• Brynn Tucker of 'This is Modern Art': What are we willing to risk?

    by John Moore | Apr 15, 2018
    T This is Modern Art Brynn Tucker. Photo by Adams VisCom
    Rhonda (Brynn Tucker) argues that graffiti belongs outside and not inside on museum walls in Idris Goodwin's 'This is Modern Art,' closing today (April 15) at the Jones Theatre. Photo by Adams VisCom.

    The actor loves anime, stop-motion and now a more controversial variation on the art form: Graffiti, and its history

    MEET BRYNN TUCKER
    05+cut+-+Brynn+Tucker+in+The+Rape+of+the+Sabine+Women+by+Grace+B.+Matthias.+Photo+by+George+LangeBrynn Tucker, who plays Rhonda and other roles in Off-Center's This is Modern Art, made her DCPA Theatre company last year in Frankenstein. Other local credits include the True West Award-winning Rape of the Sabine Women by Grace B. Matthias for Local Theatre Company; Robert Schenkkan's Building the Wall for Curious Theatre and the Aspen Ideas Festival; and  Marcus: The Secret of Sweet for Curious Theatre. Regional credits include Rosencrantz and Guildenstern are Dead (Folger Theatre), The Widow Lincoln, Our Town (Ford's Theatre), A Guide to Dancing Naked* (DC Capital Fringe Festival). 

    • Brynn Tucker QUOTEHometown: Germantown, Maryland
    • Home now: Denver
    • High School: Rangeview
    • Training: Spelman College and The British American Drama Academy
    • What's your handle? @BrynnPossible on Twitter and Instagram
    • Website: brynnpossible.com
    • Twitter-sized bio: Actress and dancer living in the Mile High City. Lover of anime and Adventure Time. Spirit animal is Lumpy Space Princess. Can bust out some black moguls on the ski mountain like a champ. #sostylee!
    • What would you be doing if you were not an actor? I would be a travel vlogger. Traveling for extended periods of time, where most people don’t know me. Learning new languages is an aspiration of mine. Getting paid for it would be living the dream.
    • One role you were completely miscast for: Benjamin Franklin
    • Bucket-list role: I don’t seek out specific roles, they reveal themselves to me and if I’m meant to have them, I take them on.
    • What's playing on your Spotify? Enrique Inglesias. (Baby I STILL like it!)
    • What's one thing we don't know about you? I worked on an organic farm in Thailand with no air conditioning or electricity in a bamboo hut. I realized I didn’t know how to grow anything, and I wanted to learn Howa.
    • This Is Modern Art. Brynn Tucker 400.Photo by John MooreOne time you saw greatness play out in front of you: I’ve always been enamored by Tim Burton's The Nightmare Before Christmas. The music, story and songs make it a must-watch during the holidays. The darkness, the beauty and the lifelike art of stop-motion animation really catered to my imagination as a child, and still does now as an adult.
    • One thing we should be doing to foster the next generation of theatregoers? Evolving theater to be more interactive and engaging than ever before. I think the next generation would appreciate a revolution of some kind. Especially when it comes to their entertainment.
    • What is This is Modern Art about? Idris Goodwin's play recounts the true story of one of the biggest graffiti bombs in Chicago history. In less than 20 minutes in a 2010 snowstorm, a stealthy crew spray-painted a 50-foot graffiti piece along the exterior wall of the Art Institute of Chicago, raising big questions, including: What is art? Where does it go? And who gets to say so?
    • Why does This is Modern Art matter? It really resonates because it shows a group of young people who were willing to risk everything for something they believe in, something greater than themselves. The right to share your ideas, art, beliefs and even opinions is now under constant scrutiny. You can get into serious trouble if you say the wrong thing. I pose the question: “What are we willing to risk to say or do what we believe is right?”
    • What do you hope audiences get out of seeing This is Modern Art? I hope they  begin to notice graffiti in their neighborhoods. And that they understand the history and culture so they can make an informed decision for themselves, rather than a one-sided one.
    • What do you want to get off your chest? I’ve been thinking about freedom for a while now. I’ve found it’s less about access to what we think we want or deserve. It’s more about your own hero’s journey: Taking up your sword and having the courage to go through life. Love and dragons, you take them all on. I think the ability and the choice to do this is the greatest freedom. Choose your own adventure book EVER!

    More Colorado theatre coverage on the DCPA NewsCenter


    This is Modern ArtThis is Modern Art
    : Ticket information

    • Presented by Off-Center
    • Performances through April 15
    • Jones Theatre, Denver Performing Arts Complex
    • Written by Kevin Coval and Idris Goodwin
    • Directed by Idris Goodwin
    • Featuring Robert Lee Hardy, John Jurcheck, Brynn Tucker, Jake Mendes, Chloe McLeod and Marco Robinson
    • Call 303-893-4100 or BUY ONLINE
    Selected previous NewsCenter coverage of This is Modern Art:

    More Colorado theatre coverage on the DCPA NewsCenter

    Video by DCPA Video Producer David Lenk.

    More 2017-18 'In the Spotlife' profiles:

    • Meet Meet Gustavo Márquez of Native Gardens
    • Meet Gia Valverde: Native Gardens
    • Meet Jake Mendes of This is Modern Art
    • Meet Ilasiea L. Gray of Sleeping Beauty
    • Meet Meet Jordan Baker of Native Gardens
    • Meet Candy Brown of Love Letters
    • Meet Christy Brandt of Creede Rep's Arsenic and Old Lace
    • Meet Deb Persoff of Vintage Theatre's August: Osage County
    • Meet Monica Joyce Thompson of Inspire Creative’s South Pacific
    • Meet Hugo Jon Sayles of I Don't Speak English Only
    • Meet Marialuisa Burgos of I Don't Speak English Only

    This is Modern Art at Native Gardens opening

    Some members of the 'This is Modern Art' team attended Friday's opening of the DCPA Theatre Company's 'Native Gardens' on Friday. From left: Chloe McLeod, Brynn Tucker, John Jurcheck, Off-Center Curator Charlie Miller and Jake Mendes. 

  • Video: Your first look at Off-Center's 'This is Modern Art,' opening photos

    by John Moore | Apr 03, 2018
    Video: Your first look at This is Modern Art




    Video above: Your first look at Off-Center's This is Modern Art, written by Idris Goodwin and Kevin Coval. This proudly controversial play recounts the true story of one of the biggest graffiti bombs in Chicago history. In less than 20 minutes in a 2010 snowstorm, a stealthy crew spray-painted a 50-foot graffiti piece along the exterior wall of the Art Institute of Chicago.

    The photo gallery below shows photos from the opening-night performance and celebration on March 23, from backstage before the show through the cast party afterward at the Hard Rock Cafe Denver. In attendance was Lisa Portes, who directed the original production of This is Modern Art for Steppenwolf Theatre in Chicago in 2015. She is in Denver to direct the comedy Native Gardens, opening April 13 in the next-door Ricketson Theatre. 

    This is Modern Art. Photo by John MooreThis is Modern Art
    runs through April 15 in the Jones Theatre. The cast includes Robert Lee Hardy, John Jurchek, Chloe McLeod, Jake Mendes, Marco Robinson and Brynn Tucker.

    The Scenic Designer is Nicholas Renaud, working with Graffiti Artist Robin Munro, Projection Designer Topher Blair, Lighting Designer Katie Gruenhagen, Costume Designer Meghan Anderson Doyle, Sound Designer Elisheba Ittoop. The Stage Manager is Rick Mireles.

    To read more about the show and its background, click here.

    Video by DCPA Video Producer David Lenk. Photos by Senior Arts Journalist John Moore for the DCPA NewsCenter.

    Photo gallery: Opening Night photos and more

    Making of 'This is Modern Art'
    To see more photos, click on the image above to be taken to our full Flickr gallery.


    This is Modern ArtThis is Modern Art
    : Ticket information

    • Presented by Off-Center
    • Performances through April 15
    • Jones Theatre, Denver Performing Arts Complex
    • Written by Kevin Coval and Idris Goodwin
    • Directed by Idris Goodwin
    • Featuring Robert Lee Hardy, John Jurcheck, Brynn Tucker, Jake Mendes, Chloe McLeod and Marco Robinson
    • Call 303-893-4100 or BUY ONLINE
    Selected previous NewsCenter coverage of This is Modern Art:
    This is Modern Art will make you look
    Idris Goodwin is going places: From Curious' Detroit '67 to Denver Center
    Graffiti: Modern art or 'urban terrorism'?
    Meet the cast: Jake Mendes
    Vast and visceral: Off-Center season will include This is Modern Art

    More Colorado theatre coverage on the DCPA NewsCenter

    This is Modern Art. The set of 'This is Modern Art,' by Scenic Designer Nicholas Renaud and Graffiti Artist Robin Munro. Photo by John Moore.
  • 2018-19 DCPA Theatre Company season: In with the old ... and the new

    by John Moore | Apr 01, 2018

    Video overview of the 2018-19 season.


    Coleman's 40th anniversary season includes two world premieres, Tolstoy and an African-American Oklahoma!

    By John Moore
    Senior Arts Journalist

    Incoming DCPA Theatre Company Artistic Director Chris Coleman today announced a 40th anniversary season he believes both honors the company’s past and boldly steps into the future — and in some intriguing examples, at the same time.

    Coleman will return to the company’s roots by presenting its third Rodgers and Hammerstein musical following previous stagings of Carousel and South Pacific. But Coleman is promising a fresh new look at Oklahoma! by telling the beloved story of a spirited rivalry between local farmers and cowboys from a mostly African-American perspective. Similarly, Coleman will offer adaptations of Tolstoy’s Anna Karenina and W. Somerset Maugham’s The Constant Wife, stories of women overcoming great societal barriers that may strike audiences as remarkably contemporary.

    A Last Night 800 1“It’s incredibly exciting to imagine what you want your first season at an organization to be,” said Coleman, who assumes his full-time Denver duties in May. "This company has long been known as a place where you can do really big, interesting, meaty, dramatic literature. One of the things that's exciting to me is to do something really traditional and then follow that with something that is brand new and edgy. That collision of styles and voices is really juicy to me.”

    Pictured above: Valerie Curtis-Newton, left, will return to again direct 2017 Colorado New Play Summit offering 'Last Night and the Night Before' on the mainstage season. Photo by John Moore for the DCPA NewsCenter.)

    Coleman covers the traditional-to-edgy gamut with the announcement of both an eight-play Theatre Company season that includes three classics and two world premieres, as well as an innovative five-play slate from the company's adventurous Off-Center wing.  

    nataki-garrettWhen Coleman was named Artistic Director in November, he promised programming that will further the DCPA’s efforts to diversify its audiences, champion local storytelling and give voice to underserved communities. All five of the other mainstage directors he named today are women — and three of the playwrights are women or persons of color. Four if you count Off-Center's commission of a planned immersive hip-hop piece from This is Modern Art co-writer Idris Goodwin.
      

    The mainstage season includes two world-premiere plays: Donnetta Lavinia GraysLast Night and the Night Before, which was featured at the company’s 2017 Colorado New Play Summit, and Itamar MosesThe Whistleblower. With the exception of A Christmas Carol, which returns for a 26th year, every playwright and source writer (even Tolstoy) will be new to Theatre Company audiences except Nottage, whose Ruined was one of the most celebrated productions in company history In 2011.

    The Off-Center offerings, said Curator Charlie Miller, will complement the Theatre Company season and tell exciting stories in unconventional ways. “From original micro plays to new theatrical experiments to a large-scale immersive hip-hop show, Off-Center will take audiences into unexpected Denver spaces and showcase local artists, stories, and communities,” he said.

    Starting Monday: A daily, deeper dive into 2018-19 season

    The Theatre Company debuted on New Year’s Eve 1979 with The Caucasian Chalk Circle, starring Tyne Daly. Coleman says there is special significance to this being the 40th anniversary season because the company is old enough to have built an significant canon but also young enough to still have staff, artists and audience members who have been here all along — a lot of them.

    "As we step into the next chapter of the Theatre Company’s history, it's inspiring and energizing to look back on the extraordinary body of work that this company has brought to the region over the last 40 seasons," Coleman said. "What's really vivid to me is how many people have been around from Day 1. There are so many people who are really invested in the history and the future of this organization. So, to me, that's worth celebrating. And I view that as a launching pad for me.

    These playwrights and directors are the cream of the crop, and I look forward to the conversations these works will open up with the Denver community."

    John Moore was named one of the 12 most influential theater critics in the U.S. by American Theatre Magazine in 2011. He has since taken a groundbreaking position as the Denver Center’s Senior Arts Journalist.

    Meet new Theatre Company Artistc Director Chris Coleman


    Chris Coleman 2018-19 season announcement


    2018-19 DCPA Theatre Company season at a glance:

    • Aug. 24-Sept. 30: Vietgone (Ricketson Theatre)
    • Sept. 7-Oct. 14: Rodgers & Hammerstein’s Oklahoma! (Stage Theatre)
    • Sept. 21-Oct. 21: The Constant Wife (Space Theatre)
    • Nov. 21-Dec. 24: A Christmas Carol (Stage Theatre)
    • Jan. 18-Feb. 24, 2019: Last Night and the Night Before (Ricketson Theatre)
    • Jan. 25-Feb. 24, 2019: Anna Karenina (Stage Theatre)
    • Feb. 8-March 10, 2019: The Whistleblower (Space Theatre)
    • April 26-May 26, 2019: Sweat (Space Theatre)

    DCPA Theatre Company tickets and subscriptions: New and renewing subscribers have the first opportunity to reserve tickets. Subscription packages are now available online at denvercenter.org or by calling 303-893-4100. Subscribers enjoy 30 percent off savings, free ticket exchanges, payment plans, priority offers to added attractions, discounted extra tickets, a dedicated VIP hotline, free events including talkbacks and receptions, and the best seats at the best prices, guaranteed. Single ticket on-sale date will be announced at a later time. BUY ONLINE

    2018-19 Off-Center season at a glance:

    • July 11-Aug. 22: Mixed Taste: Tag team lectures on unrelated topics (Wednesdays only, with MCA Denver, Seawell Ballroom)
    • Oct. 23-Nov. 18: Bite-Size: An evening of micro theatre (at BookBar)
    • Nov. 23-Dec. 24: The SantaLand Diaries (with Boulder Ensemble Theatre Company at The Jones)
    • March 2019: Powered by Off-Center (The Jones)
    • Dates TBA: Untitled Immersive Hip-Hop Show

    Off-Center ticket information: The single ticket on-sale date for all Off-Center productions will be announced at a later time. Subscriptions are not available for Off-Center shows.


    2018-19 THEATRE COMPANY SEASON: Title by title

    (Descriptions provided by DCPA Theatre Company)

    Vietgone

    • Oregon Shakespeare Festival 2016 VietgoneBy Qui Nguyen
    • Original music by Shane Rettig
    • Directed by Seema Sueko
    • Aug. 24-Sept. 30, 2018 (Opens Aug. 31)
    • Ricketson Theatre
    • Glance: This rap-spitting, pop culture-crusted dramedy is an ode to the real-life courtship of Playwright Qui Nguyen’s parents. Forced to leave their country during the height of the Vietnam War, two refugees find themselves at the same relocation camp in Arkansas – the land of Harleys, hot dogs and “howdy!” Before they find their way into each other’s arms, they’ll have to blaze a trail in their weird new world and leave behind the baggage they didn’t pack. Jump on this emotional ride for an adventure that hums with excitement as it hops across time and around the globe through the highs and lows of love.
    • Fun fact: Qui Nguyen is the self-described geeky playwright behind She Kills Monsters, which addressed stereotypes and social issues through the game “Dungeons and Dragons.”

    (Pictured: Oregon Shakespeare Festival's 2016 production of 'Vietgone,' courtesy Oregon Shakespeare Festival.)

    Rodgers & Hammerstein’s Oklahoma!

    • Oklahoma!Music by Richard Rodgers; book and lyrics by Oscar Hammerstein II
    • Based on the play Green Grow the Lilacs by Lynn Riggs
    • Original Dances by Agnes de Mille
    • Directed by Chris Coleman
    • Sept. 7-Oct. 14, 2018 (Opens Sept. 14)
    • Stage Theatre
    • Glance: With a spring in their step and a song in their hearts, cowboys, farmers and travelling salesmen alike have chased their destinies to a land that promises everything they could hope for: love, opportunity and a brighter future. The first collaboration by the legendary team of Rodgers and Hammerstein became a landmark musical for its rollicking music and stunning dance numbers, and this joyful presentation will solidify why it has stood the test of time. New DCPA Theatre Company Artistic Director Chris Coleman makes his DCPA directorial debut with this production, and he will set the story in one of the 50 all-African-American towns in the early days of the Oklahoma Territory. Discover an overlooked piece of American history as one small community stakes its claim on a place full of hope. The choreographer will be Dominique Kelley, a dancer in the film La La Land and the musical Bring in 'Da Noise, Bring in 'Da Funk.
    • Fun fact: Oklahoma! opened on Broadway at the St. James Theatre 75 years ago Saturday, and the cast of the Denver-born Frozen marked the anniversary with a curtain-call singalong that you can watch at this YouTube link.

    The Constant Wife

    • The Constant WifeBy W. Somerset Maugham
    • Directed by Shelley Butler
    • Sept. 21-Oct. 21, 2018 (Opens Sept. 28)
    • Space Theatre
    • Glance: As the intelligent, charming housewife of a successful doctor, Constance Middleton cheerfully plays her traditional role. But she knows far more than she’s willing to let on. This cheeky satire pokes holes in the expectations of relationships, fidelity and social roles that were just as relevant in the 1920s as they are today. Featuring an infectiously plucky heroine at the helm, The Constant Wife takes joy in the imperfections of life and applauds those who elude the strict confines of society to discover true happiness. DCPA alum Shelley Butler (Human Error, The Most Deserving) returns to direct this contagious comedy.Fun fact: Variety calls Maugham’s protagonist “a perverse protofeminist — and an antecedent to the women of “Desperate Housewives” and “Sex and the City.”

    A Christmas Carol

    • Sam Gregory A Christmas Carol. By Charles Dickens
    • Adapted by Richard Hellesen
    • Music by David de Berry
    • Directed by Melissa Rain Anderson
    • Nov. 21-Dec. 24, 2018 (Opens Nov. 29)
    • Stage Theatre
    • Glance: Based on Charles Dickens’ classic novel, the Theatre Company’s joyous and opulent seasonal offering now in its 26th year traces money-hoarding skinflint Ebenezer Scrooge’s triumphant overnight journey to redemption. A Christmas Carol illuminates the meaning of the holiday season in a way that has resonated for generations. Note: This is an added attraction, not part of the Theatre Company subscription season.
    • Fun fact: Denver favorite Sam Gregory is scheduled to return for a third time as Scrooge.

    Last Night and the Night Before (world premiere)

    • Summit. Last Night. Donnetta By Donnetta Lavinia Grays
    • Directed by Valerie Curtis-Newton
    • Jan. 18-Feb. 24, 2019 (Opens January 25)
    • Ricketson Theatre
    • Glance: When Monique and her 10-year-old daughter Samantha show up unexpectedly on her sister’s Brooklyn doorstep, it shakes up Rachel and her partner Nadima’s orderly New York lifestyle. Monique is on the run from deep trouble and brings their family’s Southern roots with her, grabbing hold of Rachel’s life more ferociously than she could have ever imagined. Poetic, powerful and remarkably funny, Last Night and the Night Before play explores the struggle between the responsibilities that are expected of us and the choices we actually end up making.
    • Fun fact: This play was featured in the 2017 Colorado New Play Summit. Its original title was simply, Sam. The new title references a line from the children’s game "Last night and the night before, I met my baby at the candy store."


    Anna Karenina

    • TC-web-Season-Ann-400x3003By Kevin McKeon, adapted from the novel by Leo Tolstoy
    • Directed by Artistic Director Chris Coleman
    • Jan. 25-Feb. 24, 2019 (Opens Feb. 1)
    • Stage Theatre
    • Glance: Love holds the power to bind us together or tear us apart, and no one knows better than Countess Anna Karenina. As a noblewoman and socialite, her glamorous lifestyle shrouds her unhappy marriage. But everything changes when she meets the dashing army officer Count Vronsky. She risks her social status, marriage, friends and family for the thrill of forbidden love. Anna Karenina uses the romantic backdrop of Tsarist Russia to tell a turbulent tale of passion and betrayal, dreams chased and lost, and the consequences of getting swept off your feet. Helmed by Artistic Director Chris Coleman, this lush, modern adaptation of Leo Tolstoy’s masterpiece brings the opulent setting and heart-wrenching story to life.
    • Fun fact: The play was made into a 2012 movie adapted by Tom Stoppard and featuring Keira Knightley and Jude Law.


    The Whistleblower (world premiere)

    • itamarmoses whistleblowerBy Itamar Moses (pictured right)
    • Directed by TBA
    • Feb. 8-March 10, 2019 (Opens Feb. 15)
    • Space Theatre
    • Glance: For screenwriter Eli, an offer to finally create his own TV show should be the ultimate culmination of his goals, but instead shocks him into wondering why he had those dreams in the first place. Armed with a new sense of spiritual clarity, he sets out on a quest to serve up some hard truths to his coworkers, family, exes and friends. What could possibly go wrong? A lively world premiere about the lies we tell to protect ourselves  and how the tiniest gestures can have deep impact on those around us. Written by Itamar Moses, the award-winning author of the musical The Band’s Visit, currently on Broadway.
    • Fun facts: The Whistleblower was first introduced as a staged reading at South Coast Repertory’s 2015 Pacific Playwrights Festival in Costa Mesa, Calif. — alongside Vietgone. Also, Moses was an Executive Story Editor for HBO's "Boardwalk Empire."

    Sweat

    • TC-web-Season-Ann-400x3004By Lynn Nottage
    • Directed by Nataki Garrett
    • April 26-May 26, 2019 (Opens May 3)
    • Space Theatre
    • Glance: For the people of poverty-stricken Reading, Pa., work is so much more than a paycheck – it’s the glue that holds the town together. The floor of their central factory is where lifelong friendships are made, where love blossoms and where family members work side-by-side. But as layoffs become the new norm and a cheaper workforce threatens the viability of the local union, the threads that once kept the community together begin to fray. Sweat is an “extraordinarily moving drama,” said The New York Times, that powerfully contrasts life’s happiest highs with the heart-wrenching struggles of survival. Using warm humor and deep empathy, this 2017 Pulitzer Prize winner from Lynn Nottage (Ruined) paints a moving portrait of today’s working-class America in decline.
    • Fun fact: Nottage developed her play through interviews with actual former steelworkers in Reading.

    2018-19 OFF-CENTER SEASON: Title by title

    Mixed Taste: Tag team lectures on unrelated topics

    • Mixed Taste Aug 9Co-presentation with MCA Denver
    • July 11-Aug. 22, 2018 (Wednesdays only)
    • Seawell Ballroom
    • Glance: Returning for a second summer series, even mismatched subjects find common ground in this fun lecture forum that can go pretty much anywhere. Two speakers get 20 minutes each to enlighten you on unrelated topics, but can’t make any connections to each other. Ideas start to blend afterward, when audience members ask questions to both speakers and anything goes.
    • Fun fact: One clever example from last year’s series: “Wild West mail delivery and post-conceptual art.” Last year’s series emcee Suzi Q. Smith wrote a poem during each performance and read them at the end of every evening.
     

    Bite-Size: An evening of micro theatre

    • 2017 TRUE WEST AWARDS Gary Grundie Meridith C. GrundeiCreated and directed by Meridith Crosley Grundei
    • Oct. 23-Nov. 18, 2018
    • At BookBar, 4280 Tennyson St.
    • Glance:
    • Bite-Size brings you five short plays with bookish twists performed in and around BookBar, an independent bookstore and wine bar in the Tennyson Street Arts District. Grab tapas and drinks between the short performances of original works by Colorado-based artists. There is no better way to see a variety of local playwrights and performers in one place. Whether you’re a theatre geek, a bookworm or on the hunt for an off-beat night out, this evening will leave you eager to crack into a fresh hard-cover and dream up some tales of your own.
    • Fun fact: Director Meridith Grundei, a 2017 True West Award winner, packed up a used R.V. and hit the road with her husband and daughter in 2017 to travel the United States and Mexico for a year.


    The SantaLand Diaries

    • A Santaland Diaries Michael BouchardCo-presentation with Boulder Ensemble Theatre Company
    • By David Sedaris, adapted for the stage by Joe Mantello
    • Directed by Stephen Weitz
    • Nov. 23-Dec. 24, 2018 (Opens Nov. 25)
    • The Jones Theatre
    • Glance: This acclaimed one-man show is based on David Sedaris’ best-selling memoir about his curmudgeonly experience working as a Macy’s SantaLand elf, once again featuring Michael Bouchard and Luke Sorge as David, and his devilish Macy’s persona, Crumpet the Elf. Think holiday shopping is brutal? Try being on the receiving end of Macy’s SantaLand madness in a pair of pointy shoes. This twisted tale is the cure for the common Christmas show and the perfect excuse to take a break from it all.
    • Fun fact: 2018-19 will mark the 10th anniversary of BETC’s annual holiday staging, the last seven in partnership with Off-Center. That will equal The Bug Theatre’s run of 10 seasonal The SantaLand Diaries starring Gary Culig.

    Powered by Off-Center

    • March 2019
    • The Jones Theatre
    • Glance: Discover your next favorite Colorado performer as they debut new work at the Denver Center. Off-Center is offering the spotlight to local creators of all kinds as they get their projects off the ground with the support of our team. We’re giving our local artistic community a new place to play and a platform to experiment, engage and excite us all. Performance dates and participating artists to be announced.

    Untitled Immersive Hip-Hop Show

    • Idris Goodwin 160Written by Idris Goodwin
    • Directed by Jenny Koons
    • Glance: Following the hit experiential shows Sweet & Lucky and The Wild Party, Off-Center is cooking up its next large-scale immersive adventure. Off-Center has commissioned playwright Idris Goodwin and New York-based director Jenny Koons (Burn All Night at American Repertory Theatre) to create a one-of-a-kind new hip-hop-inspired event. Title, location, dates, and details to be announced.
    • Fun fact: Goodwin is the director and co-writer of This is Modern Art, currently playing through April 15 in The Jones Theatre.

    Note: Due to the nature of live performance, all productions, prices and dates are subject to change.

    More Colorado theatre coverage on the DCPA NewsCenter

  • In the Spotlife: Jake Mendes of 'This is Modern Art'

    by John Moore | Mar 30, 2018

    Jake Mendes. THIS IS MODERN ARTLakewood native Jake Mendes makes his Denver Center debut in This is Modern Art.'

    Jake Mendes glides from Hedwig glam to graffiti bomber in Off-Center's provocative new play This is Modern Art

    MEET JAKE MENDES
    2016 True West Award winner Jake Mendes, who plays Dose in Off-Center's This is Modern Art, is making his Denver Center debut. The University of Northern Colorado grad just blew the roof off the Aurora Fox starring in Hedwig and The Angry Inch. At the Arvada Center, he recently played Rueben in Joseph and the Amazing Technicolor Dreamcoat. Paul in A Chorus Line and he originated the role of Simon in the world premiere musical I'll Be Home For Christmas. Off Broadway, he performed in Bunnicula and Pinkalicious: The Musical. Other New York credits include Xanadu, A Man of No Importance, The Little Dog Laughed, The Normal Heart and The Drowsy Chaperone.

    • Hometown: Lakewood
    • Home now: Denver
    • What's your handle? @_jake_mendes_ on Instagram
    • What have you done for us lately? I played Hedwig in Hedwig and the Angry Inch at the Aurora Fox
    • Twitter-sized bio: Portuguese. Virgo. Lactose Intolerant.
    • JAKE MENDES HEDWIG AURORA FOXWhat would you be doing if you were not an actor? I would be directing and choreographing. I thrive on the creation of art and collaboration with artistic minds. I feel like I can best contribute to the world around me through theatre and performing arts.
    • One role you were completely miscast for: While it was very fun … I did a spot in a web series where I had to be a hipster bro, introducing my girlfriend to my sex-obsessed, over-sharing parents for the first time.
    • Bucket-list role? I was lucky enough to cross this off of my list earlier this year when I played Hedwig with the incomparable Norrell Moore. So now I’m waiting for someone to cast me as Effie White in Dreamgirls.
    • One seminal experience where you saw greatness play out in front of you: When I saw Larry Kramer's The Normal Heart on Broadway, I had a moment where I truly understood how theatre could immediately affect people in a guttural and primitive way. At the end of the play, people were crying and hugging each other, silent. I realized then that it is truly our responsibility and privilege as performers to send our stories to people’s hearts and souls. We won’t be able to determine how they’ll  be received, but we could be the ones to provide an opportunity for an audience member to be transformed in some way.
    • Betty WhoWhat are you listening to on Spotify right now? I’m always listening to Betty Who, but I’m also really into the playlist compiled from the Netflix series “She’s Gotta Have It” right now.
    • What is This is Modern Art all about? It's based on the true story of a Chicago graffiti crew that is are willing to risk everything for their art. But when they pulled off the biggest graffiti bomb the city had ever seen, the consequences got real, and it sparked a public debate that asked where art does — and does not — belong?
    • Why does This is Modern Art Matter? This play highlights the fact that art should never be boxed into something specific. Artistic expression means different things to different people. You may like to experience different forms of art, but one will never be better than the other.
    • Jake Mendes THIS IS MODERN ARTWhat do you hope audiences get out of seeing This is Modern Art? At the very least, I hope their eyes will be more open to the beautiful and illustrious street art culture that is exploding in Denver.
    • One thing we should be doing to foster the next generation of theatregoers? We need to encourage people to listen, and to be open and honest. Whether you’re listening to a performance, listening to your castmates on stage with you, listening to what your director is saying … listening to your own heart and soul. Listening, honesty and openness all help to foster a sense of trust, which cultivates one’s ability to take risks and create dynamic, life-changing experiences.
    • What do you want to get off your chest? Dear Dad, I got my nose pierced… I’ve been keeping it hidden for a few months… sorry.
    • What's one thing we don't know about you? I’m a certified Pre-Natal and Post Partum Personal Trainer.

    More Colorado theatre coverage on the DCPA NewsCenter


    This is Modern ArtThis is Modern Art
    : Ticket information

    • Presented by Off-Center
    • Performances through April 15
    • Jones Theatre, Denver Performing Arts Complex
    • Written by Kevin Coval and Idris Goodwin
    • Directed by Idris Goodwin
    • Featuring Robert Lee Hardy, John Jurcheck, Brynn Tucker, Jake Mendes, Chloe McLeod and Marco Robinson
    • Call 303-893-4100 or BUY ONLINE
    Selected previous NewsCenter coverage of This is Modern Art:
    This is Modern Art will make you look
    Idris Goodwin is going places: From Curious' Detroit '67 to Denver Center
    Graffiti: Modern art or 'urban terrorism'?
    Vast and visceral: Off-Center season will include This is Modern Art

    More 2017-18 'In the Spotlife' profiles:

    • Meet Ilasiea L. Gray of Sleeping Beauty
    • Meet Candy Brown of Love Letters
    • Meet Christy Brandt of Creede Rep's Arsenic and Old Lace
    • Meet Deb Persoff of Vintage Theatre's August: Osage County
    • Meet Monica Joyce Thompson of Inspire Creative’s South Pacific
    • Meet Hugo Jon Sayles of I Don't Speak English Only
    • Meet Marialuisa Burgos of I Don't Speak English Only

  • Boulder Ensemble Theatre commissions Idris Goodwin for new play

    by John Moore | Mar 06, 2018
    IDRIS GOODWIN. PHOTO BY John Moore
    Idris Goodwin is the co-writer and director of Off-Center's upcoming 'This is Modern Art.' Photo by John Moore for the DCPA NewsCenter.



    Boulder Ensemble Theatre Company expands commitment to parent playwrights with children under age 18

    The Boulder Ensemble Theatre Company today announced it has a commissioned a new play by Colorado playwright Idris Goodwin, the co-writer and director of Off-Center's upcoming This is Modern Art.

    "BETC and I share the belief that the theater artists and audiences of the Rockies are hungry for relevant new work," said Goodwin, also a rapper and associate theatre professor at Colorado College in Colorado Springs.

    Goodwin will be working with an ensemble of artists to develop a play about how public schooling in America intersects with race, poverty, civil rights, states’ rights and federal oversight. "We're going to dive deep into the question of who decides what is worth knowing?" Goodwin said. "I am eager to get to work."

    Jenifer BarclayOn March 22, Goodwin's production of This is Modern Art, which recounts the true story of the biggest graffiti bomb in Chicago history, opens in the Jones Theatre.

    BETC's new-play development program, called Generations, supports the work of parent playwrights with children under 18. And this year it is being expanded to host a second residency, for University of Maryland assistant playwriting professor Jennifer Barclay. Her play Danny was selected from more than 150 submissions as part of BETC's annual Generations competition. Danny is a drama about two generations of African-American women set in the Cabrini Green neighborhood of Chicago.

    Barclay will receive a week-long residency in Boulder to develop Danny with a professional cast, director and dramaturg — with childcare support provided by BETC. The workshop will culminate in a public reading in August.

    “I am thrilled that BETC offers an award and development opportunity that is specifically for parents of young children," Barclay said. "I am grateful for the commitment that BETC has made to new plays, as well as their commitment to easing the burden of the playwright parent's work and life juggling act."

    Producing Artistic Director Stephen Weitz said the goal for the Generations program is to welcome all generations into the theater to see new plays, and to empower playwrights to generate new work.  “Our program has a unique focus and demonstrates our commitment to foster new play development here in the Colorado community that will have wide-ranging impact across the country and the theatre industry," he said. 

    This is Modern ArtThis is Modern Art: Ticket information

    • Presented by Off-Center
    • Performances March 22-April 15
    • Jones Theatre, Denver Performing Arts Complex
    • Call 303-893-4100 or BUY ONLINE
    Selected previous NewsCenter coverage of Idris Goodwin:
    This is Modern Art will make you look: Cast list, first-day report, photos
    Idris Goodwin is going places: From Curious' Detroit '67 to Denver Center
    Graffiti: Modern art or 'urban terrorism'?
    Vast and visceral: Off-Center season will include This is Modern Art
    Video: Victory Jones and the Incredible One Woman Band

  • 'This is Modern Art' will make you look

    by John Moore | Mar 04, 2018
    Making of 'This is Modern Art'

    Above: Our full photo gallery from the making of Off-Center's 'This is Modern Art,' opening March 22. To see more, click on the image above. From left in first photo above: Denver actors Robert Lee Hardy, Jake Mendes and Marco A. Robinson. Photos by John Moore for the DCPA NewsCenter


    Off-Center play starts a provocative conversation about art that controversial Chicago graffiti artists started in snow 

    By John Moore
    Senior Arts Journalist

    Graffiti crews have been called vandals, criminals — even creative terrorists. What they are is artists, says director, playwright and artist Idris Goodwin. “And in 2009, some of those artists set out to make their voices heard and alter the way people view the world.”

    Goodwin, also a full-time associate theatre professor at Colorado College in Colorado Springs, co-wrote This is Modern Art, a book and now proudly controversial stage play based on an incident when a graffiti crew created a massive tag on the outside of the Art Institute of Chicago’s new, multimillion-dollar Modern Wing. Under cover of snowfall, they painted a 50-foot mural bookended by the words “Modern Art … Made You Look.”

    This explicit challenge of a powerful arts institution drew condemnation, outrage and, from many, celebration.

    "They wanted to have a conversation around art and culture that I don't think otherwise happens,” Goodwin said. "I think fine art has become very apolitical over the years, and that then fosters a certain apoliticism to class. These artists really wanted to have an open conversation about art but, unfortunately, that didn't really happen."

    Instead, the anonymous artists went — and remain — underground. But Goodwin’s co-writer Kevin Coval found them and interviewed them, Studs Terkel-style, for the play.

    This is Modern Art. Idris Goodwin Quote. Photo by John MooreThis Is Modern Art, which will be staged by the DCPA’s Off-Center from March 22 through April 15 in the Jones Theatre, offers a glimpse into the lives of graffiti artists and asks timeless questions about art: What is art — and who gets to say so? It also addresses the competing issues of artistic freedom and private property.

    This is a story, Goodwin added, “that allows the audience to get to know a very particular culture that has its own history, and its own set of morals. It allows them to go along on this ride without actually getting any paint on their hands.”

    Off-Center co-founder and curator Charlie Miller said Goodwin and Coval "take elements of hip-hop culture and put them onstage in a way that is both accessible to an audience who knows nothing about it, and to those who are deeply steeped in that culture. Idris makes the theatre a meeting place for both of those audiences.”

    More Colorado theatre coverage on the DCPA NewsCenter

    Miller said he is “proud to be doing this work and engaging the artists who are working on this project. And, most important, to be engaging our audiences in the tough conversation this play brings up.”

    Goodwin knows the Denver Center’s traditional theatregoing audience base will be challenged. That’s the point, he said. 

    “I have this fantasy where these seniors who are 65 and older come to see the show and suddenly get a late-in-life spark to write graffiti. That's my goal," he said. "If I can get at least three octogenarians thrown in jail after seeing this play, I will have done my job.’ ”

    A THIS IS MODERN ART. Idris Goodwin. Photo by John Moore

    Photo by John Moore.


    Here are five more things we learned at the first rehearsal for 'This Is Modern Art,' followed by the announcement of the all-local cast and creative team:

    NUMBER 1

    Modern Art 800Small world. The world premiere of This is Modern Art was staged at Chicago’s Steppenwolf Theatre in 2015 (pictured right). The director was Lisa Portes, who just happens to arrive in Denver next week to begin work on the Karen Zacarías comedy Native Gardens for the DCPA Theatre Company. The Off-Center production of This is Modern Art is being directed by Goodwin himself. “Idris is a wildly imaginative thinker,” Portes told the DCPA NewsCenter. “He knows the necessity of traditional structure well, and he also pushes against it in order to get to something else. This is Modern Art follows a pretty traditional structure, but its content is quite subversive.” Indeed, the staging was among the most controversial of the past decade. The play was presented as part of Steppenwolf's Young Adult Series, and critics at the city’s two major daily papers bashed the morality of the piece. "There was a bit of a kerfuffle to say the least," Goodwin said with a laugh. "For critics, the question became, 'How dare you glorify anyone who challenges the law?' To which we said: 'Thank you for making us the N.W.A. of theatre,' " referring he said, to the polarizing gangsta-rap pioneers. Goodwin says he considers the scathing review by Hedy Weiss of the Chicago Sun-Times to be among his most prized possessions. "It reads like it is right out of the 1930s," he said. "I kept waiting for the words 'Reefer Madness' to appear." A social media backlash accused the Chicago critics of being out of touch.

    NUMBER 2This is a heist! In writing the play, Goodwin and Coval were inspired by the film Man on Wire, which chronicles Philippe Petit's renegade 1974 high-wire walk between the Twin Towers at the World Trade Center. “It's a documentary, but it feels like a heist film,” Goodwin said. A heist film is a kind of crime film that focuses on the planning, execution and aftermath of a theft. “And that was the play we wanted to write,” Goodwin said.

    NUMBER 3Crushing it. The Jones Theatre will be transformed into an abandoned warehouse that serves as the primary location for the story. The theatre walls will be covered in layers of graffiti, while the actual tag at the Art Museum will be depicted through a real-time animated projection so that the actors don’t actually paint during the performance. “It's going to be really exciting,” said Scenic Designer Nicholas Renaud. Projection Designer Topher Blair has been consulting and collaborating with graffiti artist Robin Munro, founder of Colorado Crush, Colorado’s largest independent annual graffiti event that has transformed the two-block alleyway in RiNo now known as “Art Alley.” 

    Read more: Is graffiti modern art ... or urban terrorism?

    NUMBER 4Opening doors and minds. There will be eight student matinee performances of This is Modern Art, Miller said, “because the questions this play asks are really important, particularly for high-school students. This play really lifts up these artists, who are people we don't normally get to see on a stage.” There also will be a facilitated talkback after every student matinee to further the conversation. "We're really excited that every student who comes will get to really get to dig deep into the themes and questions of the play as part of their experience,” Miller said.

    NUMBER 5The more you know. If you are interested in the rich history of Chicago graffiti art and the story behind This is Modern Art before you attend the play, you can order the source book from Haymarket Books. “We wanted to do something different than just an acting edition of the play,” Goodwin of the book, which includes a foreword by Lisa Yun Lee, Director of the School of Art and Art History at the University of Illinois at Chicago. "This play is about more than just this particular art crime,” Lee wrote. “ It is also about an ongoing kind of crime perpetrated by the powerful against those in the margins, a more universal history of oppression that takes place through the prescription of what is beautiful.” It is available in paperback ($11) or e-book ($6) form here. And you can read the foreword here.

    John Moore was named one of the 12 most influential theater critics in the U.S by American Theatre Magazine in 2011. He has since taken a groundbreaking position as the Denver Center's Senior Arts Journalist.


    This is Modern Art
    : Cast and creatives

    This is Modern Art Cast. Photos by John Moore

    Clockwise from top left, actors John Jurcheck, Brynn Tucker, Jake Mendes, Robert Lee Hardy, Chloe McLeod and Marco Robinson. Photos by John Moore, filtered by Prisma. 

    • Written by Kevin Coval and Idris Goodwin
    • Directed by Idris Goodwin
    • Scenic Designer: Nicholas Renaud
    • Costume Designer: Meghan Anderson Doyle
    • Lighting Designer: Katie Gruenhagen
    • Sound Designer: Elisheba Ittoop
    • Projection Design: Topher Blair
    • Graffiti Artist: Robin Munro
    • Dramaturg: Kristin Leahey
    • Stage Manager: Rick Mireles
    • Casting: Grady Soapes

    Cast:

    • Robert Lee Hardy (DCPA Education’s The Snowy Day, Vintage Theatre’s A Time To Kill) as Seven
    • John Jurcheck (Curious Theatre Company’s Hand To God, DCPA Theatre Company’s Jackie & Me) as Ensemble
    • Chloe McLeod (Miners Alley Playhouse’s Fun Home, DCPA’s A Christmas Carol) as Selena
    • Jake Mendes (Aurora Fox’s Hedwig and the Angry Inch, DCPA Debut) as Dose
    • Marco Robinson (Miners Alley Playhouse’s Fun Home, Off-Center’s The Wild Party) as Jose Clemente/JC
    • Brynn Tucker (Local Theater Company’s The Rape of the Sabine Women, DCPA Theatre Company’s Frankenstein) as Ensemble

    This is Modern ArtThis is Modern Art
    : Ticket information

    • Presented by Off-Center
    • Performances March 22-April 15
    • Jones Theatre, Denver Performing Arts Complex
    • Call 303-893-4100 or BUY ONLINE
    Selected previous NewsCenter coverage of Idris Goodwin:
    Idris Goodwin is going places: From Curious' Detroit '67 to Denver Center
    Graffiti: Modern art or 'urban terrorism'?
    Vast and visceral: Off-Center season will include This is Modern Art
    Video: Victory Jones and the Incredible One Woman Band


    About Off-Center

    As the most unconventional line of Denver Center programming Off-Center specializes in unexpected experiences such as Sweet & Lucky, the first large-scale immersive show in Denver; and The Wild Party, a decadent, 360-degree party set in the Roaring '20s. An Off-Center show is like no other theatre experience — by design. Off-Center focuses more on connecting people and upending expectations than on adhering to tradition. Off-Center wants you leaving a show thinking, “I’ve never seen anything like that.”

    Cast and creatives for 'This is Modern Art' on the first day of rehearsal. Photo by John Moore.Cast and creatives for Off-Center's 'This is Modern Art' on the first day of rehearsal Feb. 27. Photo by John Moore.
  • March openings: Athena rises as 'All My Sons' leaves American Dream in ruins

    by John Moore | Mar 02, 2018
    All My Sons. Emma Messenger. Sam Gregory. Matt Gale Photography

    Emma Messenger and DCPA Theatre Company favorite Sam Gregory (Scrooge in 'A Christmas Carol') are currently starring in the Arvada Center's 'All My Sons.' Matt Gale Photography 2018.


    Month-long Athena Project Festival turns March theatre spotlight to women in fields of theatre, music and dance

    By John Moore
    Senior Arts Journalist

    The DCPA Theatre Company's newly completed Colorado New Play Summit serves as something of a kickoff to a series of Colorado festivals celebrating new work for the American Theatre. Throughout March, the spotlight shifts to the 6th annual Athena Project Arts Festival, which has grown into a massive, citywide celebration of women's voices in theatre, dance, music, comedy and fashion.

    Athena Project 2013The festival's signature program is its Plays In Progress series. Organizers have selected three promising scripts from among 150 submissions for development during the festival: The Buddha’s Wife by Mary Poindexter McLaughlin, Mama’s Eggnog by Angela Stern, and The Golden Hour by Elizabeth Nelson. Each script will get two public workshop readings between March 22 and March 31. In addition, Claire Caviglia's The Inside Child will receive a table read on March 22, and Philana Omorotionmwan's Strong Face will have a concert reading on March 29. Most theatre events will be held at the University of Denver.

    Music highlights will include an open-mic night for female singers on March 8 at the Swallow Hill Music Hall; and a concert headlined by Megan Burtt and emerging artist Nina de Freitas on March 10. New this year is Cross Pollinations, in which artists from different disciplines are paired together to create a live, original work of art to be presented March 9. Dance events will be held March 17 and 18.

    Tickets range from free to a $35 series pass that gets you into to all three plays, panel discussions and more. Full schedule and more information at AthenaProjectArts.org.

    The Athena Festival, founded by Angela Astle, will be followed by Local Theater Company's Local Lab new-play festival from April 20-22 in Boulder.

    Here are a few more highlights for the coming month in Colorado theatre, followed by a comprehensive list of all your statewide theatregoing options for March. 

    Ten intriguing titles for March:

    NUMBER 1All My Sons. It not only won the first-ever Best Play Tony Award, All My Sons may be Arthur Miller's best play, period. This classic tale is based on the true story of an Ohio manufacturer who sold faulty parts to the U.S. military during World War II. Joe Keller, played by DCPA Theatre Company favorite Sam Gregory, is made to face the true cost of his business choices and their devastating impact on his family. This is the last opening of the Arvada Center's second Black Box Theatre Company season. The big-name cast also includes Emma Messenger, Geoffrey Kent, Kate Gleason, Regina Fernandez, Abner Genece, Zachary Andrews, Jessica Austgen, Lance Rasmussen and youngsters Harrison Hauptman and August Reichert. Runs through May 3 in repertory with Sense and Sensibility and The Electric Baby at 6901 Wadsworth Blvd., 720-898-7200 or arvadacenter.org

    NUMBER 2Lady Day at Emerson's Bar & Grill. Monday, March 5, promises to be an emotional night when Mary Louise Lee revisits her signature role as Billie Holiday in Lady Day at Emerson’s Bar & Grill at the Galleria Theatre. Lee's performing career began in the Galleria (then called StageWest) when she appeared in Beehive at only 18 years old and still a senior at Thomas Jefferson High School. Lee first portrayed the jazz legend with a singular singing voice — and a lethal heroin habit — for Shadow Theatre in 2002. She returned to the role in January for this unique co-production with Vintage Theatre that now transfers to the Denver Center. This new production, directed by Betty Hart, will perform on Monday nights only through April 23. Denver Performing Arts Complex, 14th and Curtis streets, 303-893-4100 or denvercenter.org READ MORE

    NUMBER 3Wisdom from Everything. The latest provocative offering from Boulder's Local Theater Company asks: What you would sacrifice to escape a war? Chicago playwright Mia McCullough's story presents a 19-year-old Syrian who finds herself educating girls in the largest refugee camp in the world — until an older Jordanian doctor offers her an education in exchange for marriage. The primo cast includes Amy Carle (known for her work on "Chicago MED" and for the Goodman and Steppenwolf theatres) and Mehry Eslaminia, who performed in the DCPA Theatre Company's world-premiere play Appoggiatura. March 4-26 at The Dairy Center, 2590 Walnut St., Boulder, 720-379-4470 or localtheatercompany.org

    NUMBER 4The Intelligent Homosexual’s Guide to Capitalism and Socialism with a Key to the Scriptures. With his trademark mix of soaring intellect and searing emotion, legendary playwright Tony Kushner unfurls an epic tale of love, family, sex, money and politics — all set under the hard-earned roof of an Italian family in Brooklyn. When former longshoreman and Marxist union activist Gus decides to die, his kids come home with a raucous parade of lovers and spouses to find that even the house keeps secrets. Curious Theatre presents the regional premiere of Kushner's 2009 opus with an all-star cast including the return of former DCPA Head of Acting Larry Hecht alongside Dee Covington, Karen Slack, Desirée Mee Jung, Kirkaldy Myers, Anne Oberbroeckling, Emily Paton Davies, Matthew Schneck, Luke Sorge and Brian Landis Folkins. March 17-April 14 at 1080 Acoma St., 303-623-0524 or curioustheatre.org

    NUMBER 5 Idris Goodwin 160This is Modern Art. Idris Goodwin and Kevin Coval recount the true story of the biggest graffiti bomb in Chicago history. In less than 20 minutes, and in a snowstorm, a stealthy crew spray-painted a 50-foot graffiti piece along the exterior wall of the Art Institute of Chicago in 2010. The tagging began with the words “modern art” and ended with the phrase “made you look.” The work was sandblasted off the next day, but because the artists had chosen such a high-profile target, the consequences got serious. “They were putting out a challenge,” Goodwin said. “What is modern art? Who gets to decide who a real artist is? And where does art belong?” The all-local cast includes John Jurcheck, Brynn Tucker, Jake Mendes, Robert Lee Hardy, Chloe McLeod and Marco Robinson/ Presented by Off-Center from March 22-April 15 at the Jones Theatre in the Denver Performing Arts Complex, 14th and Curtis streets, 303-893-4100 or denvercenter.org READ MORE

    NUMBER 6Ugly Lies the Bone. When a newly discharged veteran returns to her native Florida hometown after a disabling third tour in Afghanistan, she discovers that readjusting can be painful and disorienting. Through virtual reality video-game therapy, Lindsey Ferrentino's brave and bracing drama, featuring Missy Moore, examines the restoration of one soldier’s life, relationships and self. Through March 18 at the Silverthorne Performing Arts Center, 460 Blue River Parkway, Silverthorne, 970-513-9386 or lakedillontheatre.org

    NUMBER 7Totally Awesome '80s Ski Town, USA. It's rare to see a fully staged, locally written and produced musical, and this silly new party tuner spoofs goofball ski movies of the '80s and early '90s. The story follows Billy Tanner, a hilariously tortured drifter who wanders into a seemingly quiet ski burg and gets mixed up in saving the town from a greedy oil tycoon while slaloming his way through house parties, Norse gods and strange foreign-exchange students. Writers Charlie Schmidt and Cory Wendling draw from films such as Ski Patrol, Better Off Dead, Hot Dog The Movie and even Footloose. Through March 31 at Breckenridge Backstage Theatre, 121 S. Ridge St. 970-453-0199 or backstagetheatre.org

    NUMBER 8Company. On his 35th birthday, perpetual bachelor Bobby contemplates his unmarried state. Through a series of comical outings with pals and an especially anxious wedding, his friends explain the pros and cons of marriage and relationships. Bobby is forced to examine his adamant retention of bachelorhood during these hilarious arrays of social interactions. The humor is sharp and the music is legendary, written by Stephen Sondheim. Presented by the Evergreen Chorale through March 11 at 27608 Fireweed Drive, Evergreen. 303-674-4002 or EvergreenChorale.org. A portion of ticket sales for the weekend of March 2-4 will benefit the Denver Actors Fund.

    Fun Home: Third staging to open in Colorado Springs

    NUMBER 9Jessica Robblee. Waiting for Obama. Waiting for Obama. Heeding the call from Florida high-school students for a national day of dialogue, marches and protest, the Bas Bleu Theatre will present a community conversation on the prevalence of gun violence in America, followed by a reading of John Moore's play Waiting for Obama about one Colorado family that, like so many others, is deeply divided by polarizing political beliefs. Waiting for Obama was praised at the 2016 New York International Fringe Festival as “a powerful and timely play that depicts the problem of gun violence in the United States in an emotional but often humorous light.” The cast will include Laurence Curry, Chris Kendall, Leslie O’Carroll, Drew Horwitz, Maggy Stacy, John Hauser and Jenna Moll Reyes. Panel at 6:30 p.m. Saturday, March 24, with the reading to follow at 7:30. p.m. Bas Bleu Theatre, 401 Pine St. in Fort Collins, CO 80524. Admission is free but donations to the Denver Actors Fund will be accepted. Reservations are strongly encouraged by calling 970-498-8949 or emailing basbleu@basbleu.org.

    NUMBER 10The River Bride. The northern Brazilian locals say the river dolphin found in the Amazon River can transform into human beings in search of their destined life mate. Surely you don't believe that, but ... what if it were true? In this folk tale set alongside the mightiest river in the world, Marisela Treviño Orta's heartrending storytelling blends love, grudges and transformation. Directed Hugo Jon Sayles. March 8-25 at the Su Teatro Performing Arts Center, 721 Santa Fe Drive, 303-296-0219 or suteatro.org


    NOTE: At the start of each month, the DCPA NewsCenter offers an updated list of upcoming theatre openings, spotlighting work being presented on stages statewide. Companies are encouraged to submit listings and production photos at least two weeks in advance to the DCPA NewsCenter at jmoore@dcpa.org.

    THIS MONTH'S THEATRE OPENINGS IN COLORADO:

    DCPA March Mary Louise Lee. Lady Day. Photo by Adams VisComMarch 1-31: Breckenridge Backstage Theatre's Totally Awesome 80's Ski Town USA
    121 S. Ridge St. 970-453-0199 or backstagetheatre.org

    March 2-May 3: Arvada Center's All My Sons
    Studio Theatre, 6901 Wadsworth Blvd., 720-898-7200 or arvadacenter.org

    March 2-18: Lake Dillon Theatre Company's Ugly Lies the Bone
    At the Silverthorne Performing Arts Center, 460 Blue River Parkway, Silverthorne, 970-513-9386 or lakedillontheatre.org

    March 2-11: Evergreen Chorale's Company
    At Center/Stage, 27608 Fireweed Drive, 303-674-4002 or evergreenchorale.org

    March 3-31: Athena Project Arts Festival
    Various locations, 303-219-0882 or athenaprojectfestival.org

    March 2-11: Vintage Theatre's Ring of Fire: The Music of Johnny Cash
    1468 Dayton St., Aurora, 303-839-1361 or vintagetheatre.com

    March 3-26: BDT Stage's Always … Patsy Cline
    5501 Arapahoe Ave., 303-449-6000 or bdtstage.com

    March 4-24: Local Theatre Company's Wisdom From Everything
    The Carsen Theater at The Dairy Center, 2590 Walnut St., Boulder, 720-379-4470 or localtheatercompany.org

    March 5-April 23: DCPA Cabaret's Lady Day at Emerson’s Bar and Grill
    Garner Galleria Theatre, Denver Performing Arts Complex, 14th and Curtis streets, 303-893-4100 or denvercenter.org READ MORE

    March 8-25: Su Teatro's The River Bride
    721 Santa Fe Drive, 303-296-0219 or suteatro.org

    March 8-25: Millibo Art Theatre's The Blow Up
    1626 S. Tejon St. Colorado Springs, 719-465-6321, themat.org

    Briar-Rose-Ilasiea-L.-Gray-pricks-her-finger-with-Prince-Owain-Austin-Lazek-SLEEPING-BEAUTY-MACC-2018-RDG-Photography-1440x810March 8-May 4: Denver Children's Theatre's Sleeping Beauty
    Public performances 1 p.m. Sundays
    Elaine Wolf Theatre at the Mizel Arts and Culture Center, 350 S. Dahlia St., 303-316-6360 www.maccjcc.org

    March 9-April 1: Theatre Esprit Asia's Coping With America
    At ACAD Gallery, 1400 Dallas St., Aurora, 720-492-9479, or theatre-esprit-asia.org

    March 9-24: Theatrix USA's The Baptism
    At Blanc, 3150 Walnut St., wellattended.com

    March 16-April 8: Evergreen Players’ Love/Sick
    At Center/Stage, 27608 Fireweed Drive, 303-674-4934 or evergreenplayers.org

    March 16-25: Inspire Creative's Laughter on the 23rd Floor
    At the PACE Center, 20000 Pikes Peak Avenue, Parker, 303-805-6800 or inspirecreative.org

    More Colorado theatre coverage on the DCPA NewsCenter

    March 16-25: Longmont Theatre Company's Leaving Iowa
    513 Main St., Longmont, 303-772-5200 or longmonttheatre.org

    March 17-April 14: Curious Theatre's The Intelligent Homosexual’s Guide to Capitalism & Socialism with a Key to the Scriptures
    1080 Acoma St., 303-623-0524 or curioustheatre.org

    Benjamin Cowhick RDG PhotographyMarch 20-April 1: Colorado Springs Fine Arts Center at Colorado College’s Androcles and the Lion (children's)
    30 W. Dale St., Colorado Springs, 719-634-5581 or csfineartscenter.org

    March 22-April 15: Off-Center's This Is Modern Art
    Jones Theatre, Denver Performing Arts Complex, 14th and Curtis streets, 303-893-4100 or denvercenter.org

    March 22-25: Magic Moments' In the Same Boat
    Anschutz Family Theatre at Kent Denver School, 4000 East Quincy Ave, Englewood, 303-575-1005 or magicmomentsinc.org

    March 23-April 8: Performance Now's The Producers
    Lakewood Cultural Center, 470 S. Allison Parkway, 303-987-7845 or performancenow.org

    March 23-April 29: Miners Alley Playhouse's The 39 Steps
    1224 Washington St., Golden, 303-935-3044 or minersalley.com

    March 23-May 26: Midtown Arts Center's Ragtime
    3750 S. Mason St, Fort Collins, (970) 225-2555 or midtownartscenter.com

    March 29-April 22: Colorado Springs Fine Arts Center at Colorado College’s Fun Home
    30 W. Dale St., Colorado Springs, 719-634-5581 or csfineartscenter.org READ MORE

    March 29-April 8: The Upstart Crow's Playboy of the Western World
    Dairy Center for the Arts, 2590 Walnut St., Boulder, 303-442-1415 or theupstartcrow.org

    March 30-May 13: Vintage Theatre's The Audience
    1468 Dayton St., Aurora, 303-839-1361 or vintagetheatre.com

    March 31-April 28: Lowry's Spotlight Theatre's The Diary of Anne Frank
    John Hand Theatre, 7653 E. First Place, 720-880-8727 or thisisspotlight.com

    March 31-April 28: OpenStage's And Then There Were None
    Lincoln Center, 417 W. Magnolia St., Fort Collins, 970-484-5237 or openstagetheatre.org

    Local Theater. Mehry Eslaminia. Naseem Etemad. Photo by Michael Ensminger
    Naseem Etemad and Regis Jesuit High School graduate Mehry Eslaminia (DCPA Theatre Company's 'Appoggiatura') in Local Theatre's upcoming 'Wisdom from Everything.' Photo by Michael Ensminger.

    CONTINUING CURRENT PRODUCTIONS:

    Through March 3: Grapefruit Lab's JANE/EYRE
    The Bakery, 2132 Market St., eventbrite.com

    Through March 3: Miners Alley Children's Theatre’s The Pied Piper of Hamelin
    1224 Washington St., Golden, 303-935-3044 or minersalley.com

    Through March 4: Miners Alley Playhouse's Fun Home
    1224 Washington St., Golden, 303-935-3044 or minersalley.com READ MORE

    Through March 4: Bas Bleu Theatre's Waiting for the Parade
    401 Pine St., Fort Collins, 970-498-8949 or basbleu.org

    Through March 4: Springs Ensemble Theatre's The Totalitarians
    1903 E. Cache La Poudre St., Colorado Springs, 80909, 719-357-3080 or springsensembletheatre.org

    Through March 4: Colorado Springs TheatreWorks' Trouble in Tahiti
    At the Ent Center for the Arts, 5225 N. Nevada Ave., Colorado Springs, 719-255-3232 or theatreworkscs.org

    Through March 10: Coal Creek Theater of Louisville’s Becky Shaw
    Louisville Center for the Arts, 801 Grant St., 303-665-0955 or cctlouisville.org

    Through March 10: Thunder River Theatre Company's The Price
    67 Promenade, Carbondale, 970-963-8200 or thunderrivertheatre.com

    Through March 11: Colorado Springs TheatreWorks' Oklahoma
    At the Ent Center for the Arts, 5225 N. Nevada Ave., Colorado Springs, 719-255-3232 or theatreworkscs.org

    Through March 11: Vintage Theatre's Sleuth (with Lowry's Spotlight Theatre)
    1468 Dayton St., Aurora, 303-839-1361 or vintagetheatre.com

    Through March 17: Midtown Arts Center's Fun Home
    3750 S. Mason St, Fort Collins, (970) 225-2555 or midtownartscenter.com READ MORE

    Through March 17: Buntport Theater's The Book Handlers
    717 Lipan St., 720-946-1388 or buntport.com

    Through March 17: Firehouse Theatre's Gross Indecency: The Three Trials of Oscar Wilde
    John Hand Theatre, 7653 E. 1st Place, 303-562-3232 or firehousetheatercompany.com  

    Through March 18: DCPA Theatre Company’s The Great Leap
    Ricketson Theatre, 14th and Curtis streets, 303-893-4100 or denvercenter.org READ MORE

    Through March 18: Aurora Fox's Real Women Have Curves
    9900 E. Colfax Ave., Aurora, 303-739-1970 or aurorafox.org

    Through March 25: Benchmark Theatre's A Kid Like Jake
    1560 Teller St., Lakewood, benchmarktheatre.com

    Through March 25: Town Hall Arts Center's Something’s Afoot
    2450 W. Main St., Littleton, 303-794-2787 or townhallartscenter.org

    Through March 25: Midtown Arts Center's Always ... Patsy Cline
    3750 S. Mason St, Fort Collins, 970-225-2555 or midtownartscenter.com

    Through March 26: Local Theater Company's Wisdom from Everything
    At The Dairy Center, 2590 Walnut St., Boulder, 720-379-4470 or localtheatercompany.org

    Through April 22: DCPA Cabaret’s First Date
    Garner Galleria Theatre, 14th and Curtis streets, 303-893-4100 or denvercenter.org READ MORE

    Through April 1: National touring production of Hamilton
    Buell Theatre, 14th and Curtis streets, 303-893-4100 or denvercenter.org

    Through April 8: Jester’s Dinner Theatre’s Joseph and the Amazing Technicolor Dreamcoat
    224 Main St., Longmont, 303-682-9980 or jesterstheatre.com

    Through April 8: The BiTSY Stage’s Jotunheim: A Legend of Thor and His Hammer
    1137 S. Huron St., 720-328-5294 or bitsystage.com

    Through April 15: Candlelight Dinner Playhouse's Kiss Me Kate
    4747 Marketplace Drive, Johnstown, 970-744-3747 or coloradocandlelight.com

    Through May 4: Arvada Center's The Electric Baby
    6901 Wadsworth Blvd., 720-898-7200 or arvadacenter.org

    Through May 6: Arvada Center's Sense and Sensibility
    Studio Theatre, 6901 Wadsworth Blvd., 720-898-7200 or arvadacenter.org

    Through May 25: Arvada Center Children's Theatre's Seussical
    6901 Wadsworth Blvd., 720-898-7200 or arvadacenter.org

    Through Aug. 11: Iron Springs Chateau’s A Precious Bit of the West, or: She Was Simply a Delight!
    444 Ruxton Ave., Manitou Springs, 719-685-5104 or ironspringschateau.com

    EVERGREEN CHORALE. Company. Photo by Michael Ensminger

     

    ONGOING, MONTHLY or ONE-TIME PROGRAMMING:

    ADAMS MYSTERY PLAYHOUSE
  • Ongoing productions
  • ARVADA CENTER

  • Wednesday, March 14: The conflicted voices of America's World War I poets will spring to life in this performance written by Colorado Poet Laureate Joseph Hutchison and presented by members of the Arvada Center Black Box Repertory Company. This event is part of “Where Do We Go From Here?” a multifaceted statewide event marking the 100th anniversary of World War I. 7:30 p.m. in the Black Box Theatre. Tickets are $15.
  • AVENUE THEATER

  • Weekends: Comedy Sportz
  • leonard-barrett-jrAURORA FOX ARTS CENTER

    • March 23-24: True West Award-winning performer Leonard E. Barrett Jr. is the featured artist this month in the Aurora Fox's ongoing cabaret series in its studio theatre. Barrett will perform Unforgettable: The Songs of Nat King Cole, a tribute to Cole through story and song.

    9900 E. Colfax Ave., Aurora, 303-739-1970 or aurora fox.org


    BDT STAGE

    • March 5-6: The Glenn Miller Orchestra

    5501 Arapahoe Ave., 303-449-6000 or bdtstage.com


    BUG THEATRE
    • Thursday, March 15: The Emerging Filmmakers Project, showcasing Denver's indie film scene on the third Thursday of every month.
    • Monday, March 26: Freak Train: Open-mic variety show hosted by GerRee Hinshaw on the final Monday of every month

    3654 Navajo St., 303-477-9984 or bugtheatre.info


    BUNTPORT THEATER

    717 Lipan St., 720-946-1388 or buntport.com


    THE 39 STEPSDENVER ACTORS FUND

    • Sunday, March 4: Watch the biggest night of the year for movies on the big screen with Denver7 at Alamo Drafthouse Denver. Arrive around 5 p.m. in BarFly for your own red carpet, paparazzi, and more before for food, drinks and fun for everyone i the theatre. Your ticket includes a glass of champagne (or sparkling cider) and a donation to the Denver Actors Fund. Choose your preferred seating

    At Alamo Drafthouse Sloan's Lake, 4255 W. Colfax Ave., drafthouse.com

    • Sunday, March 11: Screening of the film The 39 Steps with live entertainment from Miners Alley Playhouse's s upcoming comical stage adaptation of the Hitchcock classic. Entertainment 6:30 p.m.; film at 7. Choose your preferred seating

    At Alamo Drafthouse Sloan's Lake, 4255 W. Colfax Ave., drafthouse.com

    • Saturday, March 24: Waiting for Obama. Community conversation on the prevalence of gun violence in America, followed by a reading of John Moore's play about a Colorado family deeply divided by polarizing political beliefs. Panel at 6:30 p.m. with the reading to follow at 7:30. p.m. Admission is free but donations to the Denver Actors Fund will be accepted. 
    At Bas Bleu Theatre, 401 Pine St., Fort Collins. Reservations are strongly encouraged by calling 970-498-8949 or emailing basbleu@basbleu.org

    DENVER CENTER FOR THE PERFORMING ARTS
  • Tuesday, March 20: The Magic of Adam Trent
      At the Garner Galleria Theatre, Denver Performing Arts Complex, 14th and Curtis streets, 303-893-4100 or denvercenter.org

  • LOCAL THEATER COMPANY
  • Sunday, March 18: LocalREADS encourages a community-wide reading of a book with complementary themes to Local Theater Company's current production. First up: Helen Thorpe’s The Newcomers as a companion to Local's world premiere production of Wisdom From Everything. Read the book, see the play at 4 p.m. and stay for the conversation after the show.

    At the Dairy Center, 2590 Walnut St., Boulder, 720-379-4470 or tickets.thedairy.org

  • THE SOURCE THEATRE COMPANY
    • Every third Monday: Monday! Monday! Monday! Cabaret
    At Su Teatro Performing Arts Center, 721 Santa Fe Drive, 720-238-1323 or thesourcedenver.org


    STORIES ON STAGE
    • Sunday, March 18: Wild Women. Stories on Stage has renowned actors bring stories to life by combining literature with theater. This month: Rhonda Lee Brown, Allison Watrous and Betty Hart perform stories by and about women - unconstrained, fun-loving and living large. 1:30 and 6:30 p.m.
    At Su Teatro Performing Arts Center, 721 Santa Fe Drive,  303-494-0523 or storiesonstage.org
    (Program repeats on Saturday, March 24 at the Dairy Center in Boulder)
  • Idris Goodwin is going places: From Curious' 'Detroit '67' to Denver Center

    by John Moore | Jan 11, 2018
    Detroit 67 Curious Theatre Cajardo Lindsey and Jada Suzanne Dixon. Photo by Micjael Ensminger.
    Cajardo Lindsey and Jada Suzanne Dixon in Curious Theatre's 'Detroit '67,' directed by Idris Goodwin and opening Saturday. Photo by Michael Ensminger.

    Groundbreaking artist directs Curious' look back at uprising before bringing This is Modern Art to Jones Theatre

    By Jeannene Bragg
    For the DCPA NewsCenter

    Plays. Raps. Essays. Poems. Film. Idris Goodwin is a storyteller at heart. Performance and words are his jam. "Why not?" is his constant refrain.

    "If I can do all these things, why not?" says Goodwin. "Just like a visual artist has various mediums: oils, acrylics, collages, so do I. I work with stories and some are plays, some are raps or poems."

    Idris Goodwin QUOTE Detroit '67And that versatility has taken him far, from HBO to Sesame Street to the Kennedy Center to, at present, Curious Theatre Company — and after that, to the Denver Center.
           
    Curious Theatre's Detroit '67, opening Saturday, is Goodwin's Denver directorial debut. Goodwin then directs own play This is Modern Art at the Denver Center's Jones Theatre in March.

    Goodwin has a special connection to both Detroit and Detroit '67. He met playwright Dominique Morisseau during the premiere of his play And in This Corner ... Cassius Clay at the Kentucky Center for the Arts in Louisville, where the two connected over their shared childhoods in Detroit.
         
    "After meeting her, I immediately went out and read Detroit '67, and started teaching it in my class," said Goodwin, a full-time associate theatre professor at Colorado College in Colorado Springs. "It had been on my radar for many reasons, including being a fan of American history and drama. And when the opportunity came, I said, 'Of course, what a perfect piece for my directorial debut in Denver.' "

    The story is set in the summer of 1967, when the soulful sounds of Motown were breaking records and breaking down barriers. Siblings Chelle and Lank make ends meet by running an unlicensed bar in their Detroit basement — a risky business as police crack down on after-hours joints in black neighborhoods. When Lank offers shelter to an injured white woman, tensions escalate both in their home and in their community — and they find themselves caught in the middle of the violent ’67 riot. Detroit ‘67 explores a moment rife with police brutality, immense racial divide and a powderkeg of emotions.

    This is Modern Art Denver School of the ArtsAs a native of Detroit, Goodwin knows the world and rhythm of Morisseau's play. "I know the people. I know their spirit. But there is also a universality of the show," he said. "My goal is to make people feel like they are in that basement with that family, going through what they are going through, too."

    (Photo above and right: 'This is Modern Art' was read last year to the students at Denver School of the Arts.)

    Shorty after Detroit '67 closes on Feb. 24, Goodwin's This is Modern Art will bow at the Jones Theatre. That incendiary play, written with Kevin Coval, recounts the true story of one of the biggest graffiti bombs in Chicago history. In less than 20 minutes in a 2010 snowstorm, a stealthy crew spray-painted a 50-foot graffiti piece along the exterior wall of the Art Institute of Chicago. The tagging began with the words “modern art” and ended with the phrase “made you look.”

    "They were putting out a challenge,” Goodwin said. “What is modern art? Who gets to decide who a real artist is? And where does art belong?”

    Athe-way-the-mountain-moved-2In 2018, Goodwin's plays will be seen all across the county. His highly anticipated new play The Way The Mountain Moved gets its world premiere at the esteemed Oregon Shakespeare Festival in July. It tells the powerful story of how the Transcontinental Railroad shaped the country’s moral and environmental future from previously untold perspectives.

    (Photo above and right: Christopher Salazar, Christiana Clark, Sara Bruner and Al Espinosa in Oregon Shakespeare Festival's upcoming 'The Way the Mountain Moved.')

    In This Corner...Cassius Clay, a children's play that explores the early life of the man who would later rename himself Muhammad Ali, will be performed in Charlotte, N.C.; Anchorage, Alaska; and Portland, Ore. This is Modern Art also will be staged by the New York Theatre Workshop June 1-24.

    Goodwin also will perform at a reading of the book Breakbeat Poets in the Age of Hop Hop in Southern California this spring. That's a collection of poems edited by Coval that features Goodwin, among otheres. Goodwin and Coval have their own book due to drop in February called Human Highlight: An Ode to Dominique Wilkins.

    All while teaching full-time at Colorado College and raising a young family.

    He's going places. But right now, he's in Denver at Curious Theatre.

    Jeannene Bragg is the Community Engagement Organizer for Curious Theatre and the founder of Creating Justness, which is committed to amplifying the voices of artists from oppressed arts , community and social justice groups. She also does contract work for Colorado Creative Industries, the state's arts council. She can be reached at 303-800-3030 or jeannene@curioustheatre.org.



    Detroit '67: Ticket information

    • Presented by the Curious Theatre Company
    • Performances Jan. 13-Feb. 24
    • 1080 Acoma St.
    • Call 303-893-4100 or BUY ONLINE
    Detroit 67 Ilasiea Gray and Anastasia Davidson. Photo by Michael EnsmingerCast and Creative team:
    • Jada Suzanne Dixon
    • Cajardo Lindsey
    • Anastasia Davidson
    • Ilasiea Gray
    • Frank Taylor Green

    • Idris Goodwin, Director
    • Charles Dean Packard, Scenic Designer
    • Kevin Brainerd, Costume Designer
    • Richard Devin, Lightning Designer
    • Jason Ducat, Sound Designer
    • Dylan Sprauge, Props Designer
    • Diana Ben-Kiki, Wig and Make-Up Design
    (Photo: Ilasiea Gray and Anastasia Davidson. Photo by Michael Ensminger.)

    Modern Art 800
    Above: 'This is Modern Art' at Chicago's Steppenwolf Theatre in 2015.

    This is Modern Art
    : Ticket information

    • Presented by Off-Center
    • Performances March 22-April 15
    • Jones Theatre, Denver Performing Arts Complex
    • Call 303-893-4100 or BUY ONLINE
    Selected previous NewsCenter coverage of Idris Goodwin:
    Graffiti: Modern art or 'urban terrorism'?
    Vast and visceral: Off-Center season will include This is Modern Art
    Video: Victory Jones and the Incredible One Woman Band



  • January openings: Make way for 'Lady Day,' 'Fun Home' and 'Hedwig'

    by John Moore | Jan 05, 2018
    Lady Day Mary Louise Lee Adams Viscom

    Mary Louise Lee in 'Lady Day at Emerson's Bar & Grill,' opening Jan. 12 at the Vintage Theatre in Aurora before a spring transfer t the DCPA's Galleria Theatre. Photo by Adams Viscom

    NOTE: At the start of each month, the DCPA NewsCenter offers an updated list of upcoming theatre openings, spotlighting work being presented on stages statewide. Companies are encouraged to submit listings and production photos at least two weeks in advance to the DCPA NewsCenter at jmoore@dcpa.org.


    Showcase month in Colorado theatre spotlights Mary Louise Lee, world premieres and Boulder artists

    By John Moore
    Senior Arts Journalist

    January will usher in the new theatrical year with a showcase vehicle for the First Lady of Denver, the state's first two homegrown productions of the groundbreaking 2015 Tony Award-winning Best Musical Fun Home, and what promises to be an electrifying staging of the rock musical Hedwig and the Angry Inch at the Aurora Fox. January is also when the DCPA Theatre Company begins its rollout of three consecutive world-premiere plays — Zoey's Perfect Wedding, American Mariachi and The Great Leap. With such an eclectic mix of material, this month we will kick off the winter theatre season with a brief look at 10 intriguing titles to watch, followed by complete list of all your Colorado theatregoing options for January:

    Ten intriguing titles for January:

    NUMBER 1Lady Day at Emerson's Bar & Grill. January 12 promises to be an emotional night when Mary Louise Lee revisits her signature role as Billie Holiday in Vintage Theatre's Lady Day at Emerson’s Bar & Grill. She will be performing in Vintage's Jeffrey Nickelson Auditorium, named after the late founder of the Shadow Theatre Company who directed Lee back in 2002. Lee's haunting portrayal of the jazz legend woman with a singular singing voice — and a lethal heroin habit — was the biggest hit in Shadow’s history. This new production, directed by Betty Hart, will play weekends at Vintage through Feb. 18 (except Feb. 3), then move to the DCPA's Galleria Theatre on Monday nights from March 5 through April 23. Lee's performing career began in the Galleria Theatre (then called StageWest) when she appeared in Beehive at only 18 years old and still a senior at Thomas Jefferson High School. In 2011, Lee also became the First Lady of Denver when her husband, Michael B. Hancock, was elected Mayor. 1468 Dayton St., Aurora, 303-839-1361 or vintagetheatre.com READ MORE

    NUMBER 2A JANUARY JAKE MendesHedwig and the Angry Inch. It's impossible to overstate the impact John Cameron Mitchell and Stephen Trask's underground rock musical Hedwig and the Angry Inch has had on generations of misfits over the past 24 years. The show is essentially a rock concert featuring a genderqueer singer who was born a boy in communist East Germany and underwent a botched sex-change operation to marry an American soldier who then abandoned her. It's an incredibly powerful, literate and raunchy beacon of hope for anyone who has felt ever felt divided. And Jake Mendes and Norrell Moore promise to infuse the new Aurora Fox production, the first by a Denver theatre company in eight years, with fresh vitality. Jan. 19-Feb. 10 at 9900 E. Colfax Ave., Aurora, 303-739-1970 or aurorafox.org

    NUMBER 3A Banned Together 800 1Fun Home. In 2015, Fun Home became the first Broadway musical to feature a lesbian protagonist. Now the the rights to perform it at theatres across the country, it speaks well of the Colorado theatre community that different companies in Fort Collins, Golden and Colorado Springs have jumped at the chance to stage it. Based on Alison Bechdel's graphic novel, Fun Home recounts one women's unique childhood as she grows to understanding her own sexuality and looming, unanswerable questions about her father’s hidden desires.The first to open will be Midtown Arts Center (Jan. 18-March 17) at 3750 S. Mason St. in Fort Collins, 970-225-2555 or midtownartscenter.com. The Miners Alley Playhouse production runs  Jan. 26-March 4 at 1224 Washington St. in Golden, 303-935-3044 or minersalley.com. And the Colorado Springs Fine Arts Center at Colorado College follows from March 29 through April 22 at 30 W. Dale St., 719-634-5581 or csfineartscenter.org. (Pictured: Sophie Dotson of the Golden cast performs "Ring of Keys" at an anti-censorship event this past fall. Photo by John Moore.)

    NUMBER 4Detroit 67. Curious Theatre continues its most provocative season in years with playwright Dominque Morisseau's incendiary look back at the sizzling summer of 1967, a moment in history rife with police brutality, immense racial divide, and a violent uprising, all through the eyes of one family. Featuring Jada Suzanne Dixon and Cajardo Lindsey under the direction of hip hop artist, writer and educator Idris Goodwin, whose own play This is Modern Art opens March 22 at the DCPA's Jones Theatre. Jan. 13 through Feb. 24 at 1080 Acoma St., 303-623-0524 or curioustheatre.org.  

    NUMBER 5Trump Lear. David Carl, known for mixing Shakespeare with timely political satire, returns not to bury the president but to skewer him in this one-man comedy in which he plays an actor who evokes the wrath of thechief executive as he creates a solo version of King Lear – Shakespeare’s tragic play of a ruler whose vanity tears his country apart. At Millibo Art Theatre, 1626 S. Tejon St., Colorado Springs, 719-465-6321, www.themat.org

    NUMBER 6Disney's The Little Mermaid. The DCPA hosted the Broadway company on its way to the Great White Way in 2006, and now this Inspire Creative effort will be the first homegrown, Denver-area staging of the underwater musical. Based on Hans Christian Andersen's beloved love stories, The Little Mermaid features music by eight-time Academy Award winner Alan Menken, including familiar songs like "Under the Sea," "Kiss the Girl" and "Part of Your World." Jan. 19-Feb 11 at the PACE Center, 20000 Pikes Peak Ave., Parker, 303-805-6800 or inspirecreative.org

    NUMBER 7Guards at the Taj. This dark comedy, set in India in 1648, introduces audiences to two lifelong friends standing watch on the night before the first unveiling of the Taj Mahal. As the action unfolds, these two must take part in an act of unfathomable cruelty, one that will shatter their lives and their relationship. Written by Rajiv Joseph and staged by Boulder Ensemble Theatre Company. Jan. 25-Feb. 18 at the Dairy Center for the Arts, 2590 Walnut St., Boulder, 303-440-7826 or boulderensembletheatre.org

    NUMBER 8Fermata. Denver's Theatre Esprit Asia partners with Theater Company of Lafayette to present three generations of Chinese westernized women, two of whom two are world-class musicians and one who became a neurosurgeon. In playwright Maria Cheng’s sixth full-length play, she explores the burden of virtuosity, the politics of art making and the purpose of music. Jan. 12-28 at the Mary Miller Theater, 300 E. Simpson St., 720-209-2154 or www.tclstage.org

    NUMBER 9Abner GeneceSense and Sensibility. The Arvada Center's uber-hip repertory company returns with an all-new new adaptation of the Jane Austen classic (by Kate Hamill) that follows the Dashwood sisters as they pursue their quest for love and happiness. This cast is loaded with big names like Kate Gleason, Geoffrey Kent, Emma Messenger and Jessica Austgen (for starters), but the whole community should be cheering the return to the stage of Abner Genece as Sir John Middleton) six months after a devastating car accident nearly killed him and his son. Jan. 26-May 6 at 6901 Wadsworth Blvd., 720-898-7200 or arvadacenter.org

    NUMBER 10Theatre Made in Boulder. This new festival running Jan. 18 through Feb. 10 will include a robust selection of staged readings, low-tech productions and free public workshops from a diverse group of local artists. (Full schedule below.) The featured, fully staged presentation will be How To Screw Up Your Life!, written specifically for the festival by reliable Boulder playwright Ami Dayan. Dairy Center for the Arts, 2590 Walnut St., Boulder, 303-440-7826 or thedairy.org

    First Date Photo by Emily Lozow


    THIS MONTH'S THEATRE OPENINGS IN COLORADO:

    (Submit your listings to jmoore@dcpa.org)

    Jan. 5-21: Performance Now's Into the Woods
    Lakewood Cultural Center, 470 S. Allison Parkway, 303-987-7845 or performance now’s home page

    Jan. 5-March 25: Midtown Arts Center's Always ... Patsy Cline
    3750 S. Mason St, Fort Collins, 970-225-2555 or midtownartscenter.com

    Jan. 6-Feb. 3: Lowry's Spotlight Theatre's Rumors
    John Hand Theatre, 7653 E. First Place, 720-880-8727 or thisisspotlight.com

    Jan. 12-Feb. 18: Lady Day at Emerson’s Bar and Grill
    1468 Dayton St., Aurora, 303-839-1361 or vintagetheatre.com READ MORE

    Jan. 12-Feb. 4, 2018: Town Hall Arts Center's Peter and the Starcatcher
    2450 W. Main St., Littleton, 303-794-2787 or townhallartscenter.org

    Jan. 12-28: Theater Company of Lafayette's Fermata (with Theatre Esprit Asia)
    Mary Miller Theater, 300 E. Simpson, 720-209-2154 or tclstage.org

    Jan. 12-27: 5th Wall Productions' Bloody Bloody Andrew Jackson
    At The Bakery Arts Warehouse, 2132 Market St., 5th-wall-productions.com

    Jan. 13-Feb. 24: Curious Theatre's Detroit 67
    1080 Acoma St., 303-623-0524 or curioustheatre.org  

    Jan. 18-March 17: Midtown Arts Center's Fun Home
    3750 S. Mason St, Fort Collins, (970) 225-2555 or midtownartscenter.com

    Jan. 18-20: David Carl's Trump Lear
    Millibo Arts Center, 1626 S. Tejon St. Colorado Springs, 719-465-6321, www.themat.org

    Jan. 18-Feb. 10: How To Screw Up Your Life!
    Dairy Center for the Arts, 2590 Walnut St., Boulder, 303-440-7826 or thedairy.org

    Jan. 19-Feb. 4: Theatrix USA's Kiss
    At Dobrin Studios, 931 Santa Fe Drive, theatrixdenver.com

    Jan. 29-Feb. 11: Lake Dillon Theatre Company's Building the Wall
    At the Silverthorne Performing Arts Center, 460 Blue River Pkwy, Silverthorne,  970-513-9386 or lakedillontheatre.org

    Jan. 19-Feb. 10: Aurora Fox's Hedwig and the Angry Inch
    9900 E. Colfax Ave., Aurora, 303-739-1970 or aurorafox.org

    Jan. 19-Feb 11: Inspire Creative's The Little Mermaid
    At the PACE Center, 20000 Pikes Peak Ave., Parker, 303-805-6800 or inspirecreative.org

    Jan. 19-Feb. 3: Funky Little Theatre Company's The Bigot
    2109 Templeton Gap Road, Colorado Springs, 719-425-9509 or funkylittletheater.org

    Jan. 20-Feb. 17, 2018: OpenStage Theatre Company's The Crucible
    Lincoln Center, 417 W. Magnolia St., Fort Collins, 970-484-5237 or openstagetheatre.org

    Jan. 25-Feb. 18: Boulder Ensemble Theatre Company's Guards at the Taj
    Dairy Center for the Arts, 2590 Walnut St., Boulder, 303-440-7826 or boulderensembletheatre.org

    Jan. 26-Feb. 25: DCPA Theatre Company’s Zoey’s Perfect Wedding
    Space Theatre, 14th and Curtis streets, 303-893-4100 or denvercenter.org

    Jan. 26-March 4: Miners Alley Playhouse's Fun Home
    1224 Washington St., Golden, 303-935-3044 or minersalley.com

    Jan. 26-May 6: Arvada Center's Sense and Sensibility
    Studio Theatre, 6901 Wadsworth Blvd., 720-898-7200 or arvadacenter.org

    Jan. 26-Feb. 17: Breckenridge Backstage Theatre's Forbidden Broadway's Greatest Hits
    At  121 S. Ridge St. 970-453-0199 or backstagetheatre.org

    Jan. 26-Feb. 17: Equinox Theatre Company's Evil Dead: The Musical
    At the Bug Theatre, 3654 Navajo St., 720-984-0781 or equinox’s home page

    Jan 26-Feb 11: StageDoor Theatre's The 39 Steps
    27357 Conifer Road, Conifer, 303-886-2819, 800-838-3006 or stagedoortheatre.org

    Feb. 2-25: DCPA Theatre Company’s American Mariachi
    Stage Theatre, 14th and Curtis streets, 303-893-4100 or denvercenter.org

    Evil Dead
    From left: Emily Ebertz, Derek Helsing and Chelsea O'Grady from Equinox Theatre's 'Evil Dead The Musical.'

    CONTINUING CURRENT PRODUCTIONS:

    Through Jan. 6: Oddville and Stand Up Smart (Dave Shirley and Bob Dubac)
    At  121 S. Ridge St. 970-453-0199 or backstagetheatre.org

    Through Jan. 7: Colorado Springs Fine Arts Center at Colorado College's Annie
    30 W. Dale St., Colorado Springs, 719-634-5581 or csfineartscenter.org

    Through Jan. 14: National tour of Rodgers & Hammerstein's The King & I
    Buell Theatre, 14th and Curtis streets, 303-893-4100 or denvercenter.org

    Through Jan. 14: Vintage Theatre Productions' Red
    1468 Dayton St., Aurora, 303-839-1361 or vintagetheatre.com

    Through Jan. 30: BDT Stage's Motones vs. Jerseys
    (Sundays, Mondays and Tuesdays only)
    5501 Arapahoe Ave., 303-449-6000 or bdtstage.com

    Through Feb. 14: Candlelight Dinner Playhouse's Beauty and the Beast
    4747 Marketplace Drive, Johnstown, 970-744-3747 or coloradocandlelight.com

    Through Feb. 24: BDT Stage's Annie
    5501 Arapahoe Ave., 303-449-6000 or bdtstage.com

    Through April 22: DCPA Cabaret’s First Date
    Garner Galleria Theatre, 14th and Curtis streets, 303-893-4100 or denvercenter.org READ MORE

    ONGOING, MONTHLY or ONE-TIME PROGRAMMING:

    ADAMS MYSTERY PLAYHOUSE

    BOULDER ENSEMBLE THEATRE COMPANY

    • Jan. 11-21: P3M5: Privacy in the Digital Age, a transatlantic theatre project presented in a series of 5-minute films and live plays. 

    Boedecker Cinema at the Dairy Arts Center, 2590 Walnut St., Boulder, 303-440-7826 or dairyartscenter.org


    BUG THEATRE

    • Jan. 6: Fourth annual 50 First Jokes festival (50 of Denver's best comedians tell their first joke of the new year), benefiting The Gathering Place
    • Jan. 18 The Emerging Filmmakers Project, showcasing Denver's indie film scene on the third Thursday of every month.
    • Jan. 29: Freak Train: Open-mic variety show hosted by GerRee Hinshaw on the final Monday of every month
    • Jan. 30: Open Screen Night: Make a video of at least 2 minutes in length about this month's theme (16-bit) and include the phrase "All your base are belong to us." Info:  openscreennight.com

    3654 Navajo St., 303-477-9984 or bugtheatre.info


    BUNTPORT THEATRE

    • Saturday, Jan. 13: Siren Song: A Pirate Odyssey (Monthly theatre for young audiences at 1 and 3 p.m.)
    • Saturday, Jan. 13: The Penny Savers, for Stories on Stage, 1:30 and 7:30 p.m. at Su Teatro, 721 Santa Fe Drive (303-494-0523 or storiesonstage.org)
    500DAYSOFSUMMERDENVER ACTORS FUND
    • Monday, Jan. 22: Screening of the film 500 Days of Summer, starring Joseph Gordon-Levitt and Zooey Deschanel with live pre-screening entertainment from DCPA Cabaret's First Date. Entertainment 6:30 p.m.; film at 7

    At Alamo Drafthouse Sloans Lake, 4255 W. Colfax Ave., drafthouse.com


    EVERGREEN PLAYERS

    • Jan. 20 and Feb. 9: EPiC Returns (improv comedy featuring Evergreen High School's state-champion improv team
    At Center/Stage, 27608 Fireweed Drive, 303-674-4934 or evergreenplayers.org

     

    MILLIBO ART THEATRE
    • Jan. 6: RiP (improv comedy)
    • Jan 12-13: Vintage Glamour Burlesque
    • Jan 26-27: Cabaret Voltaire (variety performance art) 
    1626 S. Tejon St., Colorado Springs, 719-465-6321, www.themat.org


    THEATRE MADE IN BOULDER FESTIVAL
    • Jan. 18-Feb. 10: Staged readings, low-tech productions and free public workshops from local artists. Featured production: How To Screw Up Your Life!, by Ami Dayan
    • Jan. 21: Afropuff Lederhosen: A Critically Comical Investigation of Race, by Vanessa Roberts
    • Jan. 24: Strange Grace, by Jane Shepard
    • Jan. 28: Mud Season, by Felice Locker
    • Jan. 31: An Evening of Shorts: Terrember (Four Choose Two), by Mike Eisenberg; Kosmic Joke: Killing Time, by Buck Lee; and Bloodlines, by Ashley Rice
    • Feb. 4: Trans/Actions, by K. Woodzick and Ayla Sullivan
    • Feb. 4: What Happens in the Dark, by Kristofer Buxton
    • Feb. 11: Rooted, by Joy Barber
    • Feb. 11: Laura and Ibsen, by Susan Flakes
    Dairy Center for the Arts, 2590 Walnut St., Boulder, 303-440-7826 or thedairy.org

    THE SOURCE THEATRE COMPANY
    • Every third Monday: Monday! Monday! Monday! Cabaret
    At Su Teatro Performing Arts Center, 721 Santa Fe Drive, 720-238-1323 or thesourcedenver.org 


    STORIES ON STAGE
    • Saturday, Jan. 13: The Penny Savers, with members of Buntport Theater, 1:30 and 7:30 p.m. at Su Teatro, 721 Santa Fe Drive

       

    303-494-0523 or storiesonstage.org

    Stories on Stage has renowned actors bring stories to life by combining literature with theater.

  • Vast and visceral: 2017-18 Theatre Company, Off-Center seasons

    by John Moore | Apr 03, 2017

     

    Macbeth, The Who's Tommy, four world premieres and
    "a deep dive into some truly exciting collaborations"

    By John Moore
    DCPA Senior Arts Journalist

    The DCPA Theatre Company’s 39th season will include vast and visceral reimaginings of two distinct cutting-edge classics, a record-tying four world premieres and the company's 25th staging of perennial favorite A Christmas Carol.

    The season begins in September with visionary director Robert O'Hara’s Macbeth to reopen the newly renovated Space Theatre, and builds to The Who’s rock musical Tommy, directed by Sam Buntrock (Frankenstein). And both directors promise ambitious stagings unlike anything audiences have seen before.

    Nataki Garrett QuoteThe DCPA has worked its way to the forefront of new-play development in the American theatre, and next season’s slate will include the comedy Zoey’s Perfect Wedding by former Playwright in Residence Matthew Lopez; José Cruz González’s American Mariachi, the musical tale of an all-female 1970s mariachi band; Lauren Yee’s The Great Leap, about an American college basketball team that travels to Beijing in 1989; and Eric Pfeffinger’s timely comedy Human Error, which raucously explores the great American ideological divide through two vastly different couples - and one wrongly implanted embryo.

    Zoey’s Perfect Wedding will reunite Lopez and Mike Donahue, writer and director from the DCPA’s endearing world premiere The Legend of Georgia McBride (which makes its West Coast debut tomorrow at the Geffen Playhouse in Los Angeles.)

    American Mariachi
    was a favorite from the Theatre Company's 2016 Colorado New Play Summit. "Women of course had many challenges trying to play in such a male-dominated musical form," González said. "We interviewed a number of amazing women who were able to help us enter into that world, and we found an amazing group of artists who will play and sing in the piece."

    The Great Leap and Human Error emerged from the recent 2017 Summit in February.  In The Great Leap, Yee explores sport as a metaphor for how countries rub up against each other in terms of strategy, styles and priorities. "If you think of all the sports out there, basketball is the one in which you can really lay the ideals of communism on top of it. Everyone gets to touch the ball. Everyone is equal in their position,” she says.

    Human Error will set a precedent as the first Theatre Company offering ever to be staged in the cabaret-style Garner-Galleria Theatre.

    “The 2017-18 DCPA Theatre Company season represents the microcosm at the heart of the American experiment,” said Associate Artistic Director Nataki Garrett. “These writers, spanning across generations, cultures, and genders, are exploring the ways in which our commonalities are more meaningful than our differences."

    2017-18 Broadway season brings Hamilton to Denver

    For the first time, the DCPA simultaneously announced the upcoming year of its adventurous and ambitious Off-Center line of programming. Off-Center is known for creating experiences that challenge conventions and expand on the traditional definition of theatre. Next season will be the largest yet for Off-Center. It includes Mixed Taste, a summer-long partnership with the Museum of Contemporary Art Denver; a 360-degree immersive staging of The Wild Party musical at the Stanley Marketplace. Also of great intrigue: Remote Denver, a  guided audio tour of the secret city; and This Is Modern Art, a controversial play by Idris Goodwin and Kevin Coval that explores graffiti as modern art ...  or urban terrorism.

    “The expansion of Off-Center is a result of the incredible response of the Denver community,” said Off-Center Curator (and Theatre Company Associate Artistic Director) Charlie Miller. “We have seen that audiences are hungry for a broad range of experiences, and are eager for the unexpected.”

    Miller calls the upcoming year "a deep dive into some truly exciting collaborations." A continuing one will be the return of The SantaLand Diaries, in partnership with Boulder Ensemble Theatre Company and again starring Michael Bouchard

    Combined, the DCPA today announced 14 upcoming new productions that will be presented across eight different venues at the Denver Performing Arts Complex and beyond.

    More Colorado theatre coverage on the DCPA NewsCenter

    “Theater has the opportunity and the ability to help bridge our differences by offering performances that inspire us to seek deeper connections with one another,” said Garrett, who will make her DCPA debut directing Lydia Diamond's acclaimed race comedy Smart People. “We are honored to provide a space for conversations and connections to the Denver community this year through this season's offerings.”

    Lisa Portes Robert O'HaraMacbeth will be directed by Robert O'Hara, a rising playwright, director and screenwriter who won the 2010 NAACP Best Director Award and the 2010 Helen Hayes Award for Outstanding New Play. He was a young prodigy of original Angels in America Director George C. Wolfe and is perhaps best-known as a writer for Insurrection, a time-traveling play exploring racial and sexual identity. 

    The Who's Tommy, the rock musical based on the classic 1969 concept album about the pinball prodigy, will reunite acclaimed British Frankenstein director Sam Buntrock and Scenic Designer Jason Sherwood (who also will create the world of Macbeth). Native Gardens will mark the DCPA return of playwright Karen Zacarias, who wrote Just Like Us in 2014. Zacarias has penned a very close-to-home border-war story: One that plays out between two neighboring couples in D.C. who have a dispute over their property line. The director is Chicago's Lisa Portes, who recently won the Stage Directors and Choreographers Foundation's 2016 Zelda Fichandler Award, which recognizes an artist who is "transforming the regional arts landscape through singular creativity and artistry in the theatre." She is head of the masters program in directing at DePaul University.

    Next year's A Christmas Carol will be the 25th season staging of Dickens' classic by the DCPA since 1990. Melissa Rain Anderson will return for her second turn at directing, and popular longtime DCPA actor Sam Gregory again will play Scrooge.

    DCPA THEATRE COMPANY SEASON AT A GLANCE:

    • Sept. 15-Oct. 29: Robert O’Hara’s Macbeth (Space Theatre Grand Reopening)
    • Oct. 13-Nov. 19: Smart People (Ricketson Theatre)
    • Nov. 24-Dec. 24: A Christmas Carol (Stage Theatre)
    • Jan. 19-Feb. 25, 2018: Zoey’s Perfect Wedding (Space Theatre)
    • Jan. 26-Feb. 25, 2018: American Mariachi (Stage Theatre)
    • Feb. 2-March 11, 2018: The Great Leap (Ricketson Theatre)
    • April 6-May 6, 2018: Native Gardens (Space Theatre)
    • April 20-May 27, 2018: The Who's Tommy (Stage Theatre)
    • May 18-June 24, 2018: Human Error (Garner Galleria Theatre)

    DCPA OFF-CENTER 2017-18 SEASON AT A GLANCE:

    • July 5-Aug. 23 Mixed Taste, with MCA Denver (Seawell Grand Ballroom)
    • Oct. 12-31: The Wild Party (The Hangar at Stanley)
    • Nov. 24-Dec. 24: The SantaLand Diaries, with Boulder Ensemble Theatre Company (Jones Theatre)
    • March 22-April 15, 2018: This Is Modern Art (Jones Theatre)
    • Spring/Summer 2018: Remote Denver (on the streets of Denver)

    TC 2017-18 800

    And here is a more detailed look at all 14 newly announced productions, in chronological order:

    MIXED TASTE (Off-Center)
    mixed-tasteTag team lectures on unrelated topic
    Presented by Off-Center with MCA Denver
    Wednesdays from July 5 through Aug 23
    Seawell Grand Ballroom
    Even mismatched subjects will find common ground in a lecture series that can go pretty much anywhere. Two speakers get twenty minutes each to enlighten you on unrelated topics, but can’t make any connections to each other. Ideas start to blend afterward when audience members ask questions to both speakers and anything goes. READ MORE ABOUT IT



    MACBETH
    macbethBy William Shakespeare
    Directed by Robert O’Hara
    Sept. 15-Oct. 29
    Space Theatre (Grand Reopening)
    To get what he wants, Macbeth will let nothing stand in his way – not the lives of others, the people of Scotland or his own well-being. As his obsession takes command of his humanity and his sanity, the death toll rises and his suspicions mount. Shakespeare’s compact, brutal tragedy kicks off the grand reopening of our theatre-in-the-round in a visceral re-imagining from visionary director Robert O’Hara, who is “shaking up the world, one audience at a time” (The New York Times). This ambitious reinvention of the classic tale reminds us that no matter what fate is foretold, the man that chooses the dagger must suffer the consequences. 



    THE WILD PARTY
    (Off-Center)
    the-wild-partyMusic and Lyrics by Michael John LaChiusa
    Book by Michael John LaChiusa and George C. Wolfe
    Based on the poem by Joseph Moncure March
    Directed by Amanda Berg Wilson
    Oct. 12-31
    The Hangar at Stanley
    You’re invited to leave your inhibitions (and Prohibitions) behind for a decadent party in the Roaring Twenties. Indulge your inner flapper as you mingle with an unruly mix of vaudevillians, playboys, divas, and ingénues in a Manhattan apartment lost in time. Debauchery turns disastrous as wild guests becomes unhinged and their solo songs reveal the drama bubbling underneath the surface. Whether you’re a wallflower or a jitterbug, you’ll think this jazz- and booze-soaked immersive musical is the bee’s knees. Dress up in your finest pearls, suits and sequins – encouraged but not required.



    SMART PEOPLE

    smart-peopleBy Lydia R. Diamond
    Directed by Nataki Garrett
    Oct. 13-Nov. 19
    Ricketson Theatre
    Intelligence can only get you so far when it comes to navigating love, success and identity in the modern age. This biting comedy follows a quartet of Harvard intellectuals struggling to understand why the lives of so many people – including their own – continue to be undermined by race. But no matter how hard they research, question and confront the issue, their own problems with self-awareness make it difficult to face the facts of life. Fiercely clever dialogue and energetic vignettes keep the laughs coming in a story that Variety calls “Sexy, serious and very, very funny.”



    A CHRISTMAS CAROL

    christmas-carolBy Charles Dickens
    Adapted by Richard Hellesen
    Music by David de Berry
    Directed by Melissa Rain Anderson
    Nov. 24-Dec. 24
    Stage Theatre
    Essential to the holiday season in Denver, A Christmas Carol promises to “warm your heart and renew your holiday spirit” according to the Examiner. Based on Charles Dickens’ classic novel, this joyous and opulent musical adaptation traces money-hoarding skinflint Ebenezer Scrooge’s triumphant overnight journey to redemption. A Christmas Carol illuminates the meaning of the holiday season in a way that has resonated for generations. Denver favorite Sam Gregory returns as Scrooge. READ MORE ABOUT IT

    (Note: 'A Christmas Carol' is an added attraction, not part of the Theatre Company subscription season.)



    SantaLand Diaries 2016. Michael Bouchard. Photo by Adams VisCom
    'The SantaLand Diaries,' 2016. Michael Bouchard. Photo by Adams VisCom.

    THE SANTALAND DIARIES
    (Off-Center)
    By David Sedaris
    Adapted for the stage by Joe Mantello
    Presented by Off-Center with Boulder Ensemble Theatre Company
    Directed by Stephen Weitz
    Nov. 24-Dec. 24
    The Jones Theatre
    This disgruntled Macy's elf has the cure for the common Christmas show. Looking for a little more snark in your stocking? Crumpet the Elf returns for more hilarious hijinks in this acclaimed one-man show based on stories by David Sedaris. Crumpet’s twisted tales from his stint in Macy’s SantaLand are the cure for the common Christmas show. Release your holiday stress, get all of those obnoxious carols out of your head and check out even more late night options this year. READ MORE ABOUT IT



    ZOEY'S PERFECT WEDDING

    zoeys-perfect-wedding2By Matthew Lopez
    Directed by Mike Donahue
    Jan. 19-Feb. 25, 2018
    Space Theatre
    The blushing bride. The touching toast. The celebration of true love. These are the dreams of Zoey’s big day…and the opposite of what it’s turning out to be. Disaster after disaster follow her down the aisle, from brutally honest boozy speeches to a totally incompetent wedding planner. Even worse, her friends are too preoccupied with their own relationship woes to help with the wreckage around them. From the team that brought you, The Legend of Georgia McBride, Matthew Lopez’s wildly funny fiasco destroys expectations with the realities of commitment, fidelity and growing up. READ OUR 2015 INTERVIEW WITH MATTHEW LOPEZ



    AMERICAN MARIACHI

    american-mariachi2By José Cruz González
    Director to be announced
    Jan. 26-Feb. 25, 2018
    The Stage Theatre
    Lucha and Bolie are ready to start their own all-female mariachi band in the 1970s. The only things standing in their way are a male-dominated music genre, patriarchal pressure from inside their families and finding the right women to fill out their sound. As they practice, perform and strive to earn the respect of their community, their music sparks a transformation in the lives of those around them – especially Lucha’s parents. This humorous, heartwarming story about music’s power to heal and connect includes gorgeous live mariachi music played on stage. González writes a passionate story about families and friendships that you should share with yours. READ OUR FULL INTERVIEW WITH JOSÉ CRUZ GONZÁLEZ


     

    THE GREAT LEAP
    the-great-leap2By Lauren Yee
    Director to be announced
    Feb. 2-March 11, 2018
    Ricketson Theatre
    When an American college basketball team travels to Beijing for an exhibition game in 1989, the drama on the court goes deeper than the strain between their countries. For two men with a past and one teen with a future, it’s a chance to stake their moment in history and claim personal victories off the scoreboard. American coach Saul grapples with his relevance to the sport, Chinese coach Wen Chang must decide his role in his rapidly-changing country and Chinese American player Manford seeks a lost connection. Tensions rise right up to the final buzzer as history collides with the action in the stadium. Yee’s “acute ear for contemporary speech” and a “devilishly keen satiric eye” (San Francisco Chronicle) creates an unexpected and touching story inspired by events in her own father’s life. READ OUR FULL INTERVIEW WITH LAUREN YEE


     

    THIS IS MODERN ART
    this-is-modern-artBy Kevin Coval and Idris Goodwin
    Directed by Idris Goodwin
    March 22-April 15, 2018
    The Jones Theatre
    Graffiti crews are willing to risk anything for their art. Called vandals, criminals, even creative terrorists, Chicago graffiti artists set out night after night to make their voices heard and alter the way people view the world. But when one crew finishes the biggest graffiti bomb of their careers, the consequences get serious and spark a public debate asking, where does art belong? This Is Modern Art gives a glimpse into the lives of anonymous graffiti artists and asks us to question the true purpose of art. READ MORE ABOUT IT


    NATIVE GARDENS
    native-gardensBy Karen Zacarias
    Directed by Lisa Portes
    April 6-May 6, 2018
    Space Theatre
    Dealing with neighbors can be thorny, especially for Pablo and Tania, a young Latino couple who have just moved into a well-established D.C. neighborhood. Though Frank and Virginia have the best intentions for making the new couple feel welcome next door, their newly budding friendship is tested when they realize their shared property line isn’t where it’s supposed to be. Frank is afraid of losing his prized garden, Pablo wants what is legally his, Tania has a pregnancy and a thesis she’d rather be worrying about, and Virginia just wants some peace. But until they address the real roots of their problems, it’s all-out war in this heartfelt comedy about the lines that divide us and those that connect us.



    Sam Buntock

    THE WHO'S TOMMY
    the-whos-tommyMusic and Lyrics by Pete Townshend
    Book by Pete Townshend and Des McAnuff
    Additional Music and Lyrics by John Entwistle and Keith Moon
    Directed by Sam Buntrock
    April 20-May 27, 2018
    Stage Theatre
    Based on The Who’s iconic 1969 rock concept album, Tommy is an exhilarating musical about the challenges of self-discovery and the resilience of the human spirit. When young Tommy retreats into a world of darkness and silence after a deeply traumatic incident, he must navigate a harsh and unforgiving world with no hope of recovery. But when he discovers a newfound talent for pinball, he’s swept up in the fame and fortune of his success. Tommy and his family give new voice to The Who’s classic stadium rock as they navigate the troubles and joys of being alive. This production reunites director Sam Buntrock and scenic designer Jason Sherwood, the team behind last season’s audience favorite, Frankenstein.



    HUMAN ERROR

    human-error2By Eric Pfeffinger
    Director to be announced
    May 18-June 24, 2018
    Garner Galleria Theatre
    Madelyn and Keenan are NPR-listening, latte-sipping, blue-state liberals, while Heather and Jim are NRA-cardholding, truck-driving, red-state conservatives. After an unfortunate mix-up by their blundering fertility doctor, Heather is mistakenly impregnated with the wrong child. Now the two couples face sharing an uproarious nine-month’s odyssey of culture shock, clashing values, changing attitudes and unlikely – but heartfelt – friendships. “Up-and-coming scribe Eric Pfeffinger has the vital nerve to explore the gaping communication gap between red America and blue America, liberal humanists and the conservative right” (Chicago Tribune). READ OUR FULL INTERVIEW WITH ERIC PFEFFINGER


    REMOTE DENVER
    remote-denverBy Rimini Protokoll
    Concept, Script and Direction: Stefan Kaegi
    Research, Script and Direction Denver: Jörg Karrenbauer
    Spring/Summer 2018
    On the streets of Denver
    Join a group of 50 people swarming Denver on a guided audio tour that seems to follow you as much as you are following it. Experience a soundtrack to the streets, sights, and rooftops of The Mile High City as a computer-generated voice guides your group’s movements in real time. Discover a "secret Denver," exploring places like gathering spaces, back alleyways, dark hallways and public areas through a new lens. You’re not just audience members — you’re actors and spectators, observers and observed, individuals and hordes, all at the same time.

     

    TICKET INFORMATION:

    • Theatre Company: New and renewing subscribers have the first opportunity to reserve tickets. Subscription packages are available online at denvercenter.org/nextseason or by calling 303-893-4100. Subscribers enjoy free ticket exchanges, payment plans, priority offers to added attractions, discounted extra tickets, a dedicated VIP hotline, free events including talkbacks and receptions, and the best seats at the best prices, guaranteed. Single ticket on-sale date will be announced at a later time. Note: Plans for the new season are subject to change and benefit restrictions may apply.
    • Off-Center: The single-ticket on-sale date for all Off-Center productions will be announced at a later time. Subscriptions are not available for Off-Center shows.

     

     

  • Graffiti: Modern art or 'urban terrorism'?

    by John Moore | Sep 07, 2016

    Steppenwolf Theatre's 2015 production of 'This is Modern Art' in Chicago. A new Denver production by Off-Center opens March 22 in The Jones Theatre. Photo by Michael Courier.

    They push the boundaries of legality, but graffiti artists challenge audiences to listen to stories of people of color

    By John Moore
    Senior Arts Journalist

    Graffiti artists have been called vandals, criminals and even urban terrorists.

    Idris Goodwin calls them “artists who push upon the boundaries of legality.”

    But, they are artists, Goodwin said. “First and foremost.”

    Goodwin is a playwright, break-beat poet, Colorado College theatre professor and co-author of the controversial play This is Modern Art, which will be presented by Off-Center from March 22 through April 15 in the Jones Theatre.

    Idris Goodwin Quote. This is Modern ArtThis is Modern Art recounts the true story of one of the biggest graffiti bombs in Chicago history. In less than 20 minutes, and in a snowstorm, a stealthy crew spray-painted a 50-foot “graffiti piece along the exterior wall of the Art Institute of Chicago in 2010. The tagging began with the words “modern art” and ended with the phrase “made you look.” The work was sandblasted off the next day, but because the artists had chosen such a high-profile target, “the consequences get serious,” co-writer Kevin Coval said, and the artists had to go underground.

    “They were putting out a challenge,” Goodwin said. “What is modern art? Who gets to decide who a real artist is? And where does art belong?”

    Coval, editor of The BreakBeat Poets: New American Poetry in the Age of Hip-Hop, adopted what he calls “a journalistic verse” approach to creating the play - a form inspired by Gwendolyn Brooks, the first black author to win the Pulitzer Prize. “Kevin was able to get the story behind it - who they are, why they did it - and then we decided to write a play based on that information,” Goodwin said.

    The play, now published by Haymarket Books, debuted in 2015 as part of the nationally renowned Steppenwolf Theatre’s Young Adult series. But no one was quite prepared for the severe critical response. Chris Jones of the Chicago Tribune faulted the play for romanticizing graffiti, an act he called “invasive, self-important and disrespectful of the property of others,” while Hedy Weiss of the Chicago Sun-Times said the play “spray-paints all the wrong messages.”

    This is Modern Art: First-day rehearsal report, photos

    “Both reviews shared a common theme,” wrote national arts administrator Howard Sherman, “that the play celebrated the graffiti artists’ work without making sufficiently clear, to the critics’ minds, that the majority of graffiti art is also illegal vandalism.”

    Kevin Coval Quote. This is Modern ArtThe reviews sparked a second round of heated backlash and public debate.

    “The theatre community at large said the critics’ arguments were bogus and unfair,” Goodwin said. “Antiheroes are difficult, and complicated questions are what the theatre is for."

    As incendiary as the response was, Goodwin says This is Modern Art is intended to be a gateway into a larger conversation that must be had in America. Not only in the context of escalating racial tensions in America today, but in consideration of the country’s entire history. The problem certainly did not start with Ferguson, nor did it end with NFL quarterback Colin Kaepernick refusing to stand for the national anthem, said Goodwin, whose play Victory Jones and the Incredible One Woman Band was featured at the Denver Center's 2014 Colorado New Play Summit.

    “I tweeted jokingly: ‘I don't know why you all are tripping. We've been refusing to stand up since Rosa Parks,’ ” Goodwin said. “This is not new. I don't think we have really confronted these issues because we still don't really know each other. We're acquainted but we haven't done the work that you have to do to become family. Which is learning to listen, to be patient, to forgive.”

    For those Americans not of color who are struggling with how to proactively respond, Coval’s advice is simple.

    “For white people, I think it's a matter of leaving the house,” Coval said. “You have to leave the comfort of where you are. Get outside of what you read. Get outside of what you assume and begin to listen to the stories of people of color. Because they will tell a different tale from the dominant tale that continues to weave in this country.”

    (Kevin Coval photo above by Nyce Life Photography.

    More of our talk with Idris Goodwin and Kevin Coval:

    John Moore: What do you say to those who say see graffiti artists as vandals?

    Idris Goodwin: There is a clear distinction in my mind between art and vandalism. They are definitely breaking the law - but I feel like that is the art they practice. And despite your feelings about the legality and the appropriateness of graffiti art, you cannot deny the boldness of it.

    John Moore: What are we so afraid of?

    Kevin Coval: Freedom. I think we are afraid of people being and getting free. Graffiti art calls into question who has the right to public property, and who has the right to make art. I think once disenfranchised young people of color begin to take the notion of creation into their own hands, I think that shakes the center. Graffiti artists challenge what norms are in culture, and I think that makes people uncomfortable.

    (Pictured right: The graffiti left on the exterior wall of the Art Institute of Chicago in 2010, which inspired the new play 'This is Modern Art.')

    John Moore: What’s at the root of all of this?

    Idris Goodwin: I think this country has yet to fully own up to the hate crimes and war crimes that it, as a government, has committed against a multitude of communities of color. The shameful state of public education in this country has a lot to do with that. People have no idea of history, or of what has happened even on the soil upon which they stand. The only difference today is that because of social media and the way information travels, the dialogue is now out in the open and documented, and we're really seeing the problem. But it's always been there.

    This is Modern Art. Photo by John MooreKevin Coval: James Baldwin talked about whiteness as a sickness; as a psychological disease that affects all people and is detrimental to the humanization of people of color. In Chicago and other cities, we continue to be radically segregated around race and socioeconomic status. White people don't really know people of color. We imagine the lives of people of color. We fear what it might mean if we live in proximity to people of color we don't actually know. But people of color know white people all too well.

    (From left in photo above: Off-Center actors Robert Lee Hardy, Jake Mendes and Marco A. Robinson. Photos by John Moore for the DCPA NewsCenter.) 

    Idris Goodwin: One of the questions the play puts out there is the punishment for doing graffiti. Does it fit the crime? There are some cases where graffiti artists have been chased to their deaths. Now people might say, 'Well, he was a thug.' Really? Do they then deserve to die?

    More Colorado theatre coverage on the DCPA NewsCenter

    John Moore: How has the Broadway musical Hamilton changed the game in terms of the need for the American theatre to open itself up to new forms of storytelling?

    Idris Goodwin: I think it is a tremendously missed opportunity for any theatre not to embrace, on a consistent basis, a multitude of stories that really reflect the multitude in this country. If we really want this art form to live, we cannot continue to champion and exalt - and then also demonize and tear down any attempt to broaden our idea of what a play is.

    John Moore was named one of the 12 most influential theater critics in the U.S by American Theatre Magazine in 2011. He has since taken a groundbreaking position as the Denver Center's Senior Arts Journalist.

    This is Modern ArtThis is Modern Art: Ticket information

    • Presented by Off-Center
    • Written by Idris Goodwin and Kevin Coval
    • Directed by Idris Goodwin
    • Performances March 22-April 15
    • Jones Theatre, Denver Performing Arts Complex
    • Call 303-893-4100 or BUY ONLINE

    Cast and creatives for 'This is Modern Art' on the first day of rehearsal. Photo by John Moore.Cast and creatives for Off-Center's 'This is Modern Art' on the first day of rehearsal Feb. 27. Photo by John Moore.


    Selected previous NewsCenter coverage of Idris Goodwin:
    First rehearsal report: This is Modern Art will make you look
    Boulder Ensemble Theatre Company commissions Idris Goodwin for new play
    Idris Goodwin is going places: From Curious' Detroit '67 to Denver Center
    Vast and visceral: Off-Center season will include This is Modern Art
    Video: Victory Jones and the Incredible One Woman Band

    Bonus sample: Watch Kevin Coval's The Crossover:

  • Summit Spotlight Video: 'Victory Jones and the Incredible One Woman Band'

    by John Moore | Feb 07, 2014

    Set in the percussive world of break beat music, Colorado Springs playwright Idris Goodwin tells the story of a talented young woman who aims for stardom, so she tracks down her long-lost father, a one-hit wonder in the 1980s. This is the second of Goodwin's planned trilogy of break-beat plays with an "ear-to-the streets" portrait of American pop culture.

    Hip-hop turns 40 years old this year (Can you believe it?) and "Victory Jones" makes plain its cultural impact across several American generations. But it is, at its heart, a universal story of a daughter reconnecting with her estranged father. 

    Here's our inside look at the making of this innovate new work that incorporates live and recorded looping technology to infuse the Colorado New Play Summit with a refreshing new form of theatrical storytelling. (The sound is by Craig Breitenbach.)

    Featured in this video are Goodwin, Goldberg and actors Curtis McClarin, chandra thomas, Amy Luna, Brian Quijada, Jessica Austgen, Ben Morrow and Janet Noble.

    Favorite line: "Don't talk about it. Be about it."

    Video by John Moore.

    Please enjoy our other 2014 Summit Spotlight videos:

    The Comparables

    Appoggiatura

    Zenith

  • Photos: 2014 Colorado New Play Summit, Day 1

    by John Moore | Feb 04, 2014

    image

    "Victory Jones" Director Wendy C. Goldberg and actor Ben Morrow

    The 2014 Colorado New Play Summit opens Friday, but the work began in earnest today as the casts and creative teams for all five new readings gathered, met ... and got to work.

    Now in its ninth year, the Colorado New Play Summit has become one of the most important new-play festivals in America. Last year, four Summit readings earned their way onto the 2013-14 season.

    Here is this year's lineup. The public is encouraged to come and get a first and first-hand look at some of the most promising new work that may end up in full production next season. Click here to check times and ticket availability.

    Here are the chosen 2014 plays:

    • The Comparables, by Laura Schellhardt
    • Appoggiatura by James Still
    • Victory Jones and the Incredible One Woman Band, by Idris Goodwin
    • Benediction, by Eric Schmiedl, adapted from the book by Kent Haruf
    • Zenith, by Kirsten Greenidge

    Here are select photos from Tuesday, Feb. 4. All photos by John Moore:

    INTRODUCTIONS:

    image"The Comparables" Director Braden Abraham

     

    image

    "Victory Jones" Playwright Idris Goodwin and Director Wendy C. Goldberg

     

    image

    "Benediction" Actor Tracy Shaffer and "Appoggiatura" Playwright James Still.

     

    image"Benediction" Director Kent Thompson, also Denver Center Theatre Company Artistic Director

     

    image

    Actors Tracy Shaffer, Billie McBride and Leonard E. Barrett

     

    image

     

    image

    "Victory Jones" actor Ben Morrow, left

     

    image

    "Zenith" Dramaturg Ilana Brownstein

     

    image

    "Zenith" Playwright Kirsten Greenidge

     

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    "Appoggiatura" Actor Randy Moore, left, and "Benediction" Actor" Mike Hartman.

     

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    "Appoggiatura" Production Assistant Nicolette Vajtay

     

    imageDenver Center Stage Management Supervisor Chris Ewing

     

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    Colorado New Play Summit Ambassadors

     

    imageReturning Colorado native Lynnda Ferguson ("Benediction")

     

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    "Victory Jones" actor Amy Luna

     

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    Tricia Moreland and the youngsters of "Benediction"

    imageAssociate Managing Director Ryan Meischeid

     

    BENEDICTION REHEARSAL

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    Actor Larry Hecht

     

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    VICTORY JONES AND THE INCREDIBLE ONE-WOMAN BAND REHEARSAL

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    THE COMPARABLES REHEARSAL

    imageActor Jamie Ann Romero, who also stars in "The Legend of Georgia McBride"

     

    ZENITH REHEARSAL

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    Director Randy White and Playwright Kirsten Greenidge

     

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    Actor Candy Brown

     

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    Actors April Matthis and Gabra Zackman

     

    APPOGGIATURA REHEARSAL

     

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    imageActor Mehry Eslaminia

     

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    Check back for daily updates, photos and videos.

  • 2014 Colorado New Play Summit will complete 'Plainsong' trilogy

    by John Moore | Nov 19, 2013

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    Jamie Ann Romero and Quincy Dunn-Baker read "The Legend of Georgia McBride" at the 2013 Colorado New Play Summit. Photo by Kyle Malone.

    The Denver Center Theatre Company's 9th annual Colorado New Play Summit will include a reading based on the novel Benediction, completing author Kent Haruf's trilogy of rural Colorado tales, all  adapted for the stage by Eric Schmiedl.

    The Colorado New Play Summit previously introduced Haruf's "Plainsong" in 2007 and "Eventide" in 2009, both of which went on to full productions on Denver Center mainstage seasons.

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    "Eventide," the second of Kent Haruf's novels to be adapted to the stage by the Denver Center, was fully staged in 2010. Photo by Terry Shapiro.

     

    Also on the 2014 Summit lineup for the weekend of Feb. 7-9 are Victory Jones and The Incredible One Woman Band by Idris Goodwin;  Appoggiatura, by three-time Pulitzer Prize nominee James Still; and The Comparables by Laura Schellhardt. A fifth title will be announced at a  later date.

    The Colorado New Play Summit is the brainchild of Denver Center Theatre Company Artistic Director Kent Thompson and Associate Artistic Director., Bruce K. Sevy. Their festival draws artistic directors, literary managers, dramaturgs, directors, members of the media and the curious public to view the latest works by some of America’s most exciting playwrights. For savvy subscribers, the Summit is often a preview of the following year's mainstage season. The current season, for example, includes mainstage productions of four plays that were introduced as readings at the last Summit in February: "Just Like Us," by Karen Zacarías; "The Most Deserving," by Catherine Trieschmann; "black odyssey," by Marcus Gardley; and "The Legend of Georgia McBride," by Matthew Lopez.

    The Denver Center's new-play tradition goes back to its beginnings, with credits ranging from “Quilters” to “The Laramie Project.” By season's end, the Denver Center Theatre Company will have launched 129 world premieres in its 35-year history.

    Since Thompson arrived in 2005, he has nurtured some of America’s most celebrated and promising playwrights through his new-play development program, including Lee Blessing, Steven Dietz, Richard Dresser, Laura Eason, Jason Grote, Samuel D. Hunter, Lisa Loomer, Michele Lowe, Michael Mitnick, Julie Marie Myatt, Theresa Rebeck, Octavio Solis, Caridad Svich, Catherine Trieschmann, Ken Weitzman and Elyzabeth Gregory Wilder. Those are just some of the playwrights who have been commissioned, premiered or otherwise developed at the Denver Center under Thompson.

     What sets the Denver Center apart from other new-play programs is its ongoing commitment to developing new plays from readings through full-scale season productions. More than 40 new plays have now been introduced in readings at the Colorado New Play Summit. By the end of the current season, the Denver Center will have fully premiered 21 new American plays since 2005.

    Many of those productions have gone on to significant continued life in the American theatre, including Grote’s “1001,” a deconstruction of the tales of the Arabian Nights that has had 22 stagings since 2007, including Page 73 Productions in New York and the Contemporary American Theater Festival in West Virginia). Grote has written for “Mad Men” and “Hannibal.” Solis’ "Lydia,” about an unusual maid charged with caring for a Mexican-American teenage girl severely injured in a car accident, was nominated for a Pulitzer Prize. Hunter’s “The Whale,” about a morbidly obese man’s attempt to re-connect with his daughter, has since last year been staged by Victory Gardens Theater in Chicago, and at South Coast Repertory in California. Haruf's "Plainsong" will make its Chicago premiere from Jan. 30-March 8 at the Signal Theatre Company.

    In addition to five staged readings, Visitors to the 2014 Summit also will see mainstage productions of two plays from February's Summit:  The Legend of Georgia McBride and the lower-cased black odyssey.

    The 2014 Colorado New Play Summit will take place Feb. 7-9 at the Denver Performing Arts Complex. Summit passes, which include seating at all readings, admission to the two world premieres, plus meals, receptions, and discounts to nearby downtown Denver hotels, are now available. Tickets to individual readings will be available in early January. For more information and Summit registration, go to  www.denvercenter.org/summit,  or call 303-893-6030.

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    Director Chay Yew during rehearsal with the cast of "black odyssey" during the 2013 Colorado New Play Summit." Photo by Kyle Malone.

     

    The 2014 Colorado New Play Summit plays at a glance:

    Staged reading

    APPOGGIATURA

    By James Still

     Followed by a violin-playing Vivaldi, a charming but bogus Italian tour guide accompanies a widow and a bereaved middle-aged man who both mourn the same person while her granddaughter questions her future. Appoggiatura is a sun-drenched romance about love, loss, and a broken family re-living the past and healing its heart in Venice.   Playwright James Still is a three-time nominee for the Pulitzer Prize for Drama. A Denver Center Commission.

     

    Staged reading

    VICTORY JONES AND THE INCREDIBLE ONE-WOMAN BAND

    By Idris Goodwin

     A brightly talented girl aims for a place center stage in the world of music.  Using live and recorded "looping" technology, the world of break beat music sets the background for an African American girl's hip hop odyssey along the bumpy road to music stardom.   Smart, sassy, humorous, heartfelt and rousing with a cast of colorful, contemporary characters, Victory Jones is an ear-to-the-streets portrait of American pop culture experienced by one gifted girl.  Goodwin’s previous break beat play, How We Got On, was read two seasons ago at The Humana Festival and was produced in Chicago at Company One. Victory Jones and The Incredible One Woman Band is a Denver Center commission.

     

    Staged reading

    BENEDICTION

    By Eric Schmiedl

    Based on the novel by Kent Haruf

     Set on the high plains of eastern Colorado, Benediction follows the lives of three souls yearning for communion--a dying elderly man, a young orphaned girl and a renegade preacher. As with Haruf’s novels Plainsong and Eventide, the Denver Center has once again brought playwright Eric Schmiedl on board to adapt this penetrating, deeply human story for the stage. A Denver Center commission.

     

    Staged reading

    THE COMPARABLES

    By Laura Schellhardt

     In this dark comedy, Iris and Monica jockey for power in Bette’s “Boutique” –a high-end real estate agency run and staffed almost solely by women. In a world of double standards, what happens when the gender tables are turned? Does the glass ceiling still pertain? And who’s going to make the coffee?  The Comparables is a hilarious look at climbing the corporate ladder in three-inch heels.

     

    World Premiere: Mainstage production

    THE LEGEND OF GEORGIA MCBRIDE

    by Matthew Lopez

    Directed by Mike Donahue

     A heartwarming, music-filled comedy about Casey, an Elvis impersonator who just learned his dive bar act is being replaced with a drag show. With the bills stacking up and a kid on the way, Casey’s going to have to adapt to a whole new show business like none he’s ever known in this risqué romp. The Legend of Georgia McBride was workshopped at the 2013 Colorado New Play Summit.

     

    World Premiere: Mainstage production

    black odyssey

    by Marcus Gardley

    Directed by Chay Yew

    The Greek gods meet African-American culture in this twist on Homer’s The Odyssey. Centered on a black soldier returning home from a harrowing tour in the War in Afghanistan, this compelling new play fuses modern reality, humor, and song with ancient myth. black odyssey was workshopped at the 2013 Colorado New Play Summit. A Denver Center commission.

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    ABOUT THE EDITOR
    John Moore
    John Moore
    Award-winning arts journalist John Moore has recently taken a groundbreaking new position as the DCPA’s Senior Arts Journalist. With The Denver Post, he was named one of the 12 most influential theater critics in the US by American Theatre Magazine. He is the founder of the Denver Actors Fund, a nonprofit that raises money for local artists in medical need. John is a native of Arvada and attended Regis Jesuit High School and the University of Colorado at Boulder. Follow him on Twitter @moorejohn.

    DCPA is the nation’s largest not-for-profit theatre organization dedicated to creating unforgettable shared experiences through beloved Broadway musicals, world-class plays, educational programs and inspired events. We think of theatre as a spark of life — a special occasion that’s exciting, powerful and fun. Join us today and we promise an experience you won't soon forget.