DCPA NEWS CENTER
Enjoy the best stories and perspectives from the theatre world today.
Enjoy the best stories and perspectives from the theatre world today.
By John Moore
Senior Arts Journalist
What you might not know about new Associate Artistic Director Nataki Garrett, who makes her Denver — and Denver Center — directing debut with Lydia R. Diamond’s Smart People, playing through Nov. 19 in the Ricketson Theatre:
SHE’S SMART PEOPLE. Garrett attended California Institute of the Arts to study theatre and went on to become the associate dean and the co-head of the undergraduate acting program at CalArts’ School of Theater. She became the DCPA Theatre Company’s Associate Artistic Director in January. (She’s pictured right at the recent opening of the DCPA’s reimagined ‘Macbeth.’)
SHE’S IN DEMAND. Garrett directed Branden Jacobs-Jenkins’ celebrated antebellum melodrama An Octoroon last year for the Woolly Mammoth Theatre Company, a run that was so celebrated it was remounted in August. After her DCPA Theatre Company directorial debut, she will helm Chicago’s Steppenwolf Theatre’s staging of Aziza Barnes’ BLKS followed by Jefferson’s Garden at Ford’s Theatre in Washington D.C. “These gigs confirm her status and the Denver Center’s place in the national conversation about theater’s future,” wrote Lisa Kennedy of The Denver Post.
SHE’S ADMIRED. “She’s a breath of fresh air. I think she’s a strong, visionary artist and director,” DCPA CEO Janice Sinden told The Denver Post in February. “I think she’s going to inspire us. I think she has a great eye for how we can engage new and different audiences at the DCPA as well. I’m beyond excited.”
SHE’S MIXING THINGS UP. Garrett has established close artistic relationship ties with some of the boldest new voices in the American theatre, including Jacobs-Jenkins (a MacArthur Fellow and Obie winner), Katori Hall (The Mountaintop), Timberlake Wertenbaker (Jefferson’s Garden), and Sigrid Gilmer. Who is Sigrid Gilmer? According to her own website, “she makes black comedies that are historically bent, totally perverse, joyfully irreverent and are concerned with issues of identity, pop culture and contemporary American society.”
SHE’S ON THE RISE. Garrett was highlighted in the November issue of American Theatre’s “Role Call: People To Watch.” In that feature, she was quoted as saying she’s attracted to “plays that seem impossible to stage, and to those which impact us in tremendous ways, chasing us out of our comfort zones. My mandate in the theatre is to give voice to the voiceless, and I am inspired by stories that expose the dark and discarded in the corners of our existence.”
Smart People: Ticket information
Lydia R. Diamond. This acclaimed new play is a biting comedy that follows a quartet of Harvard intellectuals struggling to understand why the lives of so many people – including their own – continue to be undermined by race. No matter how hard they research, question and confront the issue, their own problems with self-awareness make it difficult to face the facts of life.
Previous NewsCenter coverage of Smart People:
In Smart People, the race is on from the start
Perspectives: Could racism be filtered out through genetics?
Cast announced for Smart People: Fresh and familiar
Photos, story: Smart People opens rehearsals in full swing
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