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‘A Doll’s House’: How did Ibsen become a pioneering feminist anyway?

How a man made a woman’s call to self-knowledge the thesis of his entire canon

Chris Cooper and Laurie Metcalf in Broadway's 'A Doll's House Part 2.' Photo by Brigitte Lacombe.

Deeper Dive: ‘A Doll’s House’ and ‘A Doll’s House, Part 2’

All eyes are sure to be on the first-ever repertory stagings of ‘A Doll’s House’ and ‘A Doll’s House, Part 2’