In the video above, DCPA Theatre Company Costume Crafts Director Kevin Copenhaver talks with actor Darrell T. Joe about the transformation of Christmas Yet to Come into a taller, larger and more imposing figure for the company’s 2017 seasonal staging of ‘A Christmas Carol.’ Video by DCPA Video Producer David Lenk and Senior Arts Journalist John Moore.
Note: In this daily series, we will take a deeper dive into the eight titles recently announced on the DCPA Theatre Company’s 2018-19 season. Today: A Christmas Carol
A Christmas Carol
- Written by Charles Dickens. Adapted for the stage by Richard Hellesen with music by David de Berry
- Year: 1987
- Director: Melissa Rain Anderson
- Dates: Nov. 21-Dec. 24, 2018 (Opens Nov. 29)
- Where: Stage Theatre
- Genre: Victorian classic set to music
- At a glance: Based on Charles Dickens’ populist novel, the Theatre Company’s joyous and opulent seasonal offering traces money-hoarding skinflint Ebenezer Scrooge’s triumphant overnight journey to redemption.
- Says new DCPA Artistic Director Chris Coleman: “When I got to see this production in December, I was so excited about it. This company has put together a beautiful production that, frankly, is the best I’ve ever seen of this story. Clearly this version has resonated with Denver audiences for generations. This is a story about reclaiming a human heart — and I don’t think that ever gets old. But at its core, A Christmas Carol is a ghost story, and I think at the darkest time of year, when we’re so ready for the light to return, a ghost story makes really good sense. And this is a ghost story that’s really well told.”
- He’s back: Denver theatre favorite Sam Gregory, presently starring as Joe Keller in the Arvada Center’s All My Sons through May 3, is scheduled to return for a third time playing Scrooge. “Sam is a great sport and a thoroughbred actor taking in the barrage and letting it move him nightly, moment by moment,” says director Melissa Rain Anderson, who also will be returning for her third staging.
- More from the director: “For my first two stagings, it was important to focus on the clarity and impact of the ghosts. This year, I will continue to fine-tune that storytelling. My through-line for every actor and element on that stage (besides Sam) is to ‘assault’ Scrooge: That’s our only job: To awaken his soul. I believe every moment of the play can be funneled through that action. The ghosts do a lot of the assaulting, but other tactics are employed as well: The purity and joy of the children, the loyalty of Scrooge’s nephew Fred, the generosity of The Fezziwigs and the humanity and grace of Bob Cratchit.”
- What the critics have said: “The evening ends in a kind of transformation — and not just Scrooge’s.” — Juliet Wittman, Westword. “Some stories stand the test of time by their persistent relevance. And in this respect, Dickens’ A Christmas Carol is near the top of the list.” — Alex Miller, Vail Daily
- Fun facts: The Theatre Company’s “almost annual” staging of A Christmas Carol now includes 25 stagings dating back to 1990. In that time, nearly 850,000 people have watched the timeless story here … Last year, Peyton Goosen became the first young girl to play Tiny Tim in all of the DCPA stagings.