• 2018-19 DCPA Theatre Company season: In with the old ... and the new

    by John Moore | Apr 01, 2018

    Video overview of the 2018-19 season.


    Coleman's 40th anniversary season includes two world premieres, Tolstoy and an African-American Oklahoma!

    By John Moore
    Senior Arts Journalist

    Incoming DCPA Theatre Company Artistic Director Chris Coleman today announced a 40th anniversary season he believes both honors the company’s past and boldly steps into the future — and in some intriguing examples, at the same time.

    Coleman will return to the company’s roots by presenting its third Rodgers and Hammerstein musical following previous stagings of Carousel and South Pacific. But Coleman is promising a fresh new look at Oklahoma! by telling the beloved story of a spirited rivalry between local farmers and cowboys from a mostly African-American perspective. Similarly, Coleman will offer adaptations of Tolstoy’s Anna Karenina and W. Somerset Maugham’s The Constant Wife, stories of women overcoming great societal barriers that may strike audiences as remarkably contemporary.

    A Last Night 800 1“It’s incredibly exciting to imagine what you want your first season at an organization to be,” said Coleman, who assumes his full-time Denver duties in May. "This company has long been known as a place where you can do really big, interesting, meaty, dramatic literature. One of the things that's exciting to me is to do something really traditional and then follow that with something that is brand new and edgy. That collision of styles and voices is really juicy to me.”

    Pictured above: Valerie Curtis-Newton, left, will return to again direct 2017 Colorado New Play Summit offering 'Last Night and the Night Before' on the mainstage season. Photo by John Moore for the DCPA NewsCenter.)

    Coleman covers the traditional-to-edgy gamut with the announcement of both an eight-play Theatre Company season that includes three classics and two world premieres, as well as an innovative five-play slate from the company's adventurous Off-Center wing.  

    nataki-garrettWhen Coleman was named Artistic Director in November, he promised programming that will further the DCPA’s efforts to diversify its audiences, champion local storytelling and give voice to underserved communities. All five of the other mainstage directors he named today are women — and three of the playwrights are women or persons of color. Four if you count Off-Center's commission of a planned immersive hip-hop piece from This is Modern Art co-writer Idris Goodwin.
      

    The mainstage season includes two world-premiere plays: Donnetta Lavinia GraysLast Night and the Night Before, which was featured at the company’s 2017 Colorado New Play Summit, and Itamar MosesThe Whistleblower. With the exception of A Christmas Carol, which returns for a 26th year, every playwright and source writer (even Tolstoy) will be new to Theatre Company audiences except Nottage, whose Ruined was one of the most celebrated productions in company history In 2011.

    The Off-Center offerings, said Curator Charlie Miller, will complement the Theatre Company season and tell exciting stories in unconventional ways. “From original micro plays to new theatrical experiments to a large-scale immersive hip-hop show, Off-Center will take audiences into unexpected Denver spaces and showcase local artists, stories, and communities,” he said.

    Starting Monday: A daily, deeper dive into 2018-19 season

    The Theatre Company debuted on New Year’s Eve 1979 with The Caucasian Chalk Circle, starring Tyne Daly. Coleman says there is special significance to this being the 40th anniversary season because the company is old enough to have built an significant canon but also young enough to still have staff, artists and audience members who have been here all along — a lot of them.

    "As we step into the next chapter of the Theatre Company’s history, it's inspiring and energizing to look back on the extraordinary body of work that this company has brought to the region over the last 40 seasons," Coleman said. "What's really vivid to me is how many people have been around from Day 1. There are so many people who are really invested in the history and the future of this organization. So, to me, that's worth celebrating. And I view that as a launching pad for me.

    These playwrights and directors are the cream of the crop, and I look forward to the conversations these works will open up with the Denver community."

    John Moore was named one of the 12 most influential theater critics in the U.S. by American Theatre Magazine in 2011. He has since taken a groundbreaking position as the Denver Center’s Senior Arts Journalist.

    Meet new Theatre Company Artistc Director Chris Coleman


    Chris Coleman 2018-19 season announcement


    2018-19 DCPA Theatre Company season at a glance:

    • Aug. 24-Sept. 30: Vietgone (Ricketson Theatre)
    • Sept. 7-Oct. 14: Rodgers & Hammerstein’s Oklahoma! (Stage Theatre)
    • Sept. 21-Oct. 21: The Constant Wife (Space Theatre)
    • Nov. 21-Dec. 24: A Christmas Carol (Stage Theatre)
    • Jan. 18-Feb. 24, 2019: Last Night and the Night Before (Ricketson Theatre)
    • Jan. 25-Feb. 24, 2019: Anna Karenina (Stage Theatre)
    • Feb. 8-March 10, 2019: The Whistleblower (Space Theatre)
    • April 26-May 26, 2019: Sweat (Space Theatre)

    DCPA Theatre Company tickets and subscriptions: New and renewing subscribers have the first opportunity to reserve tickets. Subscription packages are now available online at denvercenter.org or by calling 303-893-4100. Subscribers enjoy 30 percent off savings, free ticket exchanges, payment plans, priority offers to added attractions, discounted extra tickets, a dedicated VIP hotline, free events including talkbacks and receptions, and the best seats at the best prices, guaranteed. Single ticket on-sale date will be announced at a later time. BUY ONLINE

    2018-19 Off-Center season at a glance:

    • July 11-Aug. 22: Mixed Taste: Tag team lectures on unrelated topics (Wednesdays only, with MCA Denver, Seawell Ballroom)
    • Oct. 23-Nov. 18: Bite-Size: An evening of micro theatre (at BookBar)
    • Nov. 23-Dec. 24: The SantaLand Diaries (with Boulder Ensemble Theatre Company at The Jones)
    • March 2019: Powered by Off-Center (The Jones)
    • Dates TBA: Untitled Immersive Hip-Hop Show

    Off-Center ticket information: The single ticket on-sale date for all Off-Center productions will be announced at a later time. Subscriptions are not available for Off-Center shows.


    2018-19 THEATRE COMPANY SEASON: Title by title

    (Descriptions provided by DCPA Theatre Company)

    Vietgone

    • Oregon Shakespeare Festival 2016 VietgoneBy Qui Nguyen
    • Original music by Shane Rettig
    • Directed by Seema Sueko
    • Aug. 24-Sept. 30, 2018 (Opens Aug. 31)
    • Ricketson Theatre
    • Glance: This rap-spitting, pop culture-crusted dramedy is an ode to the real-life courtship of Playwright Qui Nguyen’s parents. Forced to leave their country during the height of the Vietnam War, two refugees find themselves at the same relocation camp in Arkansas – the land of Harleys, hot dogs and “howdy!” Before they find their way into each other’s arms, they’ll have to blaze a trail in their weird new world and leave behind the baggage they didn’t pack. Jump on this emotional ride for an adventure that hums with excitement as it hops across time and around the globe through the highs and lows of love.
    • Fun fact: Qui Nguyen is the self-described geeky playwright behind She Kills Monsters, which addressed stereotypes and social issues through the game “Dungeons and Dragons.”

    (Pictured: Oregon Shakespeare Festival's 2016 production of 'Vietgone,' courtesy Oregon Shakespeare Festival.)

    Rodgers & Hammerstein’s Oklahoma!

    • Oklahoma!Music by Richard Rodgers; book and lyrics by Oscar Hammerstein II
    • Based on the play Green Grow the Lilacs by Lynn Riggs
    • Original Dances by Agnes de Mille
    • Directed by Chris Coleman
    • Sept. 7-Oct. 14, 2018 (Opens Sept. 14)
    • Stage Theatre
    • Glance: With a spring in their step and a song in their hearts, cowboys, farmers and travelling salesmen alike have chased their destinies to a land that promises everything they could hope for: love, opportunity and a brighter future. The first collaboration by the legendary team of Rodgers and Hammerstein became a landmark musical for its rollicking music and stunning dance numbers, and this joyful presentation will solidify why it has stood the test of time. New DCPA Theatre Company Artistic Director Chris Coleman makes his DCPA directorial debut with this production, and he will set the story in one of the 50 all-African-American towns in the early days of the Oklahoma Territory. Discover an overlooked piece of American history as one small community stakes its claim on a place full of hope. The choreographer will be Dominique Kelley, a dancer in the film La La Land and the musical Bring in 'Da Noise, Bring in 'Da Funk.
    • Fun fact: Oklahoma! opened on Broadway at the St. James Theatre 75 years ago Saturday, and the cast of the Denver-born Frozen marked the anniversary with a curtain-call singalong that you can watch at this YouTube link.

    The Constant Wife

    • The Constant WifeBy W. Somerset Maugham
    • Directed by Shelley Butler
    • Sept. 21-Oct. 21, 2018 (Opens Sept. 28)
    • Space Theatre
    • Glance: As the intelligent, charming housewife of a successful doctor, Constance Middleton cheerfully plays her traditional role. But she knows far more than she’s willing to let on. This cheeky satire pokes holes in the expectations of relationships, fidelity and social roles that were just as relevant in the 1920s as they are today. Featuring an infectiously plucky heroine at the helm, The Constant Wife takes joy in the imperfections of life and applauds those who elude the strict confines of society to discover true happiness. DCPA alum Shelley Butler (Human Error, The Most Deserving) returns to direct this contagious comedy.Fun fact: Variety calls Maugham’s protagonist “a perverse protofeminist — and an antecedent to the women of “Desperate Housewives” and “Sex and the City.”

    A Christmas Carol

    • Sam Gregory A Christmas Carol. By Charles Dickens
    • Adapted by Richard Hellesen
    • Music by David de Berry
    • Directed by Melissa Rain Anderson
    • Nov. 21-Dec. 24, 2018 (Opens Nov. 29)
    • Stage Theatre
    • Glance: Based on Charles Dickens’ classic novel, the Theatre Company’s joyous and opulent seasonal offering now in its 26th year traces money-hoarding skinflint Ebenezer Scrooge’s triumphant overnight journey to redemption. A Christmas Carol illuminates the meaning of the holiday season in a way that has resonated for generations. Note: This is an added attraction, not part of the Theatre Company subscription season.
    • Fun fact: Denver favorite Sam Gregory is scheduled to return for a third time as Scrooge.

    Last Night and the Night Before (world premiere)

    • Summit. Last Night. Donnetta By Donnetta Lavinia Grays
    • Directed by Valerie Curtis-Newton
    • Jan. 18-Feb. 24, 2019 (Opens January 25)
    • Ricketson Theatre
    • Glance: When Monique and her 10-year-old daughter Samantha show up unexpectedly on her sister’s Brooklyn doorstep, it shakes up Rachel and her partner Nadima’s orderly New York lifestyle. Monique is on the run from deep trouble and brings their family’s Southern roots with her, grabbing hold of Rachel’s life more ferociously than she could have ever imagined. Poetic, powerful and remarkably funny, Last Night and the Night Before play explores the struggle between the responsibilities that are expected of us and the choices we actually end up making.
    • Fun fact: This play was featured in the 2017 Colorado New Play Summit. Its original title was simply, Sam. The new title references a line from the children’s game "Last night and the night before, I met my baby at the candy store."


    Anna Karenina

    • TC-web-Season-Ann-400x3003By Kevin McKeon, adapted from the novel by Leo Tolstoy
    • Directed by Artistic Director Chris Coleman
    • Jan. 25-Feb. 24, 2019 (Opens Feb. 1)
    • Stage Theatre
    • Glance: Love holds the power to bind us together or tear us apart, and no one knows better than Countess Anna Karenina. As a noblewoman and socialite, her glamorous lifestyle shrouds her unhappy marriage. But everything changes when she meets the dashing army officer Count Vronsky. She risks her social status, marriage, friends and family for the thrill of forbidden love. Anna Karenina uses the romantic backdrop of Tsarist Russia to tell a turbulent tale of passion and betrayal, dreams chased and lost, and the consequences of getting swept off your feet. Helmed by Artistic Director Chris Coleman, this lush, modern adaptation of Leo Tolstoy’s masterpiece brings the opulent setting and heart-wrenching story to life.
    • Fun fact: The play was made into a 2012 movie adapted by Tom Stoppard and featuring Keira Knightley and Jude Law.


    The Whistleblower (world premiere)

    • itamarmoses whistleblowerBy Itamar Moses (pictured right)
    • Directed by TBA
    • Feb. 8-March 10, 2019 (Opens Feb. 15)
    • Space Theatre
    • Glance: For screenwriter Eli, an offer to finally create his own TV show should be the ultimate culmination of his goals, but instead shocks him into wondering why he had those dreams in the first place. Armed with a new sense of spiritual clarity, he sets out on a quest to serve up some hard truths to his coworkers, family, exes and friends. What could possibly go wrong? A lively world premiere about the lies we tell to protect ourselves  and how the tiniest gestures can have deep impact on those around us. Written by Itamar Moses, the award-winning author of the musical The Band’s Visit, currently on Broadway.
    • Fun facts: The Whistleblower was first introduced as a staged reading at South Coast Repertory’s 2015 Pacific Playwrights Festival in Costa Mesa, Calif. — alongside Vietgone. Also, Moses was an Executive Story Editor for HBO's "Boardwalk Empire."

    Sweat

    • TC-web-Season-Ann-400x3004By Lynn Nottage
    • Directed by Nataki Garrett
    • April 26-May 26, 2019 (Opens May 3)
    • Space Theatre
    • Glance: For the people of poverty-stricken Reading, Pa., work is so much more than a paycheck – it’s the glue that holds the town together. The floor of their central factory is where lifelong friendships are made, where love blossoms and where family members work side-by-side. But as layoffs become the new norm and a cheaper workforce threatens the viability of the local union, the threads that once kept the community together begin to fray. Sweat is an “extraordinarily moving drama,” said The New York Times, that powerfully contrasts life’s happiest highs with the heart-wrenching struggles of survival. Using warm humor and deep empathy, this 2017 Pulitzer Prize winner from Lynn Nottage (Ruined) paints a moving portrait of today’s working-class America in decline.
    • Fun fact: Nottage developed her play through interviews with actual former steelworkers in Reading.

    2018-19 OFF-CENTER SEASON: Title by title

    Mixed Taste: Tag team lectures on unrelated topics

    • Mixed Taste Aug 9Co-presentation with MCA Denver
    • July 11-Aug. 22, 2018 (Wednesdays only)
    • Seawell Ballroom
    • Glance: Returning for a second summer series, even mismatched subjects find common ground in this fun lecture forum that can go pretty much anywhere. Two speakers get 20 minutes each to enlighten you on unrelated topics, but can’t make any connections to each other. Ideas start to blend afterward, when audience members ask questions to both speakers and anything goes.
    • Fun fact: One clever example from last year’s series: “Wild West mail delivery and post-conceptual art.” Last year’s series emcee Suzi Q. Smith wrote a poem during each performance and read them at the end of every evening.
     

    Bite-Size: An evening of micro theatre

    • 2017 TRUE WEST AWARDS Gary Grundie Meridith C. GrundeiCreated and directed by Meridith Crosley Grundei
    • Oct. 23-Nov. 18, 2018
    • At BookBar, 4280 Tennyson St.
    • Glance:
    • Bite-Size brings you five short plays with bookish twists performed in and around BookBar, an independent bookstore and wine bar in the Tennyson Street Arts District. Grab tapas and drinks between the short performances of original works by Colorado-based artists. There is no better way to see a variety of local playwrights and performers in one place. Whether you’re a theatre geek, a bookworm or on the hunt for an off-beat night out, this evening will leave you eager to crack into a fresh hard-cover and dream up some tales of your own.
    • Fun fact: Director Meridith Grundei, a 2017 True West Award winner, packed up a used R.V. and hit the road with her husband and daughter in 2017 to travel the United States and Mexico for a year.


    The SantaLand Diaries

    • A Santaland Diaries Michael BouchardCo-presentation with Boulder Ensemble Theatre Company
    • By David Sedaris, adapted for the stage by Joe Mantello
    • Directed by Stephen Weitz
    • Nov. 23-Dec. 24, 2018 (Opens Nov. 25)
    • The Jones Theatre
    • Glance: This acclaimed one-man show is based on David Sedaris’ best-selling memoir about his curmudgeonly experience working as a Macy’s SantaLand elf, once again featuring Michael Bouchard and Luke Sorge as David, and his devilish Macy’s persona, Crumpet the Elf. Think holiday shopping is brutal? Try being on the receiving end of Macy’s SantaLand madness in a pair of pointy shoes. This twisted tale is the cure for the common Christmas show and the perfect excuse to take a break from it all.
    • Fun fact: 2018-19 will mark the 10th anniversary of BETC’s annual holiday staging, the last seven in partnership with Off-Center. That will equal The Bug Theatre’s run of 10 seasonal The SantaLand Diaries starring Gary Culig.

    Powered by Off-Center

    • March 2019
    • The Jones Theatre
    • Glance: Discover your next favorite Colorado performer as they debut new work at the Denver Center. Off-Center is offering the spotlight to local creators of all kinds as they get their projects off the ground with the support of our team. We’re giving our local artistic community a new place to play and a platform to experiment, engage and excite us all. Performance dates and participating artists to be announced.

    Untitled Immersive Hip-Hop Show

    • Idris Goodwin 160Written by Idris Goodwin
    • Directed by Jenny Koons
    • Glance: Following the hit experiential shows Sweet & Lucky and The Wild Party, Off-Center is cooking up its next large-scale immersive adventure. Off-Center has commissioned playwright Idris Goodwin and New York-based director Jenny Koons (Burn All Night at American Repertory Theatre) to create a one-of-a-kind new hip-hop-inspired event. Title, location, dates, and details to be announced.
    • Fun fact: Goodwin is the director and co-writer of This is Modern Art, currently playing through April 15 in The Jones Theatre.

    Note: Due to the nature of live performance, all productions, prices and dates are subject to change.

    More Colorado theatre coverage on the DCPA NewsCenter

  • Video: Meet the ghost that was taller, wider ... and creepier

    by John Moore | Jan 08, 2018
    Video above by DCPA Video Producer David Lenk. Interviews by Senior Arts Journalist John Moore.

    The DCPA's creative team tells us why they made the mysterious final spirit to visit Scrooge nearly 3 feet taller

    By John Moore
    Senior Arts Journalist

    If you are a regular attendee of the DCPA Theatre Company’s seasonal staging of A Christmas Carol, you may have noticed how much bigger and more imposing The Ghost of Christmas Yet To Come was from years, well … past.

    A Christmas Carol Kevin Copenhaver Darrell T. Joe. Photo by John Moore“We wanted it to be a very big presence, much bigger than it has been in the past,” said Costume Crafts Director Kevin Copenhaver.

    “It's just creepier,” added Director Melissa Rain Anderson.  

    In this video, Copenhaver tells us the mysterious and reticent final spirit to visit Ebenezer Scrooge was not only 2 ½ feet taller and wider this year — he was easier for the actor inside to move around in.

    “He's now 10½ feet tall,” Anderson said, "and the actor was walking around on his feet rather than on stilts.”

    The way Copenhaver sees it, the silent future spirit is neither human skeleton nor exactly a ghost. “Hopefully it doesn’t read as much of anything except a shape or a form,” he said. Perhaps the most remarkable advancement with this new iteration of Copenhaver’s costume invention, he added, “is that it is so light, “I can lift it up with one hand.”

    Still, it took a backstage team of four to help first-time DCPA actor Darrell T. Joe, who played several characters in the story, to get in and out of the costume quickly. Joe, who is admittedly a claustrophobic person, said moving around onstage was a challenge because of low light and being covered in costume. But "it’s helped me overcome my fear of tight spaces,” he said.

    You also may have noticed, Anderson shared — that for a play filled with live music, none playing the entire time The Ghost of Christmas Yet to Come was onstage. “There can be no singing during that part of the story,” Anderson said, “because music is dead.”

    More Colorado theatre coverage on the DCPA NewsCenter

    A Christmas Carol Ghost of Christmas Yet to Be. Photos by Sam Adams for VisCom. Take a look at the difference in between The Ghost of Christmas Past in 2016 compared to 2017. The actor paying Scrooge in both cases is Sam Gregory. Photos by Sam Adams of Adams Viscom.  

    Previous NewsCenter coverage of A Christmas Carol 2017:
    DCPA's A Christmas Carol still brings playwright to laughter, tears
    Photos, video: Your first look at A Christmas Carol 2017
    Video: Governor, Carol cast send Colorado National Guard thanks and hope
    A Christmas Carol: A timeline to today
    DCPA's 25th A Christmas Carol brims with mistletoe and milestones

    Full photo gallery: The Making of A Christmas Carol 

    Making of 'A Christmas Carol' 2017

    Photos from the making of 'A Christmas Carol' from first rehearsal to opening night. To see more, click on the image above to be taken to our full gallery of photos. Photos by John Moore for the DCPA NewsCenter.

  • Video, photos: Your first look at 'A Christmas Carol' 2017

    by John Moore | Dec 01, 2017
    A Christmas Carol: Video


    Video above by DCPA Video Producer David Lenk.

     

    Your first look in video and photos at the seasonal staging that has come for a 25th time 'to save us everyone.'

    Here is your first look in video (above) and photos (below) at the DCPA Theatre Company's 2017 staging of A Christmas Carol, directed for the second time by Melissa Rain Anderson and starring Sam Gregory as Scrooge.


    Now in its 25th seasonal staging at the Denver Center, A Christmas Carol is a joyous and opulent musical adaptation that traces the money-hoarding skinflint Scrooge’s triumphant overnight journey to redemption. A Christmas Carol runs through Dec. 24 in the Stage Theatre. Ticket information below.

    A Christmas Carol: Production photos

    A Christmas Carol 2017

    Our full gallery of photos from the DCPA Theatre Company's 'A Christmas Carol. To see more, click on the image above. Photos by Adams Viscom for the DCPA NewsCenter.


    A Christmas Carol:
    Ticket information
    A Christmas CarolAt a glance: Based on Charles Dickens’ classic novel, this joyous and opulent musical adaptation traces money-hoarding skinflint Ebenezer Scrooge’s triumphant overnight journey to redemption. A Christmas Carol illuminates the meaning of the holiday season in a way that has resonated for generations.

    • Presented by the DCPA Theatre Company
    • Performances through Through Dec. 24
    • Stage Theatre, Denver Performing Arts Complex
    • Tickets start at $25
    • Call 303-893-4100 or BUY ONLINE
    • Sales to groups of 10 or more click here
    Previous NewsCenter coverage of A Christmas Carol 2017:
    Video: Governor, Carol cast send Colorado National Guard thanks and hope
    A Christmas Carol: A timeline to today
    DCPA's 25th A Christmas Carol brims with mistletoe and milestones
  • 'A Christmas Carol': A timeline to today

    by John Moore | Nov 22, 2017
    A 2014-ACC-gmk-1089 allen dorseyAllen Dorsey in the DCPA Theatre Company's 2014 production of 'A Christmas Carol.' Photo by Gabe Koskinen. 

    Over the past 25 years, more than 820,000 people have watched the the timeless story play out here in Denver.

    By John Moore
    Senior Arts Journalist

    It seems A Christmas Carol and its seasonal message of redemption and empathy for all is a perennial need in this country. Charles Dickens’ classic tale of the miser Scrooge’s spiritual redemption remains the DCPA Theatre Company’s most popular and most-produced show. This holiday season marks the company’s 25th musical presentation of the story dating to 1990 — with two years off along the way. (Pictured below in 2003.)

    DCPA Theatre Company's 'A Christmas Carol' 2003. In that time, there have been 18 young Tiny Tims but only two versions of the script. From 1990-2004, the DCPA staged an adaptation written by Laird Williamson and Dennis Powers. Since 2005, the company has presented the adaptation by Richard Hellesen and David de Berry. 

    Dickens wrote his opus in just six weeks, motivated in part by his own financial problems and in part by his anger seeing children working in appalling conditions in the tin mines and barely living in streets overrun with half-starved, illiterate urchins and orphans.

    Here’s a brief look at how the story has played out from London to Denver:

    1843 Charles Dickens publishes A Christmas Carol as a novel on Dec. 19. By Christmas Eve, more than 6,000 copies are sold. 

    1844 The first stage presentation of A Christmas Carol is held, running for 40 nights. Within a year, eight rival A Christmas Carol theatrical productions are playing around London.

    1845 By now 13 editions of the A Christmas Carol novella have been released.

    More Colorado theatre coverage on the DCPA NewsCenter

    1852 Charles Dickens gives the first of 127 public readings in London.

    1870 Charles Dickens’ death.

    Philip Pleasants Sam Gregory Scrooge A Christmas Carol1901 Scrooge, or, Marley’s Ghost is produced as a silent black-and-white British film. Since then, there have been at least 18 film variations featuring everyone from Albert Finney to Bill Murray to The Muppets to Mr. Magoo to Scrooge McDuck. Other actors to portray Scrooge on screen or stage include F. Murray Abraham, George C. Scott, Kelsey Grammer, Tony Randall, Hal Linden, Tim Curry and even The Who frontman Roger Daltrey. 

    1990 The DCPA Theatre Company presents A Christmas Carol for the first time, an adaptation by Laird Williamson and Dennis Powers. Laird Williamson also directs, which he continues through 2004. 

    2005 The company switches to an adaptation by Richard Hellesen and David de Berry directed by Bruce K. Sevy. Philip Pleasants plays Scrooge and continues as the primary Scrooge through 2015.

    2007 The DCPA gives A Christmas Carol a year off in favor of Irving Berlin’s White Christmas and will do so again in 2012.

    A MayorHickenlooperTinyTim Charlie Korman2009 Charlie Korman (pictured at right with then-Denver Mayor John Hickenlooper) is cast as Tiny Tim at age 5. He would play the role for the next four years before aging up to play Young Scrooge in 2014. Korman would later play featured roles in the Theatre Company’s Lord of the Flies and Frankenstein

    2015 Elias Harger, the Theatre Company’s Tiny Tim the year before at age 7, is cast in Netflix’s Fuller House, the sequel to the long-running hit family sitcom Full House.

    2016 Sam Gregory becomes the eighth actor to play the Theatre Company’s Scrooge. Additionally, Melissa Rain Anderson takes the reins as director.A peyton_headshot_102017

    2017 For the first time, a young female actor, Peyton Goossen, plays the role of Tiny Tim. 

    2017 The Man Who Invented Christmas is released, a film that tells the story of how Charles Dickens brought the Scrooge story to life, starring Dan Stevens and Christopher Plummer (as an animated Scrooge).

     DCPA Theatre Company's 'A Christmas Carol' 2016. DCPA Theatre Company's 'A Christmas Carol' 2016.


    A Christmas Carol:
    Ticket information
    A Christmas CarolAt a glance: Based on Charles Dickens’ classic novel, this joyous and opulent musical adaptation traces money-hoarding skinflint Ebenezer Scrooge’s triumphant overnight journey to redemption. A Christmas Carol illuminates the meaning of the holiday season in a way that has resonated for generations.

    • Presented by the DCPA Theatre Company
    • Performances through Nov. 24-Dec. 24
    • Stage Theatre, Denver Performing Arts Complex
    • Tickets start at $25
    • Call 303-893-4100 or BUY ONLINE
    • Sales to groups of 10 or more click here

    Photo gallery: The making of A Christmas Carol 2017

    Making of 'A Christmas Carol' 2017

    Above: Photos from the first day of rehearsal for the DCPA Theatre Company's 'A Christmas Carol.' To see more, click in the image above. Photos by John Moore for the DCPA NewsCenter.

  • DCPA's 25th 'A Christmas Carol' brims with mistletoe and milestones

    by John Moore | Nov 06, 2017
    Making of 'A Christmas Carol' 2017

    Above: Photos from the first day of rehearsal for the DCPA Theatre Company's 'A Christmas Carol' last week. To see more, hover your cursor over the image above and click the forward arrow that appears. Photos by John Moore for the DCPA NewsCenter.

    Favorite Sam Gregory is back as Scrooge and, for the first time in Denver, a young girl has been cast to play Tiny Tim.

    By John Moore
    Senior Arts Journalist

    When the DCPA Theatre Company presents the seasonal favorite A Christmas Carol later this month, it will be an offering filled with mistletoe and milestones. Check out the five things we learned at first rehearsal below.

    A Christmas Carol. Sam Gregory. The cast is again headed by Sam Gregory in his second season playing the miserly Scrooge. The most veteran member of the cast is Leslie O'Carroll, who has appeared in 19 of the Denver Center's 25 stagings, most as Mrs. Fezziwig.

    Back for her second year as director is Melissa Rain Anderson. She will again be staging the version adapted by Richard Hellesen, with music by the late David de Berry, as has been the DCPA tradition since 2006. "This is by far my favorite version," said Anderson, who has herself performed in this version of the story four times as an actor at theatres around the country. "I think it's the most Dickensian." Music Director Gregg Coffin has helmed this version of the show 22 times around the country.

    NUMBER 1LOOK WHO'S TWENTY-FIVE! A Christmas Carol is, no surprise, far and away the DCPA Theatre Company's most-produced show. This holiday season marks the company’s 25th presentation of the story dating to 1990 — having taken two years off along the way in favor of Irving Berlin's White Christmas. "That is a huge milestone," Anderson said. "It's a privilege to be a part of that legacy here at the Denver Center. With everything that is happening in the world, I am so happy to be in this room with all of these people and to be a part of telling this tale again as a true ensemble."

    NUMBER 2 A Christmas Carol. Tiny Tim. Melissa Rain Anderson. Peyton Goosen.GOD BLESS THE GIRL. There have been 18 young Tiny Tims over the DCPA's first 24 years of A Christmas Carols. This year, for the first time, the role of the feeble boy whose death is imminent if Scrooge doesn't break down and finally offer his employee some health insurance, will be played by a girl. Anderson she credits DCPA Artistic Associate Grady Soapes with the idea to cast young Peyton Goosen. "I am always open to more females on the stage, so I was very for it," Anderson said. "Peyton is really smart, she is absolutely adorable and she is precocious. But most important, she was the best actor for the role."

    NUMBER 3KNOCK KNOCK. WHO'S THERE? A Christmas Carol has drawn 820,000 audience members since 1990, so if you live in Denver, chances are, you have seen it. But with 10,000 new residents moving into the city every month, it's become clear that thousands of audience members each year are experiencing A Christmas Carol for the first time "So many people love this production and count on it as a family tradition, but 40 percent of our A Christmas Carol audiences are new every year," said DCPA Associate Artistic Director Charlie Miller.

    NUMBER 4 SHE'S MIXING THINGS UP. Anderson introduced several changes last year, including, for example, introducing a grander sleigh for the Ghost of Christmas Present to ride in on. This year, she says audiences should keep an eye on the phantoms. "Their costumes are a little sleeker this year," Anderson said. "We are going to be able to see their bodies a little more, which I really like, because we have a really good dancers in our cast. I would like for people to see that they were once human."

    NUMBER 5WHO KNEW? Speaking of the creative vision, one of the most reliable aspects of the DCPA's production from year to year is the look of the set, originally designed by veteran Vicki Smith. We learned at first rehearsal that Smith's original inspiration was a Victorian Christmas card she came across.

    More Colorado theatre coverage on the DCPA NewsCenter

    A Christmas Carol: Cast list

    • Hadley Brown (DCPA debut) as Belinda Cratchit/Ensemble
    • Latoya Cameron (DCPA’s A Christmas Carol) as Mrs. Cratchit/Ghost of Christmas Past
    • Kevin Curtis (DCPA’s Sweeney Todd, A Christmas Carol) as Dick Wilkins/Peter Cratchit/Ensemble
    • Michael Fitzpatrick (DCPA’s Animal Crackers, A Christmas Carol) as Mr. Fezziwig/Ensemble
    • Peyton Goosen (DCPA debut) as Tiny Tim/Ensemble
    • Sam Gregory (DCPA’s Vanya and Sonia and Masha and Spike, Hamlet, All The Way, A Christmas Carol) as Ebenezer Scrooge
    • Darrell T. Joe (DCPA debut) as Ghost of Christmas Yet to Come/Ensemble
    • Chas Lederer (DCPA debut) as Swing
    • Kyra Lindsay (DCPA’s A Christmas Carol) as Martha Cratchit/Ensemble
    • Brody Lineaweaver (DCPA’s A Christmas Carol) as Ensemble
    • Chloe McLeod (DCPA’s A Christmas Carol) as Swing
    • Timothy McCracken (DCPA’s Smart People, A Christmas Carol) as Ebenezer Scrooge understudy
    • Chris Mixon (DCPA’s A Christmas Carol) as Old Joe/Ensemble
    • Grace Morgan (The Phantom of the Opera, DCPA A Christmas Carol) as Belle/Fred’s Wife/Ensemble
    • Leslie O’Carroll (DCPA’s Benediction, A Christmas Carol) as Mrs. Fezziwig/Ensemble
    • Erik Pinnick (DCPA debut) as Ghost of Christmas Present/Ensemble
    • Daniel Plimpton (DCPA’s The Secret Garden) as Ensemble
    • Jim Poulos (Broadway’s Rent, The Adventures of Tom Sawyer, DCPA A Christmas Carol) as Fred/Young Ebenezer/Ensemble
    • Max Raabe (DCPA’s A Christmas Carol) as Ensemble
    • Tristan Champion Regini (DCPA debut) as Boy Ebeneezer/ Ensemble.
    • Augie Reichert (DCPA’s A Christmas Carol) as Ensemble
    • Helen Reichert (DCPA’s A Christmas Carol) as Fan/Ensemble
    • Jeffrey Roark (DCPA’s Sweeney Todd, All The Way, A Christmas Carol) as Jacob Marley/Ensemble
    • Marco Robinson (Off-Center’s The Wild Party) as Ensemble
    • Christine Rowan (DCPA’s Sweeney Todd, Animal Crackers, A Christmas Carol) as Ensemble
    • Shannan Steele (DCPA’s Sweeney Todd, A Christmas Carol) as Ensemble
    • Jackie Vanderbeck (DCPA’s A Christmas Carol) as Charwoman/Ensemble
    • Brian Vaughn (DCPA’s A Christmas Carol) as Bob Cratchit/Ensemble
    • Owen Zitek (DCPA’s A Christmas Carol) as Edward Cratchit/Ensemble
    A Christmas Carol. Photo by John Moore.



    A Christmas Carol:
    Ticket information
    A Christmas CarolAt a glance: Based on Charles Dickens’ classic novel, this joyous and opulent musical adaptation traces money-hoarding skinflint Ebenezer Scrooge’s triumphant overnight journey to redemption. A Christmas Carol illuminates the meaning of the holiday season in a way that has resonated for generations.

    • Presented by the DCPA Theatre Company
    • Performances through Nov. 24-Dec. 24
    • Stage Theatre, Denver Performing Arts Complex
    • Tickets start at $25
    • Call 303-893-4100 or BUY ONLINE
    • Sales to groups of 10 or more click here


    The SantaLand Diaries:
    Back for Year 9

    SantaLand Diaries 2016. Michael Bouchard. Photo by Adams VisComAround the corner in the Jones Theatre, Off-Center’s seasonal co-production of The SantaLand Diaries again will be staged in partnership with the Boulder Ensemble Theatre Company. The production will be essentially unchanged for 2017, with Michael Bouchard again donning the caustic candy-striped socks for a third time in David Sedaris’ comic monologue recounting his real-life experience working as a Macy’s Department store elf.

    Bouchard is a Denver Post Ovation Award-winning actor best-known to Colorado audiences from his time at the Arvada Center, the Creede Repertory Theatre and the Boulder Ensemble Theatre Company. Luke Sorge will again serve as "Other David."

    This will be Boulder Ensemble Theatre Company's ninth annual holiday staging of The SantaLand Diaries, and the fourth since it moved to the DCPA's Jones Theatre. The director is again Stephen Weitz, who directed the DCPA Theatre Company's Tribes.

    The SantaLand Diaries: Ticket information
    The SantaLand DiariesAt a glance: David Sedaris' off-beat tales from his stint as a Macy's elf in New York City is the sure cure for the common Christmas show.

    • Presented by Boulder Ensemble Theatre with DCPA Off-Center
    • Performances Nov. 24-Dec. 24
    • Jones Theatre, Denver Performing Arts Complex
    • Tickets start at $25
    • Call 303-893-4100 or BUY ONLINE
    • Sales to groups of 10 or more click here
  • 2016 True West Award: Sam Gregory

    by John Moore | Dec 28, 2016
    True West Awards Sam Gregory


    30 DAYS, 30 BOUQUETS

    Day 28: Sam Gregory

    When looking back on the dozens of seminal roles Sam Gregory has played on Denver stages for 25 years, you would do well to start with the three unforgettable characters he brought to cagey life in 2016 with a full heart, precision comedy and at times blood-curdling abandon.

    This year, he played three indelible and full-bodied characters who are changed for the better and, in one case, for the much, much worse. That would be the white guy on the bus he played in Curious Theatre’s White Guy on the Bus, Bruce Graham’s incendiary new play that highlights the racial disparities we see every day in the news, on our streets and in our jails.

    True West Awards Sam Gregory. White Guy on the Bus. Curious Theatre, Michael Ensminger. Gregory plays Ray, a liberal and wealthy banker who for unknown (at first) reasons takes the same bus each week that passes the remote state penitentiary. Over time, he befriends a single black mother who takes this same bus to visit her incarcerated brother. Eventually we discover this affable-seeming man is actually a roiling powder keg who is hatching a plan to avenge the brutal murder of his do-gooder wife.

    The play is a timely and intentionally uncomfortable case study of white privilege, and Gregory’s Ray served as a particularly cold conduit for this much-needed confrontation with many hard truths about racism in America. It was all the more discombobulating coming from a nice guy like Gregory - and that was the point.

    “Sam Gregory stands astride the evening, fascinating to watch at every moment, whether he’s maintaining a civilized veneer or allowing flame-spitting anger to break through,” wrote Westword’s Juliet Wittman. Added Beki Pineda of GetBoulder.com: “The evening belongs to Sam Gregory. The dark side beckons - and he cannot resist.”

    (Pictured above and right: Sam Gregory and Jada Suzanne Dixon in Curious Theatre's 'White Guy on the Bus.' Photo by Michael Ensminger.)

    Read our recent profile of Sam Gregory

    Gregory followed that unnerving staging with two of the most high-profile performances of the year in local theatre, starting with Orgon in Moliere’s farcical comedy, Tartuffe. That production marked the launch of the Arvada Center’s new Black Box Theatre Company, which will now present its plays in repertory, mostly by a core company of recurring actors including Gregory.

    True West Awards Sam Gregory QuoteTartuffe is about a brazen con who pretends to be a devout holy man to swindle Orgon out of house, home … and wife! Orgon is a gullible bully who has only himself to blame for his comic predicament, "but instead he blames everyone around him,” Gregory told the DCPA NewsCenter. “He's full of bluster and self delusion.” But Gregory deftly managed to make his hilariously insufferable Orgon appealing to the audience as he was being mercilessly duped.

    Gregory came full circle at the end of the year when he took over for the legendary Philip Pleasants as Scrooge in the DCPA Theatre Company’s 24th seasonal staging of A Christmas Carol. It would have been a risk for any actor to try to don Pleasants’ Scrooge slippers, but audiences and critics alike responded positively to Gregory’s meaningful take on literature’s most notorious skinflint.

    “You need a Scrooge with intellect, depth and feeling,” wrote Juliet Wittman, “and Sam Gregory fills the bill.

    For a guy who played some bluntly irredeemable characters in 2016, Gregory’s Scrooge powerfully communicated Charles Dickens’ echoing mantra that no one is, in truth, irredeemable. “I hope the audience takes away that the very worst, most miserable, unhappy person that you might cross the street to avoid, can become a better person,” Gregory told Westword. “Scrooge is there to teach us that lesson.”

    More Colorado theatre coverage on the DCPA NewsCenter

    True West Awards Sam Gregory Gregory, who first appeared at the Denver Center in 1991, now has more than 45 DCPA Theatre Company credits to his name. Since the True West Awards began as The Denver Post Ovation Awards in 2001, Gregory has been singled out for “Outstanding Season by an Actor” a record five times. You don’t get those kinds of accolades working alone, and his newest director, Melissa Rain Anderson of A Christmas Carol, said Gregory is one of the most collaborative artists she has ever worked with, an actor both “generous with his gifts and astounding with his discipline,” she said. (Photo at right by Adams VisCom.)

    At one A Christmas Carol rehearsal, Gregory wondered whether he should take it easy that day, to pace himself for the grueling run of performances ahead. “He asked me if he should go by the numbers and possibly not take the full emotional journey of Scrooge that day. And I said, ‘Of course!’ ” Anderson said.

    “Well, it only took a few scenes in before he was fully weeping.”

    That’s Gregory.

    "He's an absolute professional," added Tartuffe director and Arvada Center Artistic Director of Plays Lynne Collins. "He always shows up prepared and asks the kinds of questions that keep everyone honest. He's also one of the few actors I know who will walk away from an easy laugh if he thinks it's not furthering the story."

    Next up for Gregory: Starring as Vladimir in the Arvada Center’s Waiting for Godot, opening April 21, opposite DCPA Education Head of Acting Tim McCracken, Josh Robinson (DCPA’s All the Way), Sam Gilstrap and DCPA Teaching Artist Sean Scrutchins. It is a play that Collins put on the Arvada Center season, she says flatly, specifically because she has Gregory to perform in it.

    Sam Gregory/At a glance

  • True West Awards Sam Gregory. A Flea in Her Ear. Hometown: New Haven, Conn.
  • College: Menlo School (Atherton, Calif.); Masters from Cal-Berkeley
  • More than 45 DCPA Theatre Company credits including A Flea in Her Ear in 2005 (pictured at right.) He is a member of the Arvada Center Black Box Theatre Company and will return to the Colorado Shakespeare Festival in the summer of 2017. He has also performed locally for the Curious Theatre, Boulder Ensemble Theatre Company and the late Paragon Theatre.
  • National credits include The Actor's Company Theatre of New York, Seattle Rep, Milwaukee Rep, San Jose Rep, Cleveland Playhouse, Cincinnati Playhouse, Eugene O'Neill Theatre Center, the Alabama Shakespeare Festival and more.

  • ABOUT THE TRUE WEST AWARDS

    The True West Awards, now in their 16th year, began as the Denver Post Ovation Awards in 2001. DCPA Senior Arts Journalist John Moore — along with additional voices from around the state — celebrate the entire local theatre community by recognizing 30 achievements from 2016 over 30 days, without categories or nominations. Moore was named one of the 12 most influential theater critics in the U.S by American Theatre Magazine in 2011. He has since taken a groundbreaking position as the Denver Center's Senior Arts Journalist. His daily coverage of the DCPA and the Colorado theatre community can be found at MyDenverCenter.Org

    THE 2016 TRUE WEST AWARDS
    Day 1: Jada Suzanne Dixon
    Day 2: Robert Michael Sanders
    Day 3: After Orlando
    Day 4: Michael Morgan
    Day 5: Beth Beyer
    Day 6: Patrick Elkins-Zeglarski
    Day 7: donnie l. betts
    Day 8: Night of the Living Dead
    Day 9: The Killer Kids of Miscast
    Day 10: Jason Sherwood
    Day 11: Leslie O'Carroll and Steve Wilson
    Day 12: Jonathan Scott-McKean
    Day 13: Jake Mendes
    Day 14: Charles R. MacLeod
    Day 15: Patty Yaconis
    Day 16: Daniel Langhoff
    Day 17: Colorado Shakespeare Festival costumers
    Day 18: Miriam Suzanne
    Day 19: Yolanda Ortega
    Day 20: Diana Ben-Kiki
    Day 21: Jeff Neuman
    Day 22: Gabriella Cavallero
    Day 23: Matthew Campbell
    Day 24: Sharon Kay White
    Day 25: John Hauser
    Day 26: Lon Winston
    Day 27: Jason Ducat
    Day 28: Sam Gregory
    Day 29: Warren Sherrill
    Day 30: The Women Who Run Theatre in Boulder
    Theatre Person of the Year Billie McBride
  • DCPA's 'A Christmas Carol' undergoes its own rebirth

    by John Moore | Nov 10, 2016

    Sam Gregory as Scrooge in A Christmas Carol.

    Denver is getting its first chance to meet Sam Gregory as the miserly Scrooge in its 24th seasonal staging of 'A Christmas Carol,' opening Nov. 25. 




    Charles Dickens’ A Christmas Carol is the world’s most beloved story of seasonal spiritual reawakening. And now, in its 24th staging at the Denver Center, the production itself is undergoing its own kind of renewal. The beloved holiday tradition has a new director and star this year: Denver newcomer Melissa Rain Anderson and longtime company favorite Sam Gregory playing Scrooge.

    “I think there is something addictive about the journey of A Christmas Carol every year,” said Anderson. “That sense of joy and wonder and getting re-birthed every year is pretty special.”

    And if the Theatre Company’s most popular annual offering is not getting fully re-birthed, it is certainly getting a re-boot. Audiences again will be treated to the familiar adaptation by Richard Hellesen with music by David de Berry, and many of the DCPA’s homegrown scenic and technical elements will be largely unchanged.

    Melissa Rain Anderson. A Christmas Carol. “Absolutely we want to pay homage to what has come before, because obviously it’s been a huge success,” said Anderson, who thinks of this production as one she is adopting, not reinventing. Still, the newness of this staging will be as evident as the man barking out the old man’s unhappy humbuggery.

    Gregory, who has more than 40 Theatre Company credits to his name, will become only the eighth actor to play Scrooge since the Denver Center’s nearly annual tradition began in 1990. Gregory’s task is merely to replace a fellow actor he calls irreplaceable: Philip Pleasants.

    “Taking over Scrooge from somebody like Phil is a monumental task that I would never wish on anyone because he was such a master at it,” Gregory said. “What I so very much appreciated in his performance was how within 10 minutes you could hear little children in the audience giggling away at the stuff he was doing. Phil was able to present this mean old curmudgeon and yet, right away, the children could spot his good heart.”

    Gregory said following Pleasants feels a little like Trevor Siemien following legendary Denver Broncos quarterback Peyton Manning. But Anderson and Producing Artistic Director Kent Thompson both say he’s up to the task.

    “Sam is a masterfully comic actor who can also turn scary and scared at any moment,” Thompson said. “He has a gift for the language and dialects of England — whether it’s Dickens or Shakespeare. Besides that, Sam brings great heart to his acting, making him a beloved actor in the Denver theatre scene. I’m excited to see his Scrooge.”

    More Colorado theatre coverage on the DCPA NewsCenter

    Anderson sees in Gregory the opportunity for this A Christmas Carol to make an even greater emotional impact on audiences, simply given the actuarial differences between Pleasants, who is 79, and Gregory, who is 53. Gregory initially worried he might actually be too young for the role, until his research turned up that while Dickens never specifies the old man’s age, he plants clues that suggest Scrooge is only 54 years old.

    “Sam is really the perfect age to be playing Scrooge because he has a significant amount of time left,” Anderson said. “His Scrooge lives through this beautiful redemption — and then how wonderful it will be for us to consider that this Scrooge still has 20 or more years left to give all his money away. And what a gift for Scrooge to gain his family back into his life and to open his arms to Bob Cratchit again while he still has so much time to do good? This Scrooge will change lives for many years after our story ends.”

    Sam Gregory as Bob Cratchit in 2008. Anderson and Gregory both have deep bloodlines with the Hellesen adaptation of A Christmas Carol. As an actor, Anderson has performed in it four times around the country. Gregory has previously played Bob Cratchit and six other roles. Anderson thinks it’s probably better for her that the actor playing Scrooge is changing at the same time she is becoming the first new director of this annual production in Denver since 2004.

    “I think it’s great that we are shaking everything up at the same time rather than in bits and pieces,” she said.

    For his part, Gregory isn’t aiming to simply give audiences a younger version of Pleasants’ Scrooge. How could he? “I can’t roll my R’s the way Phil can,” he joked.

    “I think we want to focus more on the fact that this is really an incredible play about redemption and that is the reason it stands the test of time,” he said. “This play is about how anyone can be redeemed and can change and can become a better human being.”

    But getting there won’t be easy. And shouldn’t be.

    “The Scrooge we meet is hardened and calcified,” Gregory said. “He doesn’t turn on the heat because he has no heat inside of him. That’s why poor Bob is freezing. Scrooge isn’t cold because he has ice-water in his veins. I’d like to try it so that we see him thaw — and come to life.”

    John Moore was named one of the 12 most influential theater critics in the U.S by American Theatre Magazine in 2011. He has since taken a groundbreaking position as the Denver Center’s Senior Arts Journalist.

    (Photo above right: Sam Gregory has played seven different characters in DCPA stagings of 'A Christmas Carol,' including Bob Cratchit in 2008. Photo by Terry Shapiro.)

    A Christmas Carol: Ticket information
    A Christmas CarolAt a glance: Based on Charles Dickens’ classic novel, this joyous and opulent musical adaptation traces money-hoarding skinflint Ebenezer Scrooge’s triumphant overnight journey to redemption. A Christmas Carol illuminates the meaning of the holiday season in a way that has resonated for generations.

    Presented by the DCPA Theatre Company
    By Charles Dickens
    Adapted for the stage by Richard Hellesen
    Music by David de Berry
    Directed by Melissa Rain Anderson
    Nov. 25-Dec. 24
    Stage Theatre
    ASL Interpreted and Audio-Described Performance: 1:30 p.m. Dec 11
    Tickets: 303-893-4100 or BUY ONLINE

    Selected previous NewsCenter coverage of A Christmas Carol
    Cast lists: A Christmas Carol, The SantaLand Diaries begin anew
    Video: Leslie O'Carroll performs A Christmas Carol in five minutes
    Photos, video: Philip Pleasants takes final bow as Scrooge

  • First rehearsal: Scrooge, in typical fashion: Let's get to work!

    by John Moore | Nov 07, 2015
    Photos from the opening meet-and-greet rehearsal for the DCPA Theatre Company's 2015 staging of 'A Christmas Carol.' Photos by John Moore for the DCPA's NewsCenter. To download any photo for free, click on "View original Flickr" image and choose from a variety of download sizes.


    Director Bruce K. Sevy took a moment during the first rehearsal for the DCPA Theatre Company’s upcoming 23rd staging of A Christmas Carol to honor venerable actor Philip Pleasants, who will be playing Scrooge at the Denver Center for the 11th and final time.

    Sevy called working with Pleasants over the past decade a remarkable partnership and learning experience. “This is one of the rare experiences you get in the theatre that makes you think your whole career was worth it,” Sevy said.

    Sam Gregory and Philip Pleasants. Photo by John Moore. DCPA veteran Sam Gregory, who will understudy Pleasants this year and eventually assume the role of Scrooge as his own, called Pleasants the greatest actor to ever play the role.

    “I have watched Phil progress and grow in this role since I first played Bob Cratchit to Phil's Scrooge at the Alabama Shakespeare Festival in 1998,” Gregory said. “He has been so magnificent. There is no one in this room more intimidated than I am right now.”

    Pleasants had to sit there and take the accolades like Cratchit working on Christmas Eve. He then summoned his inner Scrooge and declared simply, "It is a great honor and privilege. I am thrilled to be here. Now ... let's get to work!"

    (Photo above: Sam Gregory, left, and Philip Pleasants. Photo by John Moore.) 

    Sevy welcomed faces old and new for the official meet-and-greet that launches the beginning of the rehearsal period before every Theatre Company production. This year, the noontime party included guests from another DCPA holiday offering, David Sedaris’ caustic monologue, The SantaLand Diaries.

    Stephen Weitz, who also directed the Theatre Company's Tribes (running through Nov. 15), is helming SantaLand for a seventh straight holiday season. This is the third year the show is being presented as a collaboration between Weitz's Boulder Ensemble Theatre Company and the DCPA's Off-Center.

    This year, Michael Bouchard, who appeared in last season’s A Christmas Carol, will assume the candy-striped tights of Crumpet the Elf from Matt Zambrano in The SantaLand Diaries, which plays Nov. 27-Dec. 27 in the Jones Theatre.

    Another first: For the first time in eight years, Weitz announced, that will be a new Crumpet costume Bouchard is sporting. Weitz jokingly cited an EPA violation from eight years of cumulative sweat from his previous Crumpets, Zambrano and Geoffrey Kent.

    Michael Bouchard and Bruce K. Sevy. Photo by John Moore.
    A joking 'A Christmas Carol' Director Bruce K. Sevy, right, doesn't look too happy with actor Michael Bouchard's life choices. After performing for Sevy in 'A Christmas Carol' last year, Bouchard will move over to the Jones Theatre to star in David Sedaris' 'The SantaLand Diaries' this holiday season. Photo by John Moore for the DCPA NewsCenter.


    David Sedaris wrote The SantaLand Diaries in 1992 detailing his real-life experience working as an elf at the Macy's department store in New York,” Weitz said. “Since then, it has really become a staple of holiday theatre all across the country. We've always thought of it as an alternative holiday outing to more traditional offerings like A Christmas Carol. It attracts a somewhat different audience, and it traffics in Sedaris’ unique brand of snark and cynicism. In many ways, Seadris' view of the holidays in 1992 was prophetic in that he was just starting to comment on the commercialization of Christmas, and how it was becoming about all the wrong things. I don't think any of us knew how far that trend was going to continue, but when you look at where we are today, it's still incredibly timely.

    “And yet what makes the play wonderful is that underneath all the biting commentary, it really does have a heart about what Christmas is, and should be, and can be.”

    Daniel Langhoff, Laura Mathew Siebert and Nate Siebert. Photo by John Moore. Before offering his thoughts on A Christmas Carol, Sevy invited returning cast member Daniel Langhoff to address the gathering. Langhoff, a new father, was diagnosed with Stage 3 colon cancer in August, and two weeks ago had the mass removed. Next week, he starts a 24-week course of chemotherapy.

    “I don’t know how this is going to hit me,” Langhoff said, but he thanked his director, cast and crew for inviting him to come back to the show regardless. “This couldn't be coming at a better time for me,” he said of A Christmas Carol. "I just want to say thank you all for that. “

    Langhoff gave a shoutout to the Denver community for supporting him through the start of his ordeal, including the Denver Actors Fund, which has raised about $3,600 to help off-set his medical expenses. Also present was local photographer Laura Mathews Siebert, who hosted a recent portrait fundraiser that raised an additional $1,500 for Langhoff’s family.

    In a remarkable small-world twist, Siebert is also the mother of 10-year-old Nate Patrick Siebert, who is newly cast in the Denver Center's A Christmas Carol for the first time. Twice before, young Nate has donated $100 from his acting stipends (Arvada Center’s Camelot and Colorado Springs Fine Arts Center’s Mary Poppins) to the Denver Actors Fund.

    “If you ever are worried about the transient nature of relationships in theatre, it's a lie,” Langhoff said. “Theatre relationships go on. We are all here for each other, whether or not we even know it.”

    (Photo above right: Daniel Langhoff, Laura Mathews Siebert and her son Nate, along with a montage of portraits Laura photographed to raise money for Langhoff's cancer treatments. Photo by John Moore.)


    The children of 'A Christmas Carol.' Photo by John Moore

    The children of the DCPA's 'A Christmas Carol.' Photo by John Moore.


    Four things Director Bruce K. Sevy loves about A Christmas Carol:

    1 PerspectivesThe music by David de Berry, with fresh orchestrations by Gregg Coffin. “This is a very musical play, with its use of traditional carols, singing, underscoring and sound,” Sevy said. Added Coffin: “The music is beautifully ornamental. None of the music defines character or forwards the plot. Instead it hangs like little ornaments on a tree. And all of these little musical moments help to paint a fuller picture of the Dickensian world.” Over his six years with the DCPA, Coffin has completely reimagined the scoring by adding more indigenous instruments such as hammer dulcimers, fiddles and guitars that help bring out the feel of Victorian England.

    2 PerspectivesTheatricality. "We did Hamlet a couple of years ago, and I realized while I was watching it how much Marley's scene with Scrooge is actually borrowing the same sensibility from Hamlet with his father, who is also a ghost,” Sevy said. He added with a laugh: “So Scrooge is actually Hamlet, and Marley is his father. That is really what is going on here.”

    3 PerspectivesSocial conscience. "This story is remarkably progressive; moral without being stuffy," Sevy said. "It gets into some fundamental questions about our relationship to one another, and what the point of life is after all. We know at the core of this play is a man who has cut himself off from the world, and from other human beings. His journey is one of reconnecting. I think when most people come to A Christmas Carol, they leave thinking mostly of the happy stuff. But by the time we get to the part where Scrooge comes to ask if he can come to dinner at his nephew's place, and then surprises Cratchit with a pay raise - it's moving. That's the power of this piece. It speaks to a shared value that we all have."

    4 PerspectivesTimeliness: “What's similar between 1840 and now is that we have a comparable imbalance between those who have money and those who don't,” Sevy said. “Almost every scene in this play has some reference to either money, finances or the lack of it. The reason Belle breaks up with Scrooge is because he has a new golden idol - and it is money. Just as it is today, Scrooge's world is out of balance when we start the play. That's a big part of what this play is about.”                  

    A Christmas Carol: Cast list:

    Based on the novel by Charles Dickens
    Adapted by Richard Hellesen
    Music by David de Berry

    Directed by Bruce K. Sevy
    Music Direction by Gregg Coffin
    Orchestrations by Gregg Coffin
    Choreography by Christine Rowan
    Set Design by Vicki Smith
    Costume Design by Kevin Copenhaver
    Lighting Design by Don Darnutzer
    Sound Design by Craig Breitenbach       

    Colin Alexander (Ghost of Christmas Present)
    Leslie Alexander (Mrs. Cratchit)
    Benjamin Bonenfant (Undertaker’s Man)
    Courtney Capek (Belle)
    Stephanie Cozart (Ghost of Christmas Past)
    Allen Dorsey (Ghost of Christmas Future)
    Napoleon M. Douglas (Ensemble)
    Mehry Eslaminia (Ensemble)
    Michael Fitzpatrick (Mr. Fezziwig)
    Ella Galaty (Fan)
    Sam Gregory (Scrooge Understudy)
    Edwin Harris (Ensemble)
    Ben W. Heil (Peter Cratchit)
    Charlie Korman (Boy Scrooge)
    Robert Andrew Koutras (Ensemble)
    Daniel Langhoff (Ensemble)
    Avi Levin (Ensemble)
    Kyra Lindsay (Martha Cratchit)
    Brody Lineaweaver (Ensemble)
    Rodney Lizcano (Old Joe)
    Emma C. Martin (Ensemble)
    M. Scott McLean (Young Scrooge)
    Leslie O’Carroll (Mrs. Fezziwig)
    Philip Pleasants (Ebenezer Scrooge)
    Max Raabe (Edward Cratchit)
    Augie Reichert (Tiny Tim)
    Helen Reichert (Belinda Cratchit)
    James Michael Reilly (Bob Cratchit)
    Jeffrey Roark (Jacob Marley)
    Christine Rowan (Ensemble)
    Nate Patrick Siebert (Ensemble)
    Shannan Steele (Ensemble)
    Olivia Sullivent (Want)
    Jake Williamson (Ensemble)
    Erin Willis (Ensemble)
    Owen Zitek (Ensemble) 

    A Christmas Carol: Ticket information

  • Nov. 27-Dec. 27 (Opens Dec. 4) at the Stage Theatre
  • Tickets: 303-893-4100 or BUY ONLINE
  • Accessibility performance: 1:30 and 7:30 p.m. Dec. 19

  • The SantaLand Diaries: Ticket information
  • Nov. 27-Dec. 27 at the Jones Theatre
  • Tickets: 303-893-4100 or BUY ONLINE
  • Accessibility performance: 3 and 7 p.m. Dec. 20
  •  
    For both shows:
  • TTY: 303-893-9582
  • Groups of 15 or more: 303-446-4829
  • Also: Purchase in person at The Denver Center Ticket Office, located at the Helen Bonfils Theatre Complex lobby. Buy and print online at DenverCenter.Org

  • Please be advised that the Denver Center for the Performing Arts – denvercenter.org – is the only authorized online ticket provider for 'A Christmas Carol' and 'The SantaLand Diaries.'


    Selected previous NewsCenter coverage of  A Christmas Carol:
    Beginnings and endings for stars of A Christmas Carol, The SantaLand Diaries
    Video: Leslie O'Carroll performs A Christmas O'Carroll ... in 5 minutes
    Actor Scott McLean is now also a published children's author
    Video: The Christmas Carol Coast to Coast Challenge. No. 1: Denver
    By the numbers: A Christmas Carol over 22 years at the DCPA
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    ABOUT THE EDITOR
    John Moore
    John Moore
    Award-winning arts journalist John Moore has recently taken a groundbreaking new position as the DCPA’s Senior Arts Journalist. With The Denver Post, he was named one of the 12 most influential theater critics in the US by American Theatre Magazine. He is the founder of the Denver Actors Fund, a nonprofit that raises money for local artists in medical need. John is a native of Arvada and attended Regis Jesuit High School and the University of Colorado at Boulder. Follow him on Twitter @moorejohn.

    DCPA is the nation’s largest not-for-profit theatre organization dedicated to creating unforgettable shared experiences through beloved Broadway musicals, world-class plays, educational programs and inspired events. We think of theatre as a spark of life — a special occasion that’s exciting, powerful and fun. Join us today and we promise an experience you won't soon forget.