• 2018-19 DCPA Theatre Company season: In with the old ... and the new

    by John Moore | Apr 01, 2018
    Chris Coleman offers a play-by-play look at the 2018-19 DCPA Theatre Company season, his first as the company's new Artistic Director. Video by David Lenk and John Moore for the DCPA NewsCenter.

    Coleman's 40th anniversary season includes two world premieres, Tolstoy and an African-American Oklahoma!

    By John Moore
    Senior Arts Journalist

    Incoming DCPA Theatre Company Artistic Director Chris Coleman has announced a 40th anniversary season he believes both honors the company’s past and boldly steps into the future — and in some intriguing examples, at the same time.

    Coleman will return to the company’s roots by presenting its third Rodgers and Hammerstein musical following previous stagings of Carousel and South Pacific. But Coleman is promising a fresh new look at Oklahoma! by telling the beloved story of a spirited rivalry between local farmers and cowboys from a mostly African-American perspective. Similarly, Coleman will offer adaptations of Tolstoy’s Anna Karenina and W. Somerset Maugham’s The Constant Wife, stories of women overcoming great societal barriers that may strike audiences as remarkably contemporary.

    A Last Night 800 1“It’s incredibly exciting to imagine what you want your first season at an organization to be,” said Coleman, who assumes his full-time Denver duties in May. "This company has long been known as a place where you can do really big, interesting, meaty, dramatic literature. One of the things that's exciting to me is to do something really traditional and then follow that with something that is brand new and edgy. That collision of styles and voices is really juicy to me.”

    Pictured above: Valerie Curtis-Newton, left, will return to again direct 2017 Colorado New Play Summit offering 'Last Night and the Night Before' on the mainstage season. Photo by John Moore for the DCPA NewsCenter.)

    Coleman covers the traditional-to-edgy gamut with the announcement of both an eight-play Theatre Company season that includes three classics and two world premieres, as well as an innovative five-play slate from the company's adventurous Off-Center wing.  

    nataki-garrettWhen Coleman was named Artistic Director in November, he promised programming that will further the DCPA’s efforts to diversify its audiences, champion local storytelling and give voice to underserved communities. All five of the other mainstage directors he named today are women — and three of the playwrights are women or persons of color. Four if you count Off-Center's commission of a planned immersive hip-hop piece from This is Modern Art co-writer Idris Goodwin.

    The mainstage season includes two world-premiere plays: Donnetta Lavinia GraysLast Night and the Night Before, which was featured at the company’s 2017 Colorado New Play Summit, and Itamar MosesThe Whistleblower. With the exception of A Christmas Carol, which returns for a 26th year, every playwright and source writer (even Tolstoy) will be new to Theatre Company audiences except Nottage, whose Ruined was one of the most celebrated productions in company history In 2011.

    The Off-Center offerings, said Curator Charlie Miller, will complement the Theatre Company season and tell exciting stories in unconventional ways. “From original micro plays to new theatrical experiments to a large-scale immersive hip-hop show, Off-Center will take audiences into unexpected Denver spaces and showcase local artists, stories, and communities,” he said.

    Take a deeper dive into each play on the 2018-19 season

    The Theatre Company debuted on New Year’s Eve 1979 with The Caucasian Chalk Circle, starring Tyne Daly. Coleman says there is special significance to this being the 40th anniversary season because the company is old enough to have built an significant canon but also young enough to still have staff, artists and audience members who have been here all along — a lot of them.

    "As we step into the next chapter of the Theatre Company’s history, it's inspiring and energizing to look back on the extraordinary body of work that this company has brought to the region over the last 40 seasons," Coleman said. "What's really vivid to me is how many people have been around from Day 1. There are so many people who are really invested in the history and the future of this organization. So, to me, that's worth celebrating. And I view that as a launching pad for me.

    These playwrights and directors are the cream of the crop, and I look forward to the conversations these works will open up with the Denver community."

    John Moore was named one of the 12 most influential theater critics in the U.S. by American Theatre Magazine in 2011. He has since taken a groundbreaking position as the Denver Center’s Senior Arts Journalist.

    Meet new Theatre Company Artistc Director Chris Coleman

    Chris Coleman 2018-19 season announcement

    2018-19 DCPA Theatre Company season at a glance:

    • Aug. 24-Sept. 30: Vietgone (Ricketson Theatre) DEEPER DIVE
    • Sept. 7-Oct. 14: Rodgers & Hammerstein’s Oklahoma! (Stage Theatre) DEEPER DIVE
    • Sept. 21-Oct. 21: The Constant Wife (Space Theatre) DEEPER DIVE
    • Nov. 21-Dec. 24: A Christmas Carol (Stage Theatre) DEEPER DIVE
    • Jan. 18-Feb. 24, 2019: Last Night and the Night Before (Ricketson Theatre) DEEPER DIVE
    • Jan. 25-Feb. 24, 2019: Anna Karenina (Stage Theatre) DEEPER DIVE
    • Feb. 8-March 10, 2019: The Whistleblower (Space Theatre) DEEPER DIVE
    • April 26-May 26, 2019: Sweat (Space Theatre) DEEPER DIVE

    DCPA Theatre Company tickets and subscriptions: New and renewing subscribers have the first opportunity to reserve tickets. Subscription packages are now available online at denvercenter.org or by calling 303-893-4100. Subscribers enjoy 30 percent off savings, free ticket exchanges, payment plans, priority offers to added attractions, discounted extra tickets, a dedicated VIP hotline, free events including talkbacks and receptions, and the best seats at the best prices, guaranteed. Single ticket on-sale date will be announced at a later time. BUY ONLINE

    2018-19 Off-Center season at a glance:

    • July 11-Aug. 22: Mixed Taste: Tag team lectures on unrelated topics (Wednesdays only, with MCA Denver, Seawell Ballroom)
    • Oct. 23-Nov. 18: Bite-Size: An evening of micro theatre (at BookBar)
    • Nov. 23-Dec. 24: The SantaLand Diaries (with Boulder Ensemble Theatre Company at The Jones)
    • March 2019: Powered by Off-Center (The Jones)
    • Dates TBA: Untitled Immersive Hip-Hop Show

    Off-Center ticket information: The single ticket on-sale date for all Off-Center productions will be announced at a later time. Subscriptions are not available for Off-Center shows.

    2018-19 THEATRE COMPANY SEASON: Title by title

    (Descriptions provided by DCPA Theatre Company)


    • Oregon Shakespeare Festival 2016 VietgoneBy Qui Nguyen
    • Original music by Shane Rettig
    • Directed by Seema Sueko
    • Aug. 24-Sept. 30, 2018 (Opens Aug. 31)
    • Ricketson Theatre
    • Glance: This rap-spitting, pop culture-crusted dramedy is an ode to the real-life courtship of Playwright Qui Nguyen’s parents. Forced to leave their country during the height of the Vietnam War, two refugees find themselves at the same relocation camp in Arkansas – the land of Harleys, hot dogs and “howdy!” Before they find their way into each other’s arms, they’ll have to blaze a trail in their weird new world and leave behind the baggage they didn’t pack. Jump on this emotional ride for an adventure that hums with excitement as it hops across time and around the globe through the highs and lows of love.
    • Fun fact: Qui Nguyen is the self-described geeky playwright behind She Kills Monsters, which addressed stereotypes and social issues through the game “Dungeons and Dragons.”
    • Take a deeper dive into Vietgone

    (Pictured: Oregon Shakespeare Festival's 2016 production of 'Vietgone,' courtesy Oregon Shakespeare Festival.)

    Rodgers & Hammerstein’s Oklahoma!

    • Oklahoma!Music by Richard Rodgers; book and lyrics by Oscar Hammerstein II
    • Based on the play Green Grow the Lilacs by Lynn Riggs
    • Original Dances by Agnes de Mille
    • Directed by Chris Coleman
    • Sept. 7-Oct. 14, 2018 (Opens Sept. 14)
    • Stage Theatre
    • Glance: With a spring in their step and a song in their hearts, cowboys, farmers and travelling salesmen alike have chased their destinies to a land that promises everything they could hope for: love, opportunity and a brighter future. The first collaboration by the legendary team of Rodgers and Hammerstein became a landmark musical for its rollicking music and stunning dance numbers, and this joyful presentation will solidify why it has stood the test of time. New DCPA Theatre Company Artistic Director Chris Coleman makes his DCPA directorial debut with this production, and he will set the story in one of the 50 all-African-American towns in the early days of the Oklahoma Territory. Discover an overlooked piece of American history as one small community stakes its claim on a place full of hope. The choreographer will be Dominique Kelley, a dancer in the film La La Land and the musical Bring in 'Da Noise, Bring in 'Da Funk.
    • Fun fact: Oklahoma! opened on Broadway at the St. James Theatre 75 years ago Saturday, and the cast of the Denver-born Frozen marked the anniversary with a curtain-call singalong that you can watch at this YouTube link.
    • Take a deeper dive into Oklahoma!

    The Constant Wife

    • The Constant WifeBy W. Somerset Maugham
    • Directed by Shelley Butler
    • Sept. 21-Oct. 21, 2018 (Opens Sept. 28)
    • Space Theatre
    • Glance: As the intelligent, charming housewife of a successful doctor, Constance Middleton cheerfully plays her traditional role. But she knows far more than she’s willing to let on. This cheeky satire pokes holes in the expectations of relationships, fidelity and social roles that were just as relevant in the 1920s as they are today. Featuring an infectiously plucky heroine at the helm, The Constant Wife takes joy in the imperfections of life and applauds those who elude the strict confines of society to discover true happiness. DCPA alum Shelley Butler (Human Error, The Most Deserving) returns to direct this contagious comedy.Fun fact: Variety calls Maugham’s protagonist “a perverse protofeminist — and an antecedent to the women of “Desperate Housewives” and “Sex and the City.”
    • Take a deeper dive into The Constant Wife

    A Christmas Carol

    • Sam Gregory A Christmas Carol. By Charles Dickens
    • Adapted by Richard Hellesen
    • Music by David de Berry
    • Directed by Melissa Rain Anderson
    • Nov. 21-Dec. 24, 2018 (Opens Nov. 29)
    • Stage Theatre
    • Glance: Based on Charles Dickens’ classic novel, the Theatre Company’s joyous and opulent seasonal offering now in its 26th year traces money-hoarding skinflint Ebenezer Scrooge’s triumphant overnight journey to redemption. A Christmas Carol illuminates the meaning of the holiday season in a way that has resonated for generations. Note: This is an added attraction, not part of the Theatre Company subscription season.
    • Fun fact: Denver favorite Sam Gregory is scheduled to return for a third time as Scrooge.
    • Take a deeper dive into A Christmas Carol

    Last Night and the Night Before (world premiere)

    • Summit. Last Night. Donnetta By Donnetta Lavinia Grays
    • Directed by Valerie Curtis-Newton
    • Jan. 18-Feb. 24, 2019 (Opens January 25)
    • Ricketson Theatre
    • Glance: When Monique and her 10-year-old daughter Samantha show up unexpectedly on her sister’s Brooklyn doorstep, it shakes up Rachel and her partner Nadima’s orderly New York lifestyle. Monique is on the run from deep trouble and brings their family’s Southern roots with her, grabbing hold of Rachel’s life more ferociously than she could have ever imagined. Poetic, powerful and remarkably funny, Last Night and the Night Before play explores the struggle between the responsibilities that are expected of us and the choices we actually end up making.
    • Fun fact: This play was featured in the 2017 Colorado New Play Summit. Its original title was simply, Sam. The new title references a line from the children’s game "Last night and the night before, I met my baby at the candy store."
    • Take a deeper dive into Last Night and the Night Before

    Anna Karenina

    • TC-web-Season-Ann-400x3003By Kevin McKeon, adapted from the novel by Leo Tolstoy
    • Directed by Artistic Director Chris Coleman
    • Jan. 25-Feb. 24, 2019 (Opens Feb. 1)
    • Stage Theatre
    • Glance: Love holds the power to bind us together or tear us apart, and no one knows better than Countess Anna Karenina. As a noblewoman and socialite, her glamorous lifestyle shrouds her unhappy marriage. But everything changes when she meets the dashing army officer Count Vronsky. She risks her social status, marriage, friends and family for the thrill of forbidden love. Anna Karenina uses the romantic backdrop of Tsarist Russia to tell a turbulent tale of passion and betrayal, dreams chased and lost, and the consequences of getting swept off your feet. Helmed by Artistic Director Chris Coleman, this lush, modern adaptation of Leo Tolstoy’s masterpiece brings the opulent setting and heart-wrenching story to life.
    • Fun fact: The play was made into a 2012 movie adapted by Tom Stoppard and featuring Keira Knightley and Jude Law.
    • Take a deeper dive into Anna Karenina

    The Whistleblower (world premiere)

    • itamarmoses whistleblowerBy Itamar Moses (pictured right)
    • Directed by TBA
    • Feb. 8-March 10, 2019 (Opens Feb. 15)
    • Space Theatre
    • Glance: For screenwriter Eli, an offer to finally create his own TV show should be the ultimate culmination of his goals, but instead shocks him into wondering why he had those dreams in the first place. Armed with a new sense of spiritual clarity, he sets out on a quest to serve up some hard truths to his coworkers, family, exes and friends. What could possibly go wrong? A lively world premiere about the lies we tell to protect ourselves  and how the tiniest gestures can have deep impact on those around us. Written by Itamar Moses, the award-winning author of the musical The Band’s Visit, currently on Broadway.
    • Fun facts: The Whistleblower was first introduced as a staged reading at South Coast Repertory’s 2015 Pacific Playwrights Festival in Costa Mesa, Calif. — alongside Vietgone. Also, Moses was an Executive Story Editor for HBO's "Boardwalk Empire."
    • Take a deeper dive into The Whistleblower


    • TC-web-Season-Ann-400x3004By Lynn Nottage
    • Directed by Nataki Garrett
    • April 26-May 26, 2019 (Opens May 3)
    • Space Theatre
    • Glance: For the people of poverty-stricken Reading, Pa., work is so much more than a paycheck – it’s the glue that holds the town together. The floor of their central factory is where lifelong friendships are made, where love blossoms and where family members work side-by-side. But as layoffs become the new norm and a cheaper workforce threatens the viability of the local union, the threads that once kept the community together begin to fray. Sweat is an “extraordinarily moving drama,” said The New York Times, that powerfully contrasts life’s happiest highs with the heart-wrenching struggles of survival. Using warm humor and deep empathy, this 2017 Pulitzer Prize winner from Lynn Nottage (Ruined) paints a moving portrait of today’s working-class America in decline.
    • Fun fact: Nottage developed her play through interviews with actual former steelworkers in Reading.
    • Take a deeper dive into Sweat

    2018-19 OFF-CENTER SEASON: Title by title

    Mixed Taste: Tag team lectures on unrelated topics

    • Mixed Taste Aug 9Co-presentation with MCA Denver
    • July 11-Aug. 22, 2018 (Wednesdays only)
    • Seawell Ballroom
    • Glance: Returning for a second summer series, even mismatched subjects find common ground in this fun lecture forum that can go pretty much anywhere. Two speakers get 20 minutes each to enlighten you on unrelated topics, but can’t make any connections to each other. Ideas start to blend afterward, when audience members ask questions to both speakers and anything goes.
    • Fun fact: One clever example from last year’s series: “Wild West mail delivery and post-conceptual art.” Last year’s series emcee Suzi Q. Smith wrote a poem during each performance and read them at the end of every evening.

    Bite-Size: An evening of micro theatre

    • 2017 TRUE WEST AWARDS Gary Grundie Meridith C. GrundeiCreated and directed by Meridith Crosley Grundei
    • Oct. 23-Nov. 18, 2018
    • At BookBar, 4280 Tennyson St.
    • Glance:
    • Bite-Size brings you five short plays with bookish twists performed in and around BookBar, an independent bookstore and wine bar in the Tennyson Street Arts District. Grab tapas and drinks between the short performances of original works by Colorado-based artists. There is no better way to see a variety of local playwrights and performers in one place. Whether you’re a theatre geek, a bookworm or on the hunt for an off-beat night out, this evening will leave you eager to crack into a fresh hard-cover and dream up some tales of your own.
    • Fun fact: Director Meridith Grundei, a 2017 True West Award winner, packed up a used R.V. and hit the road with her husband and daughter in 2017 to travel the United States and Mexico for a year.

    The SantaLand Diaries

    • A Santaland Diaries Michael BouchardCo-presentation with Boulder Ensemble Theatre Company
    • By David Sedaris, adapted for the stage by Joe Mantello
    • Directed by Stephen Weitz
    • Nov. 23-Dec. 24, 2018 (Opens Nov. 25)
    • The Jones Theatre
    • Glance: This acclaimed one-man show is based on David Sedaris’ best-selling memoir about his curmudgeonly experience working as a Macy’s SantaLand elf, once again featuring Michael Bouchard and Luke Sorge as David, and his devilish Macy’s persona, Crumpet the Elf. Think holiday shopping is brutal? Try being on the receiving end of Macy’s SantaLand madness in a pair of pointy shoes. This twisted tale is the cure for the common Christmas show and the perfect excuse to take a break from it all.
    • Fun fact: 2018-19 will mark the 10th anniversary of BETC’s annual holiday staging, the last seven in partnership with Off-Center. That will equal The Bug Theatre’s run of 10 seasonal The SantaLand Diaries starring Gary Culig.

    Powered by Off-Center

    • March 2019
    • The Jones Theatre
    • Glance: Discover your next favorite Colorado performer as they debut new work at the Denver Center. Off-Center is offering the spotlight to local creators of all kinds as they get their projects off the ground with the support of our team. We’re giving our local artistic community a new place to play and a platform to experiment, engage and excite us all. Performance dates and participating artists to be announced.

    Untitled Immersive Hip-Hop Show

    • Idris Goodwin 160Written by Idris Goodwin
    • Directed by Jenny Koons
    • Glance: Following the hit experiential shows Sweet & Lucky and The Wild Party, Off-Center is cooking up its next large-scale immersive adventure. Off-Center has commissioned playwright Idris Goodwin and New York-based director Jenny Koons (Burn All Night at American Repertory Theatre) to create a one-of-a-kind new hip-hop-inspired event. Title, location, dates, and details to be announced.
    • Fun fact: Goodwin is the director and co-writer of This is Modern Art, currently playing through April 15 in The Jones Theatre.

    Note: Due to the nature of live performance, all productions, prices and dates are subject to change.

    More Colorado theatre coverage on the DCPA NewsCenter

  • BETC moves up in class with ambitious 'The Curious Incident...'

    by John Moore | Mar 20, 2018
    The Curious Incident of the Dog in the Night-Time The Broadway company of 'The Curious Incident of the Dog in the Night-Time.' Photo by Joan Marcus.

    Boulder company will be first in Colorado to stage celebrated plays The Curious Incident and The Wolves

    By John Moore
    Senior Arts Journalist

    The Boulder Ensemble Theatre Company’s 13th season will include its most ambitious undertaking ever: Staging an enormously challenging play that was once thought to be unstageable. For the first time in its history, BETC will stage a Tony Award-winning best play before anyone else in Colorado when it caps its wildly aspirational 2018-19 season with The Curious Incident of the Dog in the Night-Time, the stage adaptation of Mark Haddon's 2003 best-selling novel.

    Stephen-Weitz- quoteIntroducing Tony-winning best plays to Colorado audiences is a distinction that for the past two decades has generally been traded between the DCPA Theatre Company (All the Way, Vanya and Sonia and Masha and Spike) and Curious Theatre (Red, Clybourne Park, next year’s The Humans). No one in Colorado has had the temerity to bite on Curious Incident since it won the Tony in 2015.

    BETC steps into that company this year with the story of a socially awkward British teen who is a mathematical savant but falls somewhere on the autism spectrum. The story follows his quest to clear his name after the neighbor’s dog is speared by a garden fork in the middle of the night.

    The National Theatre’s 2012 London production was a sensation for its ingenious technological advances that somehow helped communicate to its audiences what might be going on inside the young man’s mysterious and often short-circuiting head. The staging used lighting and sound innovations that made the boy's sensory overload both harrowing and eminently understandable.

    But the groundbreaking success of the play also seemed to confirm the presumed belief that it would be impossible to produce for small theatres around the country that, like BETC, do not have multimillion-dollar budgets. “Curious Incident is one of the most fully immersive works ever to wallop Broadway,” the New York Times said. “So be prepared to have all your emotional and sensory buttons pushed, including a few you may have not known existed.”

    Gene Gillette comes home in The Curious Incident tour

    BETC co-founder Stephen Weitz was not scared off. He believes any good story is a stageable story. Somehow.

    “At its heart, Curious Incident is a powerful story about a young boy,” Weitz said. “People who encountered the play in New York or during the national tour may be expecting a particular production style. Ours will feature plenty of ‘theatre magic,’ but it will be our own BETC vision guiding the aesthetic with that story at its core.”

    Sarah BETC’s season is also notable for The Wolves, an utterly original story that takes place on the sidelines of a high-school girls soccer team's games. It is not only Sarah DeLappe’s first play, it was presented at New York’s Lincoln Center — and was a finalist for the Pulitzer Prize.

    "I'm thrilled that The Wolves has found its Colorado home at the Boulder Ensemble Theatre Company,” DeLappe told the DCPA NewsCenter. The playwright, who grew up playing youth soccer in Reno, Nev., was tutored at Brown University by none other than Paula Vogel (How I Learned to Drive). DeLappe’s characters are listed in the script not by their names but rather their jersey numbers. They are teammates, after all.

    More Colorado theatre coverage on the DCPA NewsCenter

    They play, which has surprisingly little to do with soccer, takes place in nine scenes, each while the girls are warming up for a match. “I was attracted to the idea of a stage where we were watching young women whose bodies were active throughout,” DeLappe told the Lincoln Center’s media office. She said she is hungry for narratives with strong female protagonists, and that she sees The Wolves as a story about women warriors. “I was inspired to think of these characters as a pack preparing for battle,” she said.

    Weitz calls The Wolves “possibly the most honest depiction of the lives of young women I've ever encountered,” he said. “Not only is it a profound story, but if affords an incredible opportunity for nine young women in our acting community — part of our efforts to address equity in all facets of our art form.”

    Arvada Cebter Sense and Sensibility. Mall Gale PhotographyThe 13th BETC season is also notable for two Jane Austen adaptations — Pride and Prejudice (a rollicking new adaptation by Kate Hamill, who also wrote the Arvada Center's current Sense and Sensibility) and its modern sequel, Miss Bennet: Christmas at Pemberley by Lauren Gunderson and Margot Melcon. This makes the third straight BETC season with a title by Gunderson (Silent Sky, The Revolutionists), currently the most produced playwright in the world not named Shakespeare.

    (Pictured at right: Zachary Andrews, Jessica Robblee, Emma Messenger, Abner Genece, Geoffrey Kent, Jessica Austgen, and Emelie O'Hara in the Arvada Center's 'Sense and Sensibility', running through May 6. BETC will stage a sequel penned by the same adaptor. Matt Gale Photography.)

    2018-19 will also mark the 10th anniversary of BETC’s holiday staging of David Sedaris’ The SantaLand Diaries, the last seven in partnership with Off-Center at the DCPA’s Jones Theatre.The complete season is listed below.

    John Moore was named one of the 12 most influential theater critics in the U.S. by American Theatre Magazine in 2011. He has since taken a groundbreaking position as the Denver Center’s Senior Arts Journalist.

    Boulder Ensemble Theatre Company 2018-19 at a glance

    • Sept. 13-Oct. 7, 2018: Pride and Prejudice
    • Oct. 25-Nov. 18, 2018: The Wolves
    • Dec. 8-24, 2018: Miss Bennet: Christmas at Pemberley
    • Nov. 23-Dec. 24, 2018: The SantaLand Diaries
    • Feb. 7-March 3, 2019: The Rembrandt
    • April 25-May 19, 2019: The Curious Incident of the Dog in the Night-Time

    A closer look at each play:

    (Descriptions provided by BETC)

    Pride and Prejudice
    Sept. 13-Oct. 7, 2018
    By Jane Austen, adapted by Kate Hamill
    This is a playful and unconventional update Jane Austen's classic romance set in Regency, England, where marriage is a must for women. This clever comedy offers a decidedly progressive take on the trials of Lizzie, Mr. Darcy and the Bennet family — with a few dance breaks thrown in for good measure. 

    The Wolves
    Oct. 25-Nov. 18, 2018
    By Sarah DeLappe
    In each scene of this stunning first play by Sarah DeLappe, a finalist for the Pulitzer Prize, nine girls warm up for their upcoming soccer game. But they must also tackle coming of age and all the confusion, awkwardness, joy and sorrow that comes with it.  Along the way, these unforgettable young women make fierce choices, face their own fragility and ultimately grow into a team. The New York Times said: “The scary, exhilarating brightness of raw adolescence emanates from every scene of The Wolves.”

    Miss Bennet: Christmas at Pemberley
    Dec. 8-24, 2018
    By Lauren Gunderson and Margot Melcon
    In this sequel to Jane Austen’s Pride and Prejudice, the bookish middle child of the Bennett family is constantly overshadowed by her four sisters and longs for a large life.' As Mary searches for her identity, she unexpectedly discovers the possibility of true love.

    The SantaLand Diaries
    Nov. 23-Dec. 24, 2018
    By David Sedaris, adapted by Joe Mantello
    For the 10th consecutive year, BETC returns to the Macys department store for this delightfully devilish holiday hit, produced in partnership with Off-Center at the Denver Center’s Jones Theatre. Michael Bouchard and Luke Sorge will again alternate as David, the desperate New Yorker who takes a job as a SantaLand elf named Crumpet.

    The Rembrandt
    Feb. 7-March 3, 2019
    By Jessica Dickey
    Inside a modern-day museum, two security guards and a painter find themselves compelled to touch a masterpiece.  But soon, we are skipping through time; watching Rembrandt at work and listening to Homer discuss the nature of art. Dickey’s play asks us to consider the longevity of art, and the brevity of life.  

    The Curious Incident of the Dog in the Night-Time
    Gene Gillete. Curious Joan MarcusApril 25-May 19, 2019
    By Simon Stephens, adapted by Mark Haddon
    Christopher Boone, a sweet 15-year-old Brit, has an extraordinary mind but is ill-equipped to deal with the challenges of everyday life.  When falsely accused of killing his neighbor's dog, he sets out to find the true culprit. His journey across London leads to an earth-shattering discovery that will change his life forever. Winner of the 2015 Tony Award for Best Play.

    Pictured above and right: Colorado native Gene Gillette in the recent national touring production of 'The Curious Incident of the Dog in the Night-Time.' Photo by Joan Marcus.)

  • 2017-18 season: TheatreWorks moving forward in memory of Murray Ross

    by John Moore | Mar 30, 2017

    Theatrworks. Sammie Joe Kinnett
    Sammie Joe Kinnett, seen here in Colorado Springs Theatrworks' 'A Midsummer Night's Dream,' will star in 'The SantaLand Diaries.'

    Colorado Springs TheatreWorks has announced its first season since the death of founder Murray Ross (pictured right) in January. The 2017-18 season will be presented in honor of Ross:

    • A Murray Ross 160Much Ado About Nothing, by Shakespeare (July 27-Aug. 19 at Rock Ledge Ranch)
    • Heisenberg, by Simon Stephens (Sept. 7-24 at the Bon Vivant Theatre)
    • Wild Honey, by Michael Frayn, adapted from “The Play Without a Title” by Anton Chekhov (Oct. 19-Nov.  5 at the Bon Vivant Theatre)
    • The SantaLand Diaries, by Joe Mantello, adapted from David Sedaris (Nov. 30-Dec. 23, starring Sammie Joe Kinnett at the Bon Vivant Theatre)

    The following will be presented at the new Ent Center for the Arts at the University of Colorado-Colorado Springs:

    • Oklahoma! by Oscar Hammerstein and Richard Rodgers (Feb. 15-March 11, 2018)
    • Amadeus, by Peter Shaffer (April 26-May 13, 2018)

    Our tribute to Murray Ross: He put goodness out into this world'

    For more information, visit theatreworkscs.org or call 719-255-3232

    More Colorado theatre coverage on the DCPA NewsCenter


  • Cast lists: 'A Christmas Carol,' 'The SantaLand Diaries' begin anew

    by John Moore | Nov 01, 2016

    Christmas Casting Santaland Michael Bouchard

    Michael Bouchard will return next month to his role as a desperate man who takes a job as a department-store elf in David Sedaris' 'The SantaLand Diaries.' Photo by Emily Lozow for the DCPA NewsCenter.

    The DCPA Theatre Company has begun rehearsals for its 24th seasonal staging of A Christmas Carol with at least two meaningful beginnings: Melissa Rain Anderson is the first new director to helm the production for the DCPA since 2005, and longtime company favorite Sam Gregory is assuming the role of Ebenezer Scrooge from veteran Philip Pleasants.

    A Christmas Carol. Photo by Adams VisCom.On the other hand, casting for Off-Center’s seasonal co-production of The SantaLand Diaries, staged in partnership with the Boulder Ensemble Theatre Company, will be unchanged for 2016, with Michael Bouchard donning the caustic candy-striped socks for a second time  in David Sedaris’ comic monologue recounting his real-life experience working as a Macy’s Department store elf.

    Bouchard is a Denver Post Ovation Award-winning actor best-known to Colorado audiences from his time at the Arvada Center, the Creede Repertory Theatre and the Boulder Ensemble Theatre Company. Luke Sorge will again serve as Bouchard's understudy.

    Listen to John Moore's 2015 podcast with Michael Bouchard

    This will be Boulder Ensemble Theatre Company's eighth annual holiday staging of The SantaLand Diaries, and the fourth since it moved to the DCPA's Jones Theatre. The director is again Steven Weitz, who directed the DCPA Theatre Company's Tribes.

    MelissaRianAndersonThe cast for A Christmas Carol includes several returning cast members and some fresh faces. Leslie O'Carroll returns for her 18th turn as the DCPA's Mrs. Fezziwig, again alongside Michael Fitzpatrick as Mr Fezziwig (pictured above right; photo by Adams VisCom.) Newcomers include Broadway veteran Jim Poulos, who starred in the Arvada Center's 2013 production of Curtains. Poulos will play Fred and Young Ebenezer. Also: Daniel Berryman, who played Anthony in the Theatre Company's acclaimed production of Sweeney Todd earlier this year, will return to Denver to play Topper.

    "At Christmastime, there is no better show to be working on," said Anderson (pictured above and right).

    More Colorado theatre coverage on the DCPA NewsCenter

    A Christmas Carol: Cast list (alphabetically):
    Daniel Berryman
    (DCPA’s Sweeney Todd) as Topper/Ensemble.
    Latoya Cameron (DCPA debut) as Mrs. Cratchit/Ghost of Christmas Past.
    Kevin Curtis
    (DCPA’s Sweeney Todd) as Dick Wilkins/Peter Cratchit/Ensemble.
    Allen Dorsey
    (DCPA’s Lord of the Flies, A Christmas Carol) as Swing.
    Napoleon Douglas
    (DCPA’s A Christmas Carol) as Ghost of Christmas Yet to Come/Ensemble.
    Jack Eller
    (DCPA’s A Christmas Carol) as Ebenezer the Child/Ensemble.
    Michael Fitzpatrick
    (DCPA’s A Christmas Carol) as Mr. Fezziwig/Ensemble.
    Sam Gregory
    (DCPA’s Vanya and Sonia and Masha and Spike, Hamlet, All The Way, A Christmas Carol) as Ebenezer Scrooge.
    Kyra Lindsay
    (DCPA’s A Christmas Carol) as Martha Cratchit/Ensemble.
    Brody Lineweaver
    (DCPA’s A Christmas Carol) as Ensemble.
    Lars Lundberg
    (DCPA’s As You Like It) as Ensemble.
    Chloe McCleod
    (DCPA debut) as Swing.
    Timothy McCracken
    (DCPA’s A Christmas Carol) will understudy Ebenezer Scrooge.
    M. Scott McLean
    (DCPA’s Animal Crackers, As You Like It, A Christmas Carol) as Ensemble.
    Chris Mixon
    (DCPA’s A Christmas Carol) as Old Joe/Ensemble.
    Grace Morgan
    (The Phantom of the Opera, DCPA debut) as Belle/Fred’s Wife/Ensemble.
    Leslie O’Carroll
    (DCPA’s Benediction, A Christmas Carol) as Mrs. Fezziwig/Ensemble.
    Jim Poulos
    (Broadway’s Rent, The Adventures of Tom Sawyer, DCPA debut) as Fred/Young Ebenezer/Ensemble.
    Wayne Pretlow
    (DCPA debut) as Ghost of Christmas Present/Ensemble.
    Max Raabe
    (DCPA’s A Christmas Carol) as Ensemble.
    Augie Reichert
    (DCPA’s A Christmas Carol) as Tiny Tim/Ensemble.
    Helen Reichert
    (DCPA’s A Christmas Carol) as Belinda Cratchit/Ensemble.
    Jeffrey Roark
    (DCPA’s Sweeney Todd, All The Way, A Christmas Carol) as Jacob Marley/Ensemble.
    Christine Rowan
    (DCPA’s Sweeney Todd, Animal Crackers, A Christmas Carol) as Ensemble.
    Shannan Steele
    (DCPA’s Sweeney Todd, A Christmas Carol) as Ensemble.
    Olivia Sullivent
    (DCPA’s A Christmas Carol) as Fan/Ensemble.
    Jackie Vanderbeck
    (DCPA’s A Christmas Carol) as Charwoman/Ensemble.
    Brian Vaughan
    (DCPA debut) as Bob Cratchit/Ensemble.
    Owen Zitek
    (DCPA’s A Christmas Carol) as Edward Cratchit/Ensemble.

    A Christmas Carol: Ticket information
    A Christmas CarolAt a glance: Based on Charles Dickens’ classic novel, this joyous and opulent musical adaptation traces money-hoarding skinflint Ebenezer Scrooge’s triumphant overnight journey to redemption. A Christmas Carol illuminates the meaning of the holiday season in a way that has resonated for generations.

    Presented by the DCPA Theatre Company
    By Charles Dickens
    Adapted for the stage by Richard Hellesen
    Music by David de Berry
    Directed by Melissa Rain Anderson
    Nov. 25-Dec. 24
    Stage Theatre
    Tickets: 303-893-4100 or BUY ONLINE

    The SantaLand Diaries:
    Ticket information

    280x200-santaland-diariesAt a glance: Crumpet the Elf returns for more hilarious holiday hi-jinks in this acclaimed one-man show. Looking for a little more snark in your stocking this year? David Sedaris' offbeat tales from his stint as a Macy's elf in New York City are the sure cure for the common Christmas show.

    Presented by Off-Center and Boulder Ensemble Theatre Company
    By David Sedaris
    Adapted for the stage by Joe Mantello
    Directed by Stephen Weitz
    Nov. 25-Dec. 24
    Jones Theatre
    Tickets: 303-893-4100 or BUY ONLINE

John Moore
John Moore
Award-winning arts journalist John Moore has recently taken a groundbreaking new position as the DCPA’s Senior Arts Journalist. With The Denver Post, he was named one of the 12 most influential theater critics in the US by American Theatre Magazine. He is the founder of the Denver Actors Fund, a nonprofit that raises money for local artists in medical need. John is a native of Arvada and attended Regis Jesuit High School and the University of Colorado at Boulder. Follow him on Twitter @moorejohn.

DCPA is the nation’s largest not-for-profit theatre organization dedicated to creating unforgettable shared experiences through beloved Broadway musicals, world-class plays, educational programs and inspired events. We think of theatre as a spark of life — a special occasion that’s exciting, powerful and fun. Join us today and we promise an experience you won't soon forget.