• 'First Date' understudies will take center stage at Denver Actors Fund screening

    by John Moore | Jan 18, 2018
    Understudies Cashelle Butler and Barret Harper. First Date Photo by John Moore
    First Date understudies Cashelle Butler and Barret Harper. Photo by John Moore

    Unsung heroes will get their chance to sing out at Monday's benefit screening of 500 Days of Summer at Alamo

    By John Moore
    Senior Arts Journalist

    Understudies are among the many unsung heroes of the theatre — especially on long-running shows such as DCPA Cabaret’s romantic musical comedy First Date at the Galleria Theatre. All the more so during the ongoing cold and flu epidemic in Denver.

    We talked about it with Cashelle Butler and Barret Harper, who on Monday will be performing songs from First Date before a screening of the popular film 500 Days of Summer at the Alamo Drafthouse. It’s a benefit for The Denver Actors Fund, which, in four years, has made more than $200,000 in medical relief available to members of the Colorado theatre community. Alamo donates 50 percent of all ticket proceeds from this fun monthly film series, which cleverly pairs a popular movie with a live appearance by a local theatre company staging a related musical.

    Cashelle Butler First Date QuoteFirst Date, which performs at the Galleria through April 22, follows a blind-date newbie who is set up with a serial dater. The audience follows along as a casual drink at a busy New York restaurant turns into a comically high-stakes dinner.

    We asked Butler and Harper about the life and challenges of an understudy, the importance of The Denver Actors Fund and Monday’s upcoming appearance at the Alamo.

    “I always find it an honor to be cast as an understudy,” said Butler, who attended Cherry Creek and Cherokee Trail high schools and graduated from the University of Northern Colorado in Greeley. “They are trusting me not only to know multiple roles, but to be able to come in at the last minute and keep the show running.”

    Butler was called on to perform in First Date just last week. “My castmates were all so supportive, helpful, trusting and incredibly fun to be on stage with,” she said. “They are a great group. You should all go see them shine, because they are truly amazing performers and human beings.”

    Harper, who graduated from Littleton High School and the University of Colorado Boulder, said understudies make it so that the lead actors don’t have to take unnecessary health risks for the sake of a single performance. “When an actor knows he has an understudy, he or she generally does a better job and is less likely to get sick because it removes the stress from feeling like they have the weight of the show resting on the unpredictable nature of human health,” he said. “They can focus on their craft with the confidence someone has their back.” 

    Choose your 500 Days of Summer screening seats here

    Join Butler and Barrett Monday for their live appearance at the Sloan’s Lake Alamo Drafthouse, hosted by film series emcee (and, coincidentally, First Date castmate) Steven J. Burge.

    In the meantime: Don’t forget to hug an understudy … but only if you’re healthy.

    Question: How is the importance of understudies heightened during cold and flu season?

    Cashelle Butler: That’s when understudies are especially vital. As a performer, you want to know that if you have to go out of the show, you aren't letting anyone down. Having an understudy gives you the peace of mind to know you can take the time you need to heal your body without any guilt. I want everyone to be healthy and happy and to never need me. But should that day come, I want to make sure nobody on stage has to worry about me or the show.

    BARRET HARPER QUOTE FIRRST DATEBarret Harper: Working as an understudy during cold and flu season requires extra vigilance and discipline. Your chances of performing skyrocket, but you are equally at risk for illness yourself. So staying fresh on the material and staying healthy are paramount.

    Question: What does it mean to you to help support The Denver Actors Fund on Monday?

    Cashelle Butler: It is both an honor and a privilege. While being an artist is incredibly rewarding, fun and exciting, it does not always afford us the stability and comfort that other jobs have. Life happens, and nobody should have to face life's worst turns alone. The Denver Actors Fund is there when you are going through your darkest days, offering help, support, hope and a reminder that this community is there for you and you are not alone. I feel so lucky to be a part of such a kind, supportive, genuinely caring community of humans and artists, and to be able to support the Denver Actors Fund is such a rewarding treat.

    Barret Harper: The Denver Actors Fund is the lifeline that connects the entire Colorado theatre community. It sends a message to the artists in this community that helping each other in our time of need makes our community and our art stronger. Individual actors generally don’t have the means to help others in a meaningful financial way, so the DAF provides a mechanism to transform our magnanimous spirit into something more tangible. It means the world to me to support an organization that has helped so many of my brilliant coworkers and friends over the past few years. 

    Question: Why should people come to see the screening of 500 Days of Summer on Monday?

    First Date Fall Casting Photo by Emily LozowCashelle: Everyone should hang out with us on Monday! When you support The  Denver Actors Fund, you are supporting Denver's community of actors. And you get to hear a few songs from First Date. Plus, Steven J. Burge is the funniest, most lovely and prettiest human around. He will make you laugh so hard you will leave with a washboard stomach. You also get to ogle Barret Harper and listen to his gorgeous voice. You'll get to eat popcorn and drink beer and watch one of the cutest movies of all time — which is not coincidentally quite similar to First Date. You get to escape the world for a few hours and hide in a movie theatre and believe in love.

    (Pictured: Seth Dhonau and Adriane Leigh Robinson in the DCPA's 'First Date.' Photo by Emily Lozow.)

    Barret Harper:  People should come knowing they will be contributing to an organization that is dedicated to directly helping the local theater community. You can see your donated money in action every time you see the actors perform. You become a part of the art in a meaningful way.

    John Moore was named one of the 12 most influential theater critics in the U.S. by American Theatre Magazine in 2011. He has since taken a groundbreaking position as the Denver Center’s Senior Arts Journalist. He is also the founder of The Denver Actors Fund.

    Meet the cast: More fun to read than any dating profile!

    500 Days of Summer: Benefit film screening:
    What: Denver Actors Fund screening of the film 500 Days of Summer, starring Joseph Gordon-Levitt and Zooey Deschanel
    Who: Live pre-screening entertainment from DCPA Cabaret's First Date.
    When: Monday, Jan. 22: Entertainment 6:30 p.m.; film at 7
    Where: Sloan's Lake Alamo Drafthouse, 4255 W. Colfax Ave., drafthouse.com

    First Date: Ticket information
    First DatePerformances through April 22
    Tickets: Call 303-893-4100 or BUY ONLINE
    At the Garner Galleria Theatre

    The book is written by by Austin Winberg. Music and Lyrics by Alan Zachary and Michael Weiner. Orchestrations by August Eriksmoen. Vocal and Incidental Music Arrangements by Dominick Amendum.

    More Colorado theatre coverage on the DCPA NewsCenter

    Previous NewsCenter coverage of First Date:
    Video: Photos: Your first look at First Date
    Check out the all-local cast of the Denver Center's First Date


    Video bonus: Cashelle Butler visits Cherry Creek High School:

  • 2017 True West Awards: Steven J. Burge and Jeremy Rill

    by John Moore | Dec 30, 2017
    2017 True West Awards The Breakouts  Jeremy Rill Steven J. Burge

    2017 TRUE WEST AWARDS  

    Day 30: The Breakouts

    Steven J. Burge and Jeremy Rill


    By John Moore
    Senior Arts Journalist

    Steven J. Burge and Jeremy Rill are very different performers. Think Sean Hayes and Frank Sinatra. Burge will shock you into gut-busting laughter, while Rill will make you swoon. If Burge is the flamboyant life of the party, then Rill is more, say … sunset on the beach.

    “If there is a spectrum,” said director and actor Robert Michael Sanders, "those two are on the opposite ends of it.”

    The comedian and the crooner.

    Steven J Burge and Jeremy Rill But these two emerging actors have far more in common than you might think. Both had big-time breakout years on Denver stages in 2017 — and both were separately described as “the nicest guy in Denver theatre” in interviews for this very story.

    Something's gotta give.

    Steven Cole Hughes, Burge’s castmate in the Denver Center’s extended hit comedy An Act of God, goes so far as to declare with dead-on eye contact that “Steven Burge is the nicest guy working in the American theatre today. Period.”

    Even Hughes’ 2-year-old daughter, Birdie, backed her father up.

    “Hey Birdie, who is this?” Hughes said, pointing to a poster for An Act of God. The child’s face immediately lit up. She pointed to a photo of Burge playing no less than God Himself, and she declared enthusiastically: “Steven!”

    “She’s 2,” Hughes reiterated. “Even the 2-year-olds love Steve Burge.”

    That’s high praise (or short praise, come to think of it) for Burge, who has been working his way up to this moment with one joyful performance after another since moving from Iowa in 2003, most often in extroverted comic roles. Highlights have included playing Seymour in Little Shop of Horrors and conquering the epic challenge of playing 40 roles in the one-man comedy Fully Committed. In 2012, Westword’s Juliet Wittman flatly declared, “Steve Burge is one of the funniest actors anywhere.”

    Says his friend and fellow actor Shannan Steele: “I love watching him delight in making others happy.”

    But Burge’s body of work has revealed far greater range and uncommon emotional honesty in stagings such as Dog Sees God at The Avenue Theater (I called him "triumphant" in The Denver Post) and Curious Theatre’s Speech and Debate. No matter how big the character Burge is called upon to play, “you always know there's a real and very interesting person underneath," Wittman wrote.

    (Story continues after the photo.)

    Steven J. Burge United in Love Photo by John Moore
    Steven J. Burge co-hosted the 'United in Love' benefit concert with Eden Lane that raised $40,000 for The Denver Actors Fund.  Photo by John Moore.


    But Burge’s steady career trajectory took a turn for the skyward late last year when he was hired by Director Geoffrey Kent to be the understudy for An Act of God, a pointed social comedy in which God comes down to Earth in human form to set the record straight about the misguided ways in which we sometimes act in God’s name. When Broadway and TV star Wesley Taylor’s contract expired, the Denver Center did not seek out a similarly big-named national replacement. It already had Burge, who smoothly ascended to Almighty status for what turned into an extended run at the Galleria Theatre. The role called on all of Burge’s comic skills, as well as his uncommon gift to make people listen and laugh, even when they might not like what he is telling them. Burge had An Act of God audiences eating out of his holy goblet.

    To say that Burge made an impression in his Denver Center debut would be an understatement.

    “Steven has spot-on comic timing, a fantastic voice and the best rehearsal attitude and esprit de corps I know of,” said Kent. “He improves the quality of everything he touches.”

    More Colorado theatre coverage on the DCPA NewsCenter

    A few months later, Director Ray Roderick punched Burge's ticket for an immediate return trip to the Galleria Theatre in the musical comedy First Date. Gigs at the Galleria are considered jackpot jobs among local actors because they generally come with a minimum six-month contract.

    Burge plays many characters in First Date, most notably the quintessential gay best friend of a young woman who’s just starting to brave the dating pool. The reason Burge succeeds at taking such a stock character and making him meaningfully connect with an audience, says Steele, is his willingness to bring his authentic self to all his roles.

    “The thing you need to know about Steven is that just beneath his hilarious and charming exterior is a beautifully tender, vulnerable, compassionate and generous person,” she said.

    “Steven is the opposite of an old soul. He is brand new to his world ... and his childlike wonder and joy are palpable.”

    800 Red Hot and Cole Cherry Creek Theatre Jeremy Rill Phot by Olga LopezHe’s now being rewarded for paying his many dues, and everyone agrees — it could not be happening to a nicer guy. For years, Burge has been known for saying yes to anyone who asks for his time and talents. This year, he co-hosted a benefit concert at the Lone Tree Arts Center that netted $40,000 for the Denver Actors Fund, and Miscast 2017 at the Town Hall Arts Center, which raised $7,000 more. He also has kept the Colorado Theatre Guild’s Henry Awards buzzing along since 2012 with his unpredictable comic energy as co-host with GerRee Hinshaw.

    "To me, Burge encapsulates the heart and soul of the Denver theatre community,” Kent said. “He volunteers for almost every arts organization I can list. If Denver were to elect a ‘Theatre Ambassador,’ he would have my vote.”

    Also receiving votes for Nicest Guy in Denver Theatre would be Jeremy Rill, an Arkansas native who already was a big deal in the lofty Chicago theatre scene when he moved to Colorado for love. And it didn’t take long for people to notice.

    “It's that voice,” said his frequent director, Kelly Van Oosbree. “The richness and his absolute control of it is remarkable. The first time I heard Jeremy open his mouth, I said, ‘This guy is going to be big.’ You just can’t deny that voice.”

    Coming Sunday: 2017 Colorado Theatre Person of the Year

    The Performance Now Theatre Company in Lakewood was the first Colorado company to catch wise, casting Rill in the regional premiere of Jane Eyre (Edward Rochester), Guys and Dolls (Sky Masterson) and Ragtime (Younger Brother). By then it was becoming pretty obvious to anyone within earshot that Rill was going to be a man in demand this year.

    Jeremy Rill Miscast Photo by John MooreA lot more people know “that voice” after it opened up and sang for the first time on four different metro stages this year. Rill started out playing no less than Cole Porter himself in the Cherry Creek Theatre Company’s Red, Hot and Cole at the Mizel Arts and Culture Center, landing quite cozily among a star-filled cast that included Steele alongside local big-shots Seth Dhonau and Lauren Shealy (both now co-starring with Burge in First Date), Damon Guerasio, Stephen Day, Matt LaFontaine, Sharon Kay White and several others.

    Rill then earned karma points for life when he was asked to join the ensemble of the Arvada Center’s Jesus Christ Superstar after the actor playing Judas had to leave the show for medical reasons. That set off casting dominoes that ended with Rill stepping onto one of the biggest theatre stages in the state a mere four hours before the first performance in front of an audience.

    There’s a reason Arvada Center director Rod Lansberry turned to Rill, whom he had never before cast, when the chips were down, Van Oosbree said. It’s that Sinatra cool.

    “If someone ever asked me to do something like that, I would have said, ‘No, thanks,’ ” Van Oosbree said. “But Rod knew Jeremy could handle the pressure. And he did.”

    That may be one reason karma has smiled back on Rill, who will return to Performance Now to play Cinderella’s prince in Into the Woods opening Jan. 5 at the Lakewood Cultural Center. He then joins the cast of the Arvada Center’s Sunday in the Park with George — and on the first day of rehearsal this time. Rill will play Louis, fiancé of the model who attracts the eye of an artist based on Georges Seurat.

    Superstar led to the 2017 performance that will put Rill on every director’s radar – and wish list — for years to come. Van Oosbree tapped Rill to head another dauntingly loaded ensemble in Stephen Sondheim’s Company for the Aurora Fox that included Shealy, Heather Lacy, Lindsey Falduto, Carolyn Lohr, Rebekah Ortiz, Heather Doris and many others.

    (Story continues below the video.)


    Video bonus: Jeremy Rill performs 'Everybody's Girl' at Miscast 2017:




    You knew going in that Rill would bring any production of Company to a thunderous finish with his take on the forceful ballad “Being Alive.” But what separates a good Company from a great one is an actor who understands that Bobby’s journey is a serious rumination on the relative pros and cons of choosing a married or solitary life. Rill allowed himself to get fully lost in his journey — which at times meant going inside and checking out from the Aurora Fox audience altogether.

    Turns out, as Van Oosbree plainly puts it: Jeremy Rill is not just another pretty voice.

    “He’s also a really good actor,” she said. “He found the vulnerable in Bobby and the underlying pain that I think sometimes goes missing in other performances. The easy thing would be to make Bobby a fun, jovial bachelor, but that’s just not who this man is. Jeremy was clever and he was sexy and he was charming and he was cynical and he was sad. He was all the things. He just killed it.”

    Wrote Ramsey Scott for the Aurora Sentinel: “Jeremy Rill nails the mix of aloofness and emotional despair that plagues his character throughout the show and matches it with a voice that deserves to be the center of attention.”  Added Wittman for Westword: "Jeremy Rill has a richly melodious and supple voice that’s sheer pleasure to listen to."

    Norell Moore by Jeremy RillAnd Rill’s artistry, by the way, is not limited to the stage. He’s also a disarmingly effective portrait photographer who is known for bringing out an astonishing clarity of character in a single frame. Look no further than his revealing portrait of fellow actor Norrell Moore (right) soon after she started chemotherapy for breast cancer.

    “I mean this as no disrespect to any other photographer,” said Sanders. “But if you put 100 random actor headshots in a pile in front of me, I could easily pick out the ones taken by Jeremy because he has such a distinctive style behind the camera. He just has a way of making actors look their best. Maybe it’s because he’s one of them. But somehow he manages to put a sparkle in the eye of every single person he photographs.”

    John Moore was named one of the 12 most influential theater critics in the U.S. by American Theatre Magazine in 2011. He has since taken a groundbreaking position as the Denver Center’s Senior Arts Journalist 

    Steven J. Burge: 2017
    • The Almighty in DCPA Cabaret’s First Date
    • Co-Host, United in Love benefit concert
    • Co-Host, Colorado Theatre Guild Henry Awards
    • Co-Host, Miscast 2017
    • Multiple roles in DCPA Cabaret’s First Date

    Jeremy Rill: 2017
    • Man 1 (Cole Porter) in Cherry Creek Theatre’s Red, Hot and Cole
    • Ensemble in Arvada Center’s Jesus Christ Superstar
    • Aurora Fox’s Company
    • Emile de Becque in Platte Valley Players' South Pacific (concert version)
    • Performed in Miscast 2017 for the Denver Actors Fund

    Steven J Burge GerRee Hinshaw 2017 Henry Awards BLF Photography
    Steven J. Burge and GerRee Hinshaw co-hosting the 2017 Henry Awards. BLF Photography.


    About The True West Awards: '30 Days, 30 Bouquets'

    The True West Awards, now in their 17th year, began as the Denver Post Ovation Awards in 2001. DCPA Senior Arts Journalist John Moore — along with additional voices from around the state — celebrate the entire local theatre community by recognizing 30 achievements from 2017 over 30 days, without categories or nominations. Moore's daily coverage of the DCPA and the Colorado theatre community can be found at MyDenverCenter.Org

    A look back at the history of the True West Awards

    The 2017 True West Awards (to date)

     

  • Study: There's a lot of Denver in Denver Center casts this fall

    by John Moore | Dec 13, 2017

    Fall Casting 800 Photos by Adams Viscom

    Survey of DCPA cast lists shows 56 percent of all available jobs this fall have gone to actors who live in Denver area 

    By John Moore
    Senior Arts Journalist

    There has been a lot of Denver at the Denver Center this fall. An analysis of cast lists for the eight shows presented since the start of September shows that 56 percent of all actors who have taken to a DCPA stage also call Denver home.

    That doesn’t even include the eight child actors who currently populate the Theatre Company’s A Christmas Carol. And when you add in all the actors who grew up in Colorado but are now based elsewhere, the number of actors with local connections jumps to 67 percent.  

    “The Colorado acting community is such a multi-talented group, and that is evident in all the amazing work featured across the entire state and on every one of our stages at the DCPA this fall,” said DCPA Director of Casting Grady Soapes.

    The survey includes all homegrown programming offered by the DCPA, totaling 73 adult actor slots. Much of the local infusion this year can be traced to Off-Center’s immersive musical The Wild Party at the Stanley Marketplace, as well as DCPA Cabaret’s newly launched musical First Date at the Galleria Theatre, both of which cast entirely local actors.

    First Date Fall Casting Photo by Emily LozowFirst Date director Ray Roderick, who is based out of New York, is responsible for the longest-running musical in Colorado Theatre history, I Love You, You’re Perfect, Now Change, also at the Galleria, as well as The Taffetas, Five Course Love and many others. And while he is always empowered to cast actors based anywhere around the country, he almost always fills his Denver cast lists with Denver actors. Why? Because he can, he says.

    (Pictured above and right: Local actors Seth Dhonau and Adriane Leigh Robinson will be taking their 'First Date' through April 22. Photo by Emily Lozow.)

    “There is no question that there is a wealth of talent here in Denver,” Roderick said. “When I work at other regional theatre centers and I choose my cast, I’m often told, 'Well what have they done on Broadway?’ I never get that here at the Denver Center. The fact is, when you are casting a show, what matters is the story, period. And we have beautiful storytellers in Denver. That they happen to live in Denver has nothing to do with their level of talent.”

    It was the Denver Center’s Jeff Hovorka who convinced then-DCPA President Randy Weeks that the first staging of the Galleria Theatre’s Always…Patsy Cline back in 1997 could be effectively cast with local actors. Melissa Swift-Sawyer and Beth Flynn made Denver musical-theatre history when their show ran for three and a half years, only to be surpassed by I Love You, You’re Perfect, Now Change, another all-local show that opened in 2000 and became Denver’s longest-running musical by 2004.

    “The three biggest successes in the Galleria Theatre history, including Girls Only: The Secret Comedy of Women, all have had local casts,” said Hovorka, now the DCPA’s Director of Sales and Marketing for Broadway and Cabaret. “Denver always has had an incredibly strong talent base, and we are always proud to celebrate the homegrown talent we have in this city.”

    Check out the all-local cast of DCPA's First Date

    The Wild Party Director Amada Berg Wilson, also the founder of a Boulder theatre company called The Catamounts, put 15 local actors to work on Off-Center’s risky plunge into immersive musical theatre, which was attended each night by 200 live party guests.

    “Having an all-local cast is evidence that we really do have the talent right here to pull off a show like this,” said Wilson. “And I think it is great that as the Denver Center continues to experiment with immersive theatre, we are developing a base of talent right here who have the tools and the vocabulary to make this specific kind of work. We are discovering that audiences are really hungry for more of it, and now we have the people here to do it.”

    michael-fitzpatrick-leslie-ocarroll-photo-credit-adamsviscom_24874516748_oThe list of local actors working for the Denver Center this fall spans beloved veterans such as Leslie O’Carroll, who is again playing Mrs. Fezziwig in the Theatre Company’s A Christmas Carol, to first-timers such as longtime BDT Stage favorite Wayne Kennedy and Adriane Leigh Robinson, who just played Sally Bowles for the Miners Alley Playhouse’s Cabaret.

    (Leslie O'Carroll, right with 'A Christmas Carol' castmate Michael Fitzpatrick, is now the longest-tenured actor in the DCPA Theatre Company.)

    Longtime Galleria Theatre favorites Jordan Leigh and Lauren Shealy, now appearing in First Date, have built sustainable acting careers around steady work at the DCPA, including occasional crossover roles in Theatre Company productions. Shealy, headlined the Lone Tree Arts Center’s summer production of Evita that was nominated for Outstanding Musical by the Colorado Theatre Guild’s Henry Awards.

    Colorado theatre favorite Steven J. Burge, who joined the Denver Center earlier this year to play none other than God in the long-running Galleria Theatre hit An Act of God, is back in First Date, which runs through April 22. This is a job, Burge says, “that I would not quit even if I won the lottery, because I love it so much.”

    Each May, the Denver Center holds three days of “general auditions” that are open to local actors to sign up for. This year a record 100 union and 275 non-union actors participated, directly resulting in many of the fall hirings.

    Many of the Denver Center’s current crop of actors have tentacles that reach throughout the Colorado theatre community from Creede Repertory Theatre (Diana Dresser and Emily Van Fleet) to Phamaly Theatre Company (Leonard E. Barrett), which exists to create performance opportunities for actors with disabilities.

    Michael Bouchard and Luke Sorge, the two actors playing David in Off-Center’s The SantaLand Diaries, are both company members with the Boulder Ensemble Theatre Company, which was co-founded by occasional DCPA Theatre Company actor and Director Stephen Weitz.  

    The Theatre Company’s season-opening production of Macbeth included local playwright Steven Cole Hughes, also a longtime Teaching artist for DCPA Education and graduate of the Denver Center’s National Theatre Conservatory. Robert O’Hara’s cast was a Denver Center reunion of sorts that also brought home Colorado natives Gareth Saxe, Erik Kochenberger and Skyler Gallun.

    Skyler GallunSaxe, a graduate of Colorado College and Denver East High School, played Scar for two years on Broadway in Disney’s The Lion King, but his DCPA Theatre Company roots go back to Cyrano de Bergerac in 2001. Kochenberger also graduated from East High School — but his was in Pueblo. Gallun, who previously appeared in Lord of the Flies, led a talkback with students from his alma mater, George Washington High School, after one Macbeth matinee (pictured at right by John Moore).

    DCPA Education head of acting Timothy McCracken, who has recently performed with both BETC (Outside Mullingar) and Local Theatre company (The Firestorm), landed this fall in both the Theatre Company’s Smart People and A Christmas Carol. His Smart People co-star Jason Veasey graduated from Coronado High School in Colorado Springs and the University of Northern Colorado in Greeley. His many past local credits include playing Jesus in Town Hall Arts Center’s Godspell.

    More Colorado theatre coverage on the DCPA NewsCenter

    This fall also has brought the launch of DCPA Education’s new Theatre for Young Audiences program. The three-person cast of The Snowy Day who performed Ezra Jack Keats’ beloved story for 19,000 pre-kindergarten through third-graders included longtime DCPA Teaching Artist Rachel Kae Taylor (also an NTC grad with three Theatre Company credits) and Robert Lee Hardy, who was recently seen in Vintage Theatre’s A Time to Kill In Aurora.  

    finalpdheadshots0005-web“This has been an exciting year not only for the local actors but for myself and the DCPA,” Soapes (pictured right) said of his local casting. “The dedication this organization has made to further highlighting the talent we have here in Denver has also deepened our appreciation for the artists who are working hard every day to entertain our audiences —  my hat goes off to them,” he said.

    Soapes said his top priority always will be to cast the best person for every role, regardless of ZIP code.

    “We here at the DCPA are excited to continue to tap further into the local talent pool, open our doors wider and show the entire industry why Denver is a destination for quality theatre,” Soapes said.

    John Moore was named one of the 12 most influential theater critics in the U.S. by American Theatre Magazine in 2011. He has since taken a groundbreaking position as the Denver Center’s Senior Arts Journalist.

    Grady Soapes Quote


    Denver Center Fall 2017 Casting:

    Macbeth: 17 actor jobs
    Actors living in Colorado:

    • Steven Cole Hughes as Doctor of the Psychic/Ensemble)

    Actors from Colorado:

    • Skyler Gallun as Donalbain/Ensemble
    • Erik Kochenberger as Hecate Two/Ensemble
    • Gareth Saxe as Duncan/Ensemble)


    'A Snowy Day. Rachel Kae Taylor, Robert Lee Hardy. Zak Reynolds. Photo by Adams Viscom.The Snowy Day:
    Three actor jobs

    Actors living in Colorado:

    • Rachel Kae Taylor as Archie, Amy, Mom and others
    • Robert Lee Hardy as Peter

    Smart People: Four actor jobs
    Actors living in Colorado:

    • Timothy McCracken
    Actors from Colorado:
    • Jason Veasey

    The Wild Party: 15 actor jobs
    Actors living in Colorado:

    • Brett Ambler as Gold
    • Leonard Barrett Jr. as Oscar D’Armano
    • Allison Caw as Sally
    • Laurence Curry as Black
    • Diana Dresser as Miss Madelaine True
    • Katie Drinkard as Mae
    • Trent Hines as Phil D’Armano
    • Drew Horwitz as Burrs
    • Wayne Kennedy as Goldberg
    • Sheryl McCallum as Dolores
    • Jenna Moll Reyes as Nadine
    • Marco Robinson as Eddie Mackrel
    • Emily Van Fleet as Queenie
    • Aaron Vega as Jackie
    • Erin Willis as Kate

    Girls Only: The Secret Comedy of Women: Three actor jobs
    Actors living in Colorado:

    • Barbara Gehring
    • Linda Klein
    • Amie MacKenzie

    A Christmas Carol (through Dec. 24): 21 adult actor jobs; eight youth jobs
    Actors living in Colorado:

    • Sam Gregory as Ebenezer Scrooge
    • Chas Lederer as Swing
    • Kyra Lindsay as Martha Cratchit/Ensemble
    • Chloe McLeod as Swing
    • Timothy McCracken as Ebenezer Scrooge understudy
    • Leslie O’Carroll as Mrs. Fezziwig/Ensemble
    • Jeffrey Roark as Jacob Marley/Ensemble
    • Shannan Steele as Ensemble
    • Marco Robinson as Ensemble

    A Michael Bouchard 800The SantaLand Diaries (through Dec. 24): Two actor jobs
    Actors living in Colorado:

    • Michael Bouchard as David
    • Luke Sorge as David understudy
    First Date (through April 22): Eight actor jobs

    Actors living in Colorado:

    • Adriane Leigh Robinson as Casey
    • Seth Dhonau as Aaron
    • Steven J. Burge as Man 1
    • Aaron Vega as Man 2 (Nov. 11-Dec. 3)
    • Jordan Leigh as Man 2 (Dec. 5-April 22)
    • Lauren Shealy as Woman 1
    • Barret Harper as Male Understudy
    • Cashelle Butler as Female Understudy
  • Video, photos: Your first look at 'First Date'

    by John Moore | Nov 16, 2017

    Video by David Lenk.

    Here is your first chance to see video and photos from the new musical comedy opening Friday at the Galleria Theatre

    Here is your first look in video (above) and photos (below) at the Denver Center for the Performing Arts' new staging of First Date, opening Friday, Nov. 17,  and running through April 22, 2018, in The Garner Galleria Theatre.

    When blind-date newbie Aaron is set up with serial-dater Casey, a casual drink at a busy New York restaurant turns into a comically high-stakes dinner. As the date unfolds in real time, the couple quickly finds they are not alone on this unpredictable evening.

    The director is Ray Roderick, and the all-local cast includes Adriane Leigh Robinson, Seth Dhonau, Steven J. Burge, Aaron Vega, Jordan Leigh, Lauren Shealy, Barret Harper and Cashelle Butler. (Vega plays the "Man 2" role from Nov. 11-Dec. 3. Leigh plays Man 2 from Dec. 5-April 22.)

    The Denver Center for the Performing Arts has announced that it is dedicating the opening performance and the entire run of First Date, opening Friday, as well as the entire run of A Christmas Carol, to Daniel Langhoff, who died last week from cancer. Read more here.

    Meet the cast: More fun to read than any dating profile!


    Full photo gallery: First Date production photos


    First Date

    Photos from the making of 'First Date.' To see more, click on the image above to be taken to our full gallery of photos. Photos by Emily Lozow for the DCPA NewsCenter.


    First Date: Ticket information
    First DateNov. 11, 2017, through through April 22, 2018
    Tickets : Call 303-893-4100 or BUY ONLINE
    Garner Galleria Theatre

    The book is written by by Austin Winberg. Music and Lyrics by Alan Zachary and Michael Weiner. Orchestrations by August Eriksmoen. Vocal and Incidental Music Arrangements by Dominick Amendum.

    More Colorado theatre coverage on the DCPA NewsCenter

  • Local theatres respond to actor's death with challenges, collections, dedications

    by John Moore | Nov 16, 2017
    Daniel Langhoff Ragtime. Performance Now
    Daniel Langhoff recently starred as Tateh in Performance Now's 'Ragtime,' above. The company has unanimously voted to donate 2 percent of all net profits from every show in the 2017-18 season to the Denver Actors Fund in Langhoff's name.


    Performance Now issues an extraordinary challenge as others announce creative ways to support Langhoff family

    By John Moore
    Senior Arts Journalist

    This week's death of beloved local actor Daniel Langhoff has galvanized the Colorado theatre community and beyond, with targeted donations to Langhoff's wife and two infant daughters through the Denver Actors Fund already reaching $23,578 in four days. READ MORE HERE

    Daniel Langhoff NaomiPerhaps most immediate and most remarkable: Performance Now Theatre Company has not only made a substantial donation of $1,000 to the Langhoff family, the company's Board of Directors on Monday unanimously agreed to donate 2 percent of all net profits from every show in the 2017-18 season to the Denver Actors Fund to be used at its discretion.

    "We challenge all Denver-area theatre companies to do the same," Performance Now Executive Producer Ken Goodwin and Artistic Director Alisa Metcalf said in a joint statement. "Imagine how much more the DAF could help others if the companies themselves got involved and the DAF would not have to rely as heavily on individual donations."

    (Pictured above and right: Daniel Langhoff with second daughter Naomi, who was born Nov. 2, just 10 days before he died from cancer.)

    Performance Now even made the initiative retroactive, sending a separate contribution of $386 for its recent production of The Marvelous Wonderettes. Coming up next: Into the Woods opening Jan. 5 at the Lakewood Cultural Center.

    Langhoff has been a major player with Performance Now, having recently starred in both Ragtime and Man of La Mancha at the Lakewood Cultural Center. The challenge is all the more remarkable given that when Performance Now lost longtime Artistic Director Nancy Goodwin (Ken's wife) to breast cancer in 2007, it established a scholarship fund in her name to aid and reward young college students who are working toward a degree in the performing arts.

    "All performing-arts nonprofits face extraordinary funding challenges as a matter of course," said Denver Actors Fund President Will Barnette. "When nonprofits with already stretched resources still find a way to support other nonprofits, that is kind of remarkable, when you think of it." 

    Donate to the Denver Actors Fund's Langhoff collection

    Daniel


    Barnette added that The Denver Actors Fund does have a modest, ongoing giving campaign in collaboration with area companies called the Tap Shoe Initiative, in which participating companies choose one night per run of a show to collect spare change for the DAF. To date, the initiative has raised about $20,000. Companies interested in participating are encouraged to email Debbie Weinstein Minter at sk8bug77@yahoo.com.

    Elsewhere, the Denver Center for the Performing Arts has announced that it is dedicating the opening performance and the entire run of First Date, opening Friday, as well as the entire run of A Christmas Carol, to Langhoff.

    Langhoff made his Denver Center debut in 2010 in the musical comedy Five Course Love at the Galleria Theatre, followed by a stint in a revival of the longest-running musical in Denver history, I Love You, You’re Perfect, Now Change. He also performed in the DCPA Theatre Company’s seasonal stagings of A Christmas Carol in 2014 and 2015.

    “Daniel was a brilliant actor and comedian who loved to laugh almost as much as he loved to hear others laugh," said First Date director Ray Roderick.

    Through curtain speeches, information in the show programs and DCPA NewsCenter, the DCPA will be directing audiences to make targeted donations to the Langhoff family.

    Immediate efforts to add to the Langhoff fund:

    Many other individuals and theatre companies have responded with creative entrepreneurial efforts to add to the total over the coming days and months. Here is a roundup:

    • A November Denver Dolls 400The Aurora Fox's new monthly cabaret series this weekend (Nov. 17-18) features The Denver Dolls presenting their USO/Andrews Sisters tribute, performed in the style of The Manhattan Transfer. The Dolls, presented by YearRound Sound, are led by frequent DCPA performer and Langhoff castmate Heather Lacy, who will lead a collection as audiences leave the studio theatre at 9900 E. Colfax Ave., Aurora. 303-739-1970 or BUY TICKETS
    • BDT Stage opens its new production of Annie this weekend and will make an audience appeal for donations to the Langhoff fund at performances Friday, Saturday and Sunday (Nov. 17-19). 5501 Arapahoe Ave., 303-449-6000 or bdtstage.com
    • Local actor, choreographer and certified fitness instructor Adrianne Hampton is holding a benefit "Broadway Boot Camp" at 6 p.m. on Sunday, Nov. 19, with all proceeds and donations going to Langhoff's family. What is a Broadway Boot Camp? Well, it's a workout, with showtunes. "It’s a place where theaA Daniel Langhoff Vintage. Honemoon in Vegas RDG Photographytre people can come to hone their skills and support each other," Hampton said. "Just come, bring your dancing shoes and have fun dancing. If you don't want to be part of the class, you can come and watch or just come and make a donation." $15. Littleton Ballet Academy 1169 W. Littleton Blvd.
    • Vintage Theatre has announced that all proceeds from the industry-night performance of its new musical Honeymoon in Vegas on Monday, Nov. 27, will go to Langhoff's family, including, remarkably, box office. The DAF's Sue Leiser will lead a collection brigade. All tickets are $15 for this performance only. At 1468 Dayton St., Aurora, 303-839-1361 or BUY TICKETS
    • Daniel Langhoff Community BETCThe Boulder Ensemble Theatre Company will also donate 100 percent of the proceeds from its official opening performance of Every Christmas Story Every Told on Dec. 13 to the DAF's Langhoff Fund. Langhoff was a cast member of this very same show at this time last year. "Daniel Langhoff will be deeply missed by all the artists who had the opportunity to work with him...and there were so many," said BETC Managing Director Rebecca Remaly Weitz. "He touched so many of us with his wit, optimism, persistence, kindness and humor. Our hearts go out to his family." Additional donations will be accepted at the door on Dec. 13. At the Dairy Center for the Arts, 2590 Walnut St., Boulder, 303-440-7826 or BUY TICKETS

    Details on a life celebration for Daniel Langhoff are expected to be announced soon.

    Pictures above, from top: The Denver Dolls; James Thompson and the cast of A Daniel Vintage Theatre's Honeymoon in Vegas (RDG Photograph and Daniel Langhoff in Boulder Ensemble Theatre Company's Every Christmas Story Every Told (Michael Ensminger). 

    More Colorado theatre coverage on the DCPA NewsCenter

  • 'RENT' and more: No day like Tuesday at the Denver Center

    by John Moore | Nov 15, 2017
    Rent Cast Denver Rodney Hicks. Photo by John Moore
    Original 'RENT' cast member Rodney Hicks, front, joins the ensemble performing the RENT 20th Anniversary Tour playing at the Buell Theatre through Tuesday, Nov. 21. Photo by John Moore for the DCPA NewsCenter.

    Original cast member meets the newest crop of stage squatters, capping a Tuesday that's one to remember

    By John Moore
    Senior Arts Journalist

    “No day but today,” the cast sings at the finale of RENT, which opened in Denver on Tuesday night. But there was no day quite like Tuesday at the Denver Center in recent memory.

    The day began early with the morning introduction to employees of Chris Coleman as the DCPA Theatre Company’s fourth Artistic Director. Coleman, who has led Portland Center Stage for 17 years, was accompanied by husband Rodney Hicks, who originated the role of Paul and others when RENT debuted on Broadway in 1996.

    Tuesday was a homecoming for Hicks, who played Edmund in the DCPA Theatre Company’s King Lear in 2007. Coleman said Hicks was encouraging about the potential new job in Denver based on his brief experience here. "He told me, ‘What’s possible in that performing-arts complex is very unique in the American theatre,’ ” said Coleman.

    Chris Coleman Rodney Hicks. Photo by John Moore. Coleman also told the gathered company members a personal story that elucidates why storytelling means so much to him. It happened when his sister died quickly and unexpectedly, he said, from a burst clot that stopped her heart.

    “What that solidified for me is that we know not the hour or the day,” Coleman said. “We do know that the universe calls to each of us to carve out meaning in the time that we have together on this planet.”

    (Pictured right: Chris Coleman and his husband, Rodney Hicks. Photo by John Moore for the DCPA NewsCenter.)

    At the same time Coleman was being introduced, DCPA Education was staging a morning performance of its inaugural Theatre for Young Audiences offering, The Snowy Day, in the Conservatory Theatre.

    That evening, as RENT was opening its 20th Anniversary touring production to screaming fans in the Buell Theatre, the the Garner Galleria Theatre was hosting a preview performance of the homegrown musical First Date, featuring a cast of all-local actors. Over in the Ricketson Theatre, the Theatre Company's smart comedy Smart People was playing out. It's the story of four young Harvard intellectuals who collide over race and sexual politics.

    Breaking: Coleman DCPA Theatre Company's new leader 

    Following RENT, Hicks and Coleman were taken backstage along with DCPA President and CEO Janice Sinden and Broadway Division Executive Director John Ekeberg. The cast and crew gathered in the green room to meet Hicks, trade some stories and take a group photo.  

    Hicks told the newest RENT squatters their performance transported him right back into his 21-year-old shoes, and that at intermission, he texted superstar Anthony Rapp (the original Mark Cohen) to tell him all about it. Hicks, who has several other Broadway credits, most recently Come from Away, returned to the RENT family in 2007 to play Benny, the conformed ex-roommate who is now evicting his penniless old bohemian friends “for their own good.” Hick spoke to the cast of the ongoing influence the late RENT composer Jonathan Larson has on his life.

    Back in the Buell, four cast members regaled a few hundred audience members who stayed for a post-show Q&A — and some in the crowd returned the favor. One woman told the story of having been in attendance at RENT’s first pre-Broadway performance (and that this touring cast compared quite favorably). Another thanked the cast for bringing the show back to life with this touring production, and revealed a RENT shoulder tattoo that takes its inspiration from the show.

    A Rent Lyndie Moe 400The audience was also delighted to learn that actor Lyndie Moe, who plays the demonstrative performance artist Maureen in RENT, is a Colorado native and granddaughter of beloved former Denver Nuggets coach Doug Moe. She was asked how the loveable, legendary old coach liked seeing her perform the evocative role created by Idina Menzel. “I’m not going to lie, I was nervous about that — but he actually really liked it, thank God,” said Lyndie, whose sport of choice was volleyball through high school and college.

    (Here is a video of Lyndie Moe performing the national anthem at a Nuggets game at McNichols Sports Arena in 2006. Photo at right.)
     

    One young audience member asked what advice the cast has for aspiring performers such as herself.

    “Well, RENT was my first audition in New York — and I got it,” said Moe. “So my advice is to just go for everything, because you can never know what you are going to get.”  

    All in all, “today” was one very full day at the Denver Center, one that was unique in many ways but at the same time representative of the non-stop activity that both surrounds and fuels the Denver Performing Arts Complexon a daily basis. 

    John Moore was named one of the 12 most influential theater critics in the U.S. by American Theatre Magazine in 2011. He has since taken a groundbreaking position as the Denver Center’s Senior Arts Journalist.

    RENT: 20th Anniversary Tour: Ticket information200x200-rent
    At a glance: This Pulitzer Prize and Tony Award-winning masterpiece returns to the stage in a vibrant 20th anniversary touring production. With its inspiring message of joy and hope in the face of fear, this timeless celebration of friendship and creativity reminds us to measure our lives with the only thing that truly matters.

    • National touring production
    • Performances Nov. 14-21
    • Buell Theatre, Denver Performing Arts Complex
    • Tickets start at $25
    • Call 303-893-4100 or BUY ONLINE
    • Sales to groups of 10 or more CLICK HERE
    Previous NewsCenter coverage of RENT:
    Two decades later, RENT still comes in on time
    RENT announces daily Denver lottery for $20 orchestra seats
  • Single tickets to most 2017-18 shows, classes go on sale Aug. 11

    by John Moore | Jul 26, 2017

    DCPA TITLES


    Later on-sale dates will be announced for Hamilton, Disney’s Aladdin, The Book of Mormon, Remote Denver and Dear Evan Hansen

    Tickets for most of the Denver Center's 2017-18 Broadway, Theatre Company, Cabaret, Off-Center and Education shows, as well as all fall and winter classes, will be made available to the general public at 10 a.m. on Friday, Aug. 11, at denvercenter.org

    The full list of 29 DCPA productions available for purchase on Aug. 11 is below.

    Please note that Hamilton, Disney’s Aladdin, The Book of Mormon, Remote Denver are not included in the Aug. 11 on-sale. A separate on sale for each production will be announced at a later time. Dear Evan Hansen will launch its national tour in Denver as the first show of the 2018/19 Broadway season and will go on sale to the public at a later time in 2018.

    More information on the Broadway shows on-sale Aug. 11

    More information on Theatre Company, Off-Center shows

     DCPA ORG

    2017-18 DCPA tickets on sale Aug. 11:

    Show title

    Venue

    Run Dates

    Men are from Mars,
    Women are from Venus LIVE!

    Garner Galleria

    Aug 9 - 27, 2017

    Macbeth

    Space

    Sept 15 - Oct 29, 2017

    Girls Only - The Secret Comedy of Women

    Garner Galleria

    Sept 21 - Oct 22, 2017

    The Snowy Day and Other Stories
    by Ezra Jack Keats

    Conservatory Thtr.

    Sep 21 - Nov 18, 2017

    Rob Lowe - Stories I Only
    Tell My Friends: LIVE!

    The Ellie

    Oct 1, 2017

    The Wild Party

    Hangar at Stanley

    Oct 11 - 31, 2017

    Smart People

    Ricketson

    Oct 13- Nov 19, 2017

    Something Rotten!

    Buell

    Oct 17 - 29, 2017

    Breakin' Convention

    Buell

    Nov 4-5, 2017

    First Date

    Garner Galleria

    Nov 11, 2017 - Apr 22, 2018

    RENT 20th Anniversary Tour

    Buell

    Nov 14 - 19, 2017

    A Christmas Carol

    Stage

    Nov 24 - Dec 24, 2017

    The SantaLand Diaries

    Jones

    Nov 24 - Dec 24, 2017

    Chicago

    Buell

    Nov 28 - Dec 3, 2017

    Mannheim Steamroller Christmas
    by Chip Davis

    Buell

    Dec 9 - 10, 2017

    ELF The Musical

    Buell

    Dec 13 - 17, 2017

    Waitress

    Buell

    Dec 19 - 31, 2017

    Rodgers & Hammerstein's
    The King and I

    Buell

    Jan 2 - 14, 2018

    Zoey's Perfect Wedding

    Space

    Jan 19 - Feb 25, 2018

    American Mariachi

    Stage

    Jan 26 - Feb 25, 2018

    The Great Leap

    Ricketson

    Feb 2 - March 11, 2018

    This is Modern Art

    Jones

    Mar 22 - April 15, 2018

    STOMP

    Buell

    Feb 13 - 18, 2018

    Native Gardens

    Space

    April 6 - May 6, 2018

    The Who's Tommy

    Stage

    April 20 - May 27, 2018

    Human Error

    Garner Galleria

    May 18 - June 24, 2018

    School of Rock

    Buell

    May 29 - Jun 10, 2018

    Les Misérables

    Buell

    July 25 - Aug 5, 2018

    On Your Feet!

    Buell

    Aug 8 - 19, 2018

     

    Subscriptions
    Full Broadway subscriptions are no longer available to the general public. Theatre Company Full Season, Power Pass, All Stages, Family Package, Premium Subscriptions, Designer Series and Theatre Company Choose Your Own are available. For more information, visit denvercenter.org/subs. Hamilton priority access will not be available with any new DCPA subscriptions.

    Radvantage
    Patrons between the ages of 18-30 are invited to join the Radvantage membership program, which grants access to specially priced tickets to participating shows. Ticket prices start at $20. For more information, please visit denvercenter.org/radvantage.

    Sponsors
    The 2017-18 DCPA Broadway season is generously sponsored by BMW of Denver Downtown, UCHealth and United Airlines. The 2017-18 DCPA Theatre Company season is generously sponsored by Larimer Square and Daniel L. Ritchie. Media sponsorship is provided by The Denver Post and CBS4. Denver Center for the Performing Arts is supported in part by the Scientific and Cultural Facilities District.

  • Check out the all-local casting for DCPA's 'First Date'

    by John Moore | Jul 12, 2017

    First Date

    The cast of 'First Date,' top row from left: Steven J. Burge, Seth Dhonau, Jordan Leigh and Lauren Shealy. Second row: Adriane Leigh Robinson, Cashelle Butler, Barret Harper and Director Ray Roderick. (Note: Aaron Vega plays Jordan Leigh's role from Nov. 11-Dec. 3.)


    Returning Galleria faces among the all-Colorado cast are Jordan Leigh, Lauren Shealy and Steven J. Burge

    By John Moore and Heidi Bosk
    For the DCPA NewsCenter

    The Denver Center for the Performing Arts has announced an all-local cast for its  upcoming production of First Date, playing The Garner Galleria Theatre from Nov. 11, 2017, through April 22, 2018.

    When blind date newbie Aaron is set up with serial-dater Casey, a casual drink at a busy New York restaurant turns into a comically high-stakes dinner. As the date unfolds in real time, the couple quickly finds they are not alone on this unpredictable evening. In an unexpected twist, Casey and Aaron’s inner critics take on a life of their own when other restaurant patrons transform into supportive best friends, manipulative exes and protective parents who sing and dance them through ice-breakers, appetizers and potential conversational land mines. Can this couple turn what could be a dating disaster into something special before the check arrives?

    Directed by Ray Roderick (The Last 5 Years, The Taffetas, Five Course Love and I Love You, You’re Perfect, Now Change), First Date features both returning Denver Center favorites and exciting new faces:  
    • Adriane Leigh Robinson – Casey
    • Seth Dhonau – Aaron
    • Steven J. Burge – Man 1
    • Aaron Vega – Man 2 (Nov. 11-Dec. 3)
    • Jordan Leigh – Man 2 (Dec. 5-April 22)
    • Lauren Shealy – Woman 1
    • Barret Harper – Male Understudy
    • Cashelle Butler – Female Understudy

    The First Date creative team includes Martha Yordy (musical direction), Lisa M. Orzolek (scenic design), Charles R. MacLeod (lighting design), Meghan Anderson Doyle (costume design) and Craig Breitenbach (sound design).

    The book is written by by Austin Winberg. Music and Lyrics by Alan Zachary and Michael Weiner. Orchestrations by August Eriksmoen. Vocal and Incidental Music Arrangements by Dominick Amendum.

    More Colorado theatre coverage on the DCPA NewsCenter

    (Please be advised that the Denver Center for the Performing Arts – denvercenter.org – is the ONLY authorized ticket provider for this productions in Denver. Ticket buyers who purchase tickets from a ticket broker or any third party should be aware that the DCPA is unable to reprint or replace lost or stolen tickets and is unable to contact patrons with information regarding time changes or other pertinent updates regarding the performance.)


    First Date: Meet the cast

    Adriane Wilson 160ADRIANE LEIGH ROBINSON (Casey) is overjoyed to be making her Denver Center debut in this production of First Date. Before migrating to Colorado, Adriane performed internationally with a number of Air Force troupes and with James Madison University’s Children’s Playshop in Harrisburg, Virginia. Since graduating from The University of Northern Colorado, Adriane has appeared on the stages of Little Theatre of the Rockies and Miner’s Alley Playhouse, where she recently played Sally Bowles in Cabaret. Adriane was the recipient of Best Actress in a Musical at The European Toppers Awards in Heidelberg, Germany for her role of Dorothy in The Wizard of Oz (Aviano Theatre) and an Irene Ryan Awards nomination for her performance as Laurie Williams in Oklahoma (University of Northern Colorado).

    Adriane WilsonHometown: Aviano, Italy. I spent the ity of my high-school years there, and consider it the place where I truly began finding myself as an adult.
    • College: University of Northern Colorado in Greeley
    • What's your handle? @little.adriane.leigh on Instagram
    • Twitter-sized bio: I am a Pit-bull-loving, cheese-devouring, Harry Potter enthusiast. I was raised in a military family, so I had the opportunity to live and perform all over the country, and overseas. In my free time, I am a princess impersonator with a fabulous company called Wands and Wishes Occasions, in addition to running a photography business with my partner called Marco Robinson Photo. I am happiest when I’m reading, cooking, and playing with my two handsome puppies.
    • The role that changed your life? I recently played Sally Bowles in Cabaret with Miners Alley Playhouse in Golden (pictured above.) Sally was by far the most challenging and enjoyable character I’ve had the opportunity to tackle in a long while. She is such an iconic persona in the musical theatre world, and it was an honor to put my own spin on her manic yet lovable personality.
    Ideal scene partner: Steve Carell. I am such an enormous fan of his work; his range is so vast, and he seems like such a friendly person.
    What do you hope audiences get out of seeing First Date? I hope they walk away understanding that the presence of love in one’s life should stand above all other things. Professional success, material possessions and good looks all fade away at some point. But the one thing that has been proven to stand the test of time is love. Love deserves our attention, respect and dedication.
    Your worst first-date story: When I first arrived in Colorado in 2011, a friend set me up with one of his classmates. Let’s call him Ryan. Ryan seemed cute and sweet, so I agreed to the date. As a surprise, Ryan set up a horse-riding excursion for us in Colorado Springs, but we got hit by a terrible rainstorm, so that was no longer an option. I was new to the area, so I had no ideas, and neither did Ryan. Things were a little awkward as we sat in his car, trying to make small talk. Then things got very weird very fast. As our conversation started to dwindle, I realized we had nothing in common, especially when he started telling me about the demons that possess him. That’s right … demons. He went into great detail about the personalities of his demonic captors, and how they affected his daily life. Needless to say, there was no second date. I haven’t heard from Ryan or his demons since.
    Complete this sentence: “All I want is …"
    "... safety, good health, and happiness for those I love. Oh, and for my Hogwarts letter to arrive.
    Anything else you want to add?
    Enjoy the show, folks!

    Check out the all-local casting for DCPA's The Wild Party



    Seth DhonauSETH DHONAU
    (Aaron). Since moving to Denver last year, Seth has been seen in several productions including Red Hot and Cole (Cherry Creek Theater, pictured below right) and Evita (Lone Tree Arts Center). Previously he lived in New York and sang with some of the top choirs in the area, appearing at both St. Patrick's Cathedral and Carnegie Hall. Seth studied opera, theater and economics at Northwestern University where he appeared in Bernstein’s Mass, The Waa-Mu Show and multiple productions with the American Music Theatre Project. 

    Seth DhonauHometown: Fond du Lac, Wis.
    • College: Bachelor of Music (Voice and Opera) from Northwestern University
    • What's your handle? @Deathsono on Instagram
    • Twitter-sized bio: Connoisseur of film, literature, music, wine and cowboy boots.
    • The role that changed your life? George in Sunday in the Park with George. It wasn’t until I took on this role that I realized the power of storytelling on stage. To me it’s the ultimate confluence of music and art and the attending emotions that each brings about in us.
    Ideal scene partner: Joaquin Phoenix. I’m absolutely transfixed when he’s on screen; whether he appears to be digging into some unfathomable, wild place or just … being.
    • What do you hope audiences get out of seeing First Date? I hope our show reminds our audiences to take chances, and to not focus too much on the stuff you can’t change. There’s a big world out there if you allow yourself to go find it.
    • Your worst first-date story: Back in college, during the dark ages of Facebook (temporally, not socio-politically), I attempted to use my cell phone to look up an acquaintance with whom I’d be going on a first date that evening. Instead of typing her name into the search bar, I accidentally posted it, like a total creep, prominently atop my profile page where it remained for the duration of a recital I had just stepped on stage to perform. The post got no ‘likes,’ and I don’t think there was a second date.
    • Complete this sentence: “All I want is …"
    "... for people to slow down!”



    A Steven J. Burge 160STEVEN J. BURGE
     (Man 1) is thrilled to be back and treading the Denver Center boards again after making his Galleria debut last season as God in An Act of God (pictured below right). He made his Colorado debut in 2003 as Seymour in Little Shop of Horrors following the national tours of … And Then They Came for Me and A Christmas Carol. Since then, this award-winning character actor has appeared on stages throughout the Denver metro area including the Denver Center, Arvada Center, Curious Theatre, Lannie’s Clocktower Cabaret and many others. Steven was the recipient of The Denver Post Ovation Award for Best Solo Performance in Fully Committed (Aurora Fox), a one-man show in which Steven portrayed more than 30 different characters. Steven has also been recognized for his work in Contrived Ending (Buntport Theatre) and Dog Sees God: Confessions of a Teenage Blockhead (Avenue Theatre).

    Steven J. Burge, Erik Sandvold, Steven Cole Hughes, An Act of God. Photo by John Moore. Hometown: Martelle, Iowa. There's a sign on the city limits that reads "Welcome to Martelle! The small town with a big heart!" And it very much lives up to that hype. When my family moved there just after my seventh birthday, the town claimed fewer than 300 people. But I remember them as being the nicest 300 people on Earth. 
    • College: Theatre and Communications at Cornell College in Mt. Vernon, Iowa
    • What's your handle? I don't do the Twitter or the Instagram. But you should totally feel free to "friend" me on the Facebook if you'd like. It's my most favorite way to waste time.
    • The role that changed your life? In 2003, a tour I was doing ended and I came to Denver to take a three-month contract playing Seymour in Little Shop of Horrors. The plan was for me to do the show and hit the road again. But Colorado was so beautiful, and the people were so great, that I just kept on not leaving. Thirteen years later, I consider myself a proud Denverite. I guess that role didn’t just change my life; in some ways it sort of created it.
    Ideal scene partner: I don't need to look beyond Colorado to find a scene partner who will excite me or challenge me or inspire me. The artist community here is vibrant and relevant and I, for one, am so grateful to the Denver Center’s producers and subscribers and individual ticket-buyers for giving so many local theatre artists the opportunity to work where we live. That is a great gift. … OK, also Cassandra Peterson, a k a Elvira Mistress of the Dark. She's hilarious and she has been my comic hero since I was 10 years old. And guess what? She’s also from Colorado, kind of. Colorado Springs. But that counts.
    • What do you hope audiences get out of seeing First Date? Kissed. I hope you come to the show with someone you have a big ol' crush on ... whether it's a brand new crush or someone you've loved and married and crushed on for 50 years. I hope you sit in the audience together and get all twitterpated and nervous and get that "barfy" feeling. (It's a great feeling, isn't it?) And then I hope you get kissed. Every single one of you. 
    • Your worst first-date story: Ohmigosh, you guys, no lie: When I read this question, I immediately started to sweat. Then I briefly thought about quitting this show so I could avoid thinking about my dating life and answering this question. Then I recognized I was being a crazy person so I spent the better part of an hour Googling therapists in my insurance network and late-night delivery restaurants in my neighborhood. Then I watched a couple episodes of Dateline on Investigation Discovery because I find that when you're reflecting on your dating history, more often than not an episode of Dateline will remind you that no matter how bad you think it is, your taste in men could be worse. Pass.
    • Complete this sentence: “All I want is …"
    "... a room somewhere.
    Far away from the cold night air.
    With one enormous chair.

    (That's from My Fair Lady. Because I am a #MusicalTheatreNerd)
    • Anything else you want to add?
    Fine! Tell you what. ... If you REALLY want to hear my dating horror stories, find me after the show and I'll tell you over dessert. (It's a first date!) <3



    Jordan LeighJORDAN LEIGH
    (Man 2 from Dec. 5-April 22) couldn’t be happier to be back on the Garner Galleria stage for a fifth time after his record-setting run in I Love You, You’re Perfect, Now Change (1,731 performances), Five Course Love, The Doyle and Debbie Show and Forbidden Broadway. A proud Denver native, he has appeared on stages across the city for 20 years, including his co-starring role with the DCPA Theatre Company as the Apostle, Matt in 2015’s The 12 (pictured below right) and in front of capacity crowds at The Buell while co-starring in the DCPA Theatre Company’s, White Christmas. An award-winning film actor as well, (three-time Best Actor-48 Hour Filmmaking Project/Special Screening Cannes), he recently appeared alongside Hollywood legends, Robert Redford and Jane Fonda, in the Netflix feature Our Souls at Night. Proud 17-year member of Actors Equity Association. Much love to Hannah.

    Jordan Leigh The 12Hometown: Denver. I am a third-generation Coloradan!
    • College: BA in Theatre and Masters Acting Intensive from UCLA School of Theatre (magna cum laude)
    • What's your handle? @JordanLeighActs on Twitter; @ThatActorGuyJordan on Instagram
    • Twitter-sized bio: Buddhist Jew who loves Jesus. And Science. And South Park. And Animals. Hopes we can find a way to cut through all this worldly Mishegas (Yiddish for “insanity”). 
    • The role that changed your life? I regularly find that the roles I play reflect aspects of my own life journey that I'm experiencing right then and there. I'm constantly reawakened to how this craft is somehow esoterically and intimately intertwined with my own life experience. Well that, and playing Danny Zuko my senior year in high school. Because, well... Danny Zuko.
    Ideal scene partner: I love the idea of discussing the fact with Hugh Jackman that he can pull off playing both Wolverine and Jean Valjean. That seems pretty ideal from an acting standpoint.
    • What do you hope audiences get out of seeing First Date? When I am affected by the truth of human connection in this life, it restores my faith in our common journey on this planet. When I'm able to be a part of making others feel that way through theatre, it makes me all warm and fuzzy. That's what I'm hoping this show will do to the good folks who continue to support this ancient form of storytelling. Oh, and I hope that at least one person laughs hard enough to pee a little.
    • Your worst first-date story: When she said, “I'm not a big reader. My favorite book is Hop on Pop." No offense to Dr. Seuss, but I'll just leave that there.
    • Your best first-date story:
    Driving down to Albuquerque to meet the woman with whom I now love and share my life. Hooray for internet dating!
    • Complete this sentence: “All I want is …"
    "... for all sentient beings to be free from suffering.” (That is the goal of Buddhist philosophy.)
    • Anything else you want to add?
    I have been so fortunate to call the Denver Center (and especially The Galleria Theatre) my theatre home for 17 years now. I feel truly blessed to have been able to do what I do so frequently at this incredible place. To all at the DCPA who have placed your professional faith in me all these years, you have my undying gratitude.



    Lauren ShealyLAUREN SHEALY
    (Woman 1) DCPA Cabaret: Forbidden Broadway (Woman 2), The Doyle and Debbie Show (Debbie), I Love You, You’re Perfect… (Woman 2). DCPA Theatre Company: Sweeney Todd (Swing), A Christmas Carol (Ensemble). Off Broadway: Lingoland (Lauren), How to Succeed In Business... (Rosemary). The Arvada Center: White Christmas (Betty), A Man Of No Importance (Mrs. Patrick), Curtains (Georgia), Miracle On 34th Street (Doris), 1940’s Radio Hour (Anne). Lone Tree Arts Center: Evita (Eva, pictured below right), South Pacific (Nellie). National Tour: South Pacific (Nellie). Other Theaters: Jekyll and Hyde (Lucy), Tick, Tick…Boom (Susan), Phantom (Christine). Training/Awards: NYU, Tisch; 2015 CTG Henry nomination for Best Actress in a Musical; Westword’s Best Actress in a Musical for 2013. 

    Lauren Shealy. Photo by Danny Lam. EvitaHometown: Littleton
    • College: BFA Drama from NYU, Tisch School of the Arts
    • What's your handle? I am not that cool.
    • Twitter-sized bio: Lover of life, stories, music, family, heavy weights, hikes, hugs and cake pops. Habitual bath taker, banana bread maker and horror movie watcher.
    • The role that changed your life? My role as a mother changed me as a performer. My heart underwent profound renovations; the current model has no walls, many doors and seriously leaky faucets. Every day I wrestle with a delightful and terrifying mix of fear, love, and humility. I am often raw, I doubt my goodness, question my strength … but I am strangely more brave.
    Ideal scene partner: Emma Thompson. I want to work a scene with her, follow her around for a week, peek in her freezer. She’s so yummy to watch – fully present, strong and beautifully vulnerable. She is so smart! – she adapted the script for the Ang Lee version of Sense and Sensibility – it’s perfection.  
    • What do you hope audiences get out of seeing First Date? I hope the audience laughs and releases the stress of the day. I hope that they make a connection ... to me, to each other, and to the role that love/attraction plays in their lives.
    • Your best first-date story:
    In the summer of 2011, friends set me up on a blind date with Bret Hipsher. I had reservations. I was casually dating a photographer and felt conflicted about going on a date with someone else. My father encouraged me to go. “Lauren, you have nothing to lose and you never know ... this guy could be the love of your life," he said. I kept the date. When Bret arrived, I opened the door and promptly lost the ability to speak coherently. There was something about his easy smile, beautiful blue eyes and delicious smell that rendered me useless for a short time. Once I recovered, I found myself more at ease with Bret than I had ever been with another man. I loved talking to him. I stared at his forearms. I felt his kindness washing over me at regular intervals. I watched the breeze play with his hair. I marveled at his exceptional intelligence and great sense of humor. He had his stuff together. I knew he was important. After he kissed my cheek that night, I called the photographer and wished him well. I married Bret a year later.
    • Complete this sentence: “All I want is …"
    "… what I have.”



    Aaron VegaAARON VEGA
    (Man 2 from Nov. 11-Dec. 3)
    DCPA Off-Center: The Wild Party. Aaron has performed in theaters across the country and after many years in New York City moved to Colorado with his dog. He has adapted and directed Shakespeare, staged rock and symphony concerts, is a founding artist and board member for the puppet and mask ensemble The Zoot Theatre Company, is the Artistic Director for Eureka Suitcase in New York and is the Executive Producer for The People’s Theatre of Denver.

    Aaron Vega. The Wild Party. Adams VisComHometown: I grew up in Amish country in north central Ohio. A little rural town called Mansfield
    • Home now: Denver
    • Training: I graduated from high school early so that I could get a degree at Wright State University's Professional Actor Training Program
    • What's your handle? @bardgeek on both Twitter and Instagram
    • Website: AaronVega.com
    • Twitter-sized bio: Freelance actor and director who is committed to bringing the audience's imagination into the theatrical process. Also an over-eater of pizza and hummus.
    • The role that changed your life? I played John Harrower in an unknown musical by Ricky Ian Gordan and Tina Landau called States of Independence. That was the moment I realized that musical theatre could be something deeper and more meaningful than I previously thought. And that I didn't have to choose between being an actor and being a musical-theatre performer.
    • Ideal scene partner: Laurence Olivier. He was the perfect blend of technique, imagination, grace and courage.
    • What do you hope audiences get out of seeing First Date? A sense that the world is not as scary as prime-time TV would have us believe. That there is love in the world and that the only thing separating us from it is our frantic mind.
    • Your best first-date story: I've been incredibly lucky, and I've never been on Tinder so ... I'm good.
    • Complete this sentence: “All I want is …”:
    "... for the world to create more and destroy less."
    • Anything else you want to add? I have the index page of Shakespeare's Folio tattooed on my forearm. Whenever I'm feeling to big for my britches I can just look down and be reminded of what true genius is, and it motivates me to keep working harder. Kaizen! (That's the Japanese word for "change for better.")



    Barret HarperBARRET HARPER
    (Male Understudy) Denver Center debut. Barret has performed across the country in New York, Arizona and Florida, but is thrilled to return to Denver, which he considers home. He was most recently seen as Lonny in Rock of Ages at BDT Stage after two regional premieres of the production in Colorado and Arizona. Other favorite roles include Cornelius in Hello, Dolly!, Jinx in Forever Plaid, Mark in Altar Boyz, and Link in Hairspray. Regional: Colorado Shakespeare Festival, Arvada Center, Central City Opera, Arizona Broadway Theater, Broadway Palm Theater and Colorado Light Opera. Thanks to friends, family, and my beautiful wife for always encouraging me to dream.

    Barret Harper Forever PlaidHometown: Littleton 
    • College: BFA in Theater Performance, BA in Biochemistry, Minor in Chemistry from the University of Colorado Boulder 
    • What's your handle? @BarretHarper on Twitter; @grin.and.barret on Instagram
    • Twitter-sized bio: Barret. Beets. Battlestar Galactica
    • The role that changed your life? Jinx in Forever Plaid (pictured right at the Town Hall Arts Center). He is this quiet and shy person the audience gets to see come out of his shell, exposing so much heart. Everyone loves an underdog, and Jinx is the perfect personification of one. I love the journey he takes and his uncompromising nerdiness, which makes him incredibly endearing. If given the chance, I would play that role forever. 
    Ideal scene partner: Tom Hanks is a master of subtlety and nuance. His attention to small details makes his characters so vibrant and rich. I would love to watch him work and play off of that energy.
    • What do you hope audiences get out of seeing First Date? I hope the audience walks away with a renewed faith for the human spirit. In recent times, I have sensed that we have lost touch with the ability to find common ground as a source of compassion for people with different views. This show is about two impossibly matched people who find that deep down they are looking for the same thing. My hope is that we all find that common ground and a compassion for one another. 
    • Your worst first-date story: That would have to be the time I thought I would impress the girl with some culinary skills. The plan was to make a Greek-themed meal complete with homemade baklava, since she had never eaten any Greek food before. As we finished eating, she had a few bites of the baklava before her face started to flush and swell. I had never thought to ask her if she had a nut allergy, and the baklava was stuffed with finely crushed walnuts. Luckily, she realized what was happening and stopped eating the deadly dessert before it got any worse. We later laughed about my unintentional attempt at murder, but at the moment it happened I was sure I had blown it. 
    • Complete this sentence: “All I want is …"
    "... a room somewhere. Far away from the cold night air.” That’s from My Fair Lady. The world could use a little more of the kind of joy that musical theater celebrates. 


    Video above: Watch as Cashelle Butler returned to her Cherry Creek High School stomping grounds when she was in Denver for the farewell tour of 'Mamma Mia!' Video by David Lenk and John Moore for the DCPA NewsCenter.

    CashelleButlerCASHELLE BUTLER (Female Understudy) is thrilled to be back in her hometown of Denver following two years playing Tanya on the national tour of Mamma Mia!. Other credits include: Young Frankenstein (Elizabeth, Westword Best of Denver Award), The Marvelous Wonderettes (Cindy Lou, pictured below right at the Town Hall Arts Center), Parade (Lucille) and Legally Blonde (Paulette). University of Northern Colorado. Former DCPA Education student. Immense gratitude to DCPA, the cast, and the creatives. Love to Mom, Dad, Shea and Aaron.

    • Hometown: Denver
    • College: BA in Musical Theatre from the University of Northern Colorado in Greeley
    • What's your handle? @cashellebutler on Twitter and Instagram
    • Website:
    cashelle-butler.com
    • Twitter-sized bio: Lover of conversation, family, naps, music, coffee, cute animal photos and Chipotle.
    Chashelle Butler. Town Hall Arts Center. The role that changed your life? Playing Tanya in the Farewell Tour of Mamma Mia! The character is so fun and comical that it was a blast to be able to go to work every night and just be silly and laugh. However, it was also amazing discipline, doing the show for two years straight and staying truthful and genuine every night. It is crazy to think that live theatre can ever become muscle memory, but after a long run it is so important to be present every single night. The role was life-changing, but so was the lifestyle that went with it. Seeing the country while doing what I love was an incredible opportunity, and it was so wonderful to be able to perform in amazing theatres in awesome cities. (My favorite was Denver). It was such a whirlwind.
    Ideal scene partner: I really love Rachel Bay Jones, who is currently appearing in Dear Evan Hansen on Broadway). She is so versatile and such a strong actress. I’ve seen her in a few different shows, and every character she plays is just so genuine and believable. She's funny and fierce and vulnerable all in one, and I would love to work a scene (or 20) with her and learn from her.
    • What do you hope audiences get out of seeing First Date? I hope the audience is able to laugh, enjoy, and escape the world, I think First Date has a little bit of something for everyone. The story is so easy to connect with, and the music is so great that I think it’s an awesome way to spend an evening.
    • Your worst first-date story: One first date suggested we go on a hike and, in retrospect, it’s kind of creepy going off into the woods with a stranger. He said he was going to bring his dog, and I love dogs, so that really sold me. I met him at the trail thinking we will get to know each other while we leisurely walk. Instead, the guy broke into a full uphill sprint. What followed was two breathless hours of me trying to keep up on the trail run with this man and his dog. I tripped a lot, sweat a lot - and all we got to know about each other was our very different fitness levels.
    • Complete this sentence: “All I want is …"
    "... Happiness for myself and all those around me. Also music, Chipotle, and endless photos of baby animals.”

    More Colorado theatre coverage on the DCPA NewsCenter

    First Date: Ticket information
    First DateNov. 11, 2017, through through April 22, 2018
    Tickets : Call 303-893-4100 or BUY ONLINE
    Garner Galleria Theatre

    The book is written by by Austin Winberg. Music and Lyrics by Alan Zachary and Michael Weiner. Orchestrations by August Eriksmoen. Vocal and Incidental Music Arrangements by Dominick Amendum.

  • 'Hamilton' dates, 2017-18 Broadway season titles announced

    by John Moore | Mar 01, 2017


    Chris De'Sean Lee, Jose Ramos, Wallace Smith and Miguel Cervantes in Broadway's 'Hamilton. Photo by Joan Marcus.

    Here's what you have been waiting to hear:

    Hamilton opens in Denver next Feb. 27

    February 27 through April 1.

    Those are the dates theatre audiences from all over the Rocky Mountain region have been waiting to hear, and here they are. Hamilton, the history-making story of Founding Father Alexander Hamilton, will play The Buell Theatre as part of DCPA Broadway’s 2017-18 season, opening just shy of a year from today. 

    Joining Hamilton for the full 2017-18 Broadway subscription season are Something Rotten!; First Date; Waitress; Rodgers & Hammerstein's The King And I; Disney’s Aladdin; School Of Rock, and On Your Feet!

    New subscriptions for next season are not available at this time. A single ticket on-sale will be announced at a later date. For more information and to sign up for the subscription waiting list, go to denvercenter.org/Broadway.

    The DCPA also announced several non-subscription shows, including (in order of their Mile-High arrival): Dixie's Tupperware Party; Men are from Mars, Women are from Venus Live!; Girls Only - The Secret Comedy of Women; Rent 20th Anniversary Tour; Chicago; Mannheim Steamroller Christmas by Chip Davis; Elf The Musical; STOMP; The Book of Mormon; and Les Misérables.


    2017-18 BROADWAY SEASON AT A GLANCE
    :
    (Subscription shows in bold)

    Dixie's Tupperware Party

    Garner Galleria

    July 19-Aug. 6, 2017

    Men are from Mars,
    Women are from Venus Live!

    Garner Galleria

    Aug. 9-27, 2017

    Girls Only - The Secret Comedy of Women

    Garner Galleria

    Sept. 21-Oct. 22, 2017

    Something Rotten!

    Buell

    Oct. 17-29, 2017

    First Date

    Garner Galleria

    Nov. 11, 2017-
    April 22, 2018

    RENT 20th Anniversary Tour

    Buell

    Nov. 14-19, 2017

    Chicago

    Buell

    Nov. 28-Dec. 3, 2017

    Mannheim Steamroller Christmas by Chip Davis

    Buell

    Dec. 9-10, 2017

    Elf The Musical

    Buell

    Dec. 13-17, 2017

    Waitress

    Buell

    Dec. 19-31, 2017

    Rodgers & Hammerstein's The King and I

    Buell

    Jan. 2-14, 2018

    STOMP

    Buell

    Feb. 13-18, 2018

    Hamilton

    Buell

    Feb. 27-Apr 1, 2018

    Disney’s Aladdin

    Buell

    April 6-28, 2018

    School of Rock

    Buell

    May 29-June 10, 2018

    The Book of Mormon

    The Ellie

    June 13-July 1, 2018

    Les Misérables

    Buell

    July 25-Aug 5, 2018

    On Your Feet!

    Buell

    Aug. 8-19, 2018



    2017-18 BROADWAY SEASON VIDEO GLANCE:


     

    ABOUT THE SHOWS:
    (In alphabetical order; descriptions provided by DCPA)

    Disney's ALADDIN

    • AladdinApril 6-28, 2018
    • Buell Theatre

    Discover a whole new world at Aladdin, the hit Broadway musical. From the producer of The Lion King comes the timeless story of Aladdin, a thrilling new production filled with unforgettable beauty, magic, comedy and breathtaking spectacle. It’s an extraordinary theatrical event where one lamp and three wishes make the possibilities infinite. Hailed by USA Today as “Pure Genie-Us,” Aladdin features all your favorite songs from the film as well as new music written by Tony and Academy Award winner Alan Menken (Newsies) with lyrics penned by the legendary Howard Ashman (Beauty and the Beast), Tony Award winner Tim Rice (The Lion King, Aida), and book writer Chad Beguelin (The Wedding Singer).


    THE BOOK OF MORMON

    Ryan Bondy. The Book of Mormon. Joan Marcus

    • June 13-July 1, 2018
    • The Ellie

    Back by popular demand, The New York Times calls it “the best musical of the century.” The Washington Post says, "It is the kind of evening that restores your faith in musicals." And Entertainment Weekly says, “Grade A: the funniest musical of all time.” Jimmy Fallon of “The Tonight Show” calls it “Genius. Brilliant. Phenomenal.” It's The Book of Mormon, the nine-time Tony Award-winning best musical. This outrageous musical comedy follows the misadventures of a mismatched pair of missionaries, sent halfway across the world to spread the Good Word. Now with standing room only productions in Australia, London, on Broadway, and across North America, The Book of Mormon has truly become an international sensation. (Contains explicit language.)

    (Photo: Ryan Bondy, by Joan Marcus)


    CHICAGO

    Chicago. Barrett Martin.

    • Nov. 28-Dec. 3, 2017
    • Buell Theatre

    There’s never been a better time to experience Chicago, Broadway’s razzle-dazzle smash. This triumphant hit musical is the recipient of six Tony Awards, two Olivier Awards, a Grammy, thousands of standing ovations and now the #1 longest-running American musical in Broadway history. Chicago has everything that makes Broadway great: a universal tale of fame, fortune and all that jazz; one show-stopping song after another, and the most astonishing dancing you've ever seen.  It’s no surprise that Chicago has wowed audiences from Mexico City to Moscow, from Sao Paulo to South Africa. And now it’s returning to Denver. Whether you're looking for your first Broadway musical, whether you've seen the Academy Award-winning film and want to experience the show live on stage, or whether you've seen it before and want to recapture the magic, Chicago delivers.


    DIXIE'S TUPPERWARE PARTY

    • Dixie's Tupperware PartyJuly 19-Aug 6, 2017
    • Garner Galleria Theatre

    Denver’s favorite Tupperware lady returns. Critics and audiences have howled with laughter as Dixie throws a good ol' fashioned Tupperware party filled with outrageously funny tales, heartfelt accounts, free giveaways, audience participation and the most fabulous assortment of Tupperware ever sold on a theater stage. Loaded with the most up-to-date products available for purchase, Ms. Longate will share how she became the number one Tupperware seller in the world as she educates her guests on the many alternative uses she has discovered for her plastic products.


    ELF THE MUSICAL

    • Dec 13-17, 2017
    • Buell Theatre

    Elf The Musical is the hilarious tale of Buddy, a young orphan child who mistakenly crawls into Santa’s bag of gifts and is transported back to the North Pole. Unaware that he is actually human, Buddy’s enormous size and poor toy-making abilities cause him to face the truth. With Santa’s permission, Buddy embarks on a journey to New York City to find his birth father, discover his true identity, and help New York remember the true meaning of Christmas. This modern day Christmas classic is sure to make everyone embrace their inner Elf.

    (Photo: Connor Barth and Matt Kopec by Joan Marcus.)



    FIRST DATE

    • First Date Nov. 11, 2017-April 22, 2018
    • Garner Galleria Theatre

    When blind date newbie Aaron is set up with serial-dater Casey, a casual drink at a busy New York restaurant turns into a hilarious high-stakes dinner. As the date unfolds in real time, the couple quickly finds that they are not alone on this unpredictable evening. In a delightful and unexpected twist, Casey and Aaron’s inner critics take on a life of their own when other restaurant patrons transform into supportive best friends, manipulative exes and protective parents, who sing and dance them through ice-breakers, appetizers and potential conversational land mines. Can this couple turn what could be a dating disaster into something special before the check arrives? Produced by DCPA Cabaret, First Date is directed by Ray Roderick. Auditions will be posted at a later date at https://www.denvercenter.org/about-us/careers.


    GIRLS ONLY - THE SECRET COMEDY OF WOMEN

    • Girls OnlySept. 21-Oct. 22, 2017
    • Garner Galleria Theatre

    Girls Only – The Secret Comedy of Women, written by Barbara Gehring and Linda Klein, is an original comedy that celebrates the honor, truth, humor and silliness of being female.  With a two-woman cast and audiences full of raucous, laughing ladies, the show has found quick popularity in its unique examination of all things girly. Born out of the earnest and sweetly absurd writings the two authors discovered in their girlhood diaries, the Girls Only mix of sketch comedy, improvisation, audience participation, and hilarious songs and videos reminds audiences of the very funny and very charming similarities all women share.

    (Photo: Linda Klein and Barbara Gehring by Terry Shapiro)


    HAMILTON

    • Hamilton. Joan Marcus 2016Feb. 27-April 1, 2018
    • Buell Theatre

    Hamilton is the story of America's Founding Father Alexander Hamilton, an immigrant from the West Indies who became George Washington's right-hand man during the Revolutionary War and was the new nation’s first Treasury Secretary.  Featuring a score that blends hip-hop, jazz, blues, rap, R&B, and Broadway, Hamilton is the story of America then, as told by America now. With book, music and lyrics by Lin-Manuel Miranda, direction by Thomas Kail, choreography by Andy Blankenbuehler and musical direction and orchestrations by Alex Lacamoire, Hamilton is based on Ron Chernow’s biography of Founding Father Alexander Hamilton.

    (Photo: Karen Olivo, Ari Afsar, Samantha Marie Ware by Joan Marcus)


    Rodgers & Hammerstein's THE KING AND I

    Jose Llana and Laura Michelle Kelly in Rodgers &amp; Hammerstein&#39;s The King and I.  Photo by Matthew MurphyJan. 2-14, 2018
    Buell Theatre

    Two worlds collide in the Lincoln Center Theater production of this “breathtaking and exquisite” (The New York Times) musical, directed by Bartlett Sher. One of Rodgers & Hammerstein’s finest works, Rodgers & Hammerstein's The King and I boasts a score that features such beloved classics as “Getting To Know You,” “I Whistle a Happy Tune,” “Hello Young Lovers,” “Shall We Dance” and “Something Wonderful.” Set in 1860’s Bangkok, the musical tells the story of the unconventional and tempestuous relationship that develops between the King of Siam and Anna Leonowens, a British schoolteacher whom the modernist King, in an imperialistic world, brings to Siam to teach his many wives and children. Winner of the 2015 Tony Award for best musical revival.

    (Photo Jose Llana and Laura Michelle Kelly by Matthew Murphy.)


    LES MISÉRABLES

    • July 25-Aug. 5, 2018
    • Buell Theatre

    Cameron Mackintosh presents the new production of Alain Boublil and Claude-Michel Schönberg’s Tony Award-winning musical phenomenon Les Misérables, direct from its acclaimed Broadway return. Featuring the beloved songs “I Dreamed A Dream,” “On My Own,” “Stars," “Bring Him Home,” “One Day More,” and many more, this epic and uplifting story has become one of the most celebrated musicals in theatrical history. With its glorious new staging and dazzlingly reimagined scenery inspired by the paintings of Victor Hugo, this breathtaking new production has left both audiences and critics awestruck. “Les Miz is born again!” (NY1). 

    (Photo: John Owen-Jones by Matthew Murphy.)


    MANNHEIM STEAMROLLER CHRISTMAS BY CHIP DAVIS

    • MS_GreenTour_Roxanne_Layton-Becky_Kia-234Dec. 9-10, 2017
    • Buell Theatre

    Mannheim Steamroller Christmas by Chip Davis has been America’s favorite holiday tradition for more than 30 years. Grammy Award winner Chip Davis has created a show that features Mannheim Steamroller Christmas classics along with a selection of compositions from his groundbreaking Fresh Aire series, which introduced the distinctive Mannheim sound to all of America. The program celebrates the group’s recent anniversary of 30 years since the first Christmas album and 40 years since the first Fresh Aire album and includes dazzling multimedia effects performed in an intimate setting. Experience the magic as the spirit of the season comes alive with the signature sound of Mannheim Steamroller.  Their holiday CDs have become synonymous with Christmas and continue to occupy top spots on Billboard’s seasonal charts every year.

    (Photo: Roxanne_Layton and Becky_Kia.)


    MEN ARE FROM MARS, WOMEN ARE FROM VENUS LIVE

    • Aug. 9-27, 2017
    • Garner Galleria Theatre

    This hysterical show will have couples elbowing each other all evening as they see themselves on stage. Sexy and fast paced, this show is definitely for adults, but will leave audiences laughing and giggling like little kids. When Mars and Venus collide, the adventures are earth-shatteringly hysterical. It's a great recipe for a night out: a little storytelling blended with some comedy and a dash of sage wisdom from the book. A delicious evening of entertainment!


    ON YOUR FEET!

    • On Your FeetAug. 8-19, 2018
    • Buell Theatre

    From their humble beginnings in Cuba, Emilio and Gloria Estefan came to America and broke through all barriers to become a crossover sensation at the very top of the pop music world. But just when they thought they had it all, they almost lost everything. From international superstardom to life-threatening tragedy, On Your Feet! takes you behind the music and inside the real story of this record-making and groundbreaking couple who, in the face of adversity, found a way to end up on their feet. Directed by two-time Tony Award winner Jerry Mitchell (Kinky Boots), with choreography by Olivier Award winner Sergio Trujillo (Jersey Boys) and an original book by Academy Award winner Alexander Dinelaris (Birdman), ON YOUR FEET! features some of the most iconic songs of the past quarter-century — and one of the most inspiring stories in music history.

    (Photo: Gloria Estefan by Matthew Murphy)


    RENT 20th Anniversary Tour

    Rent.

    • Nov. 14-19, 2017
    • Buell Theatre

    In 1996, an original rock musical by a little-known composer opened on Broadway…and forever changed the landscape of American theatre. Two decades later, Jonathan Larson’s Rent continues to speak loudly and defiantly to audiences across generations and all over the world. And now, this Pulitzer Prize and Tony Award-winning masterpiece returns to the stage in a vibrant 20th anniversary touring production. A re-imagining of Puccini's La Bohème, Rent follows an unforgettable year in the lives of seven artists struggling to follow their dreams without selling out. With its inspiring message of joy and hope in the face of fear, this timeless celebration of friendship and creativity reminds us to measure our lives with the only thing that truly matters — love.  


     

    SCHOOL OF ROCK

    • School of Rock Original London Cast. Photo by Tristram Kenton.May 29-June 10, 2018
    • Buell Theatre

    School of Rock is “an inspiring jolt of energy, joy and mad skillz!” (Entertainment Weekly). Based on the hit film, this hilarious new musical follows Dewey Finn, a wannabe rock star posing as a substitute teacher who turns a class of straight-A students into a guitar-shredding, bass-slapping, mind-blowing rock band. This high-octane smash features 14 new songs from Andrew Lloyd Webber, all the original songs from the movie and musical theater’s first-ever kids rock band playing their instruments live on stage. Vanity Fair raves, “Fists of all ages shall be pumping.”

    (Photo: 'School of Rock' Original London Cast. Photo by Tristram Kenton.)


    SOMETHING ROTTEN!

    •  Cast of the Something Rotten! National Tour. © Jeremy DanielOct. 17-29, 2017
    • Buell Theatre

    With 10 Tony Award nominations including best musical, Something Rotten! is a “big, fat hit!” (New York Post). Set in the ’90s — the 1590s — this hilarious smash tells the story of Nick and Nigel Bottom (Tony nominee Rob McClure and Broadway’s Josh Grisetti), two brothers who are desperate to write their own hit play while the “rock star” Shakespeare (Tony nominee Adam Pascal) keeps getting all the hits. When a local soothsayer foretells that the future of theatre involves singing, dancing and acting at the same time, Nick and Nigel set out to write the world’s very first MUSICAL! With its heart on its ruffled sleeve and sequins in its soul, Something Rotten! is “The Producers + Spamalot + The Book of Mormon. Squared!” (New York Magazine). 


    STOMP

    • STOMPFeb. 13-18, 2018
    • Buell Theatre

    STOMP is explosive, inventive, provocative, witty, and utterly unique—an unforgettable experience for audiences of all ages. The international percussion sensation has garnered armfuls of awards and rave reviews and has appeared on numerous national television shows. The eight-member troupe uses everything but conventional percussion instruments – matchboxes, wooden poles, brooms, garbage cans, Zippo lighters, hubcaps – to fill the stage with magnificent rhythms. Year after year, audiences worldwide keep coming back for more of this pulse-pounding electrifying show. As The Boston Globe says, “If you haven’t seen STOMP, GO! If you have seen it, take someone and share the pleasure.”

    (Photo by Junichi Takahashi.)


    WAITRESS

    • Nick Cordero as Earl and Jessie Mueller in the Original Broadway Production of Waitress Credit Joan Marcus 2016Dec. 19-31, 2017
    • Buell Theatre

    Brought to life by a groundbreaking all-female creative team, this irresistible new hit features original music and lyrics by six-time Grammy nominee Sara Bareilles (“Brave,” “Love Song”), a book by acclaimed screenwriter Jessie Nelson (I Am Sam) and direction by Tony Award winner Diane Paulus (Hair, Pippin, Finding Neverland). “It’s an empowering musical of the highest order!” raves the Chicago Tribune. Inspired by Adrienne Shelly’s beloved film, Waitress tells the story of Jenna — a waitress and expert pie maker, who dreams of a way out of her small town and loveless marriage. A baking contest in a nearby county and the town’s new doctor may offer her a chance at a fresh start, while her fellow waitresses offer their own recipes for happiness. But Jenna must summon the strength and courage to rebuild her own life. “Waitress is a little slice of heaven!” says Entertainment Weekly and “a monumental contribution to Broadway!” according to Marie Claire. Don’t miss this uplifting musical celebrating friendship, motherhood, and the magic of a well-made pie.


    ABOUT THE DENVER CENTER FOR THE PERFORMING ARTS

    The Denver Center for the Performing Arts is the largest non-profit theatre organization in the nation, presenting Broadway tours and producing theatre, cabaret, musicals, and innovative, multimedia plays. Last season the DCPA engaged with more than 1.2 million visitors, generating a $150 million economic impact in ticket sales alone.

    Follow the DCPA on social media @DenverCenter and through the Denver Center for the Performing Arts News Center.

  • Kevin Kern on 'Finding Neverland': Time is the villain

    by John Moore | Dec 19, 2016
    Kevin Kern. Finding Neverland


    EDITOR'S NOTE: The first national touring production of Finding Neverland opens in Denver on Dec. 20. DCPA Senior Arts Journalist John Moore was given exclusive access to the principal cast and creative team, and we are posting his extensive interviews in a seven-part series here on the DCPA NewsCenter. Part 6: Kevin Kern, who plays the playwright J.M. Barrie. Next: Tom Hewitt.

    The radical playwright implored all who encountered Peter Pan to hang on to the fun of childhood throughout their lives.

    By John Moore
    For the DCPA NewsCenter
     

    Not many people “got” J. M. Barrie during his time. But Broadway actor Kevin Kern gets Barrie.

    Kern plays Barrie in the national touring production of Finding Neverland, the story of how the inventor of Peter Pan found his calling – and his voice – with the inspiration he finds in a widow and her four young sons.

    “I have four kids back at home,” said Kern. “And the thing I know about having kids is that you just want to stop them from growing up, because it happens so fast. And then you start to think about your own life and how it has gone by so fast.”  

    Peter Pen remains a popular cultural icon, and a continuing source for new stories, because it doesn’t just speak to children. It speaks to the man, the father and the inner child in millions of dads like Kern.

    Kevin Kern in 'Finding Neverland.' Photo by Carol Rosegg. “I’m 42, and the older I get, time just seems to speed up,” he said. “Time is actually a villain in our show. The crocodile has swallowed a clock, and he's always chasing us – and that means time is always chasing us. Everybody can relate to that fear because time is chasing all of us. But the main idea behind Peter Pan is that you can stop time.

    J. M. Barrie introduced the world to the boy who would never grow up. But wasn’t saying that we Wendys should never grow up ourselves. “He was saying that you should hang on to the fun of childhood throughout your life – especially when you have children yourself,” said Kern.

    “I think most of the people who live to be 100 years old tend to be happy-go-lucky people who fully embrace their inner child. And our show fully embraces that idea.”

    (Pictured above right: Family man Kevin Kern with his onstage family in 'Finding Neverland.' Photo by Carol Rosegg.)

    Kern is a quintessential family man who has appeared on Broadway in Finding Neverland, The Bridges of Madison County, First Date, Wicked, The Wedding Singer, and Les Misérables, where he was the final Marius when the original Broadway production that closed in 2003. He says his 15-year-old son and three daughters (13, 11 and 4) aren’t surprised by anything they see him do on stage.

    “My girls came to see me in The Bridges of Madison County, and somebody said to my wife, ‘Is this appropriate for them to see?’ Because I was sort of making out with a girl the whole time,” Kern said with a laugh. “But I thought, ‘Well, they have already seen me naked onstage in Hair, so I think I've already destroyed their childhood.' ”

    More Colorado theatre coverage on the DCPA NewsCenter

    That said, shows don’t come more family appropriate than Finding Neverland, which is based on the 2004 Oscar-winning film of the same name. Oddly enough, the same can’t be said of the original play. Barrie was considered a radical when he introduced Peter Pan to London theatregoers a century ago. No one put children on the stage back then. No one told stories about children. And certainly no one but Barrie had the audacity to tell a story where the only adult with an active supervisory interest in the children was the family dog.

    “It's so hard for us to understand how dangerous this play was for J. M. Barrie’s career, because almost everything now is geared toward children,” Kern said. In our story, the producer Charles Frohman says, 'Children can't buy a ticket! Adults buy tickets!’ and it always gets a laugh. Because producers have come to understand that parents will more easily spend money on their kids than on anything else.

    “It's also a very a British thing. Britain was very class-structured, and very gender-structured, and very age-structured - and still is to this day,” Kern said. “Children really were meant to be seen and not heard. Parents didn't even really hang out with their kids back then. They would send them away to boarding schools.”

    Kevin Kern. Tom Hewitt. Finding Neverland. Photo by Carol Rosegg.  Kern has been with Finding Neverland since it opened on Broadway in 2015. As understudy to Matthew Morrison, he occasionally went on as Barrie in New York. When he was offered the role on the road, Kern and wife Megan Lawrence decided the opportunity to own the role for the start of the road tour was one he could not pass up. Director Diane Paulus calls Kern “a genius in the role who sings it like no one else. He is such a generous soul and an incredible father” – praise that made Kern tear up a bit upon hearing it.

    As a witness to the entire creation process, Kern promises that the touring production is appreciably improved from the Broadway show that closed in August. That's because he says the creative team that includes choreographer Mia Michaels, writer James Graham and composers Gary Barlow and Eliot Kennedy have never stopped working on it.

    “The first 20 minutes of the show have been completely re-written for the road,” Kern said. “It has different songs and new dialogue that really explains what is happening in a much more concise, understandable way.”

    (Pictured above right: Kevin Kern as J. M. Barrie and Tom Hewitt as Captain Hook in 'Finding Neverland,' opening Dec. 20 in Denver. Photo by Carol Rosegg.) 

    Video preview: Finding Neverland national touring production



    Here is more of John Moore’s conversation with Kevin Kern:

    John Moore: Why was this the right show for you to take on the road when it would mean so much time away from your family?

    Kevin Kern: It's just a great role, and it just fits me so well. It fits my voice so well. And I just have so much fun doing it. I'm not going to be out here forever. The thing you have to understand is that I have done a lot of original Broadway shows, but I have really been a 'career swing,' which means I mostly cover actors playing all these different roles. I love being a swing. It can be very artistically rewarding because you've got to be so creative and quick on your feet. But I have never gotten to create a role. We have changed so much of this show from Broadway that it was almost like creating a new role from scratch. And that has been fantastic.

    John Moore: Have you noticed any difference in the way the show is being received in the heartland compared to Broadway?

    Kevin Kern: When they started talking about taking us out on tour, I said, 'Guys. The Midwest will eat our show up.' I’m from Cincinnati, so I know these people. I am one of these people. One thing that's great about New Yorkers is that they really embrace their edginess. But the thing about the people in the Midwest is that they embrace their politeness.

    Video: Kevin Kern in the final performance of Les Misérables in 2003



    John Moore: So what was it like to be the last Marius in the original Broadway production of Les Misérables?

    Kevin Kern: I was 23 when I first got into the show, and when we closed I was 29. It gives me goosebumps just to think about that final performance. Anybody who had ever done the show was in that audience. Nothing will ever compare to it. It was a dream-come-true to finally be Marius, and it was such a cool thing to be the last one.

    John Moore: What’s one thing you want to get off your chest?

    Kevin Kern: In the typically liberal world of show business, I am probably a little more conservative than most. Having grown up in Ohio, which is a purple state, I realized when I moved to New York how great it was that I come from a place where people can actually talk to each other as neighbors who happen to have different opinions. I want to encourage people to embrace the fact that just because somebody has a different opinion, don't vilify them or deify yourself. They might have a real reason they feel the way they do.

    John Moore was named one of the 12 most influential theater critics in the U.S by American Theatre Magazine in 2011. He has since taken a groundbreaking position as the Denver Center’s Senior Arts Journalist.

    Finding Neverland: Ticket information
    • Dec 20 through Jan. 1
    • Buell Theatre
    • Cast talkback: After the Dec. 21 performance
    • ASL interpreted, Audio-described and Open Captioned performance: Dec. 30
    • Tickets: 303-893-4100 or BUY ONLINE
    • Groups: Call 303-446-4829 

    Selected Previous NewsCenter coverage:
    Finding Neverland
    creative team, Part 1: Director Diane Paulus
    Finding Neverland creative team, Part 2: Choreographer Mia Michaels
    Finding Neverland creative team, Part 3: Composers Gary Barlow and Eliot Kennedy
    Finding Neverland creative team, Part 4: Book writer James Graham
    Finding Neverland creative team, Part 5: Actor Christine Dwyer (Sylvia)
    Diane Paulus on the rise of 'adventure theatre'
    Finding Neverland flies onto Denver Center's 2016-17 Broadway season

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ABOUT THE EDITOR
John Moore
John Moore
Award-winning arts journalist John Moore has recently taken a groundbreaking new position as the DCPA’s Senior Arts Journalist. With The Denver Post, he was named one of the 12 most influential theater critics in the US by American Theatre Magazine. He is the founder of the Denver Actors Fund, a nonprofit that raises money for local artists in medical need. John is a native of Arvada and attended Regis Jesuit High School and the University of Colorado at Boulder. Follow him on Twitter @moorejohn.

DCPA is the nation’s largest not-for-profit theatre organization dedicated to creating unforgettable shared experiences through beloved Broadway musicals, world-class plays, educational programs and inspired events. We think of theatre as a spark of life — a special occasion that’s exciting, powerful and fun. Join us today and we promise an experience you won't soon forget.