and read by professional actors at the 2015 Colorado New Play Summit in February. They were:

    Knapp, a recent graduate of Valor Christian High School, was a top-10 finalist last year. This year, her newest play was singled out for full production. Sonder follows a community of young people who are seeking real connection, but from the safety and distance of the internet.


    Our complete Student Playwriting photo gallery:

    2016 Student Playwriting Competition
    Photos from rehearsal through performances of the three finalist readings at the 2016 Colorado New Play Summit. To see more, click the 'forward' arrow on the image above. Photos by John Moore for the DCPA NewsCenter. 


    Knapp said it was “super exciting” to get into the top 10 last year, and decided it was worth doing again. “When I got in the top three, I figured there’s really no worst-case scenario for me," she said.

    DCPA Director of Education Allison Watrous said the purpose of the teen writing initiative is to advance literacy, creativity, writing and communication through playwriting.

    Teen playwriting quote“This program is all about inspiring the passion of playwriting in the next generation of writers,” she said. But playwriting promotes a variety of life skills, no matter what profession they one day choose. Knapp, for example, is headed to Embry-Riddle Aeronautical University in Daytona Beach, Fla., where she will study aerospace engineering. “But I will probably still be writing, too,” Knapp said.

    Submissions were judged blindly by DCPA artistic, literary and educational professionals. The three finalists each receive a cash scholarship of $250. In addition, each teacher of the three finalists receives a $250 gift certificate for books, supplies or other teaching tools for their classrooms.

    Knapp’s play was then further selected for a full production this summer. The staging will be directed by DCPA Education Head of Acting Tim McCracken and performed by actors from the DCPA's summer education classes.

    At a time when much of the national theatre dialogue is focused on the lack of fair female representation among American playwrights, it was telling that all three of the student finalists are young women.

    I think that‘s great, especially because it was picked blind," said Wood, a rising senior at Denver Christian School. "We know we were not being picked just because we are women - we were picked because we have talent, and we have abilities, and it’s great that the DCPA is helping us realize this."

    Added Moore: "I really appreciate the DCPA for not feeling the need to fill a quota, and that we’re being appreciated for our talent, no matter what age or gender or background we come from."

    Another commonality the three finalists share is faith. Two of the writers attend faith-based schools - Valor Christian and Denver Christian - and the third writer (Moore) wrote her play about a young woman who goes on a meaningful search to understand how God’s fallen angel came to be known as the Devil.
    Student Playwrights Sonder

    From left: Student playwriting finalists Kendra Knapp, Jessica Wood and Gabrielle Moore. Photo by John Moore for the DCPA NewsCenter.


    The finalists found it refreshing that the adjudicators were clearly open to stories with a religious theme, which is not always the case in the theatre.

    “I think there are certain stigmas about both the theatre and the church,” said Wood. “On the surface, they seem opposed to each other, but I don’t think they’re mutually exclusive. I think it’s really cool that you can be a member of the church and still be a writer in the theatre, which isn’t something a whole lot of people think you can do.”

    Moore was worried that making the Devil a central character in her play might be taken the wrong way. "Offending people was not the goal at all,” she said. “I wanted to tell a side of the story we typically don’t hear in church. I’ve heard pastors tell us that we need to avoid the Devil - but I’ve never really understood why."

    Reserve your free seat to see Sonder

    Knapp’s play has no religious overtones but she says she’s used to facing prejudice as a woman, a Hispanic, a person of faith and a theatre kid. “I’m used to people meeting me and then having this taste in their mouth where they go, “You’re from a Christian school? And you're into theatre?” I’m used to that attitude. But then I come here to the Denver Center and they just say, “OK, let’s get to work.” And I’m like, “Wait, you’re not going to ask me about my political views? Where’s the interrogation?”

    Each finalist was mentored during the Colorado New Play Summit in February by a commissioned playwright with the Denver Center Theatre Company: Rogelio Martinez (Knapp), Anne García-Romero (Moore) and Lauren Yee (Wood), all of whom are developing new plays for the DCPA’s right of first refusal.

    “Rogelio had some ideas and insights for the play that hadn’t been presented to me by any other voice,” said Knapp. "It’s just a really good feeling to get feedback from someone you know is established who says to you genuinely, 'This is good.' ”

    Student Playwrights Sonder
    The cast and creative teams from the three student playwriting readings at the 2016 Colorado New Play Summit. Photo by John Moore for the DCPA NewsCenter.


    The three finalists and their plays are featured in the video report at the top of this page. Here are additional excerpts from their conversation with DCPA Senior Arts Journalist John Moore:

    John Moore: What did you think when you found out you were in the top three?

    Gabrielle Moore: My mom told me I had to look at this email because it was really important. And I was like, “Mom you’re probably misinterpreting it. They’re probably just saying, ‘Thank you for your submission’ - not that I actually won. When I read it, I was genuinely amazed.

    Jessica Wood: When I found out I was in the top three, I was really excited, because I put quite a lot of work into it. To see my work realized and accepted meant a whole lot. It was really great.

    More Colorado theatre coverage on the DCPA NewsCenter

    Kendra Knapp: I showed the email to my dad and he was like, “Wow, that’s super exciting!” And then I had this sudden moment of dread where I was like, “Oh gosh, I’m going to have to actually talk to people. No! I have to put on a dress! I can’t just sit in my pajamas all day!"

    John Moore: How did it help your writing to work with a director from the DCPA Education team?

    Jessica Wood: Shortly after I was selected, Mr. (Steven Cole) Hughes sent me some notes that said he liked my play, but there definitely were places where we can improve it. So I made some changes before I even went into rehearsal. Then I met my wonderful director (Allison Watrous), all of my actors, and they’re all great. We sat down and read the whole play through, and I said, “OK, I can definitely see some structural weaknesses.” So I changed my play - and then the next day, I changed it again. I think I had a rewrite every single day. And by the time we were done, I got to understand the whole feeling of the play. I got to learn how to best impact the ears of the audience, what sounds pleasing and what doesn’t, and really what makes for a good script.

    John Moore: What was it like to see a professional reading of your work?

    Gabrielle Moore: Starting out with an idea a year ago and getting to watch it develop into being on the stage was incredible. Even though there were some rewrites, my director Patrick (Elkins-Zeglarski) ensured me that I know what’s best for this play, that this is my authentic voice, and I could put in whatever I want, to an extent. It was nice to know that this is still my play, even though the DCPA has been nice enough to take care of it for me.

    John Moore: What was it like to hear audience responses for the first time?

    Jessica Wood: When the the lights went down for my play, I just felt this moment of sudden, sick dread because I was convinced that everyone would hate it. It’s really terrifying when you have a live audience because you don’t know how they’re going to react. You don’t know if they’re going to connect. You don’t know if they are going to be bored out of their minds. And if that happens, you’re to blame for that. But they were great. They were kind, they were polite, they laughed, and hopefully they cried a little bit.

    John Moore: How is this whole experience emboldening you?

    Gabrielle Moore: I learned a lot about myself through the writing process, especially through my character, Teresa. Because I’ve had trouble understanding everything I need to know about being a Catholic. And writing this play really helped because I did a lot of research on Mother Teresa. She said a lot of times when she prayed, she wasn’t sure if God was always there. But that didn’t stop her from doing good things and being a good person. I think she’s such an amazing woman to do that. I just want to keep being a good person and being a good writer and impact other people to do good through plays like this.

    Jessica Wood: I definitely think there’s a bit of a look that you get from adults when you tell them you write. They say, “Do you, really?” And then here comes this opportunity at the Denver Center where they say, “Yes, you are a writer. Now why don’t you give us some of your writing and let us help you make it better?”

    John Moore was named one of the 12 most influential theater critics in the U.S by American Theatre Magazine in 2011. He has since taken a groundbreaking position as the Denver Center’s Senior Arts Journalist.

    Sonder: Performance information
    1:30 and 7 p.m., Friday, June 17
    Conservatory Theatre in the Robert and Judi Newman Center for Theatre Education 1101 13th St.
    This performance is free, but an RSVP is requested by clicking here 

    Selected previous NewsCenter coverage of the Student Playwriting Competition:
    2016 finalists named for Regional High School Playwriting Competition
    2016 Summit: An infusion of invisible color and hidden voices
    Denver Center launches statewide high-school playwriting initiative
    Direct link to our Flickr photo gallery


    Our complete countdown of 2016 semifinalists:
    No. 1: Jafei Pollitt, Denver School of the Arts
    No. 2: Jessica Wood, Denver Christian High School
    No. 3: Kristine Guo, Peak to Peak Charter School
    No. 4: Gabrielle Moore, D'Evelyn High School
    No. 5: Ashley Wright and Amelia Middlebrooks, Valor Christian High School
    No. 6: Kalina Gallardo, Kunsmiller Creative Arts Academy
    No. 7: Kiera Eriksen-McAuliffe, Denver School of the Arts
    No. 8: Stephanie Kiel and Mady McGraw, Chatfield Senior High School
    No. 9: Kendra R. Knapp, Valor Christian High School
    No. 10: Jacob Kendrick, Peak to Peak Charter School

     

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    ABOUT THE EDITOR
    John Moore
    John Moore
    Award-winning arts journalist John Moore has recently taken a groundbreaking new position as the DCPA’s Senior Arts Journalist. With The Denver Post, he was named one of the 12 most influential theater critics in the US by American Theatre Magazine. He is the founder of the Denver Actors Fund, a nonprofit that raises money for local artists in medical need. John is a native of Arvada and attended Regis Jesuit High School and the University of Colorado at Boulder. Follow him on Twitter @moorejohn.

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