DCPA NEWS CENTER
Enjoy the best stories and perspectives from the theatre world today.
Enjoy the best stories and perspectives from the theatre world today.
It started as a curiosity: Tony Cisek’s scenic design for Anna Karenina would call for an uncommon elliptical-shaped stage floor. Audiences could not miss the dramatic result but, we wondered, how many of them will stop to consider how much math had to have gone into perfectly cutting and laying that stage floor?
Chronicling that process has led to Standing Equation, our new web series on theatre and math, presented by the DCPA NewsCenter. Your host is Denver Center Theatre Company Technical Director Eric Moore, who, along with Associate Technical Director Josh Prues, explained and trained the entire process to the DCPA’s expert building crew.
Moore, a Colorado native and graduate of Aurora Central High School, is the rare theatre artist who majored in math (with a minor in theatre) at Arizona State University. He was first hired into the Denver Center’s scene shop in 1993 as an “overhire” – a term to describe temporary workers who come in at crunch time to help the technical team beat their building deadlines. Moore soon was hired to the full-time position of Lead Carpenter, which he held until 2005.
“You could tell right away he was the smartest person in the room,” said Associate Technical Director Bob Orzolek, who first hired Moore. “Eric’s math skills and analytical thinking are outstanding, so he progressed through the ranks here quite quickly.”
After a decade as Technical Director for Santa Fe Opera, Moore returned to the Denver Center last year as Technical Director.
“Eric is an example of someone who not only has outstanding skills, but also the ability to apply them to something he really loves to do,” Orzolek said.
Standing Equation is produced by DCPA Senior Arts Journalist John Moore and DCPA Video Producer David Lenk. Look for more upcoming episodes on the Denver Center’s YouTube channel.
Photo gallery: Scenes from the making of the ellipse stage