Since our first season in 1979/80, the Denver Center for the Performing Arts has been dedicated to fostering new works for the American theatre through readings, fully produced plays, and new immersive experiences.
The Denver Center’s new play development program not only provides local audiences a first look at tomorrow’s next hit, but these works are also at theatres across the country and filmed for the big screen. See our impact.
Before a play receives its world premiere, there are many steps in its development, including workshops and staged readings that allow audience reactions to inform the final draft of a script. Of the 200+ scripts read at the DCPA, we have optioned 75 for full production.
| # PRODUCTIONS | TOUR LAUNCH | PRE-BROADWAY PREMIERE | NOTE | |||
|---|---|---|---|---|---|---|
| ROBERT GARNER, EXECUTIVE DIRECTOR | ||||||
| 1977/78 | Hello, Dolly! | 1 | Not officially part of DCPA at this time | |||
| 1977/78 | Marcel Marceau | 1 | Not officially part of DCPA at this time | |||
| 1977/78 | Robber Bridegroom | 1 | Not officially part of DCPA at this time | |||
| 1977/78 | South Pacific | 1 | Not officially part of DCPA at this time | |||
| 1977/78 | Scots Guards | 1 | Not officially part of DCPA at this time | |||
| 1977/78 | Victor Borge | 1 | Not officially part of DCPA at this time | |||
| 1977/78 | The Wiz | 1 | Not officially part of DCPA at this time | |||
| 7 | 0 | 0 | ||||
| ROBERT GARNER, EXECUTIVE DIRECTOR | ||||||
| 1978/79 | Anna Moffo | 1 | ||||
| 1978/79 | Ballet Nacional de Mexico | 1 | ||||
| 1978/79 | Bulgarian Folk Ensemble | 1 | ||||
| 1978/79 | Christopher Parkening | 1 | ||||
| 1978/79 | D’Oyly Carte Opera Company’s The Mikado | 1 | ||||
| 1978/79 | D’Oyly Carte Opera Company’s H.M.S. Pianfore | 1 | ||||
| 1978/79 | Diversions & Delights | 1 | ||||
| 1978/79 | Dracula | 1 | ||||
| 1978/79 | Eubie | 1 | ||||
| 1978/79 | Ferrante and Teicher | 1 | ||||
| 1978/79 | A Festival of Russian Dance | 1 | ||||
| 1978/79 | For Colored Girls Who Have Considered Suicide/When the Rainbow is Enuf | 1 | ||||
| 1978/79 | Fred Waring | 1 | ||||
| 1978/79 | The Gin Game | 1 | ||||
| 1978/79 | Jean Pierre Rampal | 1 | ||||
| 1978/79 | The Last of Mrs. Cheyney | 1 | ||||
| 1978/79 | Les Ballets Trockadero de Monte Carlo | 1 | ||||
| 1978/79 | Los Angeles Philharmonic | 1 | ||||
| 1978/79 | Luciano Pavarotti | 1 | ||||
| 1978/79 | Marcel Marceau | 1 | ||||
| 1978/79 | Mark Twain Tonight! | 1 | ||||
| 1978/79 | New England Conservatory | 1 | ||||
| 1978/79 | New York Philharmonic | 1 | ||||
| 1978/79 | Pirates of Penzance | 1 | ||||
| 1978/79 | Ragtime | 1 | ||||
| 1978/79 | Side by Side by Sondheim | 1 | ||||
| 1978/79 | The Sound of Music | 1 | ||||
| 1978/79 | Tribute Preservation Hall Jazz Band | 1 | ||||
| 1978/79 | Vincent Price as Oscar Wilde | 1 | ||||
| 1978/79 | Victoria de los Angeles | 1 | ||||
| 1978/79 | Vienna Choir Boys | 1 | ||||
| 31 | 0 | 0 | ||||
| ROBERT GARNER, EXECUTIVE DIRECTOR | ||||||
| 1979/80 | Alvin Ailey Dancers | 1 | ||||
| 1979/80 | Annie | 1 | ||||
| 1979/80 | Bedroom Farce | 1 | ||||
| 1979/80 | A Chorus Line | 1 | ||||
| 1979/80 | Chicago | 1 | ||||
| 1979/80 | Chuck Mangione | 1 | ||||
| 1979/80 | Da | 1 | ||||
| 1979/80 | Daisy Mayme | 1 | ||||
| 1979/80 | Dave Brubeck | 1 | ||||
| 1979/80 | Grace Bumbry | 1 | ||||
| 1979/80 | Harry Belafonte | 1 | ||||
| 1979/80 | I Love My Wife | 1 | ||||
| 1979/80 | The Kingfisher | 1 | ||||
| 1979/80 | Leontyne Price | 1 | ||||
| 1979/80 | Marcel Marceau | 1 | ||||
| 1979/80 | Oklahoma Death Trap | 1 | ||||
| 1979/80 | Renata Scotto | 1 | ||||
| 1979/80 | Roumanian Dancers | 1 | ||||
| 1979/80 | Russian Festival of Dance | 1 | ||||
| 1979/80 | Timbuktu | 1 | ||||
| 1979/80 | Vienna Choir Boys | 1 | ||||
| 21 | 0 | 0 | ||||
| ROBERT GARNER, EXECUTIVE DIRECTOR | ||||||
| 1980/81 | Annie Ferrante and Teicher | 1 | ||||
| 1980/81 | Anything Goes | 1 | ||||
| 1980/81 | Ballet Folclórico Nacional de Mexico | 1 | ||||
| 1980/81 | Boston Symphony | 1 | ||||
| 1980/81 | Dave Brubeck Pianist Alicia de Larrocha | 1 | ||||
| 1980/81 | James Galway | 1 | ||||
| 1980/81 | Little Johnny Jones | 1 | ||||
| 1980/81 | Liza Minelli & Joel Grey | 1 | ||||
| 1980/81 | National Folk Ballet of Yugoslavia | 1 | ||||
| 1980/81 | The Rocky Horror Show | 1 | ||||
| 1980/81 | Romantic Comedy | 1 | ||||
| 1980/81 | The West Side Waltz | 1 | ||||
| 1980/81 | Whoopee! | 1 | ||||
| 13 | 0 | 0 | ||||
| ROBERT GARNER, EXECUTIVE DIRECTOR | ||||||
| 1981/82 | Annie | 1 | ||||
| 1981/82 | A Chorus Line | 1 | ||||
| 1981/82 | Cold Stream Guard / Royal Scott Dragoon | 1 | ||||
| 1981/82 | Ferrante & Teiccher | 1 | ||||
| 1981/82 | Fiddler on the Roof | 1 | ||||
| 1981/82 | The Fred Waring Show | 1 | ||||
| 1981/82 | Gertrude Stein | 1 | ||||
| 1981/82 | Gordon Lightfoot | 1 | ||||
| 1981/82 | Lena Horne: A Lady and Her Music | 1 | ||||
| 1981/82 | Mark Twain Tonight! | 1 | ||||
| 1981/82 | Morning’s At Seven | 1 | ||||
| 1981/82 | Mummenschanz | 1 | ||||
| 1981/82 | Pittsburg Symphony | 1 | ||||
| 1981/82 | Show Boat | 1 | ||||
| 1981/82 | Tom Jones | 1 | ||||
| 1981/82 | Vienna Choir Boys | 1 | ||||
| 16 | 0 | 0 | ||||
| ROBERT GARNER, EXECUTIVE DIRECTOR | ||||||
| 1982/83 | Alexander Gudanov | 1 | ||||
| 1982/83 | Colette | 1 | ||||
| 1982/83 | Dancin’ | 1 | ||||
| 1982/83 | Evita | 1 | ||||
| 1982/83 | Lena Horne, The Lady and Her Music | 1 | ||||
| 1982/83 | Show Boat | 1 | ||||
| 6 | 0 | 0 | ||||
| ROBERT GARNER, EXECUTIVE DIRECTOR | ||||||
| 1983/84 | Agnes of God | 1 | ||||
| 1983/84 | Beethoven’s Tenth | 1 | ||||
| 1983/84 | Black Watch | 1 | ||||
| 1983/84 | Brighton Beach Memoirs | 1 | ||||
| 1983/84 | David Copperfield | 1 | ||||
| 1983/84 | Detective Story | 1 | ||||
| 1983/84 | Evita | 1 | ||||
| 1983/84 | The Hungarian State Folk Ensemble | 1 | ||||
| 1983/84 | Joseph and the Amazing Technicolor Dreamcoat | 1 | ||||
| 1983/84 | Pump Boys and Dinettes | 1 | ||||
| 1983/84 | Quilters | 1 | ||||
| 1983/84 | Sense of Humor | 1 | ||||
| 1983/84 | Sugar Babies | 1 | ||||
| 1983/84 | Vienna Choir Boys | 1 | ||||
| 14 | 0 | 0 | ||||
| ROBERT GARNER, EXECUTIVE DIRECTOR | ||||||
| 1984/85 | Annie | 1 | ||||
| 1984/85 | Brighton Beach Memoirs | 1 | ||||
| 1984/85 | Camelot | 1 | ||||
| 1984/85 | Ferrante & Teicher | 1 | ||||
| 1984/85 | Gigi | 1 | ||||
| 1984/85 | Jerry’s Girls | 1 | ||||
| 1984/85 | Little Shop of Horrors | 1 | ||||
| 1984/85 | Mark Twain Tonight! | 1 | ||||
| 1984/85 | Noises Off | 1 | ||||
| 1984/85 | Torch Song Trilogy | 1 | ||||
| 10 | 0 | 0 | ||||
| ROBERT GARNER, EXECUTIVE DIRECTOR | ||||||
| 1985/86 | 42nd Street | 1 | ||||
| 1985/86 | Cats | 1 | ||||
| 1985/86 | The Clancy Brothers and Tommy Maken | 1 | ||||
| 1985/86 | Foxfire | 1 | ||||
| 1985/86 | Her Majesty’s Royal Marines and the Argyll and Sutherland Highlanders | 1 | ||||
| 1985/86 | My One & Only | 1 | ||||
| 1985/86 | Picnic | 1 | ||||
| 1985/86 | The Unvarnished Truth | 1 | ||||
| 8 | 0 | 0 | ||||
| ROBERT GARNER, EXECUTIVE DIRECTOR | ||||||
| 1986/87 | Arsenic and Old Lace | 1 | ||||
| 1986/87 | Biloxi Blues | 1 | ||||
| 1986/87 | Cats | 1 | ||||
| 1986/87 | Dreamgirls | 1 | ||||
| 1986/87 | Johnny Cash | 1 | ||||
| 1986/87 | Tango Argentino | 1 | ||||
| 1986/87 | La Cage Aux Folles | 1 | ||||
| 1986/87 | Porgy & Bess | 1 | ||||
| 1986/87 | Sweet Bird of Youth | 1 | ||||
| 9 | 0 | 0 | ||||
| ROBERT GARNER, EXECUTIVE DIRECTOR | ||||||
| 1987/88 | Broadway Bound | 1 | ||||
| 1987/88 | Cats | 1 | ||||
| 1987/88 | I Never Sang for My Father | 1 | ||||
| 1987/88 | Me & My Girl | 1 | ||||
| 1987/88 | Singin’ In The Rain | 1 | ||||
| 1987/88 | Vienna Choir Boys | 1 | ||||
| 6 | 0 | 0 | ||||
| ROBERT GARNER, EXECUTIVE DIRECTOR | ||||||
| 1988/89 | Born Yesterday | 1 | ||||
| 1988/89 | A Chorus Line | 1 | ||||
| 1988/89 | Elvis: An American Musical | 1 | ||||
| 1988/89 | Into the Woods | 1 | ||||
| 1988/89 | Les Misérables | 1 | ||||
| 1988/89 | Marcel Marceau | 1 | ||||
| 1988/89 | The Unsinkable Molly Brown | 1 | ||||
| 7 | 0 | 0 | ||||
| RANDY WEEKS, EXECUTIVE DIRECTOR | ||||||
| 1989/90 | The Ballet Folklorico | 1 | ||||
| 1989/90 | The Black Watch | 1 | ||||
| 1989/90 | The Hungarian State Folk Ensemble | 1 | ||||
| 1989/90 | Les Misérables | 1 | ||||
| 1989/90 | Mame | 1 | ||||
| 1989/90 | Nunsense | 1 | ||||
| 1989/90 | Out There Tonight! | 1 | ||||
| 1989/90 | The Search for Signs of Intelligent Life in the Universe | 1 | ||||
| 1989/90 | Starlight Express | 1 | ||||
| 1989/90 | The Unsinkable Molly Brown | 1 | ||||
| 10 | 0 | 0 | ||||
| RANDY WEEKS, EXECUTIVE DIRECTOR | ||||||
| 1990/91 | Cats | 1 | ||||
| 1990/91 | Grand Hotel | 1 | ||||
| 1990/91 | The Heidi Chronicles | 1 | ||||
| 1990/91 | Lend Me a Tenor | 1 | ||||
| 1990/91 | Les Misérables | 1 | ||||
| 1990/91 | Peter Pan | 1 | ||||
| 1990/91 | A Tuna Christmas | 1 | ||||
| 1990/91 | Ziegfeld: A Night at the Follies | 1 | ||||
| 8 | 0 | 0 | ||||
| RANDY WEEKS, EXECUTIVE DIRECTOR | ||||||
| 1991/92 | Bye Bye Birdie | 1 | ||||
| 1991/92 | A Chorus Line | 1 | ||||
| 1991/92 | The Coldstream Guards | 1 | ||||
| 1991/92 | M. Butterfly | 1 | ||||
| 1991/92 | The Magic of David Copperfield | 1 | ||||
| 1991/92 | The Phantom of the Opera | 1 | ||||
| 1991/92 | Private Lives | 1 | ||||
| 1991/92 | Tru | 1 | ||||
| 8 | 0 | 0 | ||||
| RANDY WEEKS, EXECUTIVE DIRECTOR | ||||||
| 1992/93 | The Andy Williams Christmas Show | 1 | ||||
| 1992/93 | Annie | 1 | ||||
| 1992/93 | Aspects of Love | 1 | ||||
| 1992/93 | Camelot | 1 | ||||
| 1992/93 | Cats | 1 | ||||
| 1992/93 | Evita | 1 | ||||
| 1992/93 | Krasnayarsk Dancers | 1 | ||||
| 1992/93 | Les Misérables | 1 | ||||
| 1992/93 | Lost In Yonkers | 1 | ||||
| 1992/93 | Richard III | 1 | ||||
| 1992/93 | The Magic of David Copperfield | 1 | ||||
| 1992/93 | The Secret Garden | 1 | ||||
| 1992/93 | A Tuna Christmas | 1 | ||||
| 1992/93 | The Will Rogers Follies | 1 | ||||
| 14 | 0 | 0 | ||||
| RANDY WEEKS, EXECUTIVE DIRECTOR | ||||||
| 1993/94 | Camelot | 1 | ||||
| 1993/94 | Falsettos | 1 | ||||
| 1993/94 | Five Guys Named Moe | 1 | ||||
| 1993/94 | Guys and Dolls | 1 | ||||
| 1993/94 | The Hungarian State Folk Ensemble | 1 | ||||
| 1993/94 | Jesus Christ Superstar | 1 | ||||
| 1993/94 | Mark Twain Tonight! | 1 | ||||
| 1993/94 | Miss Saigon | 1 | ||||
| 1993/94 | The Radio City Music Hall Spectacular | 1 | ||||
| 1993/94 | Royal Regiments on Parade | 1 | ||||
| 1993/94 | The Secret Garden | 1 | ||||
| 1993/94 | The Sisters Rosensweig | 1 | ||||
| 1993/94 | The Wizard of Oz | 1 | ||||
| 13 | 0 | 0 | ||||
| RANDY WEEKS, EXECUTIVE DIRECTOR | ||||||
| 1994/95 | Animal Fables From Aesop | 1 | ||||
| 1994/95 | Blood Brothers | 1 | ||||
| 1994/95 | Crazy For You | 1 | ||||
| 1994/95 | Evita | 1 | ||||
| 1994/95 | Fiddler On The Roof | 1 | ||||
| 1994/95 | Grease | 1 | ||||
| 1994/95 | Hello, Dolly! | 1 | 1 | |||
| 1994/95 | Jelly’s Last Jam | 1 | ||||
| 1994/95 | Jesus Christ Superstar | 1 | ||||
| 1994/95 | The Phantom of the Opera | 1 | ||||
| 1994/95 | The Sound of Music | 1 | ||||
| 1994/95 | Stage Door Charley | 1 | ||||
| 1994/95 | A Tuna Christmas | 1 | ||||
| 1994/95 | Victor Borge | 1 | ||||
| 1994/95 | The Who’s Tommy | 1 | ||||
| 1994/95 | Will Rogers’ U.S.A. | 1 | ||||
| 16 | 1 | 0 | ||||
| RANDY WEEKS, EXECUTIVE DIRECTOR | ||||||
| 1995/96 | Ain’t Misbehavin’! | 1 | ||||
| 1995/96 | Angels In America, Part 1 & 2 | 1 | ||||
| 1995/96 | Damn Yankees | 1 | ||||
| 1995/96 | David Copperfield | 1 | ||||
| 1995/96 | Death of a Salesman | 1 | ||||
| 1995/96 | Dial ‘M’ For Murder | 1 | ||||
| 1995/96 | Jekyll & Hyde | 1 | ||||
| 1995/96 | Jesus Christ Superstar | 1 | ||||
| 1995/96 | Joseph and the Amazing Technicolor Dreamcoat | 1 | ||||
| 1995/96 | Kiss of the Spider Woman | 1 | ||||
| 1995/96 | Les Misérables | 1 | ||||
| 1995/96 | Linda Eder in Concert | 1 | ||||
| 1995/96 | Miss Saigon | 1 | ||||
| 1995/96 | Ramona Quimby | 1 | ||||
| 14 | 0 | 0 | ||||
| RANDY WEEKS, EXECUTIVE DIRECTOR | ||||||
| 1996/97 | Andrew Lloyd Webber — Music of the Night | 1 | ||||
| 1996/97 | Carousel | 1 | ||||
| 1996/97 | Cats | 1 | ||||
| 1996/97 | A Chorus Line | 1 | ||||
| 1996/97 | Defending the Caveman | 1 | ||||
| 1996/97 | Having Our Say | 1 | ||||
| 1996/97 | How To Succeed In Business Without Really Trying | 1 | ||||
| 1996/97 | It Ain't Nothin' But the Blues | 1 | ||||
| 1996/97 | Joseph and the Amazing Technicolor Dreamcoat | 1 | ||||
| 1996/97 | The Phantom of the Opera | 1 | ||||
| 1996/97 | Show Boat | 1 | ||||
| 1996/97 | Stomp | 1 | ||||
| 1996/97 | Sunset Boulevard | 1 | 1 | |||
| 1996/97 | Tap Dogs | 1 | ||||
| 1996/97 | West Side Story | 1 | ||||
| 15 | 1 | 0 | ||||
| RANDY WEEKS, EXECUTIVE DIRECTOR | NOTE: Elliot Ness…In Cleveland noted under Theatre Company production history | |||||
| 1997/98 | Annie | 1 | ||||
| 1997/98 | big | 1 | ||||
| 1997/98 | Bill Cosby | 1 | ||||
| 1997/98 | Blue Suede Shoes | 1 | ||||
| 1997/98 | Bring in ’da Noise, Bring in ’da Funk | 1 | ||||
| 1997/98 | Chicago | 1 | ||||
| 1997/98 | Disney’s Beauty and the Beast | 1 | ||||
| 1997/98 | Dreamgirls | 1 | ||||
| 1997/98 | The King and I | 1 | ||||
| 1997/98 | Mark Twain Tonight! | 1 | ||||
| 1997/98 | Puttin’ On The Ritz | 1 | ||||
| 1997/98 | Smokey Joe’s Café | 1 | ||||
| 1997/98 | Tap Dogs | 1 | ||||
| 1997/98 | Victor Borge | 1 | ||||
| 14 | 0 | 0 | ||||
| RANDY WEEKS, EXECUTIVE DIRECTOR | ||||||
| 1998/99 | Barrymore | 1 | 1 | |||
| 1998/99 | Cats | 1 | ||||
| 1998/99 | David Copperfield: U! | 1 | ||||
| 1998/99 | Defending the Caveman | 1 | ||||
| 1998/99 | Footloose | 1 | ||||
| 1998/99 | Forever Tango | 1 | ||||
| 1998/99 | Grease | 1 | ||||
| 1998/99 | Les Misérables | 1 | ||||
| 1998/99 | The Male Intellect (An Oxymoron) | 1 | ||||
| 1998/99 | Ragtime | 1 | ||||
| 1998/99 | Rent | 1 | ||||
| 1998/99 | Riverdance | 1 | ||||
| 1998/99 | Slava’s Snowshow | 1 | ||||
| 1998/99 | Stomp | 1 | ||||
| 1998/99 | Sylvia | 1 | ||||
| 1998/99 | Titanic | 1 | ||||
| 16 | 1 | 0 | ||||
| RANDY WEEKS, EXECUTIVE DIRECTOR | ||||||
| 1999/00 | Art | 1 | ||||
| 1999/00 | Andrew Lloyd Webber’s The Phantom of the Opera • | 1 | ||||
| 1999/00 | Blue’s Clues Live | 1 | ||||
| 1999/00 | Buddy: The Buddy Holly | 1 | ||||
| 1999/00 | Chicago | 1 | ||||
| 1999/00 | The Civil War | 1 | ||||
| 1999/00 | Fame | 1 | ||||
| 1999/00 | Jekyll & Hyde | 1 | ||||
| 1999/00 | Lily Tomlin — The Search for Signs of Intelligent Life in the Universe | 1 | ||||
| 1999/00 | Mark Twain Tonight! | 1 | ||||
| 1999/00 | Peter Pan | 1 | ||||
| 1999/00 | The Preservation Hall Jazz Band | 1 | ||||
| 1999/00 | Riverdance — The Show | 1 | ||||
| 1999/00 | The Sound of Music | 1 | ||||
| 14 | 0 | 0 | ||||
| RANDY WEEKS, EXECUTIVE DIRECTOR | ||||||
| 2000/01 | Aida | 1 | ||||
| 2000/01 | Annie | 1 | ||||
| 2000/01 | Annie Get Your Gun | 1 | ||||
| 2000/01 | Arthur – The Live Adventure | 1 | ||||
| 2000/01 | Barrage | 1 | ||||
| 2000/01 | Cabaret | 1 | ||||
| 2000/01 | Copacabana | 1 | ||||
| 2000/01 | Dame Edna | 1 | ||||
| 2000/01 | Defending the Caveman | 1 | ||||
| 2000/01 | Donny Osmond in Concert | 1 | ||||
| 2000/01 | Fosse | 1 | ||||
| 2000/01 | Gumboots | 1 | ||||
| 2000/01 | Leader of the Pack | 1 | ||||
| 2000/01 | Parade | 1 | ||||
| 2000/01 | Rent | 1 | ||||
| 2000/01 | Riverdance — The Show | 1 | ||||
| 2000/01 | The Scarlet Pimpernel | 1 | ||||
| 17 | 0 | 0 | ||||
| RANDY WEEKS, EXECUTIVE DIRECTOR | ||||||
| 2001/02 | The Best Little Whorehouse in Texas | 1 | ||||
| 2001/02 | Bill Cosby | 1 | ||||
| 2001/02 | Blast | 1 | ||||
| 2001/02 | Burn the Floor | 1 | ||||
| 2001/02 | Cinderella | 1 | ||||
| 2001/02 | Contact | 1 | ||||
| 2001/02 | Disney’s Beauty and the Beast | 1 | ||||
| 2001/02 | Disney’s The Lion King | 1 | 1 | |||
| 2001/02 | Jackie Mason: Much Ado About Everything | 1 | ||||
| 2001/02 | Kiss Me, Kate | 1 | ||||
| 2001/02 | Proof | 1 | ||||
| 2001/02 | Sesame Street Live: Big Bird’s Sunny Day Camp Out | 1 | ||||
| 2001/02 | Swing! | 1 | ||||
| 2001/02 | Tommy | 1 | ||||
| 14 | 1 | 0 | ||||
| RANDY WEEKS, EXECUTIVE DIRECTOR | ||||||
| 2002/03 | 42nd Street | 1 | ||||
| 2002/03 | Arturo | 1 | ||||
| 2002/03 | Blast! | 1 | ||||
| 2002/03 | Blues Clues | 1 | ||||
| 2002/03 | Bring in ’Da Noise, Bring in ’Da Funk | 1 | ||||
| 2002/03 | Cats | 1 | ||||
| 2002/03 | Dorian | 1 | ||||
| 2002/03 | The Full Monty | 1 | ||||
| 2002/03 | I Love a Piano | 1 | ||||
| 2002/03 | Les Misérables | 1 | ||||
| 2002/03 | Lord of the Dance | 1 | ||||
| 2002/03 | MAMMA MIA! | 1 | ||||
| 2002/03 | Marcel Marceau | 1 | ||||
| 2002/03 | Mark Twain Tonight | 1 | ||||
| 2002/03 | The Music Man | 1 | ||||
| 2002/03 | Saturday Night Fever | 1 | ||||
| 2002/03 | Scooby-Doo | 1 | ||||
| 2002/03 | Some Like It Hot | 1 | ||||
| 2002/03 | Stomp | 1 | ||||
| 2002/03 | Stones in His Pockets | 1 | ||||
| 2002/03 | The Tale of the Allergist’s Wife | 1 | ||||
| 21 | 0 | 0 | ||||
| RANDY WEEKS, EXECUTIVE DIRECTOR | ||||||
| 2003/04 | 42nd Street | 1 | ||||
| 2003/04 | Bill Cosby | 1 | ||||
| 2003/04 | Dora the Explorer | 1 | ||||
| 2003/04 | Hairspray | 1 | ||||
| 2003/04 | Movin’ Out | 1 | ||||
| 2003/04 | Oklahoma! | 1 | ||||
| 2003/04 | Oliver! | 1 | 1 | |||
| 2003/04 | The Producers | 1 | ||||
| 2003/04 | Thoroughly Modern Millie | 1 | ||||
| 2003/04 | Urinetown: The Musical | 1 | ||||
| 10 | 1 | 0 | ||||
| RANDY WEEKS, EXECUTIVE DIRECTOR | ||||||
| 2004/05 | Big River, The Adventures of Huckleberry Finn | 1 | ||||
| 2004/05 | Chicago | 1 | ||||
| 2004/05 | Grease with Frankie Avalon | 1 | ||||
| 2004/05 | Heaven Help Us! The Swingin’ New Rat Pack Musical | 1 | ||||
| 2004/05 | Jesus Christ Superstar | 1 | ||||
| 2004/05 | Peter Pan | 1 | ||||
| 2004/05 | Radio City Christmas Spectacular | 1 | ||||
| 2004/05 | Stomp | 1 | ||||
| 2004/05 | The Ten Tenors | 1 | ||||
| 2004/05 | Terracotta Warriors | 1 | ||||
| 10 | 0 | 0 | ||||
| RANDY WEEKS, EXECUTIVE DIRECTOR | ||||||
| 2005/06 | Annie | 1 | ||||
| 2005/06 | Bill Cosby | 1 | ||||
| 2005/06 | The Boy Friend | 1 | ||||
| 2005/06 | Dame Edna: Back with a Vengeance | 1 | ||||
| 2005/06 | Disney’s On The Record | 1 | ||||
| 2005/06 | Dora the Explorer | 1 | ||||
| 2005/06 | Dr. Dolittle | 1 | ||||
| 2005/06 | Joseph and the Amazing Technicolor Dreamcoat | 1 | ||||
| 2005/06 | Les Misérables | 1 | ||||
| 2005/06 | Little Shop of Horrors | 1 | ||||
| 2005/06 | MAMMA MIA! | 1 | ||||
| 2005/06 | Movin’ Out | 1 | ||||
| 2005/06 | The Phantom of the Opera | 1 | ||||
| 2005/06 | Riverdance | 1 | ||||
| 2005/06 | Swan Lake | 1 | ||||
| 2005/06 | Wicked | 1 | ||||
| 16 | 0 | |||||
| RANDY WEEKS, EXECUTIVE DIRECTOR | ||||||
| 2006/07 | The 25th Annual Putnam County Spelling Bee | 1 | ||||
| 2006/07 | All Shook Up | 1 | ||||
| 2006/07 | Bombay Dreams | 1 | ||||
| 2006/07 | Burn the Floor | 1 | ||||
| 2006/07 | Cats | 1 | ||||
| 2006/07 | Disney’s The Lion King | 1 | ||||
| 2006/07 | Edward Scissorhands | 1 | ||||
| 2006/07 | Hairspray | 1 | ||||
| 2006/07 | Heartbeat | 1 | ||||
| 2006/07 | Legends! | 1 | ||||
| 2006/07 | The Light in the Piazza | 1 | ||||
| 2006/07 | Sweet Charity | 1 | ||||
| 2006/07 | Wicked | 1 | ||||
| 13 | 0 | 0 | ||||
| RANDY WEEKS, EXECUTIVE DIRECTOR | ||||||
| 2007/08 | 3 Mo' Divas | 1 | ||||
| 2007/08 | A Chorus Line | 1 | 1 | |||
| 2007/08 | Cirque Dreams Jungle Fantasy | 1 | ||||
| 2007/08 | Dirty Rotten Scoundrels | 1 | ||||
| 2007/08 | Disney’s The Little Mermaid | 1 | 1 | |||
| 2007/08 | I Love a Piano | 1 | ||||
| 2007/08 | Irving Berlin’s White Christmas | 1 | ||||
| 2007/08 | MAMMA MIA! | 1 | ||||
| 2007/08 | Mark Twain Tonight! | 1 | ||||
| 2007/08 | Monty Python’s Spamalot | 1 | ||||
| 2007/08 | My Fair Lady | 1 | ||||
| 2007/08 | Stomp | 1 | ||||
| 2007/08 | Sweeney Todd | 1 | ||||
| 13 | 1 | 1 | ||||
| RANDY WEEKS, EXECUTIVE DIRECTOR | ||||||
| 2008/09 | A Bronx Tale | 1 | ||||
| 2008/09 | Avenue Q | 1 | ||||
| 2008/09 | Bill Cosby | 1 | ||||
| 2008/09 | Chicago | 1 | ||||
| 2008/09 | The Color Purple | 1 | ||||
| 2008/09 | Cirque Eloize: Nebbia | 1 | ||||
| 2008/09 | David Copperfield: An Intimate Evening of Grand Illusion | 1 | ||||
| 2008/09 | Disney's High School Musical | 1 | ||||
| 2008/09 | The Drowsy Chaperone | 1 | ||||
| 2008/09 | Jersey Boys | 1 | ||||
| 2008/09 | Monty Python’s Spamalot | 1 | ||||
| 2008/09 | The Phantom of the Opera | 1 | ||||
| 2008/09 | Rent | 1 | ||||
| 2008/09 | Tang Concubines | 1 | ||||
| 14 | 0 | 0 | ||||
| RANDY WEEKS, EXECUTIVE DIRECTOR | ||||||
| 2009/10 | August: Osage County | 1 | 1 | |||
| 2009/10 | Cats | 1 | ||||
| 2009/10 | Chitty Chitty Bang Bang | 1 | ||||
| 2009/10 | Cirque Dreams: Illumination | 1 | ||||
| 2009/10 | Fiddler on the Roof | 1 | ||||
| 2009/10 | In the Heights | 1 | ||||
| 2009/10 | Legally Blonde | 1 | ||||
| 2009/10 | Little House on the Prairie | 1 | ||||
| 2009/10 | Mark Twain Tonight! | 1 | ||||
| 2009/10 | Mary Poppins | 1 | ||||
| 2009/10 | Rain: A Tribute to the Beatles | 1 | ||||
| 2009/10 | Riverdance | 1 | ||||
| 2009/10 | Spring Awakening | 1 | ||||
| 2009/10 | Young Frankenstein | 1 | ||||
| 2009/10 | Wicked | 1 | ||||
| 15 | 1 | 0 | ||||
| RANDY WEEKS, EXECUTIVE DIRECTOR | ||||||
| 2010/11 | 9 to 5: The Musical | 1 | ||||
| 2010/11 | The Aluminum Show | 1 | ||||
| 2010/11 | Avenue Q | 1 | ||||
| 2010/11 | Billy Elliot the Musical | 1 | ||||
| 2010/11 | Blue Man Group | 1 | ||||
| 2010/11 | Grease | 1 | ||||
| 2010/11 | MAMMA MIA! | 1 | ||||
| 2010/11 | Next to Normal | 1 | ||||
| 2010/11 | Rock of Ages | 1 | ||||
| 2010/11 | Shrek | 1 | ||||
| 2010/11 | South Pacific | 1 | ||||
| 2010/11 | Spring Awakening | 1 | ||||
| 2010/11 | Tap Dogs | 1 | ||||
| 13 | 0 | 0 | ||||
| RANDY WEEKS, EXECUTIVE DIRECTOR | ||||||
| 2011/12 | The Addams Family | 1 | ||||
| 2011/12 | American Idiot | 1 | ||||
| 2011/12 | Bill Cosby | 1 | ||||
| 2011/12 | Bring It On: The Musical | 1 | ||||
| 2011/12 | Disney’s Beauty and the Beast | 1 | ||||
| 2011/12 | Disney’s The Lion King | 1 | ||||
| 2011/12 | Hair | 1 | ||||
| 2011/12 | Les Misérables | 1 | ||||
| 2011/12 | Mannheim Steamroller Christmas | 1 | ||||
| 2011/12 | Michael Flatley’s Lord of the Dance | 1 | ||||
| 2011/12 | West Side Story | 1 | ||||
| 2011/12 | Wicked | 1 | ||||
| 12 | 0 | 0 | ||||
| RANDY WEEKS, EXECUTIVE DIRECTOR | ||||||
| 2012/13 | Ballroom with a Twist | 1 | ||||
| 2012/13 | Blue Man Group | 1 | ||||
| 2012/13 | The Book of Mormon | 1 | ||||
| 2012/13 | Catch Me If You Can | 1 | ||||
| 2012/13 | Dr. Andrew Weil The Art of Health and Happiness | 1 | ||||
| 2012/13 | Frankie Valli and The Four Seasons | 1 | ||||
| 2012/13 | Jekyll & Hyde | 1 | ||||
| 2012/13 | Jersey Boys | 1 | ||||
| 2012/13 | La Cage Aux Folles | 1 | ||||
| 2012/13 | Les Misérables | 1 | ||||
| 2012/13 | Mark Twain Tonight! | 1 | ||||
| 2012/13 | Mary Poppins | 1 | ||||
| 2012/13 | Memphis | 1 | ||||
| 2012/13 | Spamalot | 1 | ||||
| 2012/13 | Stomp | 1 | ||||
| 2012/13 | War Horse | 1 | ||||
| 16 | 0 | 0 | ||||
| RANDY WEEKS, EXECUTIVE DIRECTOR | ||||||
| 2013/14 | Alton Brown: The Inevitable Edible Tour | 1 | ||||
| 2013/14 | American Idiot | 1 | ||||
| 2012/13 | The Book of Mormon | 1 | ||||
| 2013/14 | Celtic Woman | 1 | ||||
| 2013/14 | Chicago | 1 | ||||
| 2012/13 | Cirque Dreams Holidaze | 1 | ||||
| 2013/14 | Evita | 1 | ||||
| 2013/14 | Ira Glass: Three Acts, Two Dancers and One Radio Host | 1 | ||||
| 2013/14 | MAMMA MIA! | 1 | ||||
| 2012/13 | Mannheim Steamroller Christmas | 1 | ||||
| 2013/14 | Million Dollar Quartet | 1 | ||||
| 2013/14 | once | 1 | ||||
| 2012/13 | Peter and the Starcatcher | 1 | 1 | |||
| 2012/13 | Priscilla Queen of the Desert | 1 | ||||
| 2013/14 | Rock of Ages | 1 | ||||
| 2012/13 | Sister Act | 1 | ||||
| 16 | 1 | 0 | ||||
| RANDY WEEKS, EXECUTIVE DIRECTOR | ||||||
| 2014/15 | Annie | 1 | ||||
| 2014/15 | The Australian Bee Gees Show | 1 | ||||
| 2014/15 | Blue Man Group | 1 | ||||
| 2014/15 | Dancing Pros: Live | 1 | ||||
| 2014/15 | Dr. Seuss’ How the Grinch Stole Christmas! The Musical | 1 | ||||
| 2014/15 | Jane Lynch | 1 | ||||
| 2014/15 | Jersey Boys | 1 | ||||
| 2014/15 | Joseph and the Amazing Technicolor Dreamcoat | 1 | ||||
| 2014/15 | Kinky Boots | 1 | ||||
| 2014/15 | Mark Twain Tonight! | 1 | ||||
| 2014/15 | Menopause the Musical | 1 | ||||
| 2014/15 | Motown The Musical | 1 | ||||
| 2014/15 | Pippin | 1 | 1 | |||
| 2014/15 | Rodgers + Hammerstein’s Cinderella | 1 | ||||
| 2014/15 | Stomp | 1 | ||||
| 2014/15 | Wicked | 1 | ||||
| 16 | 1 | 0 | ||||
| JOHN EKEBERG, EXECUTIVE DIRECTOR | ||||||
| 2015/16 | Disney’s Beauty and the Beast | 1 | ||||
| 2015/16 | The Book of Mormon | 1 | 1 | |||
| 2015/16 | A Christmas Story, The Musical | 1 | ||||
| 2015/16 | Dirty Dancing, The Classic Story on Stage | 1 | ||||
| 2015/16 | A Gentleman’s Guide to Love & Murder | 1 | ||||
| 2015/16 | If/Then | 1 | 1 | |||
| 2015/16 | Disney’s The Lion King | 1 | ||||
| 2015/16 | Mannheim Steamroller Christmas | 1 | ||||
| 2015/16 | Matilda The Musical | 1 | ||||
| 2015/16 | Newsies | 1 | ||||
| 2015/16 | once | 1 | ||||
| 2015/16 | Riverdance – The 20th Anniversary World Tour | 1 | ||||
| 2015/16 | Shaping Sound | 1 | ||||
| 2015/16 | The Sound of Music | 1 | ||||
| 2015/16 | The Wizard of Oz | 1 | ||||
| 15 | 2 | 0 | ||||
| JOHN EKEBERG, EXECUTIVE DIRECTOR | ||||||
| 2016/17 | An American in Paris | 1 | ||||
| 2016/17 | Beautiful – The Carole King Musical | 1 | ||||
| 2016/17 | Circus 1903 – The Golden Age of Circus | 1 | ||||
| 2016/17 | The Curious Incident of the Dog in the Night-Time | 1 | ||||
| 2016/17 | David Sedaris | 1 | ||||
| 2016/17 | Diana Ross - In the Name of Love Tour | 1 | ||||
| 2016/17 | Finding Neverland | 1 | ||||
| 2016/17 | Fun Home | 1 | ||||
| 2016/17 | Hal Holbrook: Mark Twain Tonight! | 1 | ||||
| 2016/17 | Hedwig and the Angry Inch | 1 | ||||
| 2016/17 | Hip Hop Nutcracker | 1 | ||||
| 2016/17 | The Illusionists – Live from Broadway | 1 | ||||
| 2016/17 | Jersey Boys | 1 | ||||
| 2016/17 | Kinky Boots | 1 | ||||
| 2016/17 | The Last Five Years in Concert | 1 | ||||
| 2016/17 | MAMMA MIA! | 1 | ||||
| 2016/17 | Motown the Musical | 1 | ||||
| 2016/17 | The Phantom of the Opera | 1 | ||||
| 2016/17 | Rain - A Tribute to the Beatles | 1 | ||||
| 2016/17 | Roundabout Theatre Company’s Cabaret | 1 | ||||
| 2016/17 | Rudolph the Red-Nosed Reindeer: The Musical | 1 | ||||
| 2016/17 | Travis Wall's Shaping Sound: After the Curtain | 1 | ||||
| 22 | 0 | 0 | ||||
| JOHN EKEBERG, EXECUTIVE DIRECTOR | ||||||
| 2017/18 | The Book of Mormon | 1 | ||||
| 2017/18 | Chicago | 1 | ||||
| 2017/18 | Disney’s Aladdin | 1 | ||||
| 2017/18 | ELF The Musical | 1 | ||||
| 2017/18 | Disney’s Frozen | 1 | 1 | |||
| 2017/18 | Hamilton | 1 | ||||
| 2017/18 | The Magic of Adam Trent | 1 | ||||
| 2017/18 | Mannheim Steamroller Christmas by Chip Davis | 1 | ||||
| 2017/18 | RENT 20th Anniversary Tour | 1 | ||||
| 2017/18 | Rob Lowe – Stories I Only Tell My Friends LIVE! | 1 | ||||
| 2017/18 | Rodgers & Hammerstein’s The King and I | 1 | ||||
| 2017/18 | School of Rock | 1 | ||||
| 2017/18 | Something Rotten! | 1 | ||||
| 2017/18 | STOMP | 1 | ||||
| 2017/18 | Waitress | 1 | ||||
| 15 | 0 | 1 | ||||
| JOHN EKEBERG, EXECUTIVE DIRECTOR | ||||||
| 2018/19 | Beautiful – The Carole King Musical | 1 | ||||
| 2018/19 | The Book of Mormon | 1 | ||||
| 2018/19 | Breakin’ Convention | 1 | ||||
| 2018/19 | A Bronx Tale | 1 | ||||
| 2018/19 | CATS | 1 | ||||
| 2018/19 | Cirque Eloize – Hotel | 1 | ||||
| 2018/19 | Come From Away | 1 | ||||
| 2018/19 | Dear Evan Hansen | 1 | 1 | |||
| 2018/19 | Fiddler on the Roof | 1 | ||||
| 2018/19 | Hello, Dolly! | 1 | ||||
| 2018/19 | The Illusionists | 1 | ||||
| 2018/19 | Irving Berlin’s White Christmas | 1 | ||||
| 2018/19 | Les Misérables | 1 | ||||
| 2018/19 | Love Never Dies | 1 | ||||
| 2018/19 | On Your Feet! | 1 | ||||
| 2018/19 | The Play That Goes Wrong | 1 | ||||
| 2018/19 | Rain – A Tribute to the Beatles | 1 | ||||
| 2018/19 | Rock of Ages | 1 | ||||
| 2018/19 | Wicked | 1 | ||||
| 19 | 1 | 0 | ||||
| JOHN EKEBERG, EXECUTIVE DIRECTOR | ||||||
| 2019/20 | Anastasia | 1 | ||||
| 2019/20 | Blue Man Group Speechless Tour | 1 | ||||
| 2019/20 | Can I Kick It? | 1 | ||||
| 2019/20 | The Hip Hop Nutcracker | 1 | ||||
| 2019/20 | Jesus Christ Superstar | 1 | ||||
| 2019/20 | Jimmy Buffett’s Escape to Margaritaville | 1 | ||||
| 2019/20 | Latin History for Morons | 1 | ||||
| 2019/20 | Mannheim Steamroller Christmas by Chip Davis | 1 | ||||
| 2019/20 | Miss Saigon | 1 | ||||
| 2019/20 | Mystery Science Theater 3000 LIVE | 1 | ||||
| 2019/20 | The Phantom of the Opera | 1 | ||||
| 2019/20 | RENT 20th Anniversary Tour | 1 | ||||
| 2019/20 | Roald Dahl’s Charlie and the Chocolate Factory | 1 | ||||
| 2019/20 | Seuss’ How the Grinch Stole Christmas! The Musical | 1 | ||||
| 2019/20 | The SpongeBob Musical | 1 | ||||
| 2019/20 | SUMMER: The Donna Summer Musical | 1 | ||||
| 16 | 0 | 0 | ||||
| JOHN EKEBERG, EXECUTIVE DIRECTOR | ||||||
| 2020/21 | The Hip Hop Nutcracker | 1 | ||||
| 2020/21 | Jagged Live in NYC: A Broadway Reunion Concert | 1 | ||||
| 2020/21 | Laura Benanti: Live from the West Side | 1 | ||||
| 2020/21 | A New Stage | 1 | ||||
| 2020/21 | Patti Lupone: Live from the West Side | 1 | ||||
| 2020/21 | Rock of Ages: The All-Star Reunion Concert | 1 | ||||
| 2020/21 | Vanessa Williams: Live from the West Side | 1 | ||||
| 7 | 0 | 0 | ||||
| JOHN EKEBERG, EXECUTIVE DIRECTOR | ||||||
| 2021/22 | Cats | 1 | ||||
| 2021/22 | The Choir of Man | 1 | ||||
| 2021/22 | Dear Evan Hansen | 1 | ||||
| 2021/22 | Disney’s The Lion King | 1 | ||||
| 2021/22 | Hamilton | 1 | ||||
| 2021/22 | The Hip Hop Nutcracker | 1 | ||||
| 2021/22 | Jersey Boys | 1 | ||||
| 2021/22 | Moulin Rouge | 1 | ||||
| 2021/22 | Tootsie | 1 | ||||
| 9 | 0 | 0 | ||||
| JOHN EKEBERG, EXECUTIVE DIRECTOR | ||||||
| 2022/23 | 1776 | 1 | ||||
| 2022/23 | Ain’t Too Proud: The Life and Times of the Temptations | 1 | ||||
| 2022/23 | Disney's Aladdin | 1 | ||||
| 2022/23 | Anastasia | 1 | ||||
| 2022/23 | Bluey's Big Play | 1 | ||||
| 2022/23 | The Book of Mormon | 1 | ||||
| 2022/23 | Come from Away | 1 | ||||
| 2022/23 | Fiddler on the Roof | 1 | ||||
| 2022/23 | Hadestown | 1 | ||||
| 2022/23 | Les Misérables | 1 | ||||
| 2022/23 | Mannheim Steamroller | 1 | ||||
| 2022/23 | Mean Girls | 1 | ||||
| 2022/23 | My Fair Lady | 1 | ||||
| 2022/23 | Pretty Woman: The Muscal | 1 | ||||
| 2022/23 | Riverdance 25th Anniversary Show | 1 | ||||
| 2022/23 | Rudolph the Red-Nosed Reindeer The Musical | 1 | ||||
| 2022/23 | STOMP | 1 | ||||
| 2022/23 | Harper Lee's To Kill a Mockingbird | 1 | ||||
| 18 | 0 | 0 | ||||
| JOHN EKEBERG, EXECUTIVE DIRECTOR | ||||||
| 2023/24 | Annie | 1 | ||||
| 2023/24 | Beetlejuice | 1 | ||||
| 2023/24 | Bluey's Big Play | 1 | ||||
| 2023/24 | The Book of Mormon | 1 | ||||
| 2023/24 | The Cher Show | 1 | ||||
| 2023/24 | Chicago | 1 | ||||
| 2023/24 | Company | 1 | ||||
| 2023/24 | Dixie Longate: Cherry Bombs and Bottle Rockets | 1 | ||||
| 2023/24 | Disney's Frozen | 1 | ||||
| 2023/24 | Hairspray | 1 | ||||
| 2023/24 | The Hip Hop Nutcracker | 1 | ||||
| 2023/24 | Jagged Little Pill | 1 | ||||
| 2023/24 | Jesus Christ Superstar | 1 | ||||
| 2023/24 | Mamma Mia! | 1 | ||||
| 2023/24 | Message in a Bottle | 1 | ||||
| 2023/24 | MJ | 1 | ||||
| 2023/24 | Shrek | 1 | ||||
| 2023/24 | Six | 1 | ||||
| 2023/24 | Tina — The Tina Turner Musical | 1 | ||||
| 19 | 0 | 0 | ||||
| JOHN EKEBERG, EXECUTIVE DIRECTOR | ||||||
| 2024/25 | & Juliet | 1 | ||||
| 2024/25 | The Addams Family | 1 | ||||
| 2024/25 | Avatar: The Last Airbender In Concert | 1 | ||||
| 2024/25 | Avatar: The Last Airbender In Concert | 1 | ||||
| 2024/25 | Back to the Future | 1 | ||||
| 2024/25 | The Book of Mormon | 1 | ||||
| 2024/25 | Funny Girl | 1 | ||||
| 2024/25 | Hamilton | 1 | ||||
| 2024/25 | Kimberly Akimbo | 1 | 1 | |||
| 2024/25 | Life of Pi | 1 | ||||
| 2024/25 | Mamma Mia! | 1 | ||||
| 2024/25 | Mannheim Steamroller | 1 | ||||
| 2024/25 | Naruto: The Symphonic Experience | 1 | ||||
| 2024/25 | Mean Girls | 1 | ||||
| 2024/25 | Rudolph The Red-Nosed Reindeer The Musical | 1 | ||||
| 2024/25 | The Wiz | 1 | ||||
| 2024/25 | Wicked | 1 | ||||
| 17 | 1 | 0 | ||||
| JOHN EKEBERG, EXECUTIVE DIRECTOR | ||||||
| 2025/26 | Disney's The Lion King | 1 | ||||
| 2025/26 | Hadestown | 1 | ||||
| 2025/26 | Harry Potter and the Cursed Child | 1 | ||||
| 2025/26 | Hell's Kitchen | 1 | ||||
| 2025/26 | Hip Hop Nutcracker | 1 | ||||
| 2025/26 | Dr. Seuss' How the Grinch Stole Christmas | 1 | ||||
| 2025/26 | MJ | 1 | ||||
| 2025/26 | Moulin Rouge! | 1 | ||||
| 2025/26 | Meredith Willson's The Music Man | 1 | ||||
| 2025/26 | The Notebook | 1 | ||||
| 2025/26 | The Phantom of the Opera | 1 | ||||
| 2025/26 | Shucked | 1 | ||||
| 2025/26 | Six | 1 | ||||
| 2025/26 | Some Like it Hot | 1 | ||||
| 2025/26 | Water for Elephants | 1 | ||||
| 15 | 0 | 0 | ||||
| JOHN EKEBERG, EXECUTIVE DIRECTOR | ||||||
| 2026/27 | Beetlejuice | 1 | ||||
| 2026/27 | Monty Python's Spamalot | 1 | ||||
| 2026/27 | The Outsiders | 1 | ||||
| 2026/27 | The Sound of Music | 1 | ||||
| 4 | 0 | 0 | ||||
| TOTALS | 682 | 13 | 2 |
| SEASON | TITLE | # PRODUCTIONS | # NEW PROJECTS/WORKSHOPS | ||
|---|---|---|---|---|---|
| RANDY WEEKS, EXECUTIVE DIRECTOR | |||||
| 1991/92 | Forever Plaid | 1 | |||
| 1 | 0 | ||||
| RANDY WEEKS, EXECUTIVE DIRECTOR | |||||
| 1992/93 | Forever Plaid | 1 | |||
| 1 | 0 | ||||
| RANDY WEEKS, EXECUTIVE DIRECTOR | |||||
| 1993/94 | Forbidden Broadway | 1 | |||
| 1993/94 | Forever Plaid | 1 | |||
| 1993/94 | The World Goes ’Round | 1 | |||
| 3 | 0 | ||||
| RANDY WEEKS, EXECUTIVE DIRECTOR | |||||
| 1994/95 | Forever Plaid | 1 | |||
| 1994/95 | The World Goes ’Round | 1 | |||
| 2 | 0 | ||||
| RANDY WEEKS, EXECUTIVE DIRECTOR | |||||
| 1995/96 | Always…Patsy Cline | 1 | |||
| 1995/96 | The Male Intellect (An Oxymoron) | 1 | |||
| 2 | 0 | ||||
| RANDY WEEKS, EXECUTIVE DIRECTOR | |||||
| 1996/97 | Always…Patsy Cline | 1 | |||
| 1996/97 | Red Hot Mama: The Sophie Tucker Songbook | 1 | |||
| 1996/97 | The Male Intellect (An Oxymoron) | 1 | |||
| 3 | 0 | ||||
| RANDY WEEKS, EXECUTIVE DIRECTOR | |||||
| 1997/98 | Always…Patsy Cline | 1 | |||
| 1997/98 | Father, Son and Holy Coach | 1 | |||
| 1997/98 | The Male Intellect (An Oxymoron) | 1 | |||
| 3 | 0 | ||||
| RANDY WEEKS, EXECUTIVE DIRECTOR | |||||
| 1998/99 | Always…Patsy Cline | 1 | |||
| 1998/99 | Red Hot Mama | 1 | |||
| 2 | 0 | ||||
| RANDY WEEKS, EXECUTIVE DIRECTOR | |||||
| 1999/00 | Red, White and Tuna | 1 | |||
| 1999/00 | Swingtime Canteen | 1 | |||
| 2 | 0 | ||||
| RANDY WEEKS, EXECUTIVE DIRECTOR | |||||
| 2000/01 | I Love You, You’re Perfect, Now Change | 1 | |||
| 1 | 0 | ||||
| RANDY WEEKS, EXECUTIVE DIRECTOR | |||||
| 2001/02 | I Love You, You’re Perfect, Now Change | 1 | |||
| 2001/02 | The Vagina Monologues | 1 | |||
| 2 | 0 | ||||
| RANDY WEEKS, EXECUTIVE DIRECTOR | |||||
| 2002/03 | Addicted | 1 | 2 engagements | ||
| 2002/03 | Addicted | 1 | |||
| 2002/03 | I Love You, You’re Perfect, Now Change | 1 | |||
| 2002/03 | The Vagina Monologues | 1 | |||
| 4 | 0 | ||||
| RANDY WEEKS, EXECUTIVE DIRECTOR | |||||
| 2003/04 | I Love You, You’re Perfect, Now Change | 1 | |||
| 2003/04 | Say Goodnight Gracie | 1 | |||
| 2003/04 | Triple Espresso | 1 | |||
| 3 | 0 | ||||
| RANDY WEEKS, EXECUTIVE DIRECTOR | |||||
| 2004/05 | Always…Patsy Cline | 1 | |||
| 2004/05 | I Love You, You’re Perfect, Now Change | 1 | |||
| 2004/05 | My Way: A Musical Tribute to Frank Sinatra | 1 | |||
| 2004/05 | Say Goodnight Gracie | 1 | |||
| 2004/05 | Triple Espresso | 1 | |||
| 5 | 0 | ||||
| RANDY WEEKS, EXECUTIVE DIRECTOR | |||||
| 2005/06 | The Second City’s Red Scare | 1 | |||
| 2005/06 | The Second City’s How I Lost My Denverginity | 1 | 1 | ||
| 2 | 1 | ||||
| RANDY WEEKS, EXECUTIVE DIRECTOR | |||||
| 2006/07 | The Taffetas | 1 | |||
| 1 | 0 | ||||
| RANDY WEEKS, EXECUTIVE DIRECTOR | |||||
| 2007/08 | Comedy Addiction | 1 | |||
| 2007/08 | The Last Five Years | 1 | |||
| 2007/08 | The Taffetas | 1 | |||
| 3 | 0 | ||||
| RANDY WEEKS, EXECUTIVE DIRECTOR | |||||
| 2008/09 | Girls Only: The Secret Comedy of Women | 1 | |||
| 2008/09 | Girls Only: The Secret Comedy of Women - TOUR | 1 | |||
| 2 | 0 | ||||
| RANDY WEEKS, EXECUTIVE DIRECTOR | |||||
| 2009/10 | Girls Only: The Secret Comedy of Women - CANADA | 1 | |||
| 2009/10 | Girls Only: The Secret Comedy of Women - CHARLOTTE | 1 | |||
| 2009/10 | Girls Only: The Secret Comedy of Women | 1 | |||
| 3 | 0 | ||||
| RANDY WEEKS, EXECUTIVE DIRECTOR | |||||
| 2010/11 | Dixie’s Tupperware Party | 1 | |||
| 2010/11 | Five Course Love | 1 | |||
| 2010/11 | Girls Only: The Secret Comedy of Women - CHARLOTTE | 1 | |||
| 2010/11 | A Mile High Celebration: The Second City's 50th Anniversary | 1 | |||
| 2010/11 | Robert Dubac’s Free Range Thinking | 1 | |||
| 5 | 0 | ||||
| RANDY WEEKS, EXECUTIVE DIRECTOR | |||||
| 2011/12 | Blind Date | 1 | |||
| 2011/12 | Dixie’s Tupperware Party | 1 | |||
| 2011/12 | Girls Only: The Secret Comedy of Women | 1 | |||
| 2011/12 | I Love You, You’re Perfect, Now Change | 1 | |||
| 2011/12 | Love, Sex and the Second City | 1 | |||
| 5 | 0 | ||||
| RANDY WEEKS, EXECUTIVE DIRECTOR | |||||
| 2012/13 | David Sedaris : Let's Explore Diabetes with Owls | 1 | 1 | ||
| 2013/14 | Dixie’s Tupperware Party | 1 | |||
| 2012/13 | The Doyle & Debbie Show | 1 | |||
| 3 | 1 | ||||
| RANDY WEEKS, EXECUTIVE DIRECTOR | |||||
| 2013/14 | Defending the Caveman | 1 | |||
| 2013/14 | Dixie Longate’s Never Wear a Tube Top While Riding a Mechanical Bull and 16 Other Things I Learned While Drinking Last Thursday | 1 | 1 | ||
| 2013/14 | Dixie’s Tupperware Party | 1 | |||
| 2013/14 | Free Range Thinking | 1 | |||
| 2013/14 | Girls Only: The Secret Comedy of Women | 1 | |||
| 2013/14 | The Kid — Joey McIntyre | 1 | 1 | ||
| 2013/14 | Robert Dubac’s The Male Intellect: An Oxymoron | 1 | |||
| 2013/14 | The SantaLand Diaries | 1 | |||
| 2013/14 | Second City’s American Mixtape | 1 | |||
| 9 | 2 | ||||
| RANDY WEEKS, EXECUTIVE DIRECTOR | |||||
| 2014/15 | Annaleigh Ashford — Lost in the Stars | 1 | |||
| 2014/15 | The Bicycle Men | 1 | |||
| 2014/15 | Defending the Caveman | 1 | |||
| 2014/15 | Drag Machine | 1 | |||
| 2014/15 | Forbidden Broadway: Alive & Kicking! | 1 | |||
| 2014/15 | You Say Tomato, I Say Shut Up! | 1 | |||
| 6 | 0 | ||||
| JOHN EKEBERG, EXECUTIVE DIRECTOR | |||||
| 2015/16 | Defending the Caveman | 1 | |||
| 2015/16 | Dixie’s Never Wear a Tube Top While Riding a Mechanical Bull (and 16 other things I learned while I was drinking last Thursday) | 1 | |||
| 2015/16 | The Improvised Shakespeare Company® | 1 | |||
| 2015/16 | Murder for Two | 1 | |||
| 2015/16 | The Realish Housewives of Cherry Creek: A Parody | 1 | |||
| 5 | 0 | ||||
| JOHN EKEBERG, EXECUTIVE DIRECTOR | |||||
| 2016/17 | An Act of God | 1 | |||
| 2016/17 | Beth Malone: So Far | 1 | |||
| 2016/17 | Defending the Caveman | 1 | |||
| 2016/17 | Sex Tips for Straight Women from a Gay Man | 1 | |||
| 4 | 0 | ||||
| JOHN EKEBERG, EXECUTIVE DIRECTOR | |||||
| 2017/18 | Dixie’s Tupperware Party | 1 | |||
| 2017/18 | First Date | 1 | |||
| 2017/18 | For the Love of George | 1 | 1 | ||
| 2017/18 | Girls Only – The Secret Comedy of Women | 1 | |||
| 2017/18 | Lady Day at Emerson’s Bar & Grill | 1 | |||
| 2017/18 | Men are from Mars, Women are from Venus LIVE! | 1 | |||
| 6 | 1 | ||||
| JOHN EKEBERG, EXECUTIVE DIRECTOR | |||||
| 2018/19 | The Improvised Shakespeare Company® | 1 | |||
| 2018/19 | Sex Tips for Straight Women from a Gay Man | 1 | |||
| 2018/19 | Xanadu | 1 | |||
| 3 | 0 | ||||
| JOHN EKEBERG, EXECUTIVE DIRECTOR | |||||
| 2019/20 | Erma Bombeck: At Wit’s End | 1 | |||
| 2019/20 | The Improvised Shakespeare Company® | 1 | |||
| 2019/20 | It’s Not You, It’s Me – The Second City | 1 | |||
| 3 | 0 | ||||
| JOHN EKEBERG, EXECUTIVE DIRECTOR | |||||
| 2020/21 | Broadway Yesterday and Today | 1 | |||
| 2020/21 | Dixie's Happy Hour | 1 | |||
| 2020/21 | An Evening of Jazz | 1 | |||
| 3 | 0 | ||||
| JOHN EKEBERG, EXECUTIVE DIRECTOR | |||||
| 2021/22 | Dixie’s Never Wear a Tubetop… | 1 | |||
| 2021/22 | The Improvised Shakespeare Company® | 1 | |||
| 2021/22 | The Other Josh Cohen | 1 | |||
| 2021/22 | Rockin' and Rollin' with Miss Rhythm: The Story of R&BH Legend Ruth Brown | 1 | 1 | ||
| 4 | 1 | ||||
| JOHN EKEBERG, EXECUTIVE DIRECTOR | |||||
| 2022/23 | The Crown — Live! | 1 | |||
| 2022/23 | Forbidden Broadway: The Next Generation | 1 | |||
| 2022/23 | The Heavyweights Present — Three Man — The 25th Annual Putnam County Spelling Bee | 1 | |||
| 2022/23 | Miss Rhythm — The Legend of Ruth Brown | 1 | 1 | ||
| 2022/23 | NEWSical | 1 | |||
| 2022/23 | The Secret Comedy of Women | 1 | |||
| 6 | 1 | ||||
| JOHN EKEBERG, EXECUTIVE DIRECTOR | |||||
| 2023/24 | Broadway's Next Hit Musical | 1 | |||
| 2023/24 | The Improvised Shakespeare Company® | 1 | |||
| 2023/24 | The Secret Comedy of Women | 1 | |||
| 2023/24 | Yippee Ki Yay | 1 | |||
| 4 | 0 | ||||
| JOHN EKEBERG, EXECUTIVE DIRECTOR | |||||
| 2024/25 | At Wit's End | 1 | |||
| 2024/25 | Blue Bird Improv | 1 | |||
| 2024/25 | Forbidden Broadway | 1 | |||
| 2024/25 | Gutenberg! The Musical! | 1 | |||
| 2024/25 | The Second City | 1 | |||
| 5 | 0 | ||||
| JOHN EKEBERG, EXECUTIVE DIRECTOR | |||||
| 2025/26 | Dixie's Tupperware Party | 1 | |||
| 2025/26 | Dixie Longate’s Never Wear a Tube Top While Riding a Mechanical Bull and 16 Other Things I Learned While Drinking Last Thursday | 1 | |||
| 2025/26 | Dracula: A Comedy of Terrors | 1 | |||
| 3 | 0 | ||||
| 119 | 7 |
| SEASON | TITLE | # TOTAL PRODUCTION | # WORLD PREMIERES | CREATOR(S) | # PROJECTS BY WOMEN | # OF WOMEN CREATORS | DIRECTOR | WOMAN DIRECTOR | |
|---|---|---|---|---|---|---|---|---|---|
| CHARLIE MILLER & EMILY TARQUIN, CURATORS | |||||||||
| 2010/11 | The Ultimate Wii Baseball Game | 1 | 1 | Charlie Miller & Emily Tarquin | 1 | Samantha Long | 1 | NOTE: Prototypes before Off-Center was officially created | |
| 2010/11 | Hip Hop Jambalaya | 1 | 1 | Lawrence Curry | 1 | Lawrence Curry | NOTE: Prototypes before Off-Center was officially created | ||
| 2 | 2 | ||||||||
| CHARLIE MILLER & EMILY TARQUIN, CURATORS | |||||||||
| 2011/12 | Cult Following | 1 | 1 | Emily Tarquin | 1 | 1 | Allison Watrous & Jessica Robblee | 1 | |
| 2011/12 | The L&J&J Project | 1 | 1 | Charlie Miller & Emily Tarquin | 1 | Charlie Miller & Emily Tarquin | 1 | ||
| 2011/12 | Square of Ice | 1 | 1 | Charlie Miller & Emily Tarquin | 1 | Charlie Miller & Emily Tarquin | 1 | ||
| 2011/12 | Date* | 1 | 1 | Luciann Lajoie | 1 | 1 | Ashlee Temple | 1 | |
| 4 | 4 | ||||||||
| CHARLIE MILLER & EMILY TARQUIN, CURATORS | |||||||||
| 2012/13 | Cult Following | 1 | 1 | Allison Watrous & Jessica Robblee | 1 | 2 | Allison Watrous & Jessica Robblee | 2 | |
| 2012/13 | Drag Machine | 1 | 1 | Emily Tarquin | 1 | 1 | Emily Tarquin | 1 | |
| 2012/13 | Audio Kicks | 1 | 1 | 3rd Law Dance/Theater | |||||
| 2012/13 | Sweat | 1 | 1 | Meridith Grundei | 1 | 1 | Mare Trevathan | 1 | |
| 4 | 4 | ||||||||
| CHARLIE MILLER & EMILY TARQUIN, CURATORS | |||||||||
| 2013/14 | Cult Following | 1 | 1 | Allison Watrous & Jessica Robblee | 1 | 2 | Allison Watrous & Jessica Robblee | 2 | |
| 2013/14 | Wheel of Misfortune | 1 | 1 | Charlie Miller & Emily Tarquin | 1 | Charlie Miller & Emily Tarquin | 1 | ||
| 2013/14 | Lived/Relived | 1 | 1 | The Narrators | Michael Emmitt, Steven Cole Hughes, Samantha Long and Brad McKinzie | 1 | |||
| 3 | 3 | ||||||||
| CHARLIE MILLER & EMILY TARQUIN, CURATORS | |||||||||
| 2014/15 | Cult Following: Karoke Musical | 1 | 1 | Allison Watrous & Jessica Robblee | 1 | 2 | Allison Watrous & Jessica Robblee | 2 | |
| 2014/15 | Cult Following: Pirate Ship | 1 | 1 | Allison Watrous & Jessica Robblee | 1 | 2 | Allison Watrous & Jessica Robblee | 2 | |
| 2014/15 | Cult Following: Secrets 7 Confessions | 1 | 1 | Allison Watrous & Jessica Robblee | 1 | 2 | Allison Watrous & Jessica Robblee | 2 | |
| 2014/15 | Lord of the Butterflies | 1 | 1 | Emily Tarquin | 1 | 1 | Michael Emmitt | ||
| 2014/15 | The SantaLand Diaries | 1 | David Sedaris/Joe Mantello | Stephen Weitz | |||||
| 2014/15 | Kick-Off Cabaret | 1 | 1 | Charlie Miller | Charlie Miller | ||||
| 2014/15 | Perception | 1 | 1 | Charlie Miller, Allison Watrous, Bob Davidson | 1 | Charlie Miller, Allison Watrous, Bob Davidson | 1 | ||
| 7 | 6 | ||||||||
| CHARLIE MILLER & EMILY TARQUIN, CURATORS | |||||||||
| 2015/16 | Cult Following: Back to the Future | 1 | 1 | Charlie Miller & Emily Tarquin | 1 | Charlie Miller & Emily Tarquin | 1 | ||
| 2015/16 | Cult Following: Decide Your Destiny | 1 | 1 | Charlie Miller & Emily Tarquin | 1 | Charlie Miller & Emily Tarquin | 1 | ||
| 2015/16 | Cult Following: Karoke Musical | 1 | Charlie Miller & Emily Tarquin | 1 | Charlie Miller & Emily Tarquin | 1 | |||
| 2015/16 | Cult Following: Karoke Broadway Musical | 1 | 1 | Charlie Miller & Emily Tarquin | 1 | Charlie Miller & Emily Tarquin | 1 | ||
| 2015/16 | Cult Following: Secrets & Confessions | 1 | 1 | Charlie Miller & Emily Tarquin | 1 | Charlie Miller & Emily Tarquin | 1 | ||
| 2015/16 | Mile High Mashup | 1 | 1 | Charlie Miller & Emily Tarquin | 1 | Charlie Miller & Emily Tarquin | 1 | ||
| 2015/16 | Carpe Nocte + Itchy-Os Hallowmass | 1 | 1 | ITCHY-O | ITCHY-O | ||||
| 2015/16 | The SantaLand Diaries | 1 | David Sedaris/Joe Mantello | Stephen Weitz | |||||
| 2015/16 | How I Got Over: Journeys in Verse | 1 | 1 | Suzi Q. Smith and 5 other women | 1 | 6 | Bianca Mikahn | 1 | |
| 2015/16 | Sweet & Lucky | 1 | 1 | Third Rail Projects | Zach Morris | ||||
| 10 | 8 | ||||||||
| CHARLIE MILLER, CURATOR | |||||||||
| 2016/17 | Cult Following: Debates | 1 | 1 | Charlie Miller & Emily Tarquin | 1 | Charlie Miller & Emily Tarquin | 1 | ||
| 2016/17 | Cult Following: Rated G | 1 | 1 | Charlie Miller & Emily Tarquin | 1 | Charlie Miller & Emily Tarquin | 1 | ||
| 2016/17 | Cult Following: SCRIPTrov | 1 | 1 | Charlie Miller & Emily Tarquin | 1 | Charlie Miller & Emily Tarquin | 1 | ||
| 2016/17 | Cult Following: Secrets & Confessions | 1 | Charlie Miller & Emily Tarquin | 1 | Charlie Miller & Emily Tarquin | 1 | |||
| 2016/17 | The SantaLand Diaries | 1 | David Sedaris/Joe Mantello | Stephen Weitz | |||||
| 2016/17 | DragOn | 1 | 1 | Jessica Austgen | 1 | 1 | Joel Ferrell | 1 | |
| 2016/17 | Travelers of the Lost Dimension | 1 | 1 | ACE (Matthew Taylor, Barbara Gehring, Linda Klein) | 2 | ACE | 2 | ||
| 7 | 5 | ||||||||
| CHARLIE MILLER, CURATOR | |||||||||
| 2017/18 | Mixed Taste | 1 | MCA Denver | Charlie Miller | |||||
| 2017/18 | The Wild Party | 1 | Michael John LaChiusa and George C. Wolf | Amanda Berg Wilson | 1 | ||||
| 2017/18 | The SantaLand Diaries | 1 | David Sedaris/Joe Mantello | Stephen Weitz | |||||
| 2017/18 | Remote Denver | 1 | 1 | Rimini Protokoll | Rimini Protokoll | ||||
| 4 | 1 | ||||||||
| CHARLIE MILLER, CURATOR | |||||||||
| 2018/19 | The Last Defender | 1 | Nathan Allen | Nathan Allen | |||||
| 2018/19 | Mixed Taste | 1 | MCA Denver | Charlie Miller | |||||
| 2018/19 | Bite-Size: An Evening of Micro Theatre | 1 | 1 | A bunch of people | A bunch of people | ||||
| 2018/19 | The SantaLand Diaries | 1 | David Sedaris/Joe Mantello | Stephen Weitz | |||||
| 2018/19 | Remote Denver | 1 | Rimini Protokoll | Rimini Protokoll | |||||
| 2018/19 | Between Us: Blind Date | 1 | 1 | Lauren Ludwig & Monica Miklas | 1 | 1 | Lauren Ludwig | 1 | |
| 2018/19 | Between Us: Deck of Cards | 1 | 1 | Jenny Koons | 1 | 1 | Jenny Koons | 1 | |
| 2018/19 | Between Us: Whiskey Tasting | 1 | 1 | Amanda Berg Wilson & David Jacobi | 1 | Amanda Berg Wilson | 1 | ||
| 8 | 4 | ||||||||
| CHARLIE MILLER, CURATOR | |||||||||
| 2019/20 | The Last Defender | 1 | Nathan Allen | Nathan Allen | |||||
| 2019/20 | Mixed Taste | 1 | MCA Denver | Charlie Miller | |||||
| 2019/20 | Camp Christmas | 1 | 1 | Lonnie Hanzon | Lonnie Hanzon & Charlie Miller | ||||
| 3 | 1 | ||||||||
| CHARLIE MILLER, CURATOR | |||||||||
| 2020/21 | The Bright Lights of Denver | 1 | 1 | Kenny Moten and Jessica Hindsley | Kenny Moten and Jessica Hindsley | 1 | |||
| 2020/21 | Mixed Taste: At Home | 1 | 1 | MCA Denver | Charlie Miller & Sarah Baie | 1 | |||
| 2020/21 | Mixed Taste: Still At Home | 1 | MCA Denver | Charlie Miller & Sarah Baie | 1 | ||||
| 2020/21 | Carne y Arena | 1 | Alejandro Inaritu | Alejandro Inaritu | |||||
| 2020/21 | Camp Christmas | 1 | Lonnie Hanzon | Lonnie Hanzon & Charlie Miller | |||||
| 2020/21 | Whiskey Tasting | 1 | Amanda Berg Wilson & David Jacobi | 1 | Amanda Berg Wilson | 1 | |||
| 6 | 2 | ||||||||
| CHARLIE MILLER, CURATOR | |||||||||
| 2021/22 | Camp Christmas | 1 | Lonnie Hanzon | Lonnie Hanzon & Charlie Miller | |||||
| 2021/22 | Mixed Taste | 1 | MCA Denver | Charlie Miller & Sarah Baie | 1 | ||||
| 2021/22 | Van Gogh Alive | 1 | |||||||
| 3 | 0 | ||||||||
| CHARLIE MILLER, EXECUTIVE DIRECTOR & CURATOR | |||||||||
| 2022/23 | Theater of the Mind | 1 | 1 | David Byrne and Mala Gaonkar | 1 | 1 | Andrew Scoville | ||
| 2022/23 | Camp Christmas | 1 | Lonnie Hanzon | Lonnie Hanzon & Charlie Miller | |||||
| 2 | 1 | ||||||||
| CHARLIE MILLER, EXECUTIVE DIRECTOR & CURATOR | |||||||||
| 2023/24 | Camp Christmas | 1 | Lonnie Hanzon | Lonnie Hanzon & Charlie Miller | |||||
| 2023/24 | Space Explorers: The Infinite | 1 | Felix & Paul Studios | ||||||
| 2 | 0 | ||||||||
| CHARLIE MILLER, EXECUTIVE DIRECTOR & CURATOR | |||||||||
| 2024/25 | Darkfield | 1 | DARKFIELD | DARKFIELD | |||||
| 2024/25 | Monopoly Lifesized: Travel Edition | 1 | Path Entertainment Group | Tom Syms | |||||
| 2 | 0 | ||||||||
| CHARLIE MILLER, EXECUTIVE DIRECTOR & CURATOR | |||||||||
| 2025/26 | Sweet & Lucky: Echo | 1 | 1 | Third Rail Projects | Zach Morris | ||||
| 1 | 1 | ||||||||
| TOTAL | 68 | 42 |
| SEASON | TITLE | FULL PRODUCTION | WORLD PREMIERE | PLAYWRIGHT | # PRODUCTIONS BY WOMEN | # WOMEN PLAYWRIGHT ON TEAM | DIRECTOR | WOMAN DIRECTOR | THEATRE | |
|---|---|---|---|---|---|---|---|---|---|---|
| EDWARD PAYSON CALL, ARTISTIC DIRECTOR | ||||||||||
| 1979/80 | THE CAUCASIAN CHALK CIRCLE | 1 | Bertolt Brecht | Edward Payson Call | Stage | |||||
| 1979/80 | MOBY DICK — REHEARSED | 1 | Adapted by Orson Welles from the novel by Herman Melville | William Woodman | Space | |||||
| 1979/80 | THE LEARNED LADIES | 1 | Jean Baptiste Molière | Gene Lesser | Stage | |||||
| 1979/80 | PASSING GAME | 1 | 1 | Steve Tesich | Edward Payson Call | Space | ||||
| 1979/80 | A MIDSUMMER NIGHT'S DREAM | 1 | William Shakepeare | Gene Lesser | Stage | |||||
| 5 | 1 | 0 | 0 | 0 | ||||||
| EDWARD PAYSON CALL, ARTISTIC DIRECTOR | ||||||||||
| 1980/81 | HENRY IV, PART I | 1 | William Shakepeare | Edward Payson Call | Stage | |||||
| 1980/81 | UNDER MILK WOOD | 1 | Dylan Thomas | Kenneth Walsh | Space | |||||
| 1980/81 | MISALLIANCE | 1 | George Bernard Shaw | Jerome Kilty | Stage | |||||
| 1980/81 | LOOT | 1 | Joe Orton | Stuart Vaughan | Space | |||||
| 1980/81 | MEDEA | 1 | Euripides | Edward Payson Call | Stage | |||||
| 1980/81 | WINGS | 1 | Arthur Kopit | Laird Williamson | Space | |||||
| 1980/81 | HOW TO SUCCEED IN BUSINESS WITHOUT REALLY TRYING | 1 | Frank Loesser, Abe Burrows, Jack Weinstock, Willie Gilbert | Edward Payson Call | Stage | |||||
| 1980/81 | THE SEAHORSE | 1 | Edward Moore | Walter Schoen | Lab | |||||
| 1980/81 | THE RISE AND RISE OF DANIEL ROCKET | 1 | 1 | Peter Parnell | Peter Hackett | Lab | ||||
| 1980/81 | LATENT IMAGES | 1 | 1 | Mark Cuddy | Mark Cuddy | Lab | ||||
| 1980/81 | STARTING HERE, STARTING NOW | 1 | 1 | Richard Maltby, Jr., David Shire | Jerry Webb | Space | ||||
| 1980/81 | CON SAFOS | 1 | Angel Vigil | Angel Vigil | Lab | |||||
| 12 | 3 | 0 | 0 | 0 | ||||||
| EDWARD PAYSON CALL, ARTISTIC DIRECTOR | ||||||||||
| 1981/82 | ANDROCLES AND THE LION | 1 | George Bernard Shaw | Edward Payson Call | Stage | |||||
| 1981/82 | TARTUFFE | 1 | Jean Baptiste Molière | Richard Russell Ramos | Space | |||||
| 1981/82 | AN ENEMY OF THE PEOPLE | 1 | Henrik Ibsen | Michael Lessac | Stage | |||||
| 1981/82 | THE WORLD OF SAM SHEPARD | 1 | Adapted by Mark Cuddy | Mark Cuddy | Space | |||||
| 1981/82 | MUCH ADO ABOUT NOTHING | 1 | William Shakepeare | Edward Payson Call | Stage | |||||
| 1981/82 | ANTIGONE | 1 | Jean Anouilh | Larry Arrick | Stage | |||||
| 1981/82 | 6-4-3 A DOUBLE PLAY: WHAT BABE SAID | 1 | 1 | Martin Halpern | George Touliatos | Space | ||||
| 1981/82 | 6-4-3 A DOUBLE PLAY: YANKS 3 DETROIT 0 | 1 | 1 | Jonathan Reynolds | George Touliatos | Space | ||||
| 1981/82 | BUCKHORN EXCHANGES | 1 | 1 | Craig Volk | Peter Hackett | Lab | ||||
| 1981/82 | QUILTERS | 1 | Martin Halpern | 1 | 2 | Barbara Damaschek | 1 | Lab | ||
| 1981/82 | A BALLAD OF COLORADO | 1 | 1 | Mark Cuddy and cast | Mark Cuddy | |||||
| 1981/82 | DENVER MESSIAH | 1 | 1 | Frank X. Hogan | Walter Schoen | Lab | ||||
| 12 | 5 | 1 | 2 | 0 | 1 | |||||
| EDWARD PAYSON CALL, ARTISTIC DIRECTOR | ||||||||||
| 1982/83 | QUILTERS | 1 | 1 | Molly Newman, Barbara Damascek | 1 | 2 | Barbara Damascek | 1 | Space | |
| 1982/83 | THE TEMPEST | 1 | William Shakepeare | Edward Payson Call | Stage | |||||
| 1982/83 | THE HOSTAGE | 1 | Brendan Behan | Donovan Marley | Space | |||||
| 1982/83 | ARMS AND THE MAN | 1 | George Bernard Shaw | Edward Hastings | Stage | |||||
| 1982/83 | OF MICE AND MEN | 1 | John Steinbeck | Richard Geer | Space | |||||
| 1982/83 | THE THREE SISTERS | 1 | Anton Chekhov | Edward Payson Call | Stage | |||||
| 1982/83 | THE TAMING OF THE SHREW | 1 | William Shakepeare | Barbara Damascek | 1 | Stage | ||||
| 1982/83 | RUNESTONE HILL | 1 | 1 | Laura Shamas | 1 | 1 | Jane Page | 1 | Lab | |
| 1982/83 | SURVIVORS (working title was Jim Bridger's Frontier Tales and Survival Lore) | 1 | 1 | Willard Simms | Dan Hiester | Lab | ||||
| 1982/83 | RUNAWAY TRUCK RAMP | 1 | 1 | Paul Redford & cast | Paul Redford | Lab | ||||
| 1982/83 | WAITING FOR LEFTY | 1 | Clifford Odets | Walter Schoen | Lab | |||||
| 1982/83 | IS DENVER BURNING? | 1 | Edith Weiss, Julian Gamble, Jeffrey W. Harms, W. Francis Walters, Alan Dumas, John McAndrew, Rory Seeber, Steve Stajich | Bill Peters | Lab | |||||
| 12 | 4 | 2 | 3 | 3 | ||||||
| PETER HACKETT, ARTISTIC DIRECTOR | ||||||||||
| 1983/84 | SPOKESONG | 1 | Stewart Parker, Jimmy Kennedy | Peter Hackett | Space | |||||
| 1983/84 | CYRANO DE BERGERAC | 1 | Edmond Rostand | Wallace Chappell | Stage | |||||
| 1983/84 | THE FRONT PAGE | 1 | Ben Hecht, Charles MacArthur | Jerry Zaks | Space | |||||
| 1983/84 | THE NIGHT OF THE IGUANA | 1 | Tennessee Williams | Walter Schoen | Stage | |||||
| 1983/84 | ROMEO & JULIET | 1 | William Shakepeare | Caroline Eves | 1 | Space | ||||
| 1983/84 | IMPORTANCE OF BEING EARNEST | 1 | Oscar Wilde | John Broome | Stage | |||||
| 1983/84 | TRUMPETS & DRUMS | 1 | Bertolt Brecht, Benno Besson, Elisabeth Hauptmann | 1 | 1 | Barbara Damascek | 1 | Stage | ||
| 1983/84 | CROSSFIRE | 1 | 1 | Ted Gross | Bruce Sevy | Lab | ||||
| 1983/84 | DARWIN'S SLEEPLESS NIGHT | 1 | 1 | Merle Kessler | Bill Allard | Lab | ||||
| 1983/84 | DOORPLAY | 1 | 1 | Sallie Baker | 1 | 1 | Dan Hiester | Lab | ||
| 1983/84 | ON THE VERGE | 1 | 1 | Eric Overmyer | Roberta Levitow | 1 | Lab | |||
| 1983/84 | HYDE IN HOLLYWOOD | 1 | 1 | Peter Parnell | Peter Hackett | Lab | ||||
| 12 | 5 | 2 | 2 | 3 | ||||||
| DONOVAN MARLEY, ARTISTIC DIRECTOR | ||||||||||
| 1984/85 | THEY KNEW WHAT THEY WANTED | 1 | Sidney Howard | James Moll | Space | |||||
| 1984/85 | RINGERS | 1 | 1 | Frank Hogan | Donovan Marley | Source | ||||
| 1984/85 | HAMLET | 1 | William Shakepeare | Allen Fletcher | Stage | |||||
| 1984/85 | THE TIME OF YOUR LIFE | 1 | William Saroyan | Donovan Marley | Space | |||||
| 1984/85 | LAHR AND MERCEDES (MAX & MAXIE) | 1 | 1 | James McLure | Peter Hackett | Source | ||||
| 1984/85 | DESIGN FOR LIVING | 1 | Noel Coward | Allen Fletcher | Stage | |||||
| 1984/85 | PERICLES | 1 | William Shakepeare | Laird Williamson | Space | |||||
| 1984/85 | THE IMMIGRANT: A HAMILTON COUNTY ALBUM | 1 | 1 | Mark Harelik, Randal Myler | Randal Myler | Source | ||||
| 1984/85 | PAINTING CHURCHES | 1 | Tina Howe | 1 | 1 | Peter Hackett | Stage | |||
| 1984/85 | ACCIDENTAL DEATH OF AN ANARCHIST | 1 | Dario Fo | Caroline Eves | 1 | Space | ||||
| 1984/85 | THE FEMALE ENTERTAINER | 1 | 1 | Elizabeth Levin | 1 | 1 | Edward Payson Call | Source | ||
| 1984/85 | DON JUAN | 1 | Jean Baptiste Molière | Garland Wright | Stage | |||||
| 1984/85 | QUILTERS: WESTERN TOUR | 1 | Molly Newman, Barbara Damascek | 1 | 2 | Barbara Damascek | Tour | Of note: Toured to CA. Then Denver Center Productions took it to Kennedy Center. From there it went to Broadway where it was nominated for 6 Tony Awards. | ||
| 13 | 4 | 2 | 2 | 1 | ||||||
| DONOVAN MARLEY, ARTISTIC DIRECTOR | ||||||||||
| 1985/86 | PETRIFIED FOREST | 1 | Robert Sherwood | Peter Hackett | Stage | |||||
| 1985/86 | WOMAN WITHOUT A NAME | 1 | 1 | Romulus Linney | Donovan Marley | Source | ||||
| 1985/86 | PYGMALION | 1 | George Bernard Shaw | James Moll | Space | |||||
| 1985/86 | CHRISTMAS MIRACLES | 1 | 1 | Laird Williamson, Dennis Powers | Laird Williamson | Stage | ||||
| 1985/86 | PURLIE | 1 | Ossie Davis, Philip Rose, Peter Udell | Randal Myler | Tour & Space | |||||
| 1985/86 | THE EMPEROR JONES | 1 | Eugene O’Neill | Donald McKayle | Stage | |||||
| 1985/86 | WHEN THE SUN SLIDES | 1 | 1 | Stephen Davis Parks | Donovan Marley | Source | ||||
| 1985/86 | THE IMMIGRANT: A HAMILTON COUNTY ALBUM | 1 | 1 | Mark Harelik, Randal Myler | Randal Myler | Space | ||||
| 1985/86 | THE CHERRY ORCHARD | 1 | Anton Chekhov | Garland Wright | Stage | |||||
| 1985/86 | PLEASURING GROUND | 1 | 1 | Frank Hogan | Peter Hackett | Source | ||||
| 1985/86 | HOPE OF THE FUTURE | 1 | 1 | Shannon Kelley | Randal Myler | Source | ||||
| 1985/86 | CIRCE & BRAVO | 1 | 1 | Donald Freed | Laird Williamson | Space | ||||
| 1985/86 | THE IMMIGRANT: WESTERN TOUR | Tour | ||||||||
| 12 | 7 | 0 | 0 | 0 | 0 | |||||
| DONOVAN MARLEY, ARTISTIC DIRECTOR | ||||||||||
| 1986/87 | GOODNIGHT, TEXAS | 1 | 1 | Terry Dodd | Bruce K. Sevy | Source | ||||
| 1986/87 | THE WORLD OF MIRTH | 1 | 1 | Murphy Guyer | Peter Hackett | Source | ||||
| 1986/87 | DON JUAN IN HELL | 1 | George Bernard Shaw | Ann McNaughton | 1 | Space | ||||
| 1986/87 | MAN AND SUPERMAN | 1 | George Bernard Shaw | Dakin Matthews | Space | |||||
| 1986/87 | SOUTH PACIFIC | 1 | Rodgers & Hammerstein, Joshua Logan | Donovan Marley | Stage | |||||
| 1986/87 | HOUSE OF FLOWERS | 1 | Harold Arlen, Truman Capote | Donald McKayle | Stage | |||||
| 1986/87 | PLAYBOY OF THE WESTERN WORLD | 1 | John Millington Synge | Donovan Marley | Space | |||||
| 1986/87 | CORIOLANUS | 1 | William Shakepeare | Laird Williamson | Space | |||||
| 1986/87 | SHOOTING STARS | 1 | 1 | Molly Newman | 1 | 1 | Randal Myler | Stage | ||
| 1986/87 | ORPHANS | 1 | Lyle Kessler | Frank Georgianna | Source | |||||
| 1986/87 | RACHEL'S FATE | 1 | 1 | Larry Ketron | Murphy Guyer | Source | ||||
| 1986/87 | LOST HIGHWAY: THE MUSIC AND LEGEND OF HANK WILLIAMS | 1 | 1 | Mark Harelik, Randal Myler | Randal Myler | Space | ||||
| 12 | 5 | 1 | 1 | 1 | ||||||
| DONOVAN MARLEY, ARTISTIC DIRECTOR | ||||||||||
| 1987/88 | KOOZY'S PIECE | 1 | 1 | Frank X. Hogan | Randal Myler | Space | ||||
| 1987/88 | VETERAN'S DAY | 1 | 1 | Donald Freed | Laird Williamson | Source | ||||
| 1987/88 | GUYS AND DOLLS | 1 | Frank Loesser, Abe Burrows, Jo Swerling | Donovan Marley | Stage | |||||
| 1987/88 | HOLIDAY MEMORIES PART I: A CHILD'S CHRISTMAS IN WALES | 1 | 1 | Based on a story by Dylan Thomas, Adapted for the stage by Jeremy Brooks and Adrian Mitchell | Randal Myler | Space | ||||
| 1987/88 | HOLIDAY MEMORIES PART II: A CHRISTMAS MEMORY | 1 | 1 | Truman Capote | Randal Myler | |||||
| 1987/88 | TWO GENTLEMEN OF VERONA | 1 | William Shakepeare | Laird Williamson | Stage | |||||
| 1987/88 | THE PRICE | 1 | Arthur Miller | Frank Georgianna | Source | |||||
| 1987/88 | A LIE OF THE MIND | 1 | Sam Shepard | Donovan Marley | Stage | |||||
| 1987/88 | TROPHY HUNTERS | 1 | 1 | Kendrew Lascelles | Bruce K. Sevy | Source | ||||
| 1987/88 | LONG DAY'S JOURNEY INTO NIGHT | 1 | Eugene O’Neill | Malcolm Morrison | Space | |||||
| 1987/88 | TABLE MANNERS | 1 | Alan Ayckbourn | Malcolm Morrison | Space | |||||
| 1987/88 | THE COLORED MUSEUM | 1 | George C. Wolfe | Andre De Shields | Source | |||||
| 1987/88 | MAN OF LA MANCHA | 1 | Dale Wasserman, Joe Darion, Mitch Leigh | Donovan Marley | Stage | |||||
| 13 | 5 | 0 | 0 | 0 | ||||||
| DONOVAN MARLEY, ARTISTIC DIRECTOR | ||||||||||
| 1988/89 | I'M NOT RAPPAPORT | 1 | Herb Gardner | Frank Georgianna | Source | |||||
| 1988/89 | WAITING FOR GODOT | 1 | Samuel Beckett | Randal Myler | Space | |||||
| 1988/89 | CAROUSEL | 1 | Rodgers & Hammerstein | Donovan Marley | Stage | |||||
| 1988/89 | THE MATCHMAKER | 1 | Thornton Wilder | Laird Williamson | Space | |||||
| 1988/89 | PETER PAN, OR THE BOY WHO WOULD NOT GROW UP | 1 | J.M. Barrie | Randal Myler | Stage | |||||
| 1988/89 | CAT ON A HOT TIN ROOF | 1 | Tennessee Williams | Bruce K. Sevy | Space | |||||
| 1988/89 | DARKSIDE | 1 | 1 | Ken Jones | Jared Sakren | Source | ||||
| 1988/89 | KING LEAR | 1 | William Shakepeare | Donovan Marley | Space | |||||
| 1988/89 | YOU STRIKE THE WOMAN, YOU STRIKE THE ROCK | 1 | Phyllis Klotz, Thobeka Maqhutyana, Nomvula Qosha, Poppy Tsira | 1 | 4 | Market Street Theatre | Stage | |||
| 1988/89 | EXCLUSIVE CIRCLES | 1 | 1 | Kendrew Lascelles | Bruce Sevy | Source | ||||
| 1988/89 | CHILD OF LUCK | 1 | 1 | Donald Freed | Laird Williamson | Space | ||||
| 1988/89 | COMPANY | 1 | George Furth, Stephen Sondheim | Bruce K. Sevy | Stage | |||||
| 12 | 3 | 1 | 4 | 0 | ||||||
| DONOVAN MARLEY, ARTISTIC DIRECTOR | ||||||||||
| 1989/90 | DESIRE UNDER THE ELMS | 1 | Eugene O’Neill | Donovan Marley | Tour&Stage | NOTE: Toured Japan | ||||
| 1989/90 | SAINT JOAN | 1 | George Bernard Shaw | Laird Williamson | Space | |||||
| 1989/90 | A LITTLE NIGHT MUSIC | 1 | Stephen Sondheim, Hugh Wheeler | Bruce K. Sevy | Stage | |||||
| 1989/90 | THREE MEN ON A HORSE | 1 | George Abbott, John Cecil Holm | Randal Myler | Space | |||||
| 1989/90 | FENCES | 1 | August Wilson | Israel Hicks | Stage | |||||
| 1989/90 | THE ADVENTURES OF HUCKLEBERRY FINN | 1 | 1 | Mark Twain, Adapted by Randal Myler | Randal Myler | Stage | ||||
| 1989/90 | HENRY IV, PARTS I & II | 1 | William Shakepeare | Dakin Matthews | Space | |||||
| 1989/90 | THE ROAD TO MECCA | 1 | Athol Fugard | Frank Georgianna | Space | |||||
| 1989/90 | ANIMAL FAIR | 1 | 1 | Clark Gesner | Stephen Stettler | Stage | ||||
| 1989/90 | MINE ALONE | 1 | 1 | Conrad Bishop, Elizabeth Fuller | 1 | 1 | Frank Georgianna | Space | ||
| 1989/90 | READY FOR THE RIVER | 1 | 1 | Neal Bell | Gitta Honneger | 1 | Source | |||
| 1989/90 | SOUNDBITE | 1 | 1 | Gary Leon Hill | Donovan Marley | Source | ||||
| 12 | 5 | 1 | 1 | 1 | ||||||
| DONOVAN MARLEY, ARTISTIC DIRECTOR | ||||||||||
| 1990/91 | THE MAN WHO CAME TO DINNER | 1 | George S. Kaufman, Moss Hart | Donovan Marley | Space | |||||
| 1990/91 | A CHRISTMAS CAROL | 1 | From the novel by Charles Dickens, Adapted by Laird Williamson and Dennis Powers | Laird Williamson | Stage | |||||
| 1990/91 | JOE TURNER'S COME AND GONE | 1 | August Wilson | Israel Hicks | Space | |||||
| 1990/91 | TWELFTH NIGHT | 1 | William Shakepeare | Laird Williamson | Stage | |||||
| 1990/91 | THE AMERICAN CLOCK | 1 | Arthur Miller | Randal Myler | Stage | |||||
| 1990/91 | MISS JULIE | 1 | 1 | August Strindberg, Adapted by Romulus Linney | Donovan Marley | Space | ||||
| 1990/91 | OKIBOJI | 1 | 1 | Conrad Bishop, Elizabeth Fuller | 1 | 1 | Frank Georgianna | Space | ||
| 1990/91 | BACK TO THE BLANKET | 1 | 1 | Gary Leon Hill | Roberta Levitow | 1 | Stage | |||
| 1990/91 | NEW BUSINESS | 1 | 1 | Tom Williams | Steven Dietz | Space | ||||
| 1990/91 | JUNK BONDS | 1 | 1 | Thomas Babe | Anthony Powell | Source | ||||
| 10 | 5 | 1 | 1 | 1 | ||||||
| DONOVAN MARLEY, ARTISTIC DIRECTOR | ||||||||||
| 1991/92 | THE ROSE TATTOO | 1 | Tennessee Williams | Laird Williamson | Space | |||||
| 1991/92 | OTHER PEOPLE'S MONEY | 1 | Jerry Sterner | Donovan Marley | Stage | |||||
| 1991/92 | HOME | 1 | Samm-Art Williams | Israel Hicks | Space | |||||
| 1991/92 | A CHRISTMAS CAROL | 1 | From the novel by Charles Dickens, Adapted by Laird Williamson and Dennis Powers | Laird Williamson | Stage | |||||
| 1991/92 | JULIUS CAESAR | 1 | William Shakepeare | Laird Williamson | Space | |||||
| 1991/92 | TO KILL A MOCKINGBIRD | 1 | From the novel by Harper Lee, Adapted by Christopher Sergel | Randal Myler | Stage | |||||
| 1991/92 | TARTUFFE | 1 | Jean Baptiste Molière, English verse translation by Richard Wilbur | Nagle Jackson | Space | |||||
| 1991/92 | ARSENIC AND OLD LACE | 1 | Joseph Kesselring | Randal Myler | Stage | |||||
| 1991/92 | WOLF-MAN | 1 | 1 | Elizabeth Egloff | 1 | 1 | Evan Yionoulis | Rick | ||
| 1991/92 | UNCERTAINTY | 1 | 1 | Garrison Esst | Anthony Powell | Rick | ||||
| 1991/92 | EVIL LITTLE THOUGHTS | 1 | 1 | Mark D. Kaufmann | Israel Hicks | Source | ||||
| 1991/92 | THEY SHOOT HORSES, DON'T THEY? | 1 | 1 | A musical play based on the novel by Horace McCoy. Book and Lyrics by Nagle Jackson. Music by Roberg Sprayberry | Alan Bailey | Stage | ||||
| 12 | 4 | 1 | 1 | 0 | ||||||
| DONOVAN MARLEY, ARTISTIC DIRECTOR | ||||||||||
| 1992/93 | THE GRAPES OF WRATH | 1 | Adapted by Frank Galati. From the novel by John Steinbeck | Donovan Marley | Stage | |||||
| 1992/93 | CANDIDA | 1 | George Bernard Shaw | Anthony Powell | Space | |||||
| 1992/93 | A CHRISTMAS CAROL | 1 | From the novel by Charles Dickens, Adapted by Laird Williamson and Dennis Powers | Laird Williamson | Stage | |||||
| 1992/93 | PIANO LESSON | 1 | August Wilson | Israel Hicks | Space | |||||
| 1992/93 | A QUIET LITTLE WEDDING | 1 | 1 | Created by Laird Williamson from a comedy by Eugene Labiche and Marc Michel. Music Composed by Larry Delinger | Laird Williamson | Stage | ||||
| 1992/93 | HEDDA GABLER | 1 | Henrik Ibsen in a new English version by Douglas Hughes. Based on a literal translation by Csanad Z. Siklos | Nagle Jackson | Space | |||||
| 1992/93 | A CONNECTICUT YANKEE IN KING ARTHUR'S COURT | 1 | 1 | Mark Twain | Randal Myler | Stage | ||||
| 1992/93 | BON VOYAGE | 1 | 1 | Jeffery Hatcher. Music and lyrics by Noel Coward | Bruce Sevy | Stage | ||||
| 1992/93 | THE LIVING | 1 | 1 | Anthony Clarvoe | Nagle Jackson | Space | ||||
| 1992/93 | MONTE CARLO | 1 | 1 | Lydia Stryk | 1 | 1 | Jennifer McCray-Rincon | 1 | Rick | |
| 10 | 5 | 1 | 1 | 1 | ||||||
| DONOVAN MARLEY, ARTISTIC DIRECTOR | ||||||||||
| 1993/94 | BLACK ELK SPEAKS | 1 | 1 | From the novel by John G. Neihardt. Adapted by Christopher Sergel | Donovan Marley | Stage | ||||
| 1993/94 | SCHOOL FOR WIVES | 1 | Jean Baptiste Molière | Nagle Jackson | Space | |||||
| 1993/94 | LIPS TOGETHER, TEETH APART | 1 | Terrence McNally | Anthony Powell | Rick | |||||
| 1993/94 | A CHRISTMAS CAROL | 1 | From the novel by Charles Dickens, Adapted by Laird Williamson and Dennis Powers | Laird Williamson | Stage | |||||
| 1993/94 | MA RAINEY'S BLACK BOTTOM | 1 | August Wilson | Israel Hicks | Space | |||||
| 1993/94 | A MIDSUMMER NIGHT'S DREAM | 1 | William Shakepeare | Laird Williamson | Stage | |||||
| 1993/94 | LIFE LINES | 1 | 1 | Conceived by Ann Guilbert and Randal Myler | 1 | 1 | Randal Myler | Rick | ||
| 1993/94 | HOME AND AWAY | 1 | 1 | Kevin Kling | Steven Dietz | Rick | ||||
| 1993/94 | THE SCARLET LETTER | 1 | 1 | Adapted by Phyllis Nagy. From the novel by Nathaniel Hawthorn | 1 | 1 | Jamie Horton | Stage | ||
| 1993/94 | STORIES | 1 | 1 | Isabel Allende | 1 | 1 | Pavel Dobrusky & Per-Olav Sorensen | Space | ||
| 1993/94 | LOVE, JANIS | 1 | 1 | Inspired by the book by Laura Joplin. Adapted by Randal Myler | Randal Myler | Stage | ||||
| 1993/94 | DANCING AT LUGHNASA | 1 | Brian Friel | Anthony Powell | Space | |||||
| 12 | 6 | 3 | 3 | 0 | ||||||
| DONOVAN MARLEY, ARTISTIC DIRECTOR | ||||||||||
| 1994/95 | BLACK ELK SPEAKS | 1 | From the novel by John G. Neihardt. Adapted by Christopher Sergel | Donovan Marley | Stage | |||||
| 1994/95 | STAR FEVER | 1 | 1 | Conceived and designed by Pavel Dobrusky | Pavel Dobrusky | Space | ||||
| 1994/95 | OLEANNA | 1 | David Mamet | Anthony Powell | Space | |||||
| 1994/95 | A CHRISTMAS CAROL | 1 | From the novel by Charles Dickens, Adapted by Laird Williamson and Dennis Powers | Laird Williamson | Stage | |||||
| 1994/95 | COMING OF THE HURRICANE | 1 | 1 | Keith Glover | Israel Hicks | Space | ||||
| 1994/95 | THE QUICK-CHANGE ROOM | 1 | 1 | Nagle Jackson | Paul Wiedner | Rick | ||||
| 1994/95 | THE TAMING OF THE SHREW | 1 | William Shakepeare | Jim Dunn | Stage | |||||
| 1994/95 | THE EDUCATION OF WALTER KAUFMANN | 1 | 1 | Kevin Kling | Michael Sommers | Rick | ||||
| 1994/95 | THE IMAGINARY INVALID | 1 | 1 | Jean Baptiste Molière | Nagle Jackson | Space | ||||
| 1994/95 | IT AIN'T NOTHING BUT THE BLUES | 1 | 1 | Charles Bevel, Lita Gaithers, Randal Myler, Ron Taylor, Dan Wheetman | 1 | 1 | Randal Myler | Stage & Tour | ||
| 1994/95 | SOMEONE WHO'LL WATCH OVER ME | 1 | Frank McGuinness | Anthony Powell | Space | |||||
| 1994/95 | MARISOL | 1 | Jose Rivera | Melia Bensussen | 1 | Rick | ||||
| 1994/95 | MAN OF THE MOMENT | 1 | Alan Ayckbourn | Laird Williamson | Stage | |||||
| 13 | 6 | 1 | 1 | 1 | ||||||
| DONOVAN MARLEY, ARTISTIC DIRECTOR | ||||||||||
| 1995/96 | ROMEO AND JULIET | 1 | William Shakepeare | Israel Hicks | Stage | |||||
| 1995/96 | YOU NEVER CAN TELL | 1 | George Bernard Shaw | Nagle Jackson | Space | |||||
| 1995/96 | LAST YANKEE | 1 | Arthur Miller | Anthony Powell | Rick | |||||
| 1995/96 | A CHRISTMAS CAROL | 1 | From the novel by Charles Dickens, Adapted by Laird Williamson and Dennis Powers | Laird Williamson | Stage | |||||
| 1995/96 | BEETHOVEN 'N' PIERROT | 1 | 1 | Conceived, written and designed by Pavel Dobrusky & Per-Olav Sorensen | Pavel Dobrusky & Per-Olav Sorensen | Space | ||||
| 1995/96 | TWO TRAINS RUNNING | 1 | August Wilson | Israel Hicks | Space | |||||
| 1995/96 | A DYBBUK OR BETWEEN TWO WORLDS | 1 | Adapted by Tony Kushner. From the play by S. Ansky | Melia Bensussen | 1 | Stage | ||||
| 1995/96 | THE DRESSER | 1 | Ronald Harwood | Anthony Powell | Rick | |||||
| 1995/96 | ROOM SERVICE | 1 | John Murray, Allen Boretz | James Dun | Stage | |||||
| 1995/96 | GALILEO | 1 | Bertolt Brecht. Translated by Howard Brenton | Laird Williamson | Space | |||||
| 1995/96 | APPALACHIAN STRINGS | 1 | 1 | Randal Myler & Dan Wheetman | Randal Myler & Dan Wheetman | Stage | ||||
| 1995/96 | PRELUDE TO LIME CREEK | 1 | 1 | Parts of a novel and a poem by Joe Henry. Songs written by Joe Henry and Gary Burr. Devised by Anthony Zerbe | Anthony Zerbe | Rick | ||||
| 12 | 3 | 0 | 0 | 0 | 1 | |||||
| DONOVAN MARLEY, ARTISTIC DIRECTOR | ||||||||||
| 1996/97 | ARCADIA | 1 | Tom Stoppard | Laird Williamson | Space | |||||
| 1996/97 | PETER PAN, OR THE BOY WHO WOULD NOT GROW UP | 1 | J.M. Barrie in a new version by John Caird and Trevor Nunn | Donovan Marley | Stage | |||||
| 1996/97 | MOLLY SWEENEY | 1 | Brian Friel | Bruce K. Sevy | Ricketson | |||||
| 1996/97 | A CHRISTMAS CAROL | 1 | From the novel by Charles Dickens, Adapted by Laird Williamson and Dennis Powers | Laird Williamson | Stage | |||||
| 1996/97 | SEVEN GUITARS | 1 | August Wilson | Israel Hicks | Space | |||||
| 1996/97 | THE COMEDY OF ERRORS | 1 | William Shakepeare | James Dunn | Stage | |||||
| 1996/97 | THREE TALL WOMEN | 1 | Edward Albee | Anthony Powell | Ricketson | |||||
| 1996/97 | ONE FOOT ON THE FLOOR | 1 | 1 | Jeffrey Hatcher. Based on Georges Feydeau's Le Dindon | Marcia Dodge | 1 | Stage | |||
| 1996/97 | LIFE WITH FATHER | 1 | Howard Lindsay, Russel Crouse | Bruce K. Sevy | Space | |||||
| 1996/97 | RACING DEMON | 1 | David Hare | Anthony Powell | Space | |||||
| 1996/97 | FABLES | 1 | 1 | Per Olav Sorensen & Pavel Dobrusky | Per Olav Sorensen & Pavel Dobrusky | |||||
| 11 | 2 | 0 | 0 | 1 | ||||||
| DONOVAN MARLEY, ARTISTIC DIRECTOR | ||||||||||
| 1997/98 | NINE ARMENIANS | 1 | Leslie Ayvazian | 1 | 1 | Gordon Davidson | Stage | |||
| 1997/98 | THE SERVANT OF TWO MASTERS | 1 | 1 | Carlo Goldoni. Translated and adapted by Sylvie Drake | 1 | 1 | James Dunn | Ricketson | ||
| 1997/98 | MISALLIANCE | 1 | George Bernard Shaw | Anthony Powell | Space | |||||
| 1997/98 | A CHRISTMAS CAROL | 1 | From the novel by Charles Dickens, Adapted by Laird Williamson and Dennis Powers | Laird Williamson | Stage | |||||
| 1997/98 | A TOUCH OF THE POET | 1 | Eugene O’Neill | Michael Kahn | Space | |||||
| 1997/98 | ELIOT NESS...IN CLEVELAND | 1 | 1 | Book by Peter Ullian. Music and lyrics by Robert Lindsey Nassif. Co-adaptation and additional material by Nick Corley | Nick Corley | Stage/DCA | ||||
| 1997/98 | SYLVIA | 1 | A.R. Gurney | Randal Myler | Ricketson | |||||
| 1997/98 | VALLEY SONG | 1 | Athol Fugard | Bruce Sevy | Source | |||||
| 1997/98 | TREASURE ISLAND | 1 | 1 | Adapted by Nagel Jackson. From the novel by Robert Louis Stevenson | Nagle Jackson | Space | ||||
| 1997/98 | BLUES FOR AN ALABAMA SKY | 1 | Pearl Cleage | 1 | 1 | Israel Hicks | Space | |||
| 1997/98 | MACBETH | 1 | William Shakepeare | Anthony Powell | Stage | |||||
| 1997/98 | TAKING LEAVE | 1 | 1 | Nagle Jackson | Nagle Jackson | Ricketson | ||||
| 1997/98 | LIFE IS A DREAM | 1 | 1 | Pedro Calderón de la Barca | Laird Williamson | Stage | ||||
| 1997/98 | DON QUIXOTE | 1 | 1 | Miguel de Cervantes | Pavel Dobrusky | Space | ||||
| 14 | 6 | 3 | 3 | 0 | ||||||
| DONOVAN MARLEY, ARTISTIC DIRECTOR | ||||||||||
| 1998/99 | TRAVELS WITH MY AUNT | 1 | Adapted by Giles Havergal. From the novel by Graham Greene | Nagle Jackson | Space | |||||
| 1998/99 | PICASSO AT THE LAPIN AGILE | 1 | Steve Martin | Randal Myler | Stage | |||||
| 1998/99 | LAST NIGHT OF THE BALLYHOO | 1 | Alfred Uhry | Anthony Powell | Rick | |||||
| 1998/99 | A CHRISTMAS CAROL | 1 | From the novel by Charles Dickens, Adapted by Laird Williamson and Dennis Powers | Laird Williamson | Stage | |||||
| 1998/99 | DREAM ON MONKEY MOUNTAIN | 1 | Derek Walcott | Israel Hicks | Space | |||||
| 1998/99 | THE RIVALS | 1 | Richard Brinsley Sheridan | Elizabeth Huddle | 1 | Stage | ||||
| 1998/99 | GROSS INDECENCY: THE THREE TRIALS OF OSCAR WILDE | 1 | Moisés Kaufman | Laird Williamson | Rick | |||||
| 1998/99 | THE MERCHANT OF VENICE | 1 | William Shakepeare | ASK ABOUT THIS. LISTED IN ANNUAL REPORT AS NON-SEASON SPECIAL. NOT ON ORIGINAL PRODUCTION LIST. NOT ON WEBSITE | ||||||
| 1998/99 | THE TEMPEST | 1 | William Shakepeare | Anthony Powell | Space | |||||
| 1998/99 | MASTER CLASS | 1 | Terrence McNally | Bruce Sevy | Stage | |||||
| 1998/99 | KINGDOM | 1 | 1 | Richard Hellesen | Israel Hicks | Space | ||||
| 1998/99 | THE ELEVATION OF THIEVES | 1 | 1 | Nagle Jackson | Nagle Jackson | Stage | ||||
| 12 | 2 | 0 | 0 | 1 | ||||||
| DONOVAN MARLEY, ARTISTIC DIRECTOR | ||||||||||
| 1999/2000 | GROSS INDECENCY: THE THREE TRIALS OF OSCAR WILDE | 1 | Moisés Kaufmann | Laird Williamson | Ricketson | |||||
| 1999/2000 | A HOTEL ON MARVIN GARDENS | 1 | 1 | Nagle Jackson | Nagle Jackson | Space | ||||
| 1999/2000 | THE BEAUTY QUEEN OF LEENANE | 1 | Martin McDonagh | Anthony Powell | Stage | |||||
| 1999/2000 | BARRIO BABIES | 1 | 1 | by Fernando Rivas. Book and lyrics by Luis Santerio | Susana Tubert | 1 | Ricketson | |||
| 1999/2000 | A CHRISTMAS CAROL | 1 | From the novel by Charles Dickens, Adapted by Laird Williamson and Dennis Powers | Laird Williamson | Stage | |||||
| 1999/2000 | WAITING TO BE INVITED | 1 | 1 | S.M. Shephard-Massat | 1 | 1 | Israel Hicks | Space | ||
| 1999/2000 | THE WINTER’S TALE | 1 | William Shakepeare | Laird Williamson | Stage | |||||
| 1999/2000 | THE LARAMIE PROJECT | 1 | 1 | Moisés Kaufmann & members of Tectonic Theater Project | Moisés Kaufman | Ricketson | ||||
| 1999/2000 | THE CRIPPLE OF INISHMAAN | 1 | Martin McDonagh | Bruce K. Sevy | Space | |||||
| 1999/2000 | SIDE MAN | 1 | Warren Leight | Randal Myler | Stage | |||||
| 1999/2000 | GIVE 'EM A BIT OF MYSTERY: SHAKESPEARE & THE OLD TRADITION | 1 | 1 | Tony Church | Bruce K. Sevy | Ricketson | ||||
| 1999/2000 | THE MISER | 1 | 1 | by Jean Baptiste Molière. New translation by Nagle Jackson | Nagle Jackson | |||||
| 12 | 6 | 1 | 1 | 1 | ||||||
| DONOVAN MARLEY, ARTISTIC DIRECTOR | ||||||||||
| 2000/01 | TANTALUS | 1 | 1 | John Barton | Peter Hall, Edward Hall | Stage/Tour | ||||
| 2000/01 | THE SHOW-OFF | 1 | George Kelly | Nagle Jackson | Ricketson | |||||
| 2000/01 | 1933 | 1 | 1 | Randal Myler, Brockman Seawell | Randal Myler | Ricketson | ||||
| 2000/01 | AMY’S VIEW | 1 | David Hare | Bruce K. Sevy | Space | |||||
| 2000/01 | MUCH ADO ABOUT NOTHING | 1 | William Shakepeare | Nagle Jackson | Stage | |||||
| 2000/01 | WIT | 1 | Margaret Edson | 1 | 1 | Anthony Powell | Space | |||
| 2000/01 | LITTLE FOXES | 1 | Lillian Hellman | 1 | 1 | Bruce K. Sevy | Stage | |||
| 2000/01 | INNA BEGINNING | 1 | 1 | Gary Leon Hill | Jamie Horton | |||||
| 2000/01 | UNCLE VANYA | 1 | Anton Chekhov | Anthony Powell | Space | |||||
| 2000/01 | PORK PIE: AN ORIGINAL JAZZ FABLE | 1 | 1 | Michael Genet | Israel Hicks | Stage | ||||
| 10 | 4 | 2 | 2 | 0 | ||||||
| DONOVAN MARLEY, ARTISTIC DIRECTOR | ||||||||||
| 2001/02 | CYRANO DE BERGERAC | 1 | 1 | Edmond Rostadt. Translated by Nagle Jackson. | Nagle Jackson | Stage | ||||
| 2001/02 | SKULL IN CONNEMARA | 1 | Martin McDonagh | Anthony Powell | Space | |||||
| 2001/02 | DINNER WITH FRIENDS | 1 | Donald Margulies | Bruce K. Sevy | Stage | |||||
| 2001/02 | A CHRISTMAS CAROL | 1 | From the novel by Charles Dickens, Adapted by Laird Williamson and Dennis Powers | Laird Williamson | Stage | |||||
| 2001/02 | SPINNING INTO BUTTER | 1 | Rebecca Gilman | 1 | 1 | Donovan Marley | Ricketson | |||
| 2001/02 | THE IMMIGRANT | 1 | Based on the play by Mark Harelik. Book by Mark Harelik. Lyrics by Sarah Knapp. Music by Steve M. Alper. | Randal Myler | Stage | |||||
| 2001/02 | HAMLET | 1 | William Shakepeare | Anthony Powell | Space | |||||
| 2001/02 | ALMOST HEAVEN: SONGS AND STORIES OF JOHN DENVER | 1 | 1 | Written and adapted by Peter Glazer. Songs by John Denver and others. Orchestrations, vocal arrangements and musical direction by Jeff Waxman. | Peter Glazer | Stage | ||||
| 2001/02 | JITNEY | 1 | August Wilson | Israel Hicks | Space | |||||
| 2001/02 | BETRAYAL | 1 | Harold Pinter | Anthony Powell | Ricketson | |||||
| 2001/02 | PIERRE | 1 | 1 | Jeffrey Hatcher. Adapted from herman Melville's novel Pierre or The Ambiguities | Bruce K. Sevy | Stage | ||||
| 11 | 3 | 1 | 1 | 0 | ||||||
| DONOVAN MARLEY, ARTISTIC DIRECTOR | ||||||||||
| 2002/03 | THE SKIN OF OUR TEETH | 1 | Thornton Wilder | Laird Williamson | Stage | |||||
| 2002/03 | BEHIND THE BROKEN WORDS | 1 | 1 | Anthony Zerbe/Roscoe Browne | Anthony Zerbe/Roscoe Browne | Ricketson | ||||
| 2002/03 | THE LONESOME WEST | 1 | Martin McDonagh | Anthony Powell | Space | |||||
| 2002/03 | A CHRISTMAS CAROL | 1 | From the novel by Charles Dickens, Adapted by Laird Williamson and Dennis Powers | Laird Williamson | Stage | |||||
| 2002/03 | KING HEDLEY II | 1 | August Wilson | Israel Hicks | Space | |||||
| 2002/03 | BERNICE/BUTTERFLY : A TWO-PART INVENTION | 1 | 1 | Nagle Jackson | Nagle Jackson | Ricketson | ||||
| 2002/03 | LOVE’S LABOR’S LOST | 1 | William Shakepeare | Anthony Powell | Stage | |||||
| 2002/03 | COPENHAGEN | 1 | Michael Frayn | Anthony Powell | Ricketson | |||||
| 2002/03 | THE THREE SISTERS | 1 | 1 | Anton Chekhov. Adapted by James Warnick | Donovan Marley | Space | ||||
| 2002/03 | 2 PIANOS, 4 HANDS | 1 | Ted Dykstra, Richard Greenblatt | Bruce K. Sevy | Stage | |||||
| 2002/03 | SCAPIN, OR THE CON ARTIST | 1 | 1 | Jean Baptiste Molière. Translated and adapted by Nagle Jackson | Nagle Jackson | Stage | ||||
| 11 | 4 | 0 | 0 | 0 | 0 | |||||
| DONOVAN MARLEY, ARTISTIC DIRECTOR | ||||||||||
| 2001/02 | ALMOST HEAVEN: SONGS AND STORIES OF JOHN DENVER | 1 | 1 | Written and adapted by Peter Glazer. Songs by John Denver and others. Orchestrations, vocal arrangements and musical direction by Jeff Waxman. | Peter Glazer | Stage | ||||
| 2003/04 | BLUE/ORANGE | 1 | Joe Penhall | Anthony Powell | Space | |||||
| 2003/04 | PICNIC | 1 | William Inge | Nagle Jackson | Stage | |||||
| 2003/04 | LOBBY HERO | 1 | Kenneth Lonergan | David McClendon | Jones | |||||
| 2003/04 | A CHRISTMAS CAROL | 1 | From the novel by Charles Dickens, Adapted by Laird Williamson and Dennis Powers | Laird Williamson | Stage | |||||
| 2003/04 | A STREETCAR NAMED DESIRE | 1 | Tennessee Williams | Israel Hicks | Space | |||||
| 2003/04 | VISITING MR. GREEN | 1 | Jeff Baron | Anthony Powell | Jones | |||||
| 2003/04 | JOHN BROWN’S BODY | 1 | 1 | Stephen Vincent Benet | Laird Williamson | Stage | ||||
| 2003/04 | BLITHE SPIRIT | 1 | Noel Coward | Nagle Jackson | Space | |||||
| 2003/04 | MERCHANT OF VENICE | 1 | William Shakepeare | Anthony Powell | Stage | |||||
| 2003/04 | NAT KING COLE & ME | 1 | 1 | Gregory Porter | Randal Myler | Stage | ||||
| 11 | 3 | 0 | 0 | 0 | ||||||
| DONOVAN MARLEY, ARTISTIC DIRECTOR | ||||||||||
| 2004/05 | THE MISANTHROPE | 1 | Jean Baptiste Molière. Translated and adapted by Nagle Jackson | Nagle Jackson | Stage | |||||
| 2004/05 | DIRTY STORY | 1 | John Patrick Shanley | Anthony Powell | Space | |||||
| 2004/05 | A BOSTON MARRIAGE | 1 | David Mamet | David McClendon | Jones | |||||
| 2004/05 | A CHRISTMAS CAROL | 1 | From the novel by Charles Dickens, Adapted by Laird Williamson and Dennis Powers | Laird Williamson | Stage | |||||
| 2004/05 | A LOVELY SUNDAY FOR CREVE CŒUR | 1 | Tennessee Williams | Laird Williamson | Jones | |||||
| 2004/05 | A SELFISH SACRIFICE | 1 | 1 | Charles F. (OyamO) Gordon. Based on the play A Doll's House by Henrik Ibsen | Israel Hicks | Space | ||||
| 2004/05 | OEDIPUS REX | 1 | Sophocles | Anthony Powell | Stage | |||||
| 2004/05 | THE MADWOMAN | 1 | Jean Giraudoux | Israel Hicks | Space | |||||
| 2004/05 | FIRE ON THE MOUNTAIN | 1 | 1 | Randal Myler, Dan Wheetman | Randal Myler | Stage | ||||
| 9 | 2 | 0 | 0 | 0 | 0 | |||||
| KENT THOMPSON, ARTISTIC DIRECTOR | ||||||||||
| 2005/06 | ALL MY SONS | 1 | Arthur Miller | Bruce K. Sevy | Space | |||||
| 2005/06 | A FLEA IN HER EAR | 1 | Georges Feydeau | Kent Thompson | Stage | |||||
| 2005/06 | SEPTEMBER SHOES | 1 | Jose Cruz Gonzalez | Amy Gonzalez | 1 | Ricketson | ||||
| 2005/06 | A CHRISTMAS CAROL | 1 | Charles Dickens | Bruce K. Sevy | Stage | |||||
| 2005/06 | JESUS HATES ME | 1 | 1 | Wayne Lemon | David McClendon | Ricketson | ||||
| 2005/06 | GEM OF THE OCEAN | 1 | August Wilson | Israel Hicks | Space | |||||
| 2005/06 | MEASURE FOR MEASURE | 1 | William Shakepeare | Kent Thompson | Stage | |||||
| 2005/06 | LADIES OF THE CAMILLIAS | 1 | Lillian Groag | 1 | 1 | Casey Stangl | 1 | Space | ||
| 2005/06 | THE CLEAN HOUSE | 1 | Sarah Ruhl | 1 | 1 | Wendy Goldberg | 1 | Stage | ||
| 2005/06 | AFTER ASHLEY | 1 | Gina Gionfriddo | 1 | 1 | Anthony Powell | Ricketson | |||
| 2005/06 | CROWNS | 1 | Regina Taylor | 1 | 1 | Kent Gash | Stage | |||
| 11 | 1 | 4 | 4 | 3 | ||||||
| KENT THOMPSON, ARTISTIC DIRECTOR | ||||||||||
| 2006/07 | LIVING OUT | 1 | Lisa Loomer | 1 | 1 | Wendy Goldberg | 1 | Space | ||
| 2006/07 | AMADEUS | 1 | Peter Shaffer | Kent Thompson | Stage | |||||
| 2006/07 | SEASON’ S GREETINGS | 1 | Alan Ayckbourn | Gavin Cameron Webb | Space | |||||
| 2006/07 | A CHRISTMAS CAROL | 1 | Adapted by Richard Hellesen from the. Novel by Charles Dickens. Music by David de Barry | Bruce Sevy | Stage | |||||
| 2006/07 | THE PILLOWMAN | 1 | Martin McDonagh | Anthony Powell | Ricketson | |||||
| 2006/07 | 1001 | 1 | 1 | Jason Grote | Ethan McSweeney | Space | ||||
| 2006/07 | KING LEAR | 1 | William Shakepeare | Kent Thompson | Stage | |||||
| 2006/07 | PURE CONFIDENCE | 1 | Carlyle Brown | Kent Gash | Stage | |||||
| 2006/07 | MRS. WARREN’ S PROFESSION | 1 | George Bernard Shaw | Bruce Sevy | Space | |||||
| 2006/07 | SWEETEST SWING IN BASEBALL | 1 | Rebecca Gilman | 1 | 1 | Wendy Goldberg | 1 | Ricketson | ||
| 2006/07 | FUNNY THING HAPPENED ON THE WAY TO THE FORUM | 1 | Bert Shevelove, Larry Gelbart, Stephen Sondheim | Bruce Sevy | Stage | |||||
| 11 | 1 | 2 | 2 | 2 | ||||||
| KENT THOMPSON, ARTISTIC DIRECTOR | ||||||||||
| 2007/08 | THIRD | 1 | Wendy Wasserstein | 1 | 1 | Wendy Goldberg | 1 | Space | ||
| 2007/08 | YOU CAN’T TAKE IT WITH YOU | 1 | George S. Kaufmann, Moss Hart | Penny Metropulos | 1 | Stage | ||||
| 2007/08 | DIARY OF ANNE FRANK | 1 | Frances Goodrich and Albert Hackett, Adapted by Wendy Kesselman | 1 | 1 | Paul Barnes | Space | |||
| 2007/08 | PRIDE AND PREJUDICE | 1 | Adapted by Jon Jory from the novel by Jane Austen | Bruce Sevy | Stage | |||||
| 2007/08 | WHITE CHRISTMAS | 1 | Based upon the Paramount Pictures Film. Written for the screen by Norman Krasna, Norman Panama and Mevin Frank. Music & Lyrics by Irving Berlin. Book by David Ives & Paul Blake | Kent Thompson | Buell | |||||
| 2007/08 | OUR HOUSE | 1 | 1 | Theresa Rebeck | 1 | 1 | Daniel Fish | Space | ||
| 2007/08 | LYDIA | 1 | 1 | Octavio Solis | Juliette Carrillo | 1 | Ricketson | |||
| 2007/08 | PLAINSONG | 1 | 1 | Adapated by Eric Schmiedl from the novel by Kent Haruf | Kent Thompson | Stage | ||||
| 2007/08 | GEE’S BEND | 1 | Elyzabeth Gregory Wilder | 1 | 1 | Kent Gash | Space | |||
| 2007/08 | MERRY WIVES OF WINDSOR | 1 | William Shakepeare | David Ivers | Stage | |||||
| 2007/08 | DOUBT | 1 | John Patrick Shanley | Bruce Sevy | Ricketson | |||||
| 11 | 3 | 4 | 4 | 3 | ||||||
| KENT THOMPSON, ARTISTIC DIRECTOR | ||||||||||
| 2008/09 | TRIP TO BOUNTIFUL | 1 | Horton Foote | Penny Metropulos | 1 | Space | ||||
| 2008/09 | NOISES OFF | 1 | Michael Frayn | Kent Thompson | Stage | |||||
| 2008/09 | GLENGARRY GLEN ROSS | 1 | David Mamet | Marco Barricelli | Ricketson | |||||
| 2008/09 | A CHRISTMAS CAROL | 1 | Adapted by Richard Hellesen from the. Novel by Charles Dickens. Music by David de Barry | Bruce Sevy | Stage | |||||
| 2008/09 | MIRACLE WORKER | 1 | William Gibson | Art Manke | Space | |||||
| 2008/09 | INANA | 1 | 1 | Michele Lowe | 1 | 1 | Michael Pressman | Ricketson | ||
| 2008/09 | DUSTY & THE BIG BAD WORLD | 1 | 1 | Cusi Cram | 1 | 1 | Kent Thompson | Space | ||
| 2008/09 | RICHARD III | 1 | William Shakepeare | Jesse Berger | Stage | |||||
| 2008/09 | RADIO GOLF | 1 | August Wilson | Israel Hicks | Space | |||||
| 2008/09 | A PRAYER FOR OWEN MEANY | 1 | A. novel by John Irving. Adapted by Simon Bent | Bruce Sevy | Stage | |||||
| 2008/09 | SUNSETS & MARGARITAS | 1 | 1 | Jose Cruz Gonzalez | Nick Avila | Ricketson | ||||
| 2008/09 | QUILTERS | 1 | Molly Newman, Barbara Damashek | 1 | 2 | Penny Metropulos | 1 | Stage | ||
| 12 | 3 | 3 | 4 | 2 | ||||||
| KENT THOMPSON, ARTISTIC DIRECTOR | ||||||||||
| 2009/10 | THE VOYSEY INHERITANCE | 1 | Adapted by David Mamet from the novel by Harley Granville-Barker | Bruce Sevy | Space | |||||
| 2009/10 | A RAISIN IN THE SUN | 1 | Lorraine Hansberry | 1 | 1 | Israel Hicks | Stage | |||
| 2009/10 | WELL | 1 | Lisa Kron | 1 | 1 | Christy Montour-Larsen | 1 | Ricketson | ||
| 2009/10 | ABSURD PERSON SINGULAR | 1 | Alan Ayckbourn | Sabin Epstein | Space | |||||
| 2009/10 | A CHRISTMAS CAROL | 1 | Adapted by Richard Hellesen from the. Novel by Charles Dickens. Music by David de Barry | Bruce Sevy | Stage | |||||
| 2009/10 | WHEN TANG MET LAIKA | 1 | 1 | Rogelio Martinez | Terry Nolen | Space | ||||
| 2009/10 | EVENTIDE | 1 | 1 | Adapated by Eric Schmiedl from the novel by Kent Haruf | Kent Thompson | Stage | ||||
| 2009/10 | OTHELLO | 1 | William Shakepeare | Kent Thompson | Space | |||||
| 2009/10 | MAMA HATED DIESELS | 1 | 1 | Randal Myler, Dan Wheetman with additional material by Charles Weldon | Randal Myler | Stage | ||||
| 2009/10 | MARIELA IN THE DESERT | 1 | Karen Zacarias | 1 | 1 | Bruce Sevy | Ricketson | |||
| 10 | 3 | 3 | 3 | 1 | ||||||
| KENT THOMPSON, ARTISTIC DIRECTOR | ||||||||||
| 2010/11 | DRACULA | 1 | Adapted by Charles Morey from the novel by Bram Stoker | Gavin Cameron Webb | Stage | |||||
| 2010/11 | THE 39 STEPS | 1 | Adapted by Patrick Barlow from the novel by John Buchan and the movie by Alfred Hitchcock | Art Manke | Ricketson | |||||
| 2010/11 | THE HOUSE OF THE SPIRITS | 1 | 1 | Adapted by Caridad Svich from the novel by Isabel Allende | 1 | 1 | Jose Zayas | Space | ||
| 2010/11 | A CHRISTMAS CAROL | 1 | Adapted by Richard Hellesen from the. Novel by Charles Dickens. Music by David de Barry | Bruce K. Sevy | Stage | |||||
| 2010/11 | RECKLESS | 1 | Craig Lucas | Scott Schwartz | Space | |||||
| 2010/11 | THE CATCH | 1 | 1 | Ken Weitzman | Lou Jacob | Space | ||||
| 2010/11 | MAP OF HEAVEN | 1 | 1 | Evan Cabnet | Michele Lowe | 1 | Ricketson | |||
| 2010/11 | A MIDSUMMER NIGHTS DREAM | 1 | William Shakepeare | Kent Thompson | Stage | |||||
| 2010/11 | SUPERIOR DONUTS | 1 | Tracy Letts | Bruce Sevy | Space | |||||
| 2010/11 | RUINED | 1 | Lynn Nottage | 1 | 1 | Seret Scott | 1 | Ricketson | ||
| 2010/11 | TRACES | 1 | Created by The 7 Fingers | Stage | ||||||
| 11 | 3 | 2 | 2 | 2 | ||||||
| KENT THOMPSON, ARTISTIC DIRECTOR | ||||||||||
| 2011/12 | THE LIAR | 1 | Adapted by David Ives from the play by Pierre Coneille | Kent Thompson | Space | |||||
| 2011/12 | TO KILL A MOCKINGBIRD | 1 | Adapted by Christopher Sergel from the novel by Harper Lee | Sabin Epstein | Stage | |||||
| 2011/12 | AMERICAN NIGHT: THE BALLAD OF JUAN JOSE | 1 | Richard Montoya. Developed by Culture Clash and Jo Bonney | Sam Woodhouse | Jo Bonney is listed under playwright but she is a director. I didn't tag as a female playwright | |||||
| 2011/12 | THE ADVENTURES OF TOM SAWYER | 1 | Adapted by Laura Eason from the novel by Mark Twain | 1 | 1 | Jane Page | 1 | Space | ||
| 2011/12 | A CHRISTMAS CAROL | 1 | Adapted by Richard Hellesen from the. Novel by Charles Dickens. Music by David de Barry | Bruce Sevy | Stage | |||||
| 2011/12 | THE WHALE | 1 | 1 | Samuel D. Hunter | Hal Brooks | Ricketson | ||||
| 2011/12 | TWO THINGS YOU DON’T TALK ABOUT AT DINNER | 1 | 1 | Lisa Loomer | 1 | 1 | Wendy C. Goldberg | 1 | ||
| 2011/12 | THE TAMING OF THE SHREW | 1 | William Shakepeare | Kent Thompson | Stage | |||||
| 2011/12 | GREAT WALL STORY | 1 | 1 | Lloyd Suh | Art Manke | Ricketson | ||||
| 2011/12 | RING OF FIRE: THE MUSIC OF JOHNNY CASH | 1 | Created by Richard Maltby. Conceived by William Meade | Jason Edwards | Stage | |||||
| 2011/12 | HEARTBREAK HOUSE | 1 | George Bernard Shaw | Bruce Sevy | Space | |||||
| 11 | 3 | 2 | 2 | 2 | ||||||
| KENT THOMPSON, ARTISTIC DIRECTOR | ||||||||||
| 2012/13 | FENCES | 1 | August Wilson | Lou Bellamy | Space | |||||
| 2012/13 | THE THREE MUSKETEERS | 1 | Adapted by Linda Alper, Douglas Langworthy and Penny Metropulos from the novel by Alexandre Dumas | 1 | 2 | Art Manke | Stage | |||
| 2012/13 | THE GIVER | 1 | Dramatized by Eric Coble | Christy Montour Larsen | 1 | 1 | ||||
| 2012/13 | WHEN WE ARE MARRIED | 1 | J.B. Priestley | Bruce Sevy | Stage | |||||
| 2012/13 | WHITE CHRISTMAS | 1 | Based upon the Paramount Pictures Film. Written for the screen by Norman Krasna, Norman Panama and Mevin Frank. Music & Lyrics by Irving Berlin. Book by David Ives & Paul Blake | Kent Thompson | Buell | |||||
| 2012/13 | ED, DOWNLOADED | 1 | 1 | Michael Mitnick | Sam Buntrock | Ricketseon | ||||
| 2012/13 | GRACE, OR THE ART OF CLIMBING | 1 | 1 | Lauren Feldman | 1 | 1 | Mike Donahue | Space | ||
| 2012/13 | ROMEO & JULIET | 1 | William Shakepeare | Scott Wentworth | Stage | |||||
| 2012/13 | A WEEKEND WITH PABLO PICASSO | 1 | Herbert Siguenza | Todd Salovey | Ricketson | |||||
| 2012/13 | OTHER DESERT CITIES | 1 | Jon Robin Baitz | Kent Thompson | Space | |||||
| 2012/13 | SENSE & SENSIBILITY THE MUSICAL | 1 | 1 | Based on the novel by Jane Austen. Book and Lyrics by Jeffrey Haddow. Music by Neal Hampton | Marcia Milgrom Dodge | 1 | Stage | |||
| 11 | 3 | 2 | 3 | 2 | ||||||
| KENT THOMPSON, ARTISTIC DIRECTOR | ||||||||||
| 2013/14 | DEATH OF A SALESMAN | 1 | Arthur Miller | Anthony Powell | Space | |||||
| 2013/14 | JACKIE & ME | 1 | Steven Dietz from the book by Dan Gutman | Stephen Weitz | Space | |||||
| 2013/14 | BLACK ODYSSEY | 1 | 1 | Marcus Gardley | Chay Yew | Space | ||||
| 2013/14 | JUST LIKE US | 1 | 1 | Karen Zacarias. Based on the book by Helen Thorpe | 1 | 1 | Kent Thompson | Stage | ||
| 2013/14 | A CHRISTMAS CAROL | 1 | Adapted by Richard Hellesen from the. Novel by Charles Dickens. Music by David de Barry | Bruce Sevy | Stage | |||||
| 2013/14 | HAMLET PRINCE OF DENMARK | 1 | William Shakepeare | Kent Thompson | Stage | |||||
| 2013/14 | THE MOST DESERVING | 1 | 1 | Catherine Trieschman | 1 | 1 | Shelley Butler | 1 | Ricketson | |
| 2013/14 | THE LEGEND OF GEORGIA MCBRIDE | 1 | 1 | Matthew Lopez | Mike Donahue | Ricketson | ||||
| 2013/14 | SHADOWLANDS | 1 | William Nicholson | Christy Montour-Larson | 1 | Space | ||||
| 2013/14 | ANIMAL CRACKERS | 1 | Book by George S. Kaufman & Morrie Ryskind. Music & Lyrics by Bert Kalmar & Harry Ruby. Adapted by Henry Wishcamper | Bruce Sevy | Stage | |||||
| 10 | 4 | 2 | 2 | 2 | ||||||
| KENT THOMPSON, ARTISTIC DIRECTOR | ||||||||||
| 2014/15 | THE UNSINKABLE MOLLY BROWN | 1 | 1 | Lyrics and music by Meredith Willson, Book by Dick Scanlon. Based on the original book by Richard Morris | Kathleen Marshall | 1 | Stage | |||
| 2014/15 | WILLIAM GOLDING'S LORD OF THE FLIES | 1 | Adapted for the stage by Nigel Williams | Anthony Powell | Space | |||||
| 2014/15 | APPOGGIATURA | 1 | 1 | James Still | Risa Brainin | 1 | Ricketson | |||
| 2014/15 | VANYA & SONIA & MASHA & SPIKE | 1 | Christopher Durang | Jenn Thompson | 1 | Ricketson | ||||
| 2014/15 | A CHRISTMAS CAROL | 1 | Adapted by Richard Hellesen from the novel by Charles Dickens. Music by David de Barry | Bruce Sevy | Stage | |||||
| 2014/15 | BENEDICTION | 1 | 1 | Adapated by Eric Schmiedl from the novel by Kent Haruf | Kent Thompson | Space | ||||
| 2014/15 | ONE NIGHT IN MIAMI | 1 | Kemp Powers | Carl Cofield | Space | |||||
| 2014/15 | THE 12 | 1 | 1 | Book & Lyrics by Robert Schenkkan. Music & Lyrics by Neil Berg | Richard Seyd | Stage | ||||
| 8 | 4 | 0 | 0 | 3 | ||||||
| KENT THOMPSON, ARTISTIC DIRECTOR | ||||||||||
| 2015/16 | LOOKINGGLASS ALICE | 1 | Adapted by David Catlin from the works of Lewis Carroll. In association with The Actors Gymnasium | David Catlin | Stage | |||||
| 2015/16 | AS YOU LIKE IT | 1 | William Shakepeare | Kent Thompson | Space | |||||
| 2015/16 | TRIBES | 1 | Nina Raine | 1 | 1 | Stephen Weitz | Ricketson | |||
| 2015/16 | A CHRISTMAS CAROL | 1 | Adapted by Richard Hellesen from the novel by Charles Dickens. Music by David de Barry | Bruce Sevy | Stage | |||||
| 2015/16 | THE NEST | 1 | 1 | Theresa Rebeck | 1 | 1 | Adrienne Campbell-Holt | 1 | Space | |
| 2015/16 | ALL THE WAY | 1 | Robert Schenkkan | Anthony Powell | Stage | |||||
| 2015/16 | FADE | 1 | 1 | Tanya Saracho | 1 | 1 | Jerry Ruiz | Ricketson | ||
| 2015/16 | SWEENY TODD THE DEMON BARBER | 1 | Book by Hugh Wheeler. Music & Lyrics by Stephen Sondheim. Based on an adaptation by Christopher Bond. Musical Adaptations by DeVotchKa | Kent Thompson | Stage | |||||
| 8 | 2 | 3 | 3 | 1 | ||||||
| KENT THOMPSON, ARTISTIC DIRECTOR | ||||||||||
| 2016/17 | THE GLASS MENAGERIE | 1 | Tennessee Williams | Ina Marlowe | 1 | Ricketson | ||||
| 2016/17 | FRANKENSTEIN | 1 | Nick Dear | Sam Buntrock | Stage | |||||
| 2016/17 | A CHRISTMAS CAROL | 1 | Adapted by Richard Hellesen from the novel by Charles Dickens. Music by David de Barry | Melissa Rain Anderson | 1 | Stage | ||||
| 2016/17 | THE BOOK OF WILL | 1 | 1 | Lauren Gunderson | 1 | 1 | Davis McCallum | Ricketson | ||
| 2016/17 | THE CHRISTIANS | 1 | Lucas Hnath | Kent Thompson | Stage | |||||
| 2016/17 | TWO DEGREES | 1 | 1 | Tira Palmquist | 1 | 1 | Christy Montour-Larson | 1 | Jones | |
| 2016/17 | DISGRACED | 1 | Ayad Akhtar | Carl Cofield | Ricketson | |||||
| 2016/17 | THE SECRET GARDEN | 1 | Book & Lyrics by Marsha Norman. Music by Lucy Simon. Based on the novel by Frances Hodson Burnett | 1 | 2 | Jenn Thompson | 1 | Stage | ||
| 8 | 2 | 3 | 4 | 4 | ||||||
| NATAKI GARRETT, INTERIM ARTISTIC DIRECTOR | ||||||||||
| 2017/18 | MACBETH | 1 | William Shakepeare | Robert O’Hara | Space | |||||
| 2017/18 | SMART PEOPLE | 1 | Lydia R. Diamond | 1 | 1 | Nataki Garrett | 1 | Ricketson | ||
| 2017/18 | A CHRISTMAS CAROL | 1 | Adapted by Richard Hellesen from the novel by Charles Dickens. Music by David de Barry | Melissa Rain Anderson | 1 | Stage | ||||
| 2017/18 | ZOEY’S PERFECT WEDDING | 1 | 1 | Matthew Lopez | Mike Donahue | Space | ||||
| 2017/18 | AMERICAN MARIACHI | 1 | 1 | José Cruz González | James Vasquez | Stage | ||||
| 2017/18 | THE GREAT LEAP | 1 | 1 | Lauren Yee | 1 | 1 | Eric Ting | Ricketson | ||
| 2017/18 | NATIVE GARDENS | 1 | Karen Zacarias | 1 | 1 | Lisa Portes | 1 | Space | ||
| 2017/18 | THE WHO’S TOMMY | 1 | Music & Lyrics by Peter Townshend. Additional Music & Lyrics by John Entwistle and Keith Moon. Book by Pete Townshend and Des McAnuff | Sam Buntrock | Stage | |||||
| 2017/18 | HUMAN ERROR | 1 | 1 | Eric Pfeffinger | Shelly Butler | 1 | Galleria | |||
| 9 | 4 | 3 | 3 | 4 | ||||||
| CHRIS COLEMAN, ARTISTIC DIRECTOR | ||||||||||
| 2018/19 | Vietgone | 1 | Qui Nguyen. Original Music by Shane Rettig | Seema Sueko | 1 | Ricketson | ||||
| 2018/19 | Rodgers & Hammerstein’s Oklahoma! | 1 | Music by Richard Rodgers. Book and Lyrics by Oscar Hammerstein II. Based on the play “Green Grow the Lilacs” by Lynn Riggs. Original Choreography by Agnes de Mille | Chris Coleman | Stage | |||||
| 2018/19 | The Constant Wife | 1 | W. Somerset Maugham | Shelley Butler | 1 | Space | ||||
| 2018/19 | A Christmas Carol | 1 | Adapted by Richard Hellesen from the novel by Charles Dickens. Music by David de Barry | Melissa Rain Anderson | 1 | Stage | ||||
| 2018/19 | Last Night and the Night Before | 1 | 1 | Donnetta Lavinia Grays | 1 | 1 | Valerie Curtis-Newton | 1 | Ricketson | |
| 2018/19 | Anna Karenina | 1 | Kevin McKeon, adapted from the novel by Leo Tolstoy | Chris Coleman | Stage | |||||
| 2018/19 | The Whistleblower | 1 | 1 | Itamar Moses | Oliver Butler | Space | ||||
| 2018/19 | Sweat | 1 | Lynn Nottage | 1 | 1 | Rose Riordan | 1 | Stage | ||
| 8 | 2 | 2 | 2 | 5 | ||||||
| CHRIS COLEMAN, ARTISTIC DIRECTOR | ||||||||||
| 2019/20 | Indecent | 1 | Paula Vogel | 1 | 1 | Nancy Keystone | 1 | Space | ||
| 2019/20 | A Doll’s House | 1 | Henrik Ibsen, adapted by Frank McGuinness | Chris Coleman | Ricketson | |||||
| 2019/20 | A Doll’s House, Part 2 | 1 | Lucas Hnath | Rose Riordan | 1 | Ricketson | ||||
| 2019/20 | Twelfth Night | 1 | William Shakepeare | Chris Coleman | Space | |||||
| 2019/20 | You Lost Me | 1 | 1 | Bonnie Metzgar | 1 | 1 | Margot Bordelon | 1 | Ricketson | |
| 2019/20 | twenty50 | 1 | 1 | Tony Meneses | Henry Godinez | Space | ||||
| 6 | 2 | 2 | 2 | 3 | ||||||
| CHRIS COLEMAN, ARTISTIC DIRECTOR | ||||||||||
| 2020/21 | COVID | |||||||||
| CHRIS COLEMAN, ARTISTIC DIRECTOR | ||||||||||
| 2021/22 | Wild Fire | 1 | 1 | Jessica Kahkoska | 1 | 1 | Chris Coleman | Tour | ||
| 2021/22 | A Christmas Carol | 1 | Adapted by Richard Hellesen from the novel by Charles Dickens. Music by David de Barry | Anthony Powell | Wolf | |||||
| 2021/22 | Edward Albee’s Who’s Afraid of Virginia Woolf? | 1 | Edward Albee | Margot Bordelon | 1 | Singleton | ||||
| 2021/22 | Rattlesnake Kate | 1 | 1 | Music and Lyrics by Neyla Pekarek. Book by Karen Hartman | 1 | 2 | Chris Coleman | Wolf | ||
| 2021/22 | In the Upper Room | 1 | 1 | Beaufield Berry | 1 | 1 | Gregg T. Daniel | Kilstron | ||
| 2021/22 | Choir Boy | 1 | Tarell Alvin McCraney | Jamil Jude | Kilstron | |||||
| 2021/22 | Quixote Nuevo | 1 | Octavio Solis | Lisa Portes | 1 | Wolf | ||||
| 7 | 3 | 3 | 4 | 2 | ||||||
| CHRIS COLEMAN, ARTISTIC DIRECTOR | ||||||||||
| 2022/23 | The Chinese Lady | 1 | Lloyd Suh | Seema Sueko | 1 | Singleton | ||||
| 2022/23 | Much Ado About Nothing | 1 | William Shakespeare | Chris Coleman | Kilstrom | |||||
| 2022/23 | A Christmas Carol | 1 | Adapted by Richard Hellesen from the novel by Charles Dickens. Music by David de Barry | Anthony Powell | Wolf | |||||
| 2022/23 | Laughs in Spanish | 1 | 1 | Alexis Scheer | 1 | 1 | Lisa Portes | 1 | SIngleton | |
| 2022/23 | Hotter Than Egypt | 1 | Yussef El Guindi | Chris Coleman | Kilstron | |||||
| 2022/23 | The Color Purple | 1 | Based Upon the Novel Written by Alice Walker and The Warner Bros./Amblin Entertainment Motion Picture. Book by Marsha Norman. Music and Lyrics by Brenda Russell, Allee Willis & Stephen Bray | 1 | 3 | Timothy Douglas | Wolf | |||
| 2022/23 | The 39 Steps | 1 | Written by Patrick Barlow from the movie by Alfred Hitchcock | Meredith McDonough | 1 | Singleton | ||||
| 7 | 1 | 2 | 4 | 3 | ||||||
| CHRIS COLEMAN, ARTISTIC DIRECTOR | ||||||||||
| 2023/24 | A Little Night Music | 1 | Music and Lyrics by Stephen Sondheim. Book by Hugh Wheeler. Orchestrations by Jonathan Tunick. Suggested by a Film by Ingmar Bergman. Originally Produced and Directed on Broadway by Harold Prince | Chris Coleman | Wolf | |||||
| 2023/24 | Clyde’s | 1 | Lynn Nottage | 1 | 1 | Jamil Jude | Kilstrom | |||
| 2023/24 | A Christmas Carol | 1 | Adapted by Richard Hellesen from the novel by Charles Dickens. Music by David de Barry | Anthony Powell | Wolf | |||||
| 2023/24 | Cebollas | 1 | 1 | Leonard Madrid | Jerry Ruiz | Singleton | ||||
| 2023/24 | Rubicon | 1 | 1 | Kirsten Potter | 1 | 1 | Chris Coleman | Kilstron | ||
| 2023/24 | Emma | 1 | Kate Hamill. Based on the Novel by Jane Austen | 1 | 1 | Meredith McDonough | 1 | Wolf | ||
| 2023/24 | Where Did We Sit on the Bus? | 1 | Brian Quijada. Featuring Original Compositions by Satya Chávez | 1 | 1 | Matt Dickson | Singleton | Included Satya b/c in musicals, we include the composers. | ||
| 2023/24 | The Lehman Trilogy | 1 | Stefano Massini. Adapted by Ben Power | Margot Bordelon | 1 | Kilstron | ||||
| 8 | 2 | 4 | 4 | 2 | ||||||
| CHRIS COLEMAN, ARTISTIC DIRECTOR | ||||||||||
| 2024/25 | HAMLET | 1 | William Shakespeare | Chris Coleman | Wolf | |||||
| 2024/25 | I AM NOT YOUR PERFECT MEXICAN DAUGHTER | 1 | Based on the novel by Erika L. Sánchez. Adapted by Isaac Gómez | Laura Alcalá Baker | 1 | Kilstrom | ||||
| 2024/25 | AVAAZ | 1 | Written and Performed by Michael Shayan | Moritz von Stuelpnagel | Singleton | |||||
| 2024/25 | A Christmas Carol | 1 | Adapted by Richard Hellesen from the novel by Charles Dickens. Music by David de Barry | Anthony Powell | Wolf | |||||
| 2024/25 | THE RESERVOIR | 1 | 1 | Jake Brasch | Shelley Butler | 1 | SIngleton | |||
| 2024/25 | THE SUFFRAGETTE'S MURDER | 1 | 1 | Sandy Rustin | 1 | 1 | Margot Bordelon | 1 | Kilstrom | |
| 2024/25 | LITTLE SHOP OF HORRORS | 1 | Book & Lyrics by Howard Ashman. Music by Alan Menken. Based on the film by Roger Corman, Screenplay by Charles Griffith. | Chris Coleman | Wolf | |||||
| 2024/25 | THE HOT WING KING | 1 | Katori Hall | 1 | 1 | Timothy Douglas | Kilstrom | |||
| 8 | 2 | 2 | 2 | 3 | ||||||
| CHRIS COLEMAN, ARTISTIC DIRECTOR | ||||||||||
| 2025/26 | THE HAPPIEST MAN ON EARTH | 1 | Mark St. Germain. Based on the memoir by Eddie Jaku | Ron Lagomarsino | Singleton | |||||
| 2025/26 | CAT ON A HOT TIN ROOF | 1 | Tennessee Williams | Chris Coleman | Kilstrom | |||||
| 2025/26 | A CHRISTMAS CAROL | 1 | Adapted by Richard Hellesen from the novel by Charles Dickens. Music by David de Barry | Anthony Powell | Wolf | |||||
| 2025/26 | COWBOYS AND EAST INDIANS | 1 | 1 | By Nina McConigley and Matthew Spangler | 1 | 1 | Chris Coleman | Singleton | ||
| 2025/26 | GODSPEED | 1 | 1 | By Terence Anthony | Delicia Turner Sonnenberg | 1 | Kilstrom | |||
| 2025/26 | NEXT TO NORMAL | 1 | Music and Lyrics by Brian Yorkey. Music by Tom Kitt | Nancy Keystone | 1 | Wolf | ||||
| 2025/26 | ENGLISH | 1 | Sanaz Toossi | 1 | 1 | Laurie Woolery | 1 | Singleton | ||
| 2025/26 | SOMEWHERE | 1 | Matthew López | Hamid Deghani | Kilstrom | |||||
| 8 | 2 | 2 | 2 | 3 | ||||||
| TOTALS BEFORE WVF | 297 | 108 | 24 | 29 | 17 | |||||
| 297 productions by 2004/05 season of which 108 (36%) were world premieres. | ||||||||||
| 297 productions by 2004/05 representing 24 (8%) female playwrights. | ||||||||||
| 297 productions by 2004/05 season of which 29 (10%) total women were on the writing team. | ||||||||||
| 297 productions by 2004/05 season of which 17 (6%) were directed by a woman. | ||||||||||
| TOTALS AFTER WVF | 183 | 50 | 50 | 56 | 52 | |||||
| 183 productions in 2005/06 or after of which 50 (27%) were world premieres. | ||||||||||
| 183 productions in 2005/06 or later of which 56 (31%) total women were on the writing team. | ||||||||||
| 183 productions in 2025/06 or later representing 50 (27%) female playwrights. | ||||||||||
| 183 productions in 2005/06 or later of which 52 (28%) were directed by a woman. | ||||||||||
| ULTIMATE TOTAL | 480 | 158 | 74 | 85 | 69 | |||||
| 480 productions of which 158 (33%) were world premieres. | ||||||||||
| 480 productions of which 74 (15%) were by women. | ||||||||||
| 480 productions of which 85 (18%) total women were on the writing team. | ||||||||||
| 480 productions of which 69 (14%) were directed by a woman. | ||||||||||
| OUTCOMES | ||||||||||
| # of female playwrights more than tripled after establishment of WVF. | ||||||||||
| # of female playwrights on the writing team more than doubled after establishment of WVF. | ||||||||||
| # of female directors more than doubled after establishment of WVF. |
| SEASON | TITLE | READING & WORKSHOP | COMMISSION | PLAYWRIGHT | # PLAY READINGS BY WOMEN | # WOMEN PLAYWRIGHTS | WENT ON TO FULL PRODUCTION | PLAYS BY WOMEN THAT WENT ON TO FULL PRODUCTION | DIVISION | PROGRAM | |
|---|---|---|---|---|---|---|---|---|---|---|---|
| EDWARD PAYSON CALL, ARTISTIC DIRECTOR | |||||||||||
| 1982/83 | A BEAUTIFUL WORLD | 1 | David Jones | DCTC | |||||||
| 1 | 2 | ||||||||||
| DONOVAN MARLEY, ARTISTIC DIRECTOR | |||||||||||
| 1984/85 | DEAL WITH A DEAD MAN | 1 | Tom DeMers | DCTC | Prima Facie | ||||||
| 1984/85 | PUBLIC LIVES | 1 | Julia Cameron | 1 | 1 | DCTC | Prima Facie | ||||
| 1984/85 | NORMAL DOESN'T MEAN PERFECT | 1 | Don Gordon | DCTC | Prima Facie | ||||||
| 1984/85 | PLEASING GROUND | 1 | Frank X. Hogan | 1 | DCTC | Prima Facie | |||||
| 1984/85 | HOPE OF THE FUTURE | 1 | Shannon Kelly | 1 | 1 | 1 | DCTC | Prima Facie | |||
| 1984/85 | WOMAN WITHOUT A NAME | 1 | Romulus Linney | 1 | DCTC | Prima Facie | |||||
| 1984/85 | MAX AND MAXIE | 1 | James McLure | DCTC | Prima Facie | ||||||
| 1984/85 | WHEN THE SUN SLIDES | 1 | Stephen Davis Parks | 1 | DCTC | Prima Facie | |||||
| 1984/85 | EMILY & KATE | 1 | Ruth Phillips | 1 | 1 | DCTC | Prima Facie | ||||
| 1984/85 | NOVEMBER | 1 | J. Ranelli | DCTC | Prima Facie | ||||||
| 1984/85 | RINGERS | 1 | 1 | DCTC | The Playwrights Unit | Note: 7 local playwrights met weekly and ultimately developed Ringers, which was produced the next season | |||||
| 11 | 3 | 3 | |||||||||
| DONOVAN MARLEY, ARTISTIC DIRECTOR | |||||||||||
| 1985/86 | BALLAD OF EL GIMPO CAFÉ | 1 | Jeff Carey | DCTC | Prima Facie | ||||||
| 1985/86 | CAL & SALLY | 1 | Robert Clyman | DCTC | Prima Facie | ||||||
| 1985/86 | FAT MEN ON THIN ICE | 1 | Roger Cornish | DCTC | Prima Facie | ||||||
| 1985/86 | GOODNIGHT, TEXAS | 1 | Terry Dodd | 1 | DCTC | Prima Facie | |||||
| 1985/86 | WORLD OF MIRTH | 1 | Murphy Guyer | 1 | DCTC | Prima Facie | |||||
| 1985/86 | WATCH YOUR BACK | 1 | Gary Leon Hill | DCTC | Prima Facie | ||||||
| 1985/86 | RACHEL'S FATE | 1 | Larry Ketron | 1 | DCTC | Prima Facie | |||||
| 1985/86 | HEATHEN VALLEY | 1 | Romulus Linney | DCTC | Prima Facie | ||||||
| 1985/86 | AMERICAN DREAMER | 1 | Carol Mack | 1 | 1 | DCTC | Prima Facie | ||||
| 1985/86 | HOOPLA | 1 | Molly Newman | 1 | 1 | DCTC | Prima Facie | ||||
| 1985/86 | REUNION (PHANTASIE) | 1 | Sybille Pearson | 1 | 1 | DCTC | Prima Facie | ||||
| 1985/86 | TELLING TIME | 1 | Laura Shamas | 1 | 1 | DCTC | Prima Facie | ||||
| Also public readings by The Playwrights Unit | The Playwrights Unit | ||||||||||
| 12 | 0 | 4 | 4 | 3 | 0 | ||||||
| DONOVAN MARLEY, ARTISTIC DIRECTOR | |||||||||||
| 1986/87 | WASPS | 1 | Roger Cornish | DCTC | Prima Facie | ||||||
| 1986/87 | VETS | 1 | Donald Freed | DCTC | Prima Facie | ||||||
| 1986/87 | KOOZY'S PIECE | 1 | Frank X. Hogan | 1 | DCTC | Prima Facie | |||||
| 1986/87 | GUS & AL | 1 | Albert Innaurato | DCTC | Prima Facie | ||||||
| 1986/87 | TROPHY HUNTERS | 1 | Kendrew Lascelles | 1 | DCTC | Prima Facie | |||||
| 1986/87 | TRIPLETS | 1 | Constance Ray | 1 | 1 | DCTC | Prima Facie | ||||
| Also public readings by The Playwrights Unit | The Playwrights Unit | ||||||||||
| 6 | 1 | 1 | 2 | 0 | |||||||
| DONOVAN MARLEY, ARTISTIC DIRECTOR | |||||||||||
| 1987/88 | THE OPEN BOAT | 1 | Neal Bell | DCTC | Prima Facie | ||||||
| 1987/88 | CHILD OF LUCK | 1 | Donald Freed | 1 | DCTC | Prima Facie | |||||
| 1987/88 | THE AMERICAN CENTURY AND THE REALISTS | 1 | Murphy Guyer | DCTC | Prima Facie | ||||||
| 1987/88 | DARKSIDE | 1 | Ken Jones | 1 | DCTC | Prima Facie | |||||
| 1987/88 | EXCLUSIVE CIRCLES | 1 | Kendrew Lascelles | 1 | DCTC | Prima Facie | |||||
| 1987/88 | CYPARIS | 1 | Barbara Lebow | 1 | 1 | DCTC | Prima Facie | ||||
| 1987/88 | CUENTOS | 1 | Carlos Morton, Angel Vigil | 1 | DCTC | Prima Facie | |||||
| 1987/88 | THE AMBASSADOR | 1 | Slawomir Mrozek | DCTC | Prima Facie | ||||||
| 1987/88 | FIGHTING DEER | 1 | Mick Regan | DCTC | Prima Facie | ||||||
| 9 | 1 | 1 | 4 | 0 | |||||||
| DONOVAN MARLEY, ARTISTIC DIRECTOR | |||||||||||
| 1988/89 | READY FOR THE RIVER | 1 | Neal Bell | 1 | DCTC | U.S.WEST Theatrefest | |||||
| 1988/89 | MINE ALONE | 1 | Conrad Bishop & Elizabeth Fuller | 1 | 1 | 1 | 1 | DCTC | U.S.WEST Theatrefest | ||
| 1988/89 | AMATEUR NIGHT AT THE BIG HEART | 1 | Terry Dodd | DCTC | U.S.WEST Theatrefest | ||||||
| 1988/89 | ANIMAL FAIR | 1 | Clark Gesner | 1 | DCTC | U.S.WEST Theatrefest | NOTE: First musical to be workshopped. | ||||
| 1988/89 | SOUNDBITE | 1 | Gary Leon Hill | 1 | DCTC | U.S.WEST Theatrefest | |||||
| 1988/89 | DANNY ROCHA | 1 | Kevin Kelly | DCTC | U.S.WEST Theatrefest | ||||||
| 1988/89 | NECKLACE PARTY | 1 | Kendrew Lascelles | DCTC | U.S.WEST Theatrefest | ||||||
| 7 | 0 | 1 | 1 | 4 | 1 | ||||||
| DONOVAN MARLEY, ARTISTIC DIRECTOR | |||||||||||
| 1989/90 | JUNK BONDS | 1 | Thomas Babe | 1 | DCTC | U.S.WEST Theatrefest | |||||
| 1989/90 | WHITE PAINT | 1 | P.J. Pringle | DCTC | U.S.WEST Theatrefest | ||||||
| 1989/90 | OKIBOJI | 1 | Conrad Bishop & Elizabeth Fuller | 1 | 1 | 1 | 1 | DCTC | U.S.WEST Theatrefest | ||
| 1989/90 | WINTER LIES | 1 | Robert Clyman | DCTC | U.S.WEST Theatrefest | ||||||
| 1989/90 | DANCING THE BOX STEP | 1 | Kent Brown | DCTC | U.S.WEST Theatrefest | ||||||
| 1989/90 | NEW BUSINESS | 1 | Tom Williams | 1 | DCTC | U.S.WEST Theatrefest | |||||
| 1989/90 | RARELY PURE, NEVER SIMPLE | 1 | Roger Cornish | DCTC | U.S.WEST Theatrefest | ||||||
| 1989/90 | BACK TO THE BLANKET | 1 | Gary Leon Hill | 1 | DCTC | U.S.WEST Theatrefest | |||||
| 8 | 0 | 1 | 1 | 4 | 1 | ||||||
| DONOVAN MARLEY, ARTISTIC DIRECTOR | |||||||||||
| 1990/91 | PLAY TIME | 1 | Murray Schisgal | DCTC | U.S.WEST Theatrefest | ||||||
| 1990/91 | CHANCELLOR'S TALE | 1 | Paul Mohrbacher | DCTC | U.S.WEST Theatrefest | ||||||
| 1990/91 | THEY SHOOT HORSES, DON'T THEY? | 1 | Based on the novel by Horace McCoy, book and lyrics by Nagle Jackson. Music by Robert Sprayberry. | 1 | DCTC | U.S.WEST Theatrefest | |||||
| 1990/91 | DOUGHERTY'S CAUSE | 1 | Don Conellan | DCTC | U.S.WEST Theatrefest | ||||||
| 1990/91 | CRIMINAL ELEMENTS | 1 | Mark Kaufmann | DCTC | U.S.WEST Theatrefest | ||||||
| 1990/91 | EVERY THIRD HOUSE | 1 | Donald Freed | DCTC | U.S.WEST Theatrefest | ||||||
| 1990/91 | UNCERTAINTY | 1 | Garrison Esst | 1 | DCTC | U.S.WEST Theatrefest | |||||
| 1990/91 | EXACT CHANGE | 1 | David Epstein | DCTC | U.S.WEST Theatrefest | ||||||
| 8 | 0 | 0 | 2 | 0 | |||||||
| DONOVAN MARLEY, ARTISTIC DIRECTOR | |||||||||||
| 1991/92 | BON VOYAGE | 1 | Music, Book & Lyrics by Noel Coward, Book newly adapted by Jeffrey Hatcher | U.S.WEST Theatrefest | |||||||
| 1991/92 | GOD IN LITTLE PIECES | 1 | Silas Jones | 1 | DCTC | U.S.WEST Theatrefest | |||||
| 1991/92 | CHRYSANTHEMUM | 1 | Eugene Lion | DCTC | U.S.WEST Theatrefest | ||||||
| 1991/92 | MONTE CARLO | 1 | Lydia Stryk | 1 | 1 | 1 | 1 | DCTC | U.S.WEST Theatrefest | ||
| 1991/92 | THE LIVING | 1 | Anthony Blarvoe | 1 | DCTC | U.S.WEST Theatrefest | |||||
| 1991/92 | BUSTER COMES THROUGH | 1 | Phil Boskowski | DCTC | U.S.WEST Theatrefest | ||||||
| 1991/92 | THE SIRENS | 1 | Darrah Cloud | DCTC | U.S.WEST Theatrefest | ||||||
| 1991/92 | ALABAMA RAIN | 1 | Heather McCutchen | 1 | 1 | DCTC | U.S.WEST Theatrefest | ||||
| 8 | 0 | 2 | 2 | 3 | 1 | ||||||
| DONOVAN MARLEY, ARTISTIC DIRECTOR | |||||||||||
| 1992/93 | NIXON APOLOGIZES TO THE NATION | 1 | Phil Boskowski | DCTC | U.S.WEST Theatrefest | ||||||
| 1992/93 | BOOMTOWN | 1 | Steven Dietz | DCTC | U.S.WEST Theatrefest | ||||||
| 1992/93 | THE NAZI PLAYS | 1 | Elizabeth Page | 1 | 1 | DCTC | U.S.WEST Theatrefest | ||||
| 1992/93 | DOWN THE PIKE | 1 | Bill Corbett | DCTC | U.S.WEST Theatrefest | ||||||
| 1992/93 | THE SIRENS | 1 | Darrah Cloud | 1 | 1 | DCTC | U.S.WEST Theatrefest | ||||
| 1992/93 | THE SCARLET LETTER | 1 | Phyllis Nagy | 1 | 1 | 1 | 1 | DCTC | U.S.WEST Theatrefest | ||
| 6 | 3 | 3 | 1 | 1 | |||||||
| DONOVAN MARLEY, ARTISTIC DIRECTOR | |||||||||||
| 1993/94 | INCORRUPTIBLE | 1 | Michael Hollinger | DCTC | U.S.WEST Theatrefest | ||||||
| 1993/94 | THE QUICK-CHANGE ROOM | 1 | Nagle Jackson | 1 | DCTC | U.S.WEST Theatrefest | |||||
| 1993/94 | SCENIC ROUTE | 1 | Mark Kaufmann | DCTC | U.S.WEST Theatrefest | ||||||
| 1993/94 | COMING OF THE HURRICANE | 1 | Keith Glover | 1 | DCTC | U.S.WEST Theatrefest | |||||
| 1993/94 | PACIFIC OCEAN | 1 | Roger Durling | DCTC | U.S.WEST Theatrefest | ||||||
| 1993/94 | EUGENE ONEGIN | 1 | Kira Obolensky & Craig Wright | 1 | 1 | DCTC | U.S.WEST Theatrefest | ||||
| 6 | 1 | 1 | 2 | 0 | |||||||
| DONOVAN MARLEY, ARTISTIC DIRECTOR | |||||||||||
| 1997/98 | SQUALL | 1 | Elizabeth Hemmerdinger | 1 | 1 | DCTC | U.S.WEST Theatrefest | ||||
| 1997/98 | RESURRECTING LEVIN | 1 | Edward Gallardo with John Flaxman | DCTC | U.S.WEST Theatrefest | ||||||
| 1997/98 | TATJANA IN COLOR | 1 | Julia Jordan | 1 | 1 | DCTC | U.S.WEST Theatrefest | Winner of the Francesca Primus Prize | |||
| 1997/98 | WONDERLAND | 1 | Brooke Berman | 1 | 1 | DCTC | U.S.WEST Theatrefest | ||||
| 1997/98 | TOUCH THE NAMES | 1 | Randal Myler | DCTC | U.S.WEST Theatrefest | ||||||
| 1997/98 | KINGDOM | 1 | Richard Hellesen | 1 | DCTC | U.S.WEST Theatrefest | |||||
| 1997/98 | DESTINOS Y MILAGROS | 1 | Consuelo Luz, Susan San Miguel & Belita Moreno | 1 | 3 | DCTC | U.S.WEST Theatrefest | ||||
| 1997/98 | THE PEER PANEL | 1 | Dennis J. Reardon | DCTC | U.S.WEST Theatrefest | ||||||
| 8 | 4 | 6 | 1 | ||||||||
| DONOVAN MARLEY, ARTISTIC DIRECTOR | |||||||||||
| 1998/99 | BYRD'S BOY | 1 | Bruce J. Robinson | 1 | DCTC | U.S.WEST Theatrefest | |||||
| 1998/99 | A HOTEL ON MARVIN GARDENS | 1 | Nagle Jackson | DCTC | U.S.WEST Theatrefest | ||||||
| 1998/99 | AMERICAN MALL | 1 | Peter Sagal | DCTC | U.S.WEST Theatrefest | ||||||
| 1998/99 | BLUR | 1 | Melanie Marnich | 1 | 1 | DCTC | U.S.WEST Theatrefest | Winner: Francesca Primus Prize | |||
| 1998/99 | WAITING TO BE INVITED | 1 | S.M. Shephard-Massat | 1 | 1 | 1 | 1 | DCTC | U.S.WEST Theatrefest | ||
| 1998/99 | inna beginning | 1 | Gary Leon Hill | 1 | DCTC | U.S.WEST Theatrefest | |||||
| 6 | 2 | 2 | 3 | 1 | |||||||
| DONOVAN MARLEY, ARTISTIC DIRECTOR | |||||||||||
| 1999/00 | THE LAST TRUE BELIEVER | 1 | Robert William Sherwood | DCTC | U.S.WEST Theatrefest | ||||||
| 1999/00 | PLAYING HOUSE | 1 | Brooke Berman | 1 | 1 | DCTC | U.S.WEST Theatrefest | Winner: Francesca Primus Prize | |||
| 1999/00 | PORK PIE: A MYTHIC JAZZ FESTIVAL | 1 | Michael Genet | 1 | DCTC | U.S.WEST Theatrefest | |||||
| 1999/00 | PIERRE | 1 | Jeffrey Hatcher | DCTC | U.S.WEST Theatrefest | ||||||
| 1999/00 | US DRAG | 1 | Gina Gionfreddo | 1 | 1 | DCTC | U.S.WEST Theatrefest | ||||
| 1999/00 | WAR STORY | 1 | Bo Wilson | DCTC | U.S.WEST Theatrefest | ||||||
| 6 | 2 | 2 | 1 | 0 | |||||||
| DONOVAN MARLEY, ARTISTIC DIRECTOR | |||||||||||
| 2000/01 | CAROL MULRONEY | 1 | Stephen Belber | DCTC | |||||||
| 2000/01 | THE CATERERS | 1 | Nagle Jackson | DCTC | |||||||
| 2000/01 | SOMEPLACE SOFT TO FALL | 1 | S.M. Shephard-Massat | 1 | 1 | DCTC | |||||
| 2000/01 | GREEK HOLIDAY | 1 | Mayo Simon | DCTC | |||||||
| 2000/01 | 8 BOB OFF | 1 | Gary Leon Hill | DCTC | |||||||
| 2000/01 | SHOVE | 1 | Mark Eisman | DCTC | |||||||
| 2000/01 | GENIUS OF THE SYSTEM | 1 | John Lowell | DCTC | |||||||
| 2000/01 | TWO FUGUES AND AN ARIA: SHADOWS & REDEMPTIONS | 1 | David Eliet | DCTC | |||||||
| 2000/01 | DEBATING SOCIETY | 1 | Michael Murphey | DCTC | |||||||
| 9 | 1 | 1 | 0 | 0 | |||||||
| DONOVAN MARLEY, ARTISTIC DIRECTOR | |||||||||||
| 2001/02 | BERNICE/BUTTERFLY: A TWO-PART INVENTION | 1 | Nagle Jackson | 1 | DCTC | ||||||
| 2001/02 | PAVANE | 1 | Alexandra Cunningham | 1 | 1 | DCTC | |||||
| 2001/02 | THE ODESSA BRANCH | 1 | Boaz Gaon & Mark Bearce | DCTC | |||||||
| 2001/02 | LORELIE SHEBANG | 1 | Gary Leon Hill | DCTC | |||||||
| 2001/02 | PLAYWRIGHTS UNIT SAMPLINGS | 1 | Bill Downs, Judy GeBauer, Ellen Graham, Martin McGovern, Olivia Edwards, Rebecca Gorman, Moss Kaplan, Nick Turner, Tracey Witherspoon | 5 | 5 | DCTC | Playwrights Unit | ||||
| 5 | 0 | 6 | 6 | 1 | 0 | ||||||
| DONOVAN MARLEY, ARTISTIC DIRECTOR | |||||||||||
| 2003/04 | ICE-BREAKER | 1 | David Rambo | DCTC | Working Stages | ||||||
| 1 | 0 | 0 | 0 | 0 | |||||||
| DONOVAN MARLEY, ARTISTIC DIRECTOR | |||||||||||
| 2004/05 | GARBO IN MY EYES | 1 | Mark Eisman | DCTC | Working Stages | ||||||
| 2004/05 | SLABTOWN | 1 | Steven Cole Hughes | DCTC | Working Stages | ||||||
| 2 | 0 | 0 | 0 | 0 | |||||||
| KENT THOMPSON, ARTISTIC DIRECTOR | |||||||||||
| 2005/06 | 1001 | 1 | 1 | Jason Grote | 1 | DCTC | Colorado New Play Summit | ||||
| 2005/06 | AUGUSTA | 1 | Richard Dresser | DCTC | Colorado New Play Summit | ||||||
| 2005/06 | GOOD ON PAPER | 1 | Michele Lowe | 1 | 1 | DCTC | Colorado New Play Summit | ||||
| 3 | 1 | 1 | 1 | 1 | 0 | ||||||
| KENT THOMPSON, ARTISTIC DIRECTOR | |||||||||||
| 2006/07 | SHADOW OF HIMSELF | 1 | Neal Bell | DCTC | Colorado New Play Summit | ||||||
| 2006/07 | OUR HOUSE | 1 | 1 | Conceived by Theresa Rebeck and Daniel Fish. Written by Theresa Rebeck | 1 | 1 | 1 | 1 | DCTC | Colorado New Play Summit | |
| 2006/07 | VISITORS' GUIDE TO ARIVACA (MAP NOT TO SCALE) | 1 | Evangeline Ordaz | 1 | 1 | DCTC | Colorado New Play Summit | ||||
| 2006/07 | PLAINSONG | 1 | 1 | Adapted by Eric Schmiedl from the novel by Kent Haruf | 1 | DCTC | Colorado New Play Summit | ||||
| 4 | 2 | 2 | 2 | 2 | 1 | ||||||
| KENT THOMPSON, ARTISTIC DIRECTOR | |||||||||||
| 2007/08 | INANA | 1 | 1 | Michele Lowe | 1 | 1 | 1 | 1 | DCTC | Colorado New Play Summit | |
| 2007/08 | SHOOTING STAR | 1 | 1 | Steven Dietz | DCTC | Colorado New Play Summit | |||||
| 2007/08 | PERILOUS NIGHT | 1 | 1 | Lee Blessing | DCTC | Colorado New Play Summit | |||||
| 2007/08 | DUSTY AND THE BIG BAD WORLD | 1 | Cusi Cram | 1 | 1 | 1 | 1 | DCTC | Colorado New Play Summit | ||
| 4 | 3 | 2 | 2 | 2 | 2 | ||||||
| VISIONS OF KEROUAC | 1 | Jason Grote | |||||||||
| 2008/09 | THE BONE ORCHARD | 1 | Elyzabeth Gregory Wilder | Online says we commissioned it but it was workshopped at Perry Mansfield. DCTC cast gave a staged reading at Perry Mansfield | |||||||
| 2008/09 | INTRUSIVES | 1 | Steven Cole Hughes | Staged reading | |||||||
| KENT THOMPSON, ARTISTIC DIRECTOR | |||||||||||
| 2008/09 | THE UNSINKABLE MOLLY BROWN | 1 | Lyrics and music by Meredith Willson, Book by Dick Scanlon. Based on the original book by Richard Morris | 1 | DCTC | Colorado New Play Summit | |||||
| 2008/09 | EVENTIDE | 1 | 1 | Adapated by Eric Schmiedl from the novel by Kent Haruf | 1 | DCTC | Colorado New Play Summit | ||||
| 2008/09 | WHEN TANG MET LAIKA | 1 | 1 | Rogelio Martinez | 1 | DCTC | Colorado New Play Summit | ||||
| 2008/09 | TAKE ME TO THE RIVER | 1 | 1 | Constance Congdon | 1 | 1 | DCTC | Colorado New Play Summit | |||
| 2008/09 | FLOODED | 1 | 1 | Julie Marie Myatt | 1 | 1 | DCTC | Colorado New Play Summit | |||
| 5 | 4 | 2 | 2 | 3 | 0 | ||||||
| KENT THOMPSON, ARTISTIC DIRECTOR | |||||||||||
| 2009/10 | THE HOUSE OF THE SPIRITS | 1 | Adapted by Caridad Svich from the novel by Isabel Allende | 1 | 1 | 1 | 1 | DCTC | Colorado New Play Summit | ||
| 2009/10 | MAP OF HEAVEN | 1 | Michele Lowe | 1 | 1 | 1 | 1 | DCTC | Colorado New Play Summit | ||
| 2009/10 | THE CATCH | 1 | Ken Weitzman | 1 | DCTC | Colorado New Play Summit | |||||
| 2009/10 | CIVILIZATION (ALL YOU CAN EAT) | 1 | Jason Grote | DCTC | Colorado New Play Summit | ||||||
| 4 | 0 | 2 | 2 | 3 | 2 | ||||||
| KENT THOMPSON, ARTISTIC DIRECTOR | |||||||||||
| 2010/11 | GREAT WALL STORY | 1 | Lloyd Suh | 1 | DCTC | Colorado New Play Summit | |||||
| 2010/11 | CECILIA MARIE | 1 | 1 | Octavio Solis | DCTC | Colorado New Play Summit | |||||
| 2010/11 | THE WHALE | 1 | Samuel D. Hunter | 1 | DCTC | Colorado New Play Summit | |||||
| 2010/11 | TWO THINGS YOU DON'T TALK ABOUT AT DINNER | 1 | Lisa Loomer | 1 | 1 | 1 | 1 | DCTC | Colorado New Play Summit | ||
| 2010/11 | AN EXTRAORDINARY DEMONSTRATION OF NIKOLA TESLA'S MOST RECENT DISCOVERIES | 1 | 1 | Buntport Theatre: Erin Rolllman, Brian Colonna, Hannah Duggan, Samantha Schmitz, Erik Edborg, Evan Weissman | 1 | 3 | DCTC | Colorado New Play Summit | |||
| 5 | 2 | 2 | 4 | 3 | 1 | ||||||
| KENT THOMPSON, ARTISTIC DIRECTOR | |||||||||||
| 2011/12 | SENSE & SENSIBILITY THE MUSICAL | 1 | Based on the novel by Jane Austen. Book and Lyrics by Jeffrey Haddow. Music by Neal Hampton | 1 | DCTC | Colorado New Play Summit | |||||
| 2011/12 | ED, DOWNLOADED | 1 | 1 | Michael Mitnick | 1 | DCTC | Colorado New Play Summit | ||||
| 2011/12 | HOMEFREE | 1 | 1 | Lisa Loomer | 1 | 1 | DCTC | Colorado New Play Summit | |||
| 2011/12 | GRACE OR THE ART OF CLIMBING | 1 | Lauren Feldman | 1 | 1 | 1 | DCTC | Colorado New Play Summit | |||
| 2011/12 | THE HAND OF GOD | 1 | Richard Dresser | DCTC | Colorado New Play Summit | ||||||
| 5 | 2 | 2 | 2 | 3 | 0 | ||||||
| KENT THOMPSON, ARTISTIC DIRECTOR | |||||||||||
| 2012/13 | JUST LIKE US | 1 | 1 | Karen Zacarias. Based on the book by Helen Thorpe | 1 | 1 | 1 | 1 | DCTC | Colorado New Play Summit | |
| 2012/13 | THE VAST IN-BETWEEN | 1 | 1 | Laura Eason | 1 | 1 | DCTC | Colorado New Play Summit | |||
| 2012/13 | black odyssey | 1 | 1 | Marcus Gardley | 1 | DCTC | Colorado New Play Summit | ||||
| 2012/13 | THE MOST DESERVING | 1 | Catherine Trieschmann | 1 | 1 | 1 | 1 | DCTC | Colorado New Play Summit | ||
| 2012/13 | THE LEGEND OF GEORGIA MCBRIDE | 1 | Matthew Lopez | 1 | DCTC | Colorado New Play Summit | |||||
| 5 | 3 | 3 | 3 | 4 | 2 | ||||||
| KENT THOMPSON, ARTISTIC DIRECTOR | |||||||||||
| 2013/14 | BENEDICTION | 1 | 1 | Adapated by Eric Schmiedl from the novel by Kent Haruf | 1 | DCTC | Colorado New Play Summit | ||||
| 2013/14 | APPOGGIATURA | 1 | 1 | James Still | 1 | DCTC | Colorado New Play Summit | ||||
| 2013/14 | VICTORY JONES AND THE INCREDIBLE ONE WOMAN BAND | 1 | 1 | Idris Goodwin | DCTC | Colorado New Play Summit | |||||
| 2013/14 | THE COMPARABLES | 1 | Laura Schellhardt | 1 | 1 | DCTC | Colorado New Play Summit | ||||
| 2013/14 | ZENITH | 1 | 1 | Kirsten Greenidge | 1 | 1 | DCTC | Colorado New Play Summit | |||
| 5 | 4 | 2 | 2 | 2 | 0 | ||||||
| KENT THOMPSON, ARTISTIC DIRECTOR | |||||||||||
| 2014/15 | THE THERE THERE | 1 | Janon Gray Platt | DCTC | Colorado New Play Summit | ||||||
| 2014/15 | THE NEST | 1 | 1 | Theresa Rebeck | 1 | 1 | 1 | 1 | DCTC | Colorado New Play Summit | |
| 2014/15 | FADE | 1 | 1 | Tanya Saracho | 1 | 1 | 1 | 1 | DCTC | Colorado New Play Summit | |
| 2014/15 | HOLY LAUGHTER | 1 | 1 | Catherine Trieschmann | 1 | 1 | DCTC | Colorado New Play Summit | |||
| 4 | 3 | 3 | 3 | 2 | 2 | ||||||
| KENT THOMPSON, ARTISTIC DIRECTOR | |||||||||||
| 2015/16 | AMERICAN MARIACHI | 1 | 1 | José Cruz González | 1 | DCTC | Colorado New Play Summit | ||||
| 2015/16 | THE BOOK OF WILL | 1 | 1 | Lauren Gunderson | 1 | 1 | 1 | 1 | DCTC | Colorado New Play Summit | |
| 2015/16 | TWO DEGREES | 1 | Tira Palmquist | 1 | 1 | 1 | 1 | DCTC | Colorado New Play Summit | ||
| 2015/16 | MIDWINTER | 1 | 1 | Mat Smart | DCTC | Colorado New Play Summit | |||||
| 4 | 3 | 2 | 2 | 3 | 2 | ||||||
| KENT THOMPSON, ARTISTIC DIRECTOR | |||||||||||
| 2016/17 | LAST NIGHT AND THE NIGHT BEFORE | 1 | Donnetta Lavinia Grays | 1 | 1 | 1 | 1 | DCTC | Colorado New Play Summit | ||
| 2016/17 | BLIND DATE | 1 | 1 | Rogelio Martinez | DCTC | Colorado New Play Summit | |||||
| 2016/17 | HUMAN ERROR | 1 | Eric Pfeffinger | 1 | DCTC | Colorado New Play Summit | |||||
| 2016/17 | HANUSSEN | 1 | 1 | Robert Schenkkan | DCTC | Colorado New Play Summit | |||||
| 2016/17 | THE GREAT LEAP | 1 | 1 | Lauren Yee | 1 | 1 | 1 | 1 | DCTC | Colorado New Play Summit | |
| 2016/17 | THIS IS MODERN ART | 1 | OFF | Staged Reading | |||||||
| 6 | 3 | 2 | 2 | 3 | 2 | ||||||
| NATAKI GARRETT, INTERIM ARTISTIC DIRECTOR | |||||||||||
| 2017/18 | MAMA METALLICA | 1 | Sigrid Gilmer | 1 | 1 | DCTC | Colorado New Play Summit | ||||
| 2017/18 | THE COUCHES | 1 | 1 | David Jacobi | DCTC | Colorado New Play Summit | |||||
| 2017/18 | CHRISTA MCAULIFFE'S EYES WERE BLUE | 1 | 1 | Kemp Powers | DCTC | Colorado New Play Summit | |||||
| 2017/18 | CELIA, A SLAVE | 1 | Barbara Seyda | 1 | 1 | DCTC | Colorado New Play Summit | ||||
| 4 | 2 | 2 | 2 | 0 | 0 | ||||||
| CHARLIE MILLER, CURATOR, OFF-CENTER | |||||||||||
| 2017/18 | This is Modern Art | 1 | Idris Goodwin | OFF | |||||||
| 1 | 0 | 0 | 0 | 0 | 0 | 0 | |||||
| CHRIS COLEMAN, ARTISTIC DIRECTOR | |||||||||||
| 2018/19 | In the Upper Room | 1 | Beaufield Berry | 1 | 1 | 1 | 1 | DCTC | Colorado New Play Summit | ||
| 2018/19 | Rattlesnake Kate | 1 | 1 | Music and Lyrics by Neyla Pekarek. Book by Karen Hartman | 1 | 2 | 1 | 1 | DCTC | Colorado New Play Summit | |
| 2018/19 | Wally World | 1 | Isaac Gomez | DCTC | Colorado New Play Summit | ||||||
| 2018/19 | You Lost Me | 1 | Bonnie Metzgar | 1 | 1 | 1 | 1 | DCTC | Colorado New Play Summit | ||
| 2018/19 | twenty50 | 1 | 1 | Tony Meneses | 1 | DCTC | Colorado New Play Summit | ||||
| 5 | 2 | 3 | 4 | 4 | 3 | ||||||
| CHARLIE MILLER, CURATOR, OFF-CENTER | |||||||||||
| 2018/19 | Powered by Off-Center: Conspiracy Theory G | 1 | 1 | ||||||||
| 2018/19 | Powered by Off-Center: Untitled Crypto-Judaism Project | 1 | 1 | ||||||||
| 2 | 2 | 0 | 0 | 0 | 0 | ||||||
| CHRIS COLEMAN, ARTISTIC DIRECTOR | |||||||||||
| 2019/20 | Alma | 1 | Benjamin Benne | DCTC | Colorado New Play Summit | ||||||
| 2019/20 | Another Kind of Silence | 1 | L M Feldman | 1 | 1 | DCTC | Colorado New Play Summit | ||||
| 2019/20 | Hotter Than Egypt | 1 | Yussef El Guindi | 1 | DCTC | Colorado New Play Summit | |||||
| 2019/20 | In Her Bones | 1 | Jessica Kahkoska | 1 | 1 | DCTC | Colorado New Play Summit | ||||
| 2019/20 | Reclaiming One Star | 1 | 1 | Suzan Shown Harjo and Mary Kathryn Nagle | 1 | 2 | DCTC | Colorado New Play Summit | |||
| 5 | 1 | 3 | 4 | 1 | 0 | ||||||
| CHRIS COLEMAN, ARTISTIC DIRECTOR | |||||||||||
| 2021/22 | American Fast | 1 | Kareem Fahmy | DCTC | Colorado New Play Summit | ||||||
| 2021/22 | saturday | 1 | 1 | Kimber Lee | 1 | 1 | DCTC | Colorado New Play Summit | |||
| 2021/22 | Cebollas | 1 | Leonard Madrid | 1 | DCTC | Colorado New Play Summit | |||||
| 2021/22 | Rubicon | 1 | Kirsten Potter | 1 | 1 | 1 | 1 | DCTC | Colorado New Play Summit | ||
| 4 | 1 | 2 | 2 | 2 | 1 | ||||||
| CHRIS COLEMAN, ARTISTIC DIRECTOR | |||||||||||
| 2022/23 | the reservoir | 1 | Jake Brasch | 1 | DCTC | Colorado New Play Summit | |||||
| 2022/23 | Polar Bears, Black Boys & Prairie Fringed Orchids | 1 | Vincent Terrell Durham | DCTC | Colorado New Play Summit | ||||||
| 2022/23 | Joan Dark | 1 | Christina Pumariega | 1 | 1 | DCTC | Colorado New Play Summit | ||||
| 2022/23 | The Suffragette’s Murder | 1 | Sandy Rustin | 1 | 1 | 1 | 1 | DCTC | Colorado New Play Summit | ||
| 4 | 0 | 2 | 2 | 2 | 1 | ||||||
| CHRIS COLEMAN, ARTISTIC DIRECTOR | |||||||||||
| 2023/24 | Cowboys and East Indians | 1 | 1 | Nina McConigley and Matthew Spangler | 1 | 1 | 1 | 1 | DCTC | Colorado New Play Summit | |
| 2023/24 | Ghost Variations | 1 | Vauhini Vara | 1 | 1 | DCTC | Colorado New Play Summit | ||||
| 2023/24 | One-Shot | 1 | Andrew Rosendorf | DCTC | Colorado New Play Summit | ||||||
| 2023/24 | Godspeed | 1 | Terence Anthony | 1 | DCTC | Colorado New Play Summit | |||||
| 4 | 1 | 2 | 2 | 2 | 1 | ||||||
| CHARLIE MILLER, CURATOR, OFF-CENTER | |||||||||||
| 2023/24 | FDR's Very Happy Hour | 1 | Regan Lingon | 1 | 1 | OFF | |||||
| 1 | 0 | 1 | 1 | 0 | 0 | ||||||
| CHRIS COLEMAN, ARTISTIC DIRECTOR | |||||||||||
| 2024/25 | bogfriends | 1 | jose sebastian alberdi | 1 | DCTC | Colorado New Play Summit | |||||
| 2024/25 | HOW TO CONQUER AMERICA: A MOSTLY TRUE HISTORY OF YOGURT | 1 | David Myers | 1 | DCTC | Colorado New Play Summit | |||||
| 2024/25 | IF GOD WERE BLUE | 1 | Carey Perloff | 1 | 1 | DCTC | Colorado New Play Summit | ||||
| 2024/25 | RUST ON BONE | 1 | Bianca Sams | 1 | 1 | DCTC | Colorado New Play Summit | ||||
| 4 | 0 | 2 | 2 | 2 | 0 | ||||||
| CHARLIE MILLER, CURATOR, OFF-CENTER | |||||||||||
| 2024/25 | The Auraria Parables | 1 | Group project | OFF | |||||||
| 1 | 0 | 0 | 0 | 0 | 0 | 0 | |||||
| TOTALS BEFORE WVF | 119 | 0 | 32 | 36 | 31 | 5 | |||||
| 118 readings by 2004/05 of which 32 (27%) were written by women. | |||||||||||
| 118 readings by 2004/05 representing 36 (31%) female playwrights. | |||||||||||
| 118 readings by 2004/05 of which 31 (26%) went on to full DCTC production. | |||||||||||
| Of the 31 readings that went on to full DCTC production, 5 (16%) were by women. | |||||||||||
| TOTALS AFTER WVF | 89 | 39 | 42 | 46 | 44 | 20 | |||||
| 85 readings in 2025/06 or later, 41 (48%) were written by women. | |||||||||||
| 85 readings in 2025/06 or later represented 45 (53%) female playwrights. | |||||||||||
| 85 readings in 2025/06 or later of which 44 (52%) went on to full DCTC production. | |||||||||||
| Of the 44 readings that went on to full DCTC production, 20 (45%) were by women. | |||||||||||
| NOTE: 2 ARE OFF-CENTER | |||||||||||
| ULTIMATE TOTAL | 208 | 39 | 74 | 82 | 75 | 25 | |||||
| 204 readings of which 75 (38%) were written by women. | |||||||||||
| 204 readings representing 81 (40%) female playwrights. | |||||||||||
| 204 readings of which 75 (37%) went on to full DCTC production. | |||||||||||
| Of the 75 readings that went on to full DCTC production, 25 (33%) were by women. | |||||||||||
| NOTE: 2 ARE OFF-CENTER |
| SEASON | TITLE | FULL PRODUCTION | WORLD PREMIERE | PLAYWRIGHT | # PROJECTS BY WOMEN | # OF WOMEN CREATORS | DIRECTOR | WOMAN DIRECTOR | |
|---|---|---|---|---|---|---|---|---|---|
| 2016/17 | IN A PICKLE | 1 | NOTE: In a Pickle was a presentation | ||||||
| 2017/18 | THE SNOWY DAY AND OTHER STORIES | 1 | |||||||
| 2018/19 | CORDUROY | 1 | |||||||
| 2019/20 | GOODNIGHT MOON | 1 | |||||||
| 2022/23 | LITTLE RED | 1 | 1 | Chad Henry | |||||
| 2023/24 | LITTLE RED | 1 | |||||||
| 2024/25 | ELEPHANT & PIGGIE'S "WE ARE IN A PLAY!" | 1 | |||||||
| 2025/26 | GOODNIGHT MOON | 1 | |||||||
| TOTAL | 8 | 1 | 0 | 0 | 0 |
| SEASON | TITLE | TOUR | PLAYWRIGHT | DIRECTOR | |
|---|---|---|---|---|---|
| EDWARD PAYSON CALL, ARTISTIC DIRECTOR | |||||
| 1980/81 | ILLUSION BY FOUR | 1 | |||
| 1 | |||||
| EDWARD PAYSON CALL, ARTISTIC DIRECTOR | |||||
| 1981/82 | A BALLAD OF COLORADO | 1 | Mark Cuddy & cast | Mark Cuddy | |
| 1981/82 | PATTON, DAMMIT IKE, I WAS THERE | 1 | Greg Almquist | ||
| 2 | |||||
| EDWARD PAYSON CALL, ARTISTIC DIRECTOR | |||||
| 1982/83 | A PHYSICIAN IN SPITE OF HIMSELF | 1 | Jean Bpbtiste Molière | Peter Hackett | |
| 1 | |||||
| PETER HACKETT, ARTISTIC DIRECTOR | |||||
| 1983/84 | SMOKERINGS CHEKHOV | 1 | Dan Hiester | ||
| 1983/84 | ARMS & THE MAN | 1 | George Bernard Shaw | Walter Schoen | |
| 2 | |||||
| DONOVAN MARLEY, ARTISTIC DIRECTOR | |||||
| 1984/85 | THE APPLE TREE | 1 | Mark Twain. Adapted by Jerry Bock, Sheldon Harnick | Randal Myler | |
| 1 | |||||
| DONOVAN MARLEY, ARTISTIC DIRECTOR | |||||
| 1985/86 | PURLIE | 1 | Ossie Davis, Philip Rose, Peter Udell | Randal Myler | |
| 1 | |||||
| DONOVAN MARLEY, ARTISTIC DIRECTOR | |||||
| 1986/87 | MY CUP RANNETH OVER | 1 | Robert Patrick | Randal Myler | |
| 1 | |||||
| DONOVAN MARLEY, ARTISTIC DIRECTOR | |||||
| 1987/88 | THE NEWCOMER | 1 | Janet Thomas | Randal Myler | |
| 1 | |||||
| DONOVAN MARLEY, ARTISTIC DIRECTOR | |||||
| 1988/89 | CUENTOS | 1 | Carlos Morton, Angel Vigil | Jeff Church | |
| 1 | |||||
| DONOVAN MARLEY, ARTISTIC DIRECTOR | |||||
| 1989/90 | ONE-ON-ONE BASKETBALL CHAMPION | 1 | Randal Myler | ||
| 1 | |||||
| DONOVAN MARLEY, ARTISTIC DIRECTOR | |||||
| 1990/91 | BACK TO BACK | 1 | Al Brown | Randal Myler | |
| 1 | |||||
| DONOVAN MARLEY, ARTISTIC DIRECTOR | |||||
| 1991/92 | WHAT FOOLS THESE MORTALS BE | 1 | William Shakepeare | Anthony Powell | |
| 1 | |||||
| DONOVAN MARLEY, ARTISTIC DIRECTOR | |||||
| 1992/93 | WHERE I LIVE | 1 | Charlie Oates | Charlie Oates | |
| 1992/93 | ELEMENTARY SCHOOL TOUR | 1 | |||
| 2 | |||||
| DONOVAN MARLEY, ARTISTIC DIRECTOR | |||||
| 1993/94 | SACRED HOOP | 1 | Adapted from the play Black Elk Speaks by Christopher Sergel | Donovan Marley | |
| 1993/94 | PETER AND THE WOLF | 1 | Sergei Prokofiev | Donovan Marley | |
| 2 | |||||
| DONOVAN MARLEY, ARTISTIC DIRECTOR | |||||
| 1994/95 | IT AIN'T NOTHING BUT THE BLUES | 1 | Charles Bevel, Lita Gaithers, Randal Myler, Ron Taylor, Dan Wheetman | Randal Myler | |
| 1994/95 | FRESH PAINT | 1 | |||
| 2 | |||||
| DONOVAN MARLEY, ARTISTIC DIRECTOR | |||||
| 1995/96 | WHERE DO THE CHILDREN PLAY? | 1 | Ron Taylor | ||
| 1995/96 | FAIRY TALES WITH STRINGS | 1 | Vit Horejs | ||
| 2 | |||||
| DONOVAN MARLEY, ARTISTIC DIRECTOR | |||||
| 1996/97 | LIVING HISTORY | 1 | Daniel Renner, Leean Nunes | ||
| 1996/97 | MAGIC ISLAND | 1 | Daniel Renner, Leean Nunes | ||
| 1 | |||||
| DONOVAN MARLEY, ARTISTIC DIRECTOR | |||||
| 1997/98 | LIVING HISTORY | 1 | |||
| 1997/98 | CYRANO | 1 | |||
| 1 | |||||
| DONOVAN MARLEY, ARTISTIC DIRECTOR | |||||
| 1998/99 | LIVING HISTORY | 1 | |||
| 1998/99 | PROMETHEUS | 1 | |||
| 1 | |||||
| DONOVAN MARLEY, ARTISTIC DIRECTOR | |||||
| 1999/00 | LIVING HISTORY | 1 | |||
| 1999/00 | GRUNT: THE PRIMITIVE CAVE BOY | 1 | |||
| 1 | |||||
| DONOVAN MARLEY, ARTISTIC DIRECTOR | |||||
| 2000/01 | LIVING HISTORY | 1 | NOTE: There were 2 plays by the Young Company: Verdi and Heckedy Peg | ||
| 2000/01 | AMAZING ADVENTURES OF THE MARVELOUS MONKEY KING | 1 | |||
| 1 | |||||
| DONOVAN MARLEY, ARTISTIC DIRECTOR | |||||
| 2001/02 | LIVING HISTORY | 1 | |||
| 2001/02 | NEW KID | 1 | |||
| 1 | |||||
| DONOVAN MARLEY, ARTISTIC DIRECTOR | |||||
| 2002/03 | LIVING HISTORY | 1 | |||
| 2002/03 | TOMATO PLANT GIRL | 1 | |||
| 1 | |||||
| DONOVAN MARLEY, ARTISTIC DIRECTOR | |||||
| 2003/04 | LIVING HISTORY | 1 | |||
| 2003/04 | SHAKESPEARE'S WEB | 1 | |||
| 1 | |||||
| DONOVAN MARLEY, ARTISTIC DIRECTOR | |||||
| 2004/05 | LIVING HISTORY | 1 | |||
| 2004/05 | GOLASHES OF FORTUNE | 1 | |||
| 1 | |||||
| DANIEL RENNER, DIRECTOR | |||||
| 2005/06 | LIVING HISTORY | 1 | |||
| 2005/06 | THE END OF THE BEGINNING | 1 | |||
| 1 | |||||
| DANIEL RENNER, DIRECTOR | |||||
| 2006/07 | LIVING HISTORY | 1 | |||
| 2006/07 | ONE THOUSAND CRANES | 1 | |||
| 1 | |||||
| DANIEL RENNER, DIRECTOR | |||||
| 2007/08 | LIVING HISTORY | 1 | |||
| 2007/08 | GRETEL AND HANSEL | 1 | |||
| 1 | |||||
| DANIEL RENNER, DIRECTOR | |||||
| 2008/09 | LIVING HISTORY | 1 | |||
| 2008/09 | NEW KID | 1 | |||
| 1 | |||||
| DANIEL RENNER, DIRECTOR | |||||
| 2009/10 | LIVING HISTORY | 1 | |||
| 1 | |||||
| DANIEL RENNER, DIRECTOR | |||||
| 2010/11 | LIVING HISTORY | 1 | |||
| 1 | |||||
| DANIEL RENNER, DIRECTOR | |||||
| 2011/12 | LIVING HISTORY | 1 | |||
| 1 | |||||
| ALLISON WATROUS, EXECUTIVE DIRECTOR | |||||
| 2014/15 | SHAKESPEARE IN THE PARKING LOT | 1 | |||
| 1 | |||||
| ALLISON WATROUS, EXECUTIVE DIRECTOR | |||||
| 2015/16 | SHAKESPEARE IN THE PARKING LOT | 1 | |||
| 1 | |||||
| ALLISON WATROUS, EXECUTIVE DIRECTOR | |||||
| 2016/17 | SHAKESPEARE IN THE PARKING LOT | 1 | |||
| 1 | |||||
| ALLISON WATROUS, EXECUTIVE DIRECTOR | |||||
| 2017/18 | SHAKESPEARE IN THE PARKING LOT | 1 | |||
| 1 | |||||
| ALLISON WATROUS, EXECUTIVE DIRECTOR | |||||
| 2018/19 | SHAKESPEARE IN THE PARKING LOT | 1 | |||
| 1 | |||||
| ALLISON WATROUS, EXECUTIVE DIRECTOR | |||||
| 2019/20 | SHAKESPEARE IN THE PARKING LOT | 1 | |||
| 1 | |||||
| ALLISON WATROUS, EXECUTIVE DIRECTOR | |||||
| 2020/21 | SHAKESPEARE IN THE PARKING LOT | 1 | |||
| 1 | |||||
| ALLISON WATROUS, EXECUTIVE DIRECTOR | |||||
| 2021/22 | SHAKESPEARE IN THE PARKING LOT | 1 | |||
| 1 | |||||
| ALLISON WATROUS, EXECUTIVE DIRECTOR | |||||
| 2022/23 | SHAKESPEARE IN THE PARKING LOT | 1 | |||
| 1 | |||||
| ALLISON WATROUS, EXECUTIVE DIRECTOR | |||||
| 2023/24 | SHAKESPEARE IN THE PARKING LOT | 1 | |||
| 1 | |||||
| ALLISON WATROUS, EXECUTIVE DIRECTOR | |||||
| 2024/25 | SHAKESPEARE IN THE PARKING LOT | 1 | |||
| 1 | |||||
| TOTAL | 49 |
| SEASON | TITLE | # PRODUCTIONS | PLAYWRIGHT | WOMAN PLAYWRIGHT | DIRECTOR | WOMAN DIRECTOR | ||
|---|---|---|---|---|---|---|---|---|
| 1984/85 | ALLEN FLETCHER, DIRECTOR | |||||||
| 1985 | J. STEVEN WHITE, ACTING DIRECTOR | |||||||
| 1987 | MALCOLM MORRISON, HEAD OF NTC | |||||||
| TONY CHURCH, DEAN | ||||||||
| 1988 | UNDER MILKWOOD | 1 | Dylan Thomas | |||||
| 1 | 0 | 0 | ||||||
| TONY CHURCH, DEAN | ||||||||
| 1988/89 | A MIDSUMMER NIGHTS DREAM | 1 | William Shakepeare | Tony Church | ||||
| 1988/89 | THE THREE SISTERS | 1 | Anton Chekhov | Leticia Jaramillo | 1 | |||
| 2 | 0 | 0 | 1 | |||||
| TONY CHURCH, DEAN | ||||||||
| 1989/90 | A TALE OF TWO CITIES | 1 | Charles Dicken | Christopher Selbie | ||||
| 1989/90 | THE APPLE CART | 1 | George Bernard Shaw | Tony Church | ||||
| 2 | 0 | 0 | ||||||
| TONY CHURCH, DEAN | Tony was Dean here according to annual report | |||||||
| 1990/91 | PHILADELPHIA STORY | 1 | Philip Barry | Frank Georgianna | ||||
| 1990/91 | THE DUCHESS OF MALFI | 1 | John Webster | Christopher Selbie | ||||
| 2 | 0 | 0 | ||||||
| TONY CHURCH, DEAN | ||||||||
| 1991/92 | THE WINTER'S TALE | 1 | William Shakepeare | Tony Church | ||||
| 1991/92 | ONCE IN A LIFETIME | 1 | Moss Hart, George S. Kaufmann | Alan Bailey | ||||
| 2 | 0 | 0 | ||||||
| TONY CHURCH, DEAN | ||||||||
| 1992/93 | MAN WHO WROTE PETER PAN | 1 | John Fraser | NOTE: Special 1-man play by visiting British actor | ||||
| 1992/93 | ORPHEUS DESCENDING | 1 | Tennessee Williams | Jennifer McCray-Rincon | 1 | |||
| 1992/93 | MACBETH | 1 | William Shakepeare | Alan Bailey | ||||
| 3 | 0 | 0 | 1 | |||||
| TONY CHURCH, DEAN | ||||||||
| 1993/94 | MAD FOREST | 1 | Caryl Churchill | 1 | Chris Grabowski | |||
| 1993/94 | AS YOU LIKE IT | 1 | William Shakepeare | Tony Church | ||||
| 2 | 0 | 1 | 0 | |||||
| TONY CHURCH, DEAN | ||||||||
| 1994/95 | OUR COUNTRY’S GOOD | 1 | Timberlake Wertenbaker | Jamie Horton | ||||
| 1994/95 | ELECTRA/ORESTES from THE GREEKS | 1 | Steven Berkoff | Jennifer McCray-Rincon | 1 | |||
| 2 | 0 | 0 | 1 | |||||
| DANIEL RENNER, DIRECTOR OF EDUCATION | ||||||||
| 1995/96 | TWELFTH NIGHT | 1 | William Shakepeare | Tony Church & Jennifer McCray-Rincon | 1 | |||
| 1995/96 | ALL MY SONS | 1 | Arthur Miller | Susan Fenichell | 1 | |||
| 2 | 0 | 2 | ||||||
| DANIEL RENNER, DIRECTOR OF EDUCATION | ||||||||
| 1996/97 | THE ELEPHANT MAN | 1 | Bernard Pomerance | Jennifer McCray-Rincon | 1 | |||
| 1996/97 | ARMS AND THE MAN | 1 | George Bernard Shaw | Jamie Horton | ||||
| 2 | 0 | 1 | ||||||
| DANIEL RENNER, DIRECTOR OF EDUCATION | ||||||||
| 1997/98 | FIFTH OF JULY | 1 | Lanford Wilson | Larry Hecht | ||||
| 1997/98 | GOOD WOMAN OF SETZUAN | 1 | Bertolt Brecht | Jennifer McCray-Rincon | 1 | |||
| 2 | 0 | 1 | ||||||
| DANIEL RENNER, DIRECTOR OF EDUCATION | ||||||||
| 1998/99 | GLENGARRY GLEN ROSS | 1 | David Mamet | Jennifer McCray-Rincon | 1 | |||
| 1998/99 | AT THIS EVENING’S PERFORMANCE | 1 | Nagle Jackson | Larry Hecht | ||||
| 2 | 0 | 1 | ||||||
| DANIEL RENNER, DIRECTOR OF EDUCATION | ||||||||
| 1999/00 | BUS STOP | 1 | William Inge | Larry Hecht | ||||
| 1999/00 | THE IMPORTANCE OF BEING EARNEST | 1 | Oscar Wilde | Jennifer McCray-Rincon | 1 | |||
| 2 | 0 | 1 | ||||||
| DANIEL RENNER, DIRECTOR OF EDUCATION | ||||||||
| 2000/01 | CLOUD 9 | 1 | Caryl Churchill | 1 | Larry Hecht | |||
| 2000/01 | ROMEO & JULIET | 1 | William Shakepeare | Jennifer McCray-Rincon | 1 | |||
| 2 | 0 | 1 | 1 | |||||
| DANIEL RENNER, DEAN | ||||||||
| 2001/02 | UNDER MILK WOOD | 1 | Dylan Thomas | Larry Hecht | ||||
| 2001/02 | ALL IN THE TIMING | 1 | David Ives | Jennifer McCray-Rincon | 1 | |||
| 2 | 0 | 1 | ||||||
| DANIEL RENNER, DIRECTOR OF EDUCATION | ||||||||
| 2002/03 | A LIE OF THE MIND | 1 | Sam Shepard | Larry Hecht | ||||
| 2002/03 | HAY FEVER | 1 | Noel Coward | Jennifer McCray-Rincon | 1 | |||
| 2 | 0 | 1 | ||||||
| DANIEL RENNER, DEAN | ||||||||
| 2003/04 | EQUUS | 1 | Peter Shaffer | Jennifer McCray-Rincon | 1 | |||
| 2003/04 | THE GOOD DOCTOR | 1 | Neil Simon | Larry Hecht | ||||
| 2 | 0 | 1 | ||||||
| DANIEL RENNER, DIRECTOR OF EDUCATION | ||||||||
| 2004/05 | TWELFTH NIGHT | 1 | William Shakepeare | Jennifer McCray-Rincon | 1 | |||
| 2004/05 | GOD’S COUNTRY | 1 | Stephen Dietz | Larry Hecht | ||||
| 2 | 0 | 1 | ||||||
| DANIEL RENNER, DIRECTOR OF EDUCATION | ||||||||
| 2005/06 | OTHELLO | 1 | William Shakepeare | Jennifer McCray-Rincon | 1 | |||
| 2005/06 | OUR TOWN | 1 | Thornton Wilder | Larry Hecht | ||||
| 2 | 0 | 1 | ||||||
| DANIEL RENNER, DEAN | ||||||||
| 2006/07 | THE ELEPHANT MAN | 1 | Bernard Pomerance | Jennifer McCray-Rincon | 1 | |||
| 2006/07 | WORKING — A MUSICAL | 1 | Book by Stephen Schwartz and Nina Faso. Music by Stephen Schwartz, Craig Carnella, Micki Grant, Mary Rodgets, and James Taylor. Lyrics by Stephen Schwartz, Carig Carnella, Micki Grant, James Taylor, and Susan Birkenhead | 1 | Larry Hecht | |||
| 2 | 1 | 1 | ||||||
| DANIEL RENNER, DEAN | ||||||||
| 2007/08 | HARVEY | 1 | Mary Chase | 1 | Larry Hecht | |||
| 2007/08 | THE LARAMIE PROJECT | 1 | Moisés Kaufmann & cast | Jennifer McCray-Rincon | 1 | |||
| 2 | 1 | 1 | ||||||
| DANIEL RENNER, DIRECTOR OF EDUCATION | ||||||||
| 2008/09 | MACBETH | 1 | William Shakepeare | Rick Barbour | ||||
| 2008/09 | CLOUD NINE | 1 | Caryl Churchill | 1 | Larry Hecht | |||
| 2 | 1 | 0 | ||||||
| DANIEL RENNER, DIRECTOR OF EDUCATION | ||||||||
| 2009/10 | TARTUFFE | 1 | Molière | Sabin Epstein | ||||
| 2009/10 | HAMLET | 1 | Shakespeare | Robert Richmond | ||||
| 2 | 0 | 0 | ||||||
| DANIEL RENNER, DIRECTOR OF EDUCATION | ||||||||
| 2010/11 | AS YOU LIKE IT | 1 | William Shakepeare | Sabin Epstein | ||||
| 2010/11 | AH, WILDERNESS! | 1 | Eugene O’Neill | Larry Hecht | ||||
| 2 | 0 | 0 | ||||||
| DANIEL RENNER, DIRECTOR OF EDUCATION | ||||||||
| 2011/12 | FAHRENHEIT 451 | 1 | Ray Bradbury | Sabin Epstein | ||||
| 2011/12 | CHARLEY’S AUNT | 1 | Brandon Thomas | Larry Hecht | ||||
| 2 | 0 | 0 | ||||||
| TOTALS | 25 classes | 50 | 5 | 17 | ||||
| 50 productions | ||||||||
| 5 plays by women | ||||||||
| 17 plays directed by women (which represented 3 unique women) |
| 1984/85 | The Guilded Cage | 1.0 |
|---|---|---|
| 1984/85 | They're Playing Our Song | 1.0 |
| 1984/85 | Bubbling Brown Sugar | 1.0 |
| 1984/85 | Sister Mary Ignatius Explains It All for You/The Actor's Nightmare | 1.0 |
| 1984/85 | Wha'ts a Nice Country Like You Still Doing in a State Like This? | 1.0 |
| LOWENSTEIN THEATRE: THEATRE FOR CHILDREN | ||
| 1984/85 | Pinocchio | 1.0 |
| 1984/85 | Tale of the Arabian Nights | 1.0 |
| 1984/85 | Pippi Lonstocking | 1.0 |
| 1984/85 | Tom Sawyer | 1.0 |
| LOWENSTEIN THEATRE: FESTIVAL CARAVAN | ||
| 1984/85 | Is There Life After High School? | 1.0 |
| 1984/85 | Trinidad and Tobago Showboat | 1.0 |
| 1984/85 | A Christmas Carol | 1.0 |
| LOWENSTEIN THEATRE: SCHOOL TOUR | ||
| 1984/85 | Flashback | 1.0 |
| 1984/85 | Ali Baba and the Forty Thieves | 1.0 |
| 1984/85 | Growing Up Naked | 1.0 |
| 1984/85 | I Didn't Know That | 1.0 |
| DCPA: FESTIVAL CARAVAN | ||
| 1985/86 | Bubblin' Brown Sugar | 1.0 |
| 1985/86 | Broadway in the Park | 1.0 |
| 1985/86 | Macondo | 1.0 |
| SUMMER FAMILY PRODUCTION | ||
| 2004/05 | NEW KID | 1.0 |
| 2005/06 | GOLASHES OF FORTUNE | 1.0 |
| 2006/07 | THE END OF THE BEGINNING | 1.0 |
| 2007/08 | ONE THOUSAND CRANES | 1.0 |
| 2008/09 | NEW KID | 1.0 |
| COMMUNITY PRODUCTIONS | ||
| 2016/17 | Lady Day at Emerson's Bar and Grill | 1.0 |
| 2018/19 | The Conviction of Lady Lorraine | 1.0 |
| TOTAL | 26.0 |
| PRODUCTIONS | |||
|---|---|---|---|
| BROADWAY | 682 | 2 | |
| CABARET | 119 | 7 | |
| OFF-CENTER | 68 | 42 | 4 |
| THEATRE COMPANY | 480 | 159 | 204 |
| TYA | 8 | 1 | |
| SCHOOL TOURS | 49 | ||
| NTC REP | 50 | ||
| MISCELLANEOUS | 26 | ||
| TOTAL | 1482 | 211 | 208 |
