• Authentic voices: DCPA Education names 2018 playwriting finalists

    by John Moore | Jan 17, 2018
    scenesters_finalists_011618 800

    The winning plays, taking on a wide array of topical issues, will be read at the Colorado New Play Summit

    By John Moore
    Senior Arts Journalist

    The Denver Center for the Performing Arts today announced the finalists for its fifth annual Regional High School Playwriting Workshop and Competition for Colorado high-school students:

    • Emmaleth Ryan, Grandview High School: Sleep No More, about a young woman who decides to commit suicide until she is reminded of the resilience of the human spirit. Says Ryan: “I learned more about how to grapple with life by writing a character who has fought her demons and won.” MEET EMMALETH
    • Julianna Luce and Trinell Samuel, Vista Peak Preparatory: Technical Difficulties is a comedy about a high-school theatre production that has been seized by vengeful understudies. Say the self-described techies: When the lights, sound or even just the ambience we help create draws ‘oohs’ and ‘aahs’ from the audience, it is mystical for us. It feeds the hunger of our inner artist.” MEET JULIANNA AND TRINELL
    • Noah Jackson, Girls Athletic Leadership School: Wine Colored Lip Gloss, about a teenager dealing with gender-identity problems and how to tell his parents about it. Says Jackson: “I learned how to take advice on social situations from my own characters, which actually helped me through a lot of problems I've faced.” MEET NOAH
    2017 Student Playwriting_John MooreAfter week-long workshops and mentoring from nationally acclaimed playwrights, the winning playwrights will have their scripts read by professional actors at the 2018 Colorado New Play Summit at 8 p.m. on Saturday, Feb. 24, in The Conservatory Theatre. Finalists also receive a $250 cash scholarship and complimentary pass to all Summit activities.


    (Pictured: A reading of a student play at the 2017 Colorado New Play Summit. Photo by John Moore for the DCPA NewsCenter.)

    The finalists were chosen from a field of 153 submissions, after which 10 semifinalists were named. Director of Education Allison Watrous noted that the entries covered a much more substantive range of important topics this year, including sexual abuse, gender identity, suicide, homelessness, child abuse race relations and addiction.

    "We are so inspired by the quality and the depth of the writing this year," said Watrous. "These writers are exploring the fullest potential of the art form through their use of poetry and nuanced dialogue. These extraordinary playwrights are writing with distinct, authentic and brave voices. We are honored to nurture and empower these emerging voices of the American theatre."

    Starting last fall, DCPA Education faculty Finalists quote 2018 Scenesterstaught 146 playwriting workshops in 57 Colorado schools. A record 3,002 high-school students participated in those workshops, which were held in every school district in the Denver-metro area and in 20 counties around the state. The subsequent submissions judged blindly by DCPA artistic, literary and education professionals.

    In addition to the Summit reading, each teacher of the finalists will receive a $250 gift certificate for books, supplies or other teaching tools for their classrooms.

    After the Colorado New Play Summit, one of the three scripts will be selected for full production during DCPA Education’s 2018 summer program.

    “These young playwrights are the next generation of theatre. It is our responsibility and our privilege to encourage them and give them the tools to succeed,” Watrous said. “We launched the one-act play playwriting competition in 2013 to nurture Colorado’s promising young playwrights, create new plays and inspire creativity.

    "In just five years, we’ve been overwhelmed with the response: 730 submissions and more than 13,500 students served through the program, giving voice to the next generation of American theatre.”

    It's worth noting that at this time of pronounced gender disparity in the American theatre, the DCPA's statewide playwriting competition has, by a blind judging draw, produced 70 percent female semifinalists in its first five years (39 of 56.) 

    Our profiles of all 2018 Scenester semifinalists:

    In addition to the previously announced finalists listed above, the judges singled out two entries for honorable mention:
    • Los Amorios by Catalin Varela, Castle View High School
    • This Play is Literally Impossible to Perform by Caroline Storey, Compass Montessori High School
    The coordinator of the DCPA's  student playwriting program is 2017 True West Award winner Claudia Carson. The sponsors are Robert and Judi Newman Family Foundation with matching gifts from The Ross Foundation, June Travis and Transamerica.

    John Moore was named one of the 12 most influential theater critics in the U.S. by American Theatre Magazine in 2011. He has since taken a groundbreaking position as the Denver Center’s Senior Arts Journalist.

    Video bonus: Last year's playwrights at the Colorado New Play Summit

    Video: We talked with the four 2017 student playwriting finalists whose plays were read by DCPA actors at the Colorado New Play Summit. Video by David Lenk and John Moore for the DCPA NewsCenter. 

    More Colorado theatre coverage on the DCPA NewsCenter

  • The 2018 Scenesters: Emmaleth Ryan, Grandview High School

    by John Moore | Jan 16, 2018
    2018 The Scenesters Emmaleth Ryan

    Today on the DCPA NewsCenter, we continue our daily countdown of the 10 Colorado student playwrights who have been named semifinalists for our fifth annual statewide playwriting competition. On Wednesday, Jan. 17, we will announce the writers whose plays will be read at the 2018 Colorado New Play Summit. (Details below.)


    SCENESTER NO. 10: EMMALETH RYAN

    • Class: Senior
    • School: Grandview High School
    • Teacher: Brianna Lindahl
    • Your play title: Sleep No More
    • What is your play about? A girl is fighting demons both within and without herself, and she decides to end the battle by committing suicide. However, her course is interrupted by another young woman who reminds her of the resilience of the human spirit.
    • What was your inspiration for writing your play? I was inspired by the sudden influx of suicide-related media that I felt misrepresented or glorified depression and suicide (namely the TV show 13 Reasons Why and the song 1-800-273-8255 by Logic.) I've struggled with depression and I know many people who have fought against bullying, depression, anxiety, and suicidal thoughts. This play was written as an attempt to honor, but not glorify, that struggle. The title of my play was taken from a line in Macbeth: "Sleep no more, Macbeth does murder sleep." This reference was a vague parallel between Macbeth, who becomes a tyrannical king, and the tyrant of my play, as they both ruin the peace of the innocent.
    • Yara Shahidi ScenestersFavorite word that appears in your script: Visceral.
    • Killer casting: If I had any kind of influence, my first choice for playing the Princess would be Yara Shahidi. She is a known social activist, and I'm endlessly impressed by the way she uses her intelligence and popularity to promote social justice in spite of her youth. She is the type of person I hoped to exemplify when writing the Princess. Additionally, she seems like a wonderful person to work with, and she's gorgeous.
    • What did you learn from writing this play? Writing this play brought me a great deal of peace. I spent a long time in the mindset of the Warrior, who is intelligent and spirited but sunk too deep in her misery to truly see reality as it is. Her role wasn't difficult to write. Writing the Princess was far more challenging, as she is meant to be the inspiring antagonist to the Warrior's suicidal thoughts. In the play, she has been kicked around by the world, but her response was not to hide but to fight back. This response was enlightening to me, and I learned more about how to grapple with life by writing a character who has fought her demons and won.

    Video: Winning DCPA student playwrights' plays are performed

    Scenesters Quote Emmaleth Ryan

    About the 2017-18 Regional High-School Playwriting Workshop and Competition:

    What: A one-act playwriting competition designed for area high schools. Local playwrights and DCPA Education faculty taught 146 playwriting workshops in 57 Colorado schools. A record 3,002 high-school students participated in those workshops, which were held in every school district in the Denver-metro area and in 20 counties around the state.

    Why: To nurture Colorado’s young playwrights; develop theatre artists and audiences; develop new plays; and advance literacy, creativity, writing and communication through playwriting.

    How: A total of 153 submissions were judged blindly by DCPA artistic, literary and education professionals. Ten semifinalists are being identified through this rolling daily countdown. At the end of the countdown, three winners will be named. They will receive a cash scholarship of $250 each AND a staged reading in the 2018 Colorado New Play Summit next month. In addition, each teacher of the three finalists will receive a $250 gift certificate for books, supplies or other teaching tools for their classrooms. One play also will be presented as a fully staged performance exercise for DCPA Education students in the summer of 2018.

    Sponsors: Robert and Judi Newman Family Foundation with matching gifts from The Ross Foundation, June Travis and Transamerica.

    Our profiles of all 2018 Scenester semifinalists (to date):
    Video bonus: Last year's playwrights at the Colorado New Play Summit

    Video: We talked with the four 2017 student playwriting finalists whose plays were read by DCPA actors at the Colorado New Play Summit. Video by David Lenk and John Moore for the DCPA NewsCenter. 


    A look back: Our profiles of all 10 of the 2017 semifinalists:

    More Colorado theatre coverage on the DCPA NewsCenter

  • The 2018 Scenesters: Callista Zaronias

    by John Moore | Jan 15, 2018
    A 2018 Scenesters Callista Zaronias 800

    Today on the DCPA NewsCenter, we continue our daily countdown of the 10 Colorado student playwrights who have been named semifinalists for our fifth annual statewide playwriting competition. On Wednesday, Jan. 17, we will announce the writers whose plays will be read at the 2018 Colorado New Play Summit. (Details below.)


    SCENESTER NO. 9: CALLISTA ZARONIAS

    • Class: Senior
    • School: Peak to Peak Charter School, Lafayette
    • Teacher: Kristie Letter
    • Your play title: Invisible Scars
    • What is your play about? It's about a woman who has been sexually abused and struggles with what it means in her current life. It shows the internal conflict with her conscience as she fights to come to terms with the abuse.
    • What was your inspiration for writing your play? Sexual abuse is a tragicjennifer-lawrence event and a much too common issue in today’s society. Many women are now voicing their stories of sexual abuse in the media. These women inspired me to help bring even more attention to sexual abuse. No one deserves to be abused, and no one should feel the need to keep quiet about it. Everyone deserves a voice, and I hope that my play can help others find their voice, too.
    • Favorite word that appears in your script: Naive.
    • Killer casting: I would cast Jennifer Lawrence as Nicole's Conscience because of her spunky humor, and her real and gritty personality.
    • What did you learn from writing this play? That creative expression can come in many different forms. I also learned that words can have different meaning when they're written versus when they are said, and that difference can make plays uniquely powerful.

    Video: Winning DCPA student playwrights' plays are performed

    2018 Scenesters Callista Zaronias quote


    About the 2017-18 Regional High-School Playwriting Workshop and Competition:

    What: A one-act playwriting competition designed for area high schools. Local playwrights and DCPA Education faculty taught 146 playwriting workshops in 57 Colorado schools. A record 3,002 high-school students participated in those workshops, which were held in every school district in the Denver-metro area and in 20 counties around the state.

    Why: To nurture Colorado’s young playwrights; develop theatre artists and audiences; develop new plays; and advance literacy, creativity, writing and communication through playwriting.

    How: A total of 153 submissions were judged blindly by DCPA artistic, literary and education professionals. Ten semifinalists are being identified through this rolling daily countdown. At the end of the countdown, three winners will be named. They will receive a cash scholarship of $250 each AND a staged reading in the 2018 Colorado New Play Summit next month. In addition, each teacher of the three finalists will receive a $250 gift certificate for books, supplies or other teaching tools for their classrooms. One play also will be presented as a fully staged performance exercise for DCPA Education students in the summer of 2018.

    Sponsors: Robert and Judi Newman Family Foundation with matching gifts from The Ross Foundation, June Travis and Transamerica.

    Our profiles of all 2018 Scenester semifinalists:
    Video bonus: Last year's playwrights at the Colorado New Play Summit

    Video: We talked with the four 2017 student playwriting finalists whose plays were read by DCPA actors at the Colorado New Play Summit. Video by David Lenk and John Moore for the DCPA NewsCenter. 

    More Colorado theatre coverage on the DCPA NewsCenter

  • The 2018 Scenesters: Noah Jackson

    by John Moore | Jan 14, 2018
    2018 Scenesters Noah Jackson

    Today on the DCPA NewsCenter, we continue our daily countdown of the 10 Colorado student playwrights who have been named semifinalists for our fifth annual statewide playwriting competition. On Wednesday, Jan. 17, we will announce the writers whose plays will be read at the 2018 Colorado New Play Summit. (Details below.)


    SCENESTER NO. 8: NOAH JACKSON

    • Class: Senior
    • School: Girls Athletic Leadership School
    • Teacher: Amanda Flageolle
    • Your play title: Wine Colored Lip Gloss
    • What is your play about? A teenager named Lucca is dealing with gender-identity problems and how to tell his parents about it while his mother has her own issues with alcoholism.
    • What was your inspiration for writing your play? At first my play was inspired by my own struggles, but as it developed it strayed from that. Still, the underlying themes are based off things I have personally dealt with and was inspired by.
    • aubreyplazaFavorite word that appears in your script: Wonky!
    • Killer casting: I would cast Aubrey Plaza (Parks and Recreation) as Fey, not only because I love her with all of my soul, but because her sense of humor and style and sass would be perfect for Fey.
    • What did you learn from writing this play? A lot about myself. I learned how to take advice on social situations from my own characters, which actually helped me through a lot of problems I've faced. I've also learned that playwriting is a very, very long process.

    Video: Winning DCPA student playwrights' plays are performed

    2018 Scenesters quote noah jackson


    About the 2017-18 Regional High-School Playwriting Workshop and Competition:

    What: A one-act playwriting competition designed for area high schools. Local playwrights and DCPA Education faculty taught 146 playwriting workshops in 57 Colorado schools. A record 3,002 high-school students participated in those workshops, which were held in every school district in the Denver-metro area and in 20 counties around the state.

    Why: To nurture Colorado’s young playwrights; develop theatre artists and audiences; develop new plays; and advance literacy, creativity, writing and communication through playwriting.

    How: A total of 153 submissions were judged blindly by DCPA artistic, literary and education professionals. Ten semifinalists are being identified through this rolling daily countdown. At the end of the countdown, three winners will be named. They will receive a cash scholarship of $250 each AND a staged reading in the 2018 Colorado New Play Summit next month. In addition, each teacher of the three finalists will receive a $250 gift certificate for books, supplies or other teaching tools for their classrooms. One play also will be presented as a fully staged performance exercise for DCPA Education students in the summer of 2018.

    Sponsors: Robert and Judi Newman Family Foundation with matching gifts from The Ross Foundation, June Travis and Transamerica.

    Our profiles of all 2018 Scenester semifinalists:
    Video bonus: Last year's playwrights at the Colorado New Play Summit

    Video: We talked with the four 2017 student playwriting finalists whose plays were read by DCPA actors at the Colorado New Play Summit. Video by David Lenk and John Moore for the DCPA NewsCenter. 

    More Colorado theatre coverage on the DCPA NewsCenter

  • The 2018 Scenesters: Julianna Luce and Trinell Samuel

    by John Moore | Jan 13, 2018
    2018 scenesters Julianna Luce and Trinell Samuel

    Today on the DCPA NewsCenter, we continue our daily countdown of the 10 Colorado student playwrights who have been named semifinalists for our fifth annual statewide playwriting competition. On Wednesday, Jan. 17, we will announce the writers whose plays will be read at the 2018 Colorado New Play Summit. (Details below.)


    SCENESTERS NO. 7:
    JULIANNA LUCE AND TRINELL SAMUEL

    • Class: Seniors
    • School: Vista Peak Prep High School, Aurora
    • Teacher: Heathe Stecklein
    • Your play title: Technical Difficulties
    • What is your play about? It's a comedy about a group of theatre students who encounter every techie's worst nightmare: Their show has been seized by vengeful understudies. This is a production that tests that old cliché “the show must go on.” With power from the Techie Gods, will these techies save their show?
    • What was your inspiration for writing your play? Two years ago, we were asked to write a one-act play together as a part of a theatre class. With little writing experience, we struggled for a long time to think of script ideas until we realized we should just write about what we knew. We are both technicians in the Vista Peak theatre department, and knew it was a unique atmosphere for storytelling. What does every techie fear? A bad show. We began to write, and thus came Technical Difficulties.
    • Favorite word that appears in your scriptPizzazz!
    • michael ceraKiller casting: We would cast Michael Cera as Todd because he perfectly exudes a corny, nerdy, and awkward kid while still being inexplicably lovable. You subconsciously want to protect him, but also want to see him be brave. These same personality traits shape our character Todd.
    • What did you learn from writing this play? We learned just how fun creating a story can be, and how it can help open your eyes to situations you never really think about. We learned that the starving/striving artist mindset can be very different for  actors as opposed to technicians. The love and the utter need to be on stage could drive an actor insane, while working being behind the scenes can make you feel as if your work is not being acknowledged. As techies, we wanted to explore those different mindsets in our play. We love the hidden aspect of our jobs. We love the idea that people who only come to see a play never see all the work that went into it backstage. But when the lights, sound or even just the ambience that we help create draws "oohs" and "aahs" from the audience, it is mystical for us techies. That might not seem like enough to an actor. But it feeds the hunger of our inner artist.

    Video: Winning DCPA student playwrights' plays are performed

    Scenesters 2018 Quote Technical Difficulties


    About the 2017-18 Regional High-School Playwriting Workshop and Competition:

    What: A one-act playwriting competition designed for area high schools. Local playwrights and DCPA Education faculty taught 146 playwriting workshops in 57 Colorado schools. A record 3,002 high-school students participated in those workshops, which were held in every school district in the Denver-metro area and in 20 counties around the state.

    Why: To nurture Colorado’s young playwrights; develop theatre artists and audiences; develop new plays; and advance literacy, creativity, writing and communication through playwriting.

    How: A total of 153 submissions were judged blindly by DCPA artistic, literary and education professionals. Ten semifinalists are being identified through this rolling daily countdown. At the end of the countdown, three winners will be named. They will receive a cash scholarship of $250 each AND a staged reading in the 2018 Colorado New Play Summit next month. In addition, each teacher of the three finalists will receive a $250 gift certificate for books, supplies or other teaching tools for their classrooms. One play also will be presented as a fully staged performance exercise for DCPA Education students in the summer of 2018.

    Sponsors: Robert and Judi Newman Family Foundation with matching gifts from The Ross Foundation, June Travis and Transamerica.

    Our profiles of all 2018 Scenester semifinalists:
    Video bonus: Last year's playwrights at the Colorado New Play Summit

    Video: We talked with the four 2017 student playwriting finalists whose plays were read by DCPA actors at the Colorado New Play Summit. Video by David Lenk and John Moore for the DCPA NewsCenter. 

    More Colorado theatre coverage on the DCPA NewsCenter

  • 'The Great Leap:' 5 Things we learned at first rehearsal

    by John Moore | Jan 12, 2018
    The making of 'The Great Leap'Check out our full gallery of photos from the first rehearsal for 'The Great Leap.' To see more, click on the image above to be taken to our full Flickr gallery. Photos by Sam Adams John Moore for the DCPA NewsCenter.


    Newest Denver Center world premiere is a basketball story that already has a road trip scheduled after its home opener 

    Rehearsals began Tuesday for the third of three soon-to-be simultaneous DCPA Theatre Company world-premiere plays. And, like American Mariachi, when Lauren Yee’s The Great Leap finishes its inaugural run in Denver on March 11, it’s hitting the road with its cast and creative team intact.

    The Great Leap, about a college basketball team that travels to Beijing for a “friendship” game in the post-Cultural Revolution 1980s, is a co-production with the Seattle Repertory Theatre, where it will run from March 23 to April 22. The play will then make its New York premiere opening May 23 at the Atlantic Theatre Company with its own, different cast and creative team.

    “We are excited for this play to have a long and successful life, and we are honored to be premiering it here at the Denver Center,” said Associate Artistic Director Charlie Miller.

    Yee was commissioned to write The Great Leap for the Denver Center in 2015. The play was first introduced to audiences a year ago as a reading at the Denver Center’s Colorado New Play Summit. The dramaturg was, and remains, Kristin Leahey of Seattle Rep.

    The Great Leap Lauren Yee Photo by John Moore“The Denver Center has been so welcoming in inviting us to be a part of this wonderful journey with this fantastic play,” Leahey said at the opening rehearsal. “We are so thrilled to continue on this journey together, and we hope you all join us in Seattle for the next iteration of the show.”

    Since the Summit, Yee has aggressively developed her story, workshopping the play at the American Conservatory Theatre in San Francisco, the Playwrights’ Center in Minneapolis and at New York Stage and Film. “So it’s done a mini-United States tour already, and it hasn’t even opened yet,” Miller said. "There is already a lot of positive buzz about this play throughout the field."

    The Great Leap focuses on a short kid from San Francisco’s Chinatown named Manford who talks his way onto the China-bound exhibition team and soon finds himself inadvertently embroiled in international politics. "It's really the story of a young Chinese-American kid who goes to China to learn something about himself as a basketball player, as an American, and as someone of Chinese descent," Yee said. "And I think it is about how sports and politics intersect and mirror one another."

    More Colorado theatre coverage on the DCPA NewsCenter

    The story is told "with a ton of heart and is also very funny," Miller added, "but it is told with a historical and political backdrop that also gives people an interesting window into Tiananmen Square and the cultural revolution in China. It’s not often that you have a play about sports that also deals with so many other bigger issues.”

    The remarkable thing about the play to Director Eric Ting is its utter originality. After all, how many plays have there ever been about a Chinese-American basketball player? “A young Asian man on a basketball team is already an uncommon affair,” Ting said. “Manford is a person without a place wherever he is — which is a story I think many of us are very familiar with. We want to make sure this play is a celebration of what it means to be different.”

    Here are five quick things we learned at first rehearsal:

    NUMBER 1The Great Leap Eric Ting Photo by John MooreTiana who what where? One thing that has caught Ting off-guard over the past year is discovering how many young people have never heard of the 1989 Tiananmen Square Massacre. Which, if you are over 30, probably just made your back ache. But it’s a rather central plot point, so here is a refresher: The Tiananmen Square protests were student-led pro-democracy demonstrations in the capital city of Beijing in the summer of 1989. The protests, primarily targeting government corruption, lack of transparency and freedom of speech in post-Mao China, were forcibly suppressed after the government declared martial law. Troops with automatic rifles and tanks killed several hundred demonstrators trying to block the military's advance toward Tiananmen Square. The number of civilian deaths has been reported variously from 180 to 10,000. The enduring image from all that bloodshed was of a lone unidentified man dressed in a white shirt and holding a shopping bag who stood in front of a column of tanks. He became known around the world only as “Tank Man,” a powerful symbol of both violence and non-violent resistance.

    NUMBER 2Founding father. The inspiration for the play is Yee's father who, like the fictional Manford, grew up in Chinatown. “Before my father had children, the only thing he was good at was playing basketball,” said Yee. In 1981, he was invited with some of his American teammates to play a series of exhibition games throughout China. “My father had never been to China,” said Yee. “They played in 10,000-seat stadiums. The games were broadcast back on American television. And when I asked him, ‘Did you win?’ he told me, ‘We got demolished almost every single game.’ And that was because my father was the center — and he is only 6-foot-1. Their tallest player was 7-foot-6 and 350 pounds. My dad said, 'Nobody wanted to guard this guy,’ and they got creamed.”

    NUMBER 3The game is afoot. Even though the play has very little actual basketball game play in it, “there is a rhythm and an energy to the script that should make you feel like you have just been through a basketball game,” Ting said. "The scenes move like a game, and are quick in transition," Yee added. But that doesn’t mean the storytelling is always kinetic. “Basketball isn't just about movement,” Ting said. “It's also about stillness. It's about holding your ground. It's about finding each other in the space.”

    (Story continues below the video.)

    Video bonus: Our interview with Lauren Yee from the Colorado New Play Summit

    Th title of Lauren Yee's play changed three times during development before settling on 'The Great Leap.' Video above by DCPA Video Producer David Lenk and Senior Arts Journalist John Moore.

    Read more: Our complete interview with Lauren Yee

    NUMBER 4The enduring Dream. When Ting first read The Great Leap, he made the not-so-great leap to the archetypal American Dream. “It is very hard to underestimate the profound impact the possibility of the American Dream has on all the immigrants of this Earth, and the role this nation has played, historically, in inspiring people to make change,” Ting said. “One reason this play is important right now is to remind of that role we still play as a country. This is a play about what it means to dream and pursue something."  

    NUMBER 5Team Uncommon. The returning Scenic Designer is Wilson Chin, who blew audiences away last season with his singular vision for the DCPA Theatre Company’s The Secret Garden. “That was one of the most incredible experiences of my life,” Chin said. “I really fell in love with the Denver Center, and I fell in love with this town." With The Great Leap, Chin is now part of something almost completely unheard of: A creative team led by a Chinese-American director telling a Chinese-American story written by a Chinese-American playwright for a theatre that does not routinely tell Chinese-American stories. “Eric and I have done a few shows together, but in all my years of working in the theatre, that has never happened before," Chin said. "To get to tell a Chinese-American story with other Chinese-Americans is moving, and it’s thrilling. I can't wait for us to go down this road together.”

    John Moore was named one of the 12 most influential theater critics in the U.S by American Theatre Magazine in 2011. He has since taken a groundbreaking position as the Denver Center's Senior Arts Journalist.

    The Great Leap: Cast and creatives

    • Written by Lauren Yee
    • Directed by Eric Ting
    • Scenic Designer: Wilson Chin
    • Costume Designer: Valérie Thérèse Bart
    • Lighting Designer: Christopher Kuhl
    • Sound Designer: Curtis Craig
    • Projection Design: Shawn Duan
    • Dramaturg: Kristin Leahey
    • Stage Manager: Jessica Bomball
    • Assistant Stage Manager: D. Lynn Reiland

    Cast:

    • Bob Ari as Saul
    • Keiko Green as Connie
    • Linden Tailor as Manford
    • Joseph Steven Yang as Wen Chang

    The Great Leap: Ticket information
    GreatLeap_show_thumbnail_160x160When an American college basketball team travels to Beijing for an exhibition game in 1989, the drama on the court goes deeper than the strain between their countries. For two men with a past and one teen with a future, it’s a chance to stake their moment in history and claim personal victories off the scoreboard. American coach Saul grapples with his relevance to the sport, while Chinese coach Wen Chang must decide his role in his rapidly changing country. Tensions rise right up to the final buzzer as history collides with the action on the court.

    • Presented by the DCPA Theatre Company
    • Performances Feb. 2-March 11
    • Ricketson Theatre, Denver Performing Arts Complex
    • Tickets start at $30
    • Call 303-893-4100 or BUY ONLINE
    • Sales to groups of 10 or more click here

    Selected previous coverage of The Great Leap:
    Summit Spotlight: Lauren Yee lays it all on the free-throw line
    Vast and visceral: Theatre Company season will include The Great Leap

  • The 2018 Scenesters: Micah James Wilborn

    by John Moore | Jan 12, 2018
    2018 Scenesters Micah James Wilborn

    Today on the DCPA NewsCenter, we continue our daily countdown of the 10 Colorado student playwrights who have been named semifinalists for our fifth annual statewide playwriting competition. On Wednesday, Jan. 17, we will announce the writers whose plays will be read at the 2018 Colorado New Play Summit. (Details below.)


    SCENESTER NO. 5: MICAH JAMES WILBORN

    • Class: Senior
    • School: Air Academy High School, Colorado Springs
    • Teacher: Susan Manst
    • Your play title: A World Out There
    • What is your play about? Jack is a young boy orphaned by a sickness that also  took many others. When Brooke comes across his makeshift home, a newfound friendship is born and they begin to learn more about themselves than ever before. Only with each other's help can they overcome their greatest obstacle: Their pasts.
    • What was your inspiration for writing your play? A couple of close friends inspired the characters, while the storyline comes from a dystopian take on our world today. Some of the main characters' interactions are based off conversations I have had or overheard while writing this.
    • Daniel_HuttlestoneFavorite word that appears in your scriptQuarantine!
    • Killer casting: Daniel Huttlestone as Jack. Though it wouldn't be the first time he's played a "Jack," this role might show some differences from the Jack he played in Into the Woods! He seems the perfect age, and his image is actually what I had in my head while working on my Jack's character.
    • What did you learn from writing this play? That my own ideas can grow into something so much bigger, if I let them. This started out as a sentence and grew into a full-blown one-act musical. That is because I had an idea, and I stuck with it and, with some nurturing, of course, let it grow. For that opportunity alone, I am eternally grateful.

    Video: Winning DCPA student playwrights' plays are performed

    Quote Micah Scenesters

    About the 2017-18 Regional High-School Playwriting Workshop and Competition:

    What: A one-act playwriting competition designed for area high schools. Local playwrights and DCPA Education faculty taught 146 playwriting workshops in 57 Colorado schools. A record 3,002 high-school students participated in those workshops, which were held in every school district in the Denver-metro area and in 20 counties around the state.

    Why: To nurture Colorado’s young playwrights; develop theatre artists and audiences; develop new plays; and advance literacy, creativity, writing and communication through playwriting.

    How: A total of 153 submissions were judged blindly by DCPA artistic, literary and education professionals. Ten semifinalists are being identified through this rolling daily countdown. At the end of the countdown, three winners will be named. They will receive a cash scholarship of $250 each AND a staged reading in the 2018 Colorado New Play Summit next month. In addition, each teacher of the three finalists will receive a $250 gift certificate for books, supplies or other teaching tools for their classrooms. One play also will be presented as a fully staged performance exercise for DCPA Education students in the summer of 2018.

    Sponsors: Robert and Judi Newman Family Foundation with matching gifts from The Ross Foundation, June Travis and Transamerica.

    Our profiles of all 2018 Scenester semifinalists:
    Video bonus: Last year's playwrights at the Colorado New Play Summit

    Video: We talked with the four 2017 student playwriting finalists whose plays were read by DCPA actors at the Colorado New Play Summit. Video by David Lenk and John Moore for the DCPA NewsCenter. 

    More Colorado theatre coverage on the DCPA NewsCenter

  • Idris Goodwin is going places: From Curious' 'Detroit '67' to Denver Center

    by John Moore | Jan 11, 2018
    Detroit 67 Curious Theatre Cajardo Lindsey and Jada Suzanne Dixon. Photo by Micjael Ensminger.
    Cajardo Lindsey and Jada Suzanne Dixon in Curious Theatre's 'Detroit '67,' directed by Idris Goodwin and opening Saturday. Photo by Michael Ensminger.

    Groundbreaking artist directs Curious' look back at uprising before bringing This is Modern Art to Jones Theatre

    By Jeannene Bragg
    For the DCPA NewsCenter

    Plays. Raps. Essays. Poems. Film. Idris Goodwin is a storyteller at heart. Performance and words are his jam. "Why not?" is his constant refrain.

    "If I can do all these things, why not?" says Goodwin. "Just like a visual artist has various mediums: oils, acrylics, collages, so do I. I work with stories and some are plays, some are raps or poems."

    Idris Goodwin QUOTE Detroit '67And that versatility has taken him far, from HBO to Sesame Street to the Kennedy Center to, at present, Curious Theatre Company — and after that, to the Denver Center.
           
    Curious Theatre's Detroit '67, opening Saturday, is Goodwin's Denver directorial debut. Goodwin then directs own play This is Modern Art at the Denver Center's Jones Theatre in March.

    Goodwin has a special connection to both Detroit and Detroit '67. He met playwright Dominique Morisseau during the premiere of his play And in This Corner ... Cassius Clay at the Kentucky Center for the Arts in Louisville, where the two connected over their shared childhoods in Detroit.
         
    "After meeting her, I immediately went out and read Detroit '67, and started teaching it in my class," said Goodwin, a full-time associate theatre professor at Colorado College in Colorado Springs. "It had been on my radar for many reasons, including being a fan of American history and drama. And when the opportunity came, I said, 'Of course, what a perfect piece for my directorial debut in Denver.' "

    The story is set in the summer of 1967, when the soulful sounds of Motown were breaking records and breaking down barriers. Siblings Chelle and Lank make ends meet by running an unlicensed bar in their Detroit basement — a risky business as police crack down on after-hours joints in black neighborhoods. When Lank offers shelter to an injured white woman, tensions escalate both in their home and in their community — and they find themselves caught in the middle of the violent ’67 riot. Detroit ‘67 explores a moment rife with police brutality, immense racial divide and a powderkeg of emotions.

    This is Modern Art Denver School of the ArtsAs a native of Detroit, Goodwin knows the world and rhythm of Morisseau's play. "I know the people. I know their spirit. But there is also a universality of the show," he said. "My goal is to make people feel like they are in that basement with that family, going through what they are going through, too."

    (Photo above and right: 'This is Modern Art' was read last year to the students at Denver School of the Arts.)

    Shorty after Detroit '67 closes on Feb. 24, Goodwin's This is Modern Art will bow at the Jones Theatre. That incendiary play, written with Kevin Coval, recounts the true story of one of the biggest graffiti bombs in Chicago history. In less than 20 minutes in a 2010 snowstorm, a stealthy crew spray-painted a 50-foot graffiti piece along the exterior wall of the Art Institute of Chicago. The tagging began with the words “modern art” and ended with the phrase “made you look.”

    "They were putting out a challenge,” Goodwin said. “What is modern art? Who gets to decide who a real artist is? And where does art belong?”

    Athe-way-the-mountain-moved-2In 2018, Goodwin's plays will be seen all across the county. His highly anticipated new play The Way The Mountain Moved gets its world premiere at the esteemed Oregon Shakespeare Festival in July. It tells the powerful story of how the Transcontinental Railroad shaped the country’s moral and environmental future from previously untold perspectives.

    (Photo above and right: Christopher Salazar, Christiana Clark, Sara Bruner and Al Espinosa in Oregon Shakespeare Festival's upcoming 'The Way the Mountain Moved.')

    In This Corner...Cassius Clay, a children's play that explores the early life of the man who would later rename himself Muhammad Ali, will be performed in Charlotte, N.C.; Anchorage, Alaska; and Portland, Ore. This is Modern Art also will be staged by the New York Theatre Workshop June 1-24.

    Goodwin also will perform at a reading of the book Breakbeat Poets in the Age of Hop Hop in Southern California this spring. That's a collection of poems edited by Coval that features Goodwin, among otheres. Goodwin and Coval have their own book due to drop in February called Human Highlight: An Ode to Dominique Wilkins.

    All while teaching full-time at Colorado College and raising a young family.

    He's going places. But right now, he's in Denver at Curious Theatre.

    Jeannene Bragg is the Community Engagement Organizer for Curious Theatre and the founder of Creating Justness, which is committed to amplifying the voices of artists from oppressed arts , community and social justice groups. She also does contract work for Colorado Creative Industries, the state's arts council. She can be reached at 303-800-3030 or jeannene@curioustheatre.org.



    Detroit '67: Ticket information

    • Presented by the Curious Theatre Company
    • Performances Jan. 13-Feb. 24
    • 1080 Acoma St.
    • Call 303-893-4100 or BUY ONLINE
    Detroit 67 Ilasiea Gray and Anastasia Davidson. Photo by Michael EnsmingerCast and Creative team:
    • Jada Suzanne Dixon
    • Cajardo Lindsey
    • Anastasia Davidson
    • Ilasiea Gray
    • Frank Taylor Green

    • Idris Goodwin, Director
    • Charles Dean Packard, Scenic Designer
    • Kevin Brainerd, Costume Designer
    • Richard Devin, Lightning Designer
    • Jason Ducat, Sound Designer
    • Dylan Sprauge, Props Designer
    • Diana Ben-Kiki, Wig and Make-Up Design
    (Photo: Ilasiea Gray and Anastasia Davidson. Photo by Michael Ensminger.)

    Modern Art 800
    Above: 'This is Modern Art' at Chicago's Steppenwolf Theatre in 2015.

    This is Modern Art
    : Ticket information

    • Presented by Off-Center
    • Performances March 22-April 15
    • Jones Theatre, Denver Performing Arts Complex
    • Call 303-893-4100 or BUY ONLINE
    Selected previous NewsCenter coverage of Idris Goodwin:
    Graffiti: Modern art or 'urban terrorism'?
    Vast and visceral: Off-Center season will include This is Modern Art
    Video: Victory Jones and the Incredible One Woman Band



  • The 2018 Scenesters: Gemma Vincent

    by John Moore | Jan 11, 2018
    Scenesters 2018 Gemma Vincent

    Today on the DCPA NewsCenter, we continue our daily countdown of the 10 Colorado student playwrights who have been named semifinalists for our fifth annual statewide playwriting competition. On Wednesday, Jan. 17, we will announce the writers whose plays will be read at the 2018 Colorado New Play Summit. (Details below.)


    SCENESTER NO. 5: GEMMA VINCENT

    • Class: Junior
    • School: Gunnison High School
    • Your play title: The Girl In The Yellow Dress
    • What is your play about? It follows Kade, a boy full of grief and sorrow and animosity toward not just life, but the rain itself. It isn't until a mysterious girl in a yellow dress appears through the dewdrops that Kade’s outlook on life, and his hatred for rain, is changed.
    • Audrey HepburnFavorite word that appears in your script: Lugubrious!
    • Killer casting: I would cast Audrey Hepburn in the role of Daisy Amya, as she was in her own way, and in other roles she played, eccentric and whimsical. She was one of my favorite actresses.
    • What did you learn from writing this play? This play has been a part of me for some time now. In having a rough couple of years health-wise, I have found something of a lifeline in my imagination of this world within the play, and in creating the characters. This play, and these characters have become close to my heart. In the rough patches in my life, I have been able to escape into words and writing and developing a story.

    Video: Winning DCPA student playwrights' plays are performed

    2018 Scenester quote Gemma Vincent


    About the 2017-18 Regional High-School Playwriting Workshop and Competition:

    What: A one-act playwriting competition designed for area high schools. Local playwrights and DCPA Education faculty taught 146 playwriting workshops in 57 Colorado schools. A record 3,002 high-school students participated in those workshops, which were held in every school district in the Denver-metro area and in 20 counties around the state.

    Why: To nurture Colorado’s young playwrights; develop theatre artists and audiences; develop new plays; and advance literacy, creativity, writing and communication through playwriting.

    How: A total of 153 submissions were judged blindly by DCPA artistic, literary and education professionals. Ten semifinalists are being identified through this rolling daily countdown. At the end of the countdown, three winners will be named. They will receive a cash scholarship of $250 each AND a staged reading in the 2018 Colorado New Play Summit next month. In addition, each teacher of the three finalists will receive a $250 gift certificate for books, supplies or other teaching tools for their classrooms. One play also will be presented as a fully staged performance exercise for DCPA Education students in the summer of 2018.

    Sponsors: Robert and Judi Newman Family Foundation with matching gifts from The Ross Foundation, June Travis and Transamerica.

    Our profiles of all 2018 Scenester semifinalists:
    Video bonus: Last year's playwrights at the Colorado New Play Summit

    Video: We talked with the four 2017 student playwriting finalists whose plays were read by DCPA actors at the Colorado New Play Summit. Video by David Lenk and John Moore for the DCPA NewsCenter. 

    More Colorado theatre coverage on the DCPA NewsCenter

  • In your face: There's frost bite on the set of 'Zoey's Perfect Wedding'

    by John Moore | Jan 10, 2018

     

    Cakesmash! Find out what happens when you let them eat cake on the set of the new comedy Zoey's Perfect Wedding.

    Zoey's Perfect Wedding Cakesmash  Grayson DeJesus Photo by Adams Viscom Cakesmash! Check out the fun cast members from the DCPA Theatre Company's Zoey’s Perfect Wedding had for this commercial and photo shoot.

    The cast members featured in the video above are Jeff Biehl, Grayson DeJesus, Nija Okoro and Mallory Portnoy. The cast also includes Nick Ducassi  and Kristin Villanueva. The director is Mike Donahue. 

    Zoey’s Perfect Wedding is a comedy by Matthew Lopez about a wedding that goes catastrophically wrong. It performs from Jan. 19 through March 25 in the Space Theatre at the Denver Performing Arts Complex. Ticket information below.

    Video by DCPA Video Producer David Lenk. 

    Photo gallery: The making of Zoey's Perfect Wedding in Denver

    The making of Zoey's Perfect Wedding
    Check out our full gallery of photos from the making of 'Zoey's Perfect Wedding' in Denver (to date!), beginning with the 'Cakesmash' photo shoot above and going back to first rehearsal. To see more photos, click on the image above to be taken to our full Flickr gallery. Photos by Sam Adams of Adams Viscom and John Moore for the DCPA NewsCenter.

    Zoey's Perfect Wedding: Ticket information
    Zoey_seasonlineup_200x200At a glance: The blushing bride. The touching toast. The celebration of true love. These are the dreams of Zoey’s big day…and the opposite of what it’s turning out to be. Disaster after disaster follow her down the aisle, from brutally honest boozy speeches to a totally incompetent wedding planner. Even worse, her friends are too preoccupied with their own relationship woes to help with the wreckage around them. Like a car crash you can’t look away from, watch in awe as this wildly funny fiasco destroys her expectations with the realities of commitment, fidelity and growing up.

    • Presented by the DCPA Theatre Company
    • Performances Jan. 19-Feb. 25
    • Space Theatre, Denver Performing Arts Complex
    • Tickets start at $30
    • Call 303-893-4100 or BUY ONLINE
    • Sales to groups of 10 or more click here
    Selected previous NewsCenter coverage of Zoey's Perfect Wedding":

    Time-lapse video: Creating your first look at Zoey's Perfect Wedding
    Video: Director Mike Donahue on just how perfect Zoey's Perfect Wedding really is
    Five things we learned at first rehearsal

  • Video: Nicole Ferguson of 'The King and I' sings Broncos' National Anthem

    by John Moore | Jan 10, 2018

    Nicole Ferguson, an ensemble member in the national touring production of Rodgers & Hammerstein's The King and I, sings the National Anthem at the Denver Broncos' final home game against the Kansas City Chiefs at Mile High Stadium on Dec. 31, 2017.

    More Colorado theatre coverage on the DCPA NewsCenter

    Rodgers & Hammerstein's The King and I: Ticket information
    The King and I Set in 1860s Bangkok, this Rodgers and Hammerstein classic musical tells of the unconventional and tempestuous relationship that develops between the King of Siam and Anna Leonowens, a British schoolteacher whom the modernist King, in an imperialistic world, brings to Siam to teach his many wives and children.  score that features such beloved classics as “Getting To Know You,” “I Whistle a Happy Tune,” “Hello Young Lovers,” “Shall We Dance” and “Something Wonderful.” Rodgers & Hammerstein's The King and I won the 2015 Tony Award for Best Musical Revival.

    • National touring production
    • Performances through Jan. 14
    • Buell Theatre, Denver Performing Arts Complex
    • Tickets start at $25
    • Call 303-893-4100 or BUY ONLINE
    • Sales to groups of 10 or more click here

    Previous NewsCenter coverage of Rodgers & Hammerstein's The King and I:

    The King and Us: A former Anna recalls her time with Brynner

    Nicole Ferguson Denver Broncos National Anthem Denver Broncos Photo by Emily Lozow

    Nicole Ferguson, with boyfriend Eric Chambliss, before she sang the national anthem at Mile High Stadium on Dec. 31. Photos by Emily Lozow for the DCPA NewsCenter.

    Nicole Ferguson The King and I National Anthem Denver Broncos Photo by Emily Lozow

  • DCPA Education spring and summer classes go on sale today

    by John Moore | Jan 10, 2018
    DCPA Education classes
    DCPA Education's 'Musical Madness' students age kindergarten through fifth grade create and perform their own musical from scratch.


    Options include kids writing their own musical or gaining confidence with improv, and teens preparing for next step.


    DCPA Education’s winter classes kick off next week with 50 new classes ranging from intro to acting to scene study to Shakespeare’s text to auditioning tips to stage combat and even the Denver Center’s signature trapeze training.

    And while some of those classes still have slots open, today (Jan. 10), DCPA Education is also opening enrollment for its upcoming spring and summer sessions for children and teens, which run from April 7 through May 19, and June 4 through August 3.

    Last year, DCPA Education served nearly 106,000 students overall, of which more than 84,000 were youth. Included in those figures are the 4,000 adults, teens and children who took part in 400 year-round Education classes.

    To give you a small sense of what classes are newly available as of 10 a.m. today, here are three featured summer-class possibilities:

    NUMBER 1Musical Madness and Musical Mayhem. DCPA Education’s signature summer program for K-5 students gives children the chance to perform an original musical they create from scratch. They come up with the story, lyrics, dance moves and scenic elements, and they use their acting skills to transform their ideas into a 10-minute mini-musical they share with an eager audience in a free public performance. Musical Madness is the first class group (July 9-20), followed by the Musical Madness group (July 23-Aug 3). Classes run from 9 a.m. to 3:30 p.m. Cost: $500. Both end in public performances for friends and family.

    NUMBER 2Middle School Short-Form Improv: Youngsters develop a quick wit while exploring the fun and spontaneous world of short-form improvisational comedy. Using group activities, games and invented scene work, students build their confidence by learning how to make immediate, strong choices while cheering each other on in a supportive environment of creativity and spontaneity. Classes run June 4-8 from 9:30 a.m. to 4 p.m. Cost: $250. The class ends with a public showcase performance.

    NUMBER 3High-School Summer Intensive. The Denver Center’s teen conservatory program is a great opportunity for committed high-school students who plan to pursue theatre in college. This program helps young actors who are  excelling in their school drama productions prepare for a serious career in theatre or film. Modeled after prestigious curriculums of the nation’s top acting programs, these two weeks are a unique opportunity for budding actors to grow while rubbing elbows with Denver Center acting professionals. Students must be sophomores, juniors or seniors in high school to apply. This program is considered the most challenging and rewarding actor-training experience for teen actors in the metro area. Classes run June 25 through July 9 from 9 a.m. to  5 p.m. Cost: $650. Click here or call 303-446-4892 for exact curriculum and application information.

    For more information, call 303-446-4892 or BUY ONLINE


    DCPA Education Classes

    DCPA Education served more than 84,000 youth last year in capacities ranging from classes to workshops to student matinees. The children above attended a performance of 'The Snowy Day' and then participated in a post-show workshop. The children below took the 'Musical Madness' class in 2015. Photo by John Moore for the DCPA NewsCenter.

    DCPA Education Classes

    DCPA Education Musical Madness

  • The 2018 Scenesters: Katanu Mwendwa

    by John Moore | Jan 10, 2018
    2018 Scenesters Katanu Mwendwa

    Today on the DCPA NewsCenter, we continue our daily countdown of the 10 Colorado student playwrights who have been named semifinalists for our fifth annual statewide playwriting competition. On Wednesday, Jan. 17, we will announce the writers whose plays will be read at the 2018 Colorado New Play Summit. (Details below.)


    SCENESTER NO. 4: KATANU MWENDWA

    • Class: Freshman
    • SchoolDSST: Conservatory Green High School
    • Teacher: Nate Reaven
    • Your play title: Don’t Be Fooled By Murphy Manor
    • What is your play about? In 1959, a murder happened at Murphy Manor. Now, fifty-nine years later, three girls — Lee-Ann, Aliana and Freddy — team up with the ghost of Jeanne Randall to solve her murder. Along the way, they discover truths they never imagined possible, and rediscover their pasts.
    • What was your inspiration for writing your play? It was actually during our finals testing, when we were told to write an essay about Maya Angelou and Martin Luther King Jr. Once finished, I considered the possibility of writing about the 1950s, right around when protests were starting to grow.
    • Favorite words that appear in your script: Flutter Bum.
    • ChinaAnneMcClainKiller casting: If I could cast one known actor in my play, I would choose China Ann McClain to play Jeanne Randall. Based on what I’ve seen, I think her personality is similar to Jeanne’s. She also looks like what I had in mind for Jeanne as well. I would also cast Jasmine Cephas Jones (Hamilton) to play Lee-Ann Rivera. because she looks and sounds exactly like what I envisioned for Lee-Ann.
    • What did you learn from writing this play? How to create dimensional characters who are likable, but still have their own individual flaws and ideas that separate them from one another. I also learned a lot about the 1950s, For example, that the album Kind of Blue by Miles Davis came out around the same time the story took place.

    Video: Winning DCPA student playwrights' plays are performed

    ScenesterQuote42018


    About the 2017-18 Regional High-School Playwriting Workshop and Competition:

    What: A one-act playwriting competition designed for area high schools. Local playwrights and DCPA Education faculty taught 146 playwriting workshops in 57 Colorado schools. A record 3,002 high-school students participated in those workshops, which were held in every school district in the Denver-metro area and in 20 counties around the state.

    Why: To nurture Colorado’s young playwrights; develop theatre artists and audiences; develop new plays; and advance literacy, creativity, writing and communication through playwriting.

    How: A total of 153 submissions were judged blindly by DCPA artistic, literary and education professionals. Ten semifinalists are being identified through this rolling daily countdown. At the end of the countdown, three winners will be named. They will receive a cash scholarship of $250 each AND a staged reading in the 2018 Colorado New Play Summit next month. In addition, each teacher of the three finalists will receive a $250 gift certificate for books, supplies or other teaching tools for their classrooms. One play also will be presented as a fully staged performance exercise for DCPA Education students in the summer of 2018.

    Sponsors: Robert and Judi Newman Family Foundation with matching gifts from The Ross Foundation, June Travis and Transamerica.

    Our profiles of all 2018 Scenester semifinalists:
    Video bonus: Last year's playwrights at the Colorado New Play Summit

    Video: We talked with the four 2017 student playwriting finalists whose plays were read by DCPA actors at the Colorado New Play Summit. Video by David Lenk and John Moore for the DCPA NewsCenter. 

    More Colorado theatre coverage on the DCPA NewsCenter

  • Time-lapse video: Creating your first look at 'Zoey's Perfect Wedding'

    by John Moore | Jan 09, 2018

     

    How a broad brushstroke turns into a raw, emotional and contemporary introduction of a new play to its audience

    Kyle MaloneArt Director Kyle Malone, an 18-year employee of the Denver Center for the Performing Arts, isn’t an actor. Nonetheless, he has had a profound influence on how audiences have experienced every DCPA Theatre Company production since 2013.

    Check out our time-lapse video look at how Malone came up with the show art for the DCPA Theatre Company's upcoming world premiere Zoey’s Perfect Wedding, the raucous story of a wedding gone horribly, comically, catastrophically wrong, which has its first performance on Jan. 19 in the Space Theatre.

    "The Theatre Company illustrations are meant to feel raw, emotional and contemporary," says Malone. "I do this by using a mix of hand-done pencil-and-ink washes topped off with digital color floods and simple object overlays."

    Zoey's Perfect Wedding show Art Kyle Malone For each show, DCPA Creative Director Rob Silk and Copywriter Carolyn Michaels come up with what they call an “Ignition Point” to guide the narrative of the image. For Zoey’s Perfect Wedding, written by Matthew Lopez, the team worked off the phrase: “Commitment isn’t pretty.” Malone starts off exploring that direction with lots of quick sketches, After some curation, the team gathers to review and decide on the strongest one.

    “To create the final illustration, I lay down a pencil drawing as a guide,” Malone said. He then goes over it using Micron pens for fine details and ink washes for large areas.

    “Once the hand-done character is complete, I take a high-resolution photo to create the digital version,” he said. “From there on out, the art lives in the computer, where I add the colors and play with various object overlays that I’ve drawn in Adobe Illustrator. Finally, I explore different compositions until I find the best way to fit all of the pieces together.”

    Zoey's Perfect Wedding: Ticket information
    At a glance: The blushing bride. The touching toast. The celebration of true love. These are the dreams of Zoey’s big day…and the opposite of what it’s turning out to be. Disaster after disaster follow her down the aisle, from brutally honest boozy speeches to a totally incompetent wedding planner. Even worse, her friends are too preoccupied with their own relationship woes to help with the wreckage around them. Like a car crash you can’t look away from, watch in awe as this wildly funny fiasco destroys her expectations with the realities of commitment, fidelity and growing up.

    • Presented by the DCPA Theatre Company
    • Performances Jan. 19-Feb. 25
    • Space Theatre, Denver Performing Arts Complex
    • Tickets start at $30
    • Call 303-893-4100 or BUY ONLINE
    • Sales to groups of 10 or more click here
    Selected Previous NewsCenter coverage of Kyle Malone's work:
    Theatre Company introduces bold new artwork for 2015-16 season
    Art and Artist: Meet Graphic Designer Kyle Malone

    Selected previous NewsCenter coverage of Zoey's Perfect Wedding":

    Video: Director Mike Donahue on just how perfect Zoey's Perfect Wedding really is
    Five things we learned at first rehearsal

  • The 2018 Scenesters: Cameron Barnard, Joshua Martelon and Eliza Keating

    by John Moore | Jan 09, 2018
    2018 Scenesters Cherry Creek High School

    Today on the DCPA NewsCenter, we continue our daily countdown of the 10 Colorado student playwrights who have been named semifinalists for our fifth annual statewide playwriting competition. On Wednesday, Jan. 17, we will announce the writers whose plays will be read at the 2018 Colorado New Play Summit. (Details below.)


    SCENESTERS NO. 3: JOSHUA MARTELON,
    ELIZA KEATING AND CAMERON BARNARD

    • Class: Seniors
    • School: Cherry Creek High School
    • Teacher: Matthew Gustafson
    • Your play title: An Unforeseen Stop
    • Responder: Joshua Martelon
    • What is your play about? It is the story of two people of extremely different backgrounds finding friendship in the most unlikely of places. Lost in a big city, Nathan Reed, a blind man with no one in the world to call his own, finds that he and Bianca, a strong African-African woman making her way through hard work, have more in common than he expected. The heavy topics of bullying, discrimination, handicaps and racism are interspersed with the humor of two strangers, their cats and a mischievous little pineapple, making it a little easier for them to talk in this ever-changing world.
    • What was your inspiration for writing your play? This play was the creation of three friends not knowing what to write about for a Creative Writing assignment. While spit-balling ideas in class, we started joking about this and that in the ways of our dark humor — and suddenly it occurred to us that if we treated the jokes as more serious issues, they could create an interesting story. This The Blind-Apple (our original joke of a title) gave way to An Unforeseen Stop, something the three of us are proud to call our own.
    • nat wolffFavorite words that appears in your script: Our play is about two pretty normal city folk, so probably the most interesting word would be ... pineapple.
    • Killer casting: We would cast Nat Wolff from Paper Towns as Nathan Reed. Nat Wolff fits the physical description but more important, the roles he has played most recently in the movie adaptations of John Green's novels have been ones with deep character flaws that are physical, emotional and social. All these characteristics, which he adapted to beautifully, would bring Nathan Reed to life, in all his weird and awkward wonder.
    • What did you learn from writing this play? This experience has taught us about what it means to be creative. It is easy to think of an idea for a play, but bringing characters to life and making scenes and dialogue realistic and yet entertaining is a thing of art, and my friends and I now have a greater respect for playwrights past and present who have filled our hearts and souls with the sweet and sad love of the theater.

    Video: Winning DCPA student playwrights' plays are performed

    Scenesters 2018 Cherry Creek quote


    About the 2017-18 Regional High-School Playwriting Workshop and Competition:

    What: A one-act playwriting competition designed for area high schools. Local playwrights and DCPA Education faculty taught 146 playwriting workshops in 57 Colorado schools. A record 3,002 high-school students participated in those workshops, which were held in every school district in the Denver-metro area and in 20 counties around the state.

    Why: To nurture Colorado’s young playwrights; develop theatre artists and audiences; develop new plays; and advance literacy, creativity, writing and communication through playwriting.

    How: A total of 153 submissions were judged blindly by DCPA artistic, literary and education professionals. Ten semifinalists are being identified through this rolling daily countdown. At the end of the countdown, three winners will be named. They will receive a cash scholarship of $250 each AND a staged reading in the 2018 Colorado New Play Summit next month. In addition, each teacher of the three finalists will receive a $250 gift certificate for books, supplies or other teaching tools for their classrooms. One play also will be presented as a fully staged performance exercise for DCPA Education students in the summer of 2018.

    Sponsors: Robert and Judi Newman Family Foundation with matching gifts from The Ross Foundation, June Travis and Transamerica.

    Our profiles of all 2018 Scenester semifinalists:
    Video bonus: Last year's playwrights at the Colorado New Play Summit

    Video: We talked with the four 2017 student playwriting finalists whose plays were read by DCPA actors at the Colorado New Play Summit. Video by David Lenk and John Moore for the DCPA NewsCenter. 

    More Colorado theatre coverage on the DCPA NewsCenter

  • Video: Meet the ghost that was taller, wider ... and creepier

    by John Moore | Jan 08, 2018
    Video above by DCPA Video Producer David Lenk. Interviews by Senior Arts Journalist John Moore.

    The DCPA's creative team tells us why they made the mysterious final spirit to visit Scrooge nearly 3 feet taller

    By John Moore
    Senior Arts Journalist

    If you are a regular attendee of the DCPA Theatre Company’s seasonal staging of A Christmas Carol, you may have noticed how much bigger and more imposing The Ghost of Christmas Yet To Come was from years, well … past.

    A Christmas Carol Kevin Copenhaver Darrell T. Joe. Photo by John Moore“We wanted it to be a very big presence, much bigger than it has been in the past,” said Costume Crafts Director Kevin Copenhaver.

    “It's just creepier,” added Director Melissa Rain Anderson.  

    In this video, Copenhaver tells us the mysterious and reticent final spirit to visit Ebenezer Scrooge was not only 2 ½ feet taller and wider this year — he was easier for the actor inside to move around in.

    “He's now 10½ feet tall,” Anderson said, "and the actor was walking around on his feet rather than on stilts.”

    The way Copenhaver sees it, the silent future spirit is neither human skeleton nor exactly a ghost. “Hopefully it doesn’t read as much of anything except a shape or a form,” he said. Perhaps the most remarkable advancement with this new iteration of Copenhaver’s costume invention, he added, “is that it is so light, “I can lift it up with one hand.”

    Still, it took a backstage team of four to help first-time DCPA actor Darrell T. Joe, who played several characters in the story, to get in and out of the costume quickly. Joe, who is admittedly a claustrophobic person, said moving around onstage was a challenge because of low light and being covered in costume. But "it’s helped me overcome my fear of tight spaces,” he said.

    You also may have noticed, Anderson shared — that for a play filled with live music, none playing the entire time The Ghost of Christmas Yet to Come was onstage. “There can be no singing during that part of the story,” Anderson said, “because music is dead.”

    More Colorado theatre coverage on the DCPA NewsCenter

    A Christmas Carol Ghost of Christmas Yet to Be. Photos by Sam Adams for VisCom. Take a look at the difference in between The Ghost of Christmas Past in 2016 compared to 2017. The actor paying Scrooge in both cases is Sam Gregory. Photos by Sam Adams of Adams Viscom.  

    Previous NewsCenter coverage of A Christmas Carol 2017:
    DCPA's A Christmas Carol still brings playwright to laughter, tears
    Photos, video: Your first look at A Christmas Carol 2017
    Video: Governor, Carol cast send Colorado National Guard thanks and hope
    A Christmas Carol: A timeline to today
    DCPA's 25th A Christmas Carol brims with mistletoe and milestones

    Full photo gallery: The Making of A Christmas Carol 

    Making of 'A Christmas Carol' 2017

    Photos from the making of 'A Christmas Carol' from first rehearsal to opening night. To see more, click on the image above to be taken to our full gallery of photos. Photos by John Moore for the DCPA NewsCenter.

  • The 2018 Scenesters, No. 2: Ashley Wright and Amelia Middlebrooks

    by John Moore | Jan 08, 2018
    2018 Scenesters Ashley Wright and Amelia Middlebrooks

    Today on the DCPA NewsCenter, we continue our daily countdown of the 10 Colorado student playwrights who have been named semifinalists for our fifth annual statewide playwriting competition. On Wednesday, Jan. 17, we will announce the writers whose plays will be read at the 2018 Colorado New Play Summit. (Details below.)


    SCENESTERS NO. 2:
    ASHLEY WRIGHT AND AMELIA MIDDLEBROOKS

    • Class: Seniors
    • Teacher: Kurt Muenstermann
    • Your play title: Forces of the Universe Anonymous
    • What is your play about? Life, Death, Time and Love are sick of their jobs and sick of humanity. Their interactions with humans have left them dejected and bitter. Life begins leading group-therapy sessions that are attended reluctantly. Slowly, each character begins to make discoveries about their views on relationships between themselves and humanity as a whole.
    • Return writer: Read Amelia's 2017 Scenester profile

    • What was your inspiration for writing your play? Ashley: "I was inspired in part by The Book Thief by Markus Zusak. The narrator of the book is Death, and though I haven't read it since seventh grade, the way he was characterized has always stuck out to me as unique and profound. The idea of adding in other characters besides Death came from Amelia." Amelia: "I love the animated movie The Book of Life for its beautiful art style and captivating story, which similarly characterizes Death and Life. Putting those two seeds of inspiration together is what grew this story.
    • Favorite words that appears in your script: Collide ... and pocket-watch.
    • 160 scarlett johanssonKiller casting: We both would enjoy seeing Scarlett Johansson play Love. She would be able to portray both sides of the character: Love is flirty and sexy on the exterior, but beneath the surface, vulnerable and protective.
    • What did you learn from writing this play? The forces of the universe (Life, Death, Time and Love) are not as separate as we may have once believed. Life creates love, love needs time, and while time ultimately does lead to death, it does not cancel out the reality of the life, love, and time of that individual. In the process of writing this play, we had to think hard about what the essences of these characters are. What is Love, really? Or Life, or Death, or Time? It is in one sense a great mystery but in another it is so apparent that by simply watching people come and go on a street one can see heartbreaking and heartwarming moments of each.

    Video: Winning DCPA student playwrights' plays are performed

    Scenesters Quote Ashley Wright and Amelia Middlebrooks


    About the 2017-18 Regional High-School Playwriting Workshop and Competition:

    What: A one-act playwriting competition designed for area high schools. Local playwrights and DCPA Education faculty taught 146 playwriting workshops in 57 Colorado schools. A record 3,002 high-school students participated in those workshops, which were held in every school district in the Denver-metro area and in 20 counties around the state.

    Why: To nurture Colorado’s young playwrights; develop theatre artists and audiences; develop new plays; and advance literacy, creativity, writing and communication through playwriting.

    How: A total of 153 submissions were judged blindly by DCPA artistic, literary and education professionals. Ten semifinalists are being identified through this rolling daily countdown. At the end of the countdown, three winners will be named. They will receive a cash scholarship of $250 each AND a staged reading in the 2018 Colorado New Play Summit next month. In addition, each teacher of the three finalists will receive a $250 gift certificate for books, supplies or other teaching tools for their classrooms. One play also will be presented as a fully staged performance exercise for DCPA Education students in the summer of 2018.

    Sponsors: Robert and Judi Newman Family Foundation with matching gifts from The Ross Foundation, June Travis and Transamerica.

    Our profiles of all 2018 Scenester semifinalists:
    Video bonus: Last year's playwrights at the Colorado New Play Summit

    Video: We talked with the four 2017 student playwriting finalists whose plays were read by DCPA actors at the Colorado New Play Summit. Video by David Lenk and John Moore for the DCPA NewsCenter. 

    More Colorado theatre coverage on the DCPA NewsCenter

  • The 2018 Scenesters, No. 1: Arianna Josue

    by John Moore | Jan 07, 2018
    1 scenesters_1.3_010518 2018 ARIANNA JOSUE 800

    Today on the DCPA NewsCenter, we begin our daily countdown of the 10 Colorado student playwrights who have been named semifinalists for our fifth annual statewide playwriting competition. On Wednesday, Jan. 17, we will announce the writers whose plays will be read at the 2018 Colorado New Play Summit. (Details below.)


    SCENESTER NO. 1: ARIANNA JOSUE

    • School: Lakewood High School
    • Class: Sophomore
    • Teacher: Tami LoSasso
    • Your play title: Trauma Bay Five
    • What is your play about? Two girls: Mia who is very young, and Elliot, who is a teenager. As fate has it, they are in the same hospital when their lives change dramatically. They must navigate these new circumstances together to try to comprehend what happened and to accept their new, grim fate.
    • What was your inspiration for writing your play? I wanted to write something to call attention to child abuse and neglect, which can gravely change the way children view themselves and the world around them. I was inspired by my grandpa, who I call Bompo, to write about something that was really meaningful. My Bompo always encouraged me to be great, and he was a pivotal factor in who I am today. He loved his grandchildren more than words can describe, and I know not everyone is fortunate to feel that love from their family. Throughout the writing process I questioned myself, because this really is a dark story. But I felt that if my Bompo were still here, he’d remind me that I have a story to tell. Sometimes stories are dark and they can be hard to watch, but that doesn’t mean they shouldn’t be told.
    • Favorite word that appears in your script: Tolerance.
    • amandla-stenbergKiller casting: I would probably choose Amandla Stenberg who was the lead in Everything, Everything and Rue in The Hunger Games, to play Elliot. I personally feel she’d be able to play the emotions of Elliot accurately seeing how she was able to successfully portray a girl who had basically been trapped in her own home. I also feel she has the image of Elliot as I had imagined her, and it would be interesting to see her portray the character.
    • What did you learn from writing this play? I learned about how to revise my work many times to make it the best it can be. I worked on my play with my theater teacher and some friends from school, and I edited it several times before it was finished.

    Video: Winning DCPA student playwrights' plays are performed

    Quote Arianna Josue


    About the 2017-18 Regional High-School Playwriting Workshop and Competition:

    What: A one-act playwriting competition designed for area high schools. Local playwrights and DCPA Education faculty taught 146 playwriting workshops in 57 Colorado schools. A record 3,002 high-school students participated in those workshops, which were held in every school district in the Denver-metro area and in 20 counties around the state.

    Why: To nurture Colorado’s young playwrights; develop theatre artists and audiences; develop new plays; and advance literacy, creativity, writing and communication through playwriting.

    How: A total of 153 submissions were judged blindly by DCPA artistic, literary and education professionals. Ten semifinalists are being identified through this rolling daily countdown. At the end of the countdown, three winners will be named. They will receive a cash scholarship of $250 each AND a staged reading in the 2018 Colorado New Play Summit next month. In addition, each teacher of the three finalists will receive a $250 gift certificate for books, supplies or other teaching tools for their classrooms. One play also will be presented as a fully staged performance exercise for DCPA Education students in the summer of 2018.

    Sponsors: Robert and Judi Newman Family Foundation with matching gifts from The Ross Foundation, June Travis and Transamerica.

    Our profiles of all 2018 Scenester semifinalists:
    Video bonus: Last year's playwrights at the Colorado New Play Summit

    Video: We talked with the four 2017 student playwriting finalists whose plays were read by DCPA actors at the Colorado New Play Summit in February. Video by David Lenk and John Moore for the DCPA NewsCenter. 

    More Colorado theatre coverage on the DCPA NewsCenter

  • January openings: Make way for 'Lady Day,' 'Fun Home' and 'Hedwig'

    by John Moore | Jan 05, 2018
    Lady Day Mary Louise Lee Adams Viscom

    Mary Louise Lee in 'Lady Day at Emerson's Bar & Grill,' opening Jan. 12 at the Vintage Theatre in Aurora before a spring transfer t the DCPA's Galleria Theatre. Photo by Adams Viscom

    NOTE: At the start of each month, the DCPA NewsCenter offers an updated list of upcoming theatre openings, spotlighting work being presented on stages statewide. Companies are encouraged to submit listings and production photos at least two weeks in advance to the DCPA NewsCenter at jmoore@dcpa.org.


    Showcase month in Colorado theatre spotlights Mary Louise Lee, world premieres and Boulder artists

    By John Moore
    Senior Arts Journalist

    January will usher in the new theatrical year with a showcase vehicle for the First Lady of Denver, the state's first two homegrown productions of the groundbreaking 2015 Tony Award-winning Best Musical Fun Home, and what promises to be an electrifying staging of the rock musical Hedwig and the Angry Inch at the Aurora Fox. January is also when the DCPA Theatre Company begins its rollout of three consecutive world-premiere plays — Zoey's Perfect Wedding, American Mariachi and The Great Leap. With such an eclectic mix of material, this month we will kick off the winter theatre season with a brief look at 10 intriguing titles to watch, followed by complete list of all your Colorado theatregoing options for January:

    Ten intriguing titles for January:

    NUMBER 1Lady Day at Emerson's Bar & Grill. January 12 promises to be an emotional night when Mary Louise Lee revisits her signature role as Billie Holiday in Vintage Theatre's Lady Day at Emerson’s Bar & Grill. She will be performing in Vintage's Jeffrey Nickelson Auditorium, named after the late founder of the Shadow Theatre Company who directed Lee back in 2002. Lee's haunting portrayal of the jazz legend woman with a singular singing voice — and a lethal heroin habit — was the biggest hit in Shadow’s history. This new production, directed by Betty Hart, will play weekends at Vintage through Feb. 18 (except Feb. 3), then move to the DCPA's Galleria Theatre on Monday nights from March 5 through April 23. Lee's performing career began in the Galleria Theatre (then called StageWest) when she appeared in Beehive at only 18 years old and still a senior at Thomas Jefferson High School. In 2011, Lee also became the First Lady of Denver when her husband, Michael B. Hancock, was elected Mayor. 1468 Dayton St., Aurora, 303-839-1361 or vintagetheatre.com READ MORE

    NUMBER 2A JANUARY JAKE MendesHedwig and the Angry Inch. It's impossible to overstate the impact John Cameron Mitchell and Stephen Trask's underground rock musical Hedwig and the Angry Inch has had on generations of misfits over the past 24 years. The show is essentially a rock concert featuring a genderqueer singer who was born a boy in communist East Germany and underwent a botched sex-change operation to marry an American soldier who then abandoned her. It's an incredibly powerful, literate and raunchy beacon of hope for anyone who has felt ever felt divided. And Jake Mendes and Norrell Moore promise to infuse the new Aurora Fox production, the first by a Denver theatre company in eight years, with fresh vitality. Jan. 19-Feb. 10 at 9900 E. Colfax Ave., Aurora, 303-739-1970 or aurorafox.org

    NUMBER 3A Banned Together 800 1Fun Home. In 2015, Fun Home became the first Broadway musical to feature a lesbian protagonist. Now the the rights to perform it at theatres across the country, it speaks well of the Colorado theatre community that different companies in Fort Collins, Golden and Colorado Springs have jumped at the chance to stage it. Based on Alison Bechdel's graphic novel, Fun Home recounts one women's unique childhood as she grows to understanding her own sexuality and looming, unanswerable questions about her father’s hidden desires.The first to open will be Midtown Arts Center (Jan. 18-March 17) at 3750 S. Mason St. in Fort Collins, 970-225-2555 or midtownartscenter.com. The Miners Alley Playhouse production runs  Jan. 26-March 4 at 1224 Washington St. in Golden, 303-935-3044 or minersalley.com. And the Colorado Springs Fine Arts Center at Colorado College follows from March 29 through April 22 at 30 W. Dale St., 719-634-5581 or csfineartscenter.org. (Pictured: Sophie Dotson of the Golden cast performs "Ring of Keys" at an anti-censorship event this past fall. Photo by John Moore.)

    NUMBER 4Detroit 67. Curious Theatre continues its most provocative season in years with playwright Dominque Morisseau's incendiary look back at the sizzling summer of 1967, a moment in history rife with police brutality, immense racial divide, and a violent uprising, all through the eyes of one family. Featuring Jada Suzanne Dixon and Cajardo Lindsey under the direction of hip hop artist, writer and educator Idris Goodwin, whose own play This is Modern Art opens March 22 at the DCPA's Jones Theatre. Jan. 13 through Feb. 24 at 1080 Acoma St., 303-623-0524 or curioustheatre.org.  

    NUMBER 5Trump Lear. David Carl, known for mixing Shakespeare with timely political satire, returns not to bury the president but to skewer him in this one-man comedy in which he plays an actor who evokes the wrath of thechief executive as he creates a solo version of King Lear – Shakespeare’s tragic play of a ruler whose vanity tears his country apart. At Millibo Art Theatre, 1626 S. Tejon St., Colorado Springs, 719-465-6321, www.themat.org

    NUMBER 6Disney's The Little Mermaid. The DCPA hosted the Broadway company on its way to the Great White Way in 2006, and now this Inspire Creative effort will be the first homegrown, Denver-area staging of the underwater musical. Based on Hans Christian Andersen's beloved love stories, The Little Mermaid features music by eight-time Academy Award winner Alan Menken, including familiar songs like "Under the Sea," "Kiss the Girl" and "Part of Your World." Jan. 19-Feb 11 at the PACE Center, 20000 Pikes Peak Ave., Parker, 303-805-6800 or inspirecreative.org

    NUMBER 7Guards at the Taj. This dark comedy, set in India in 1648, introduces audiences to two lifelong friends standing watch on the night before the first unveiling of the Taj Mahal. As the action unfolds, these two must take part in an act of unfathomable cruelty, one that will shatter their lives and their relationship. Written by Rajiv Joseph and staged by Boulder Ensemble Theatre Company. Jan. 25-Feb. 18 at the Dairy Center for the Arts, 2590 Walnut St., Boulder, 303-440-7826 or boulderensembletheatre.org

    NUMBER 8Fermata. Denver's Theatre Esprit Asia partners with Theater Company of Lafayette to present three generations of Chinese westernized women, two of whom two are world-class musicians and one who became a neurosurgeon. In playwright Maria Cheng’s sixth full-length play, she explores the burden of virtuosity, the politics of art making and the purpose of music. Jan. 12-28 at the Mary Miller Theater, 300 E. Simpson St., 720-209-2154 or www.tclstage.org

    NUMBER 9Abner GeneceSense and Sensibility. The Arvada Center's uber-hip repertory company returns with an all-new new adaptation of the Jane Austen classic (by Kate Hamill) that follows the Dashwood sisters as they pursue their quest for love and happiness. This cast is loaded with big names like Kate Gleason, Geoffrey Kent, Emma Messenger and Jessica Austgen (for starters), but the whole community should be cheering the return to the stage of Abner Genece as Sir John Middleton) six months after a devastating car accident nearly killed him and his son. Jan. 26-May 6 at 6901 Wadsworth Blvd., 720-898-7200 or arvadacenter.org

    NUMBER 10Theatre Made in Boulder. This new festival running Jan. 18 through Feb. 10 will include a robust selection of staged readings, low-tech productions and free public workshops from a diverse group of local artists. (Full schedule below.) The featured, fully staged presentation will be How To Screw Up Your Life!, written specifically for the festival by reliable Boulder playwright Ami Dayan. Dairy Center for the Arts, 2590 Walnut St., Boulder, 303-440-7826 or thedairy.org

    First Date Photo by Emily Lozow


    THIS MONTH'S THEATRE OPENINGS IN COLORADO:

    (Submit your listings to jmoore@dcpa.org)

    Jan. 5-21: Performance Now's Into the Woods
    Lakewood Cultural Center, 470 S. Allison Parkway, 303-987-7845 or performance now’s home page

    Jan. 5-March 25: Midtown Arts Center's Always ... Patsy Cline
    3750 S. Mason St, Fort Collins, 970-225-2555 or midtownartscenter.com

    Jan. 6-Feb. 3: Lowry's Spotlight Theatre's Rumors
    John Hand Theatre, 7653 E. First Place, 720-880-8727 or thisisspotlight.com

    Jan. 12-Feb. 18: Lady Day at Emerson’s Bar and Grill
    1468 Dayton St., Aurora, 303-839-1361 or vintagetheatre.com READ MORE

    Jan. 12-Feb. 4, 2018: Town Hall Arts Center's Peter and the Starcatcher
    2450 W. Main St., Littleton, 303-794-2787 or townhallartscenter.org

    Jan. 12-28: Theater Company of Lafayette's Fermata (with Theatre Esprit Asia)
    Mary Miller Theater, 300 E. Simpson, 720-209-2154 or tclstage.org

    Jan. 12-27: 5th Wall Productions' Bloody Bloody Andrew Jackson
    At The Bakery Arts Warehouse, 2132 Market St., 5th-wall-productions.com

    Jan. 13-Feb. 24: Curious Theatre's Detroit 67
    1080 Acoma St., 303-623-0524 or curioustheatre.org  

    Jan. 18-March 17: Midtown Arts Center's Fun Home
    3750 S. Mason St, Fort Collins, (970) 225-2555 or midtownartscenter.com

    Jan. 18-20: David Carl's Trump Lear
    Millibo Arts Center, 1626 S. Tejon St. Colorado Springs, 719-465-6321, www.themat.org

    Jan. 18-Feb. 10: How To Screw Up Your Life!
    Dairy Center for the Arts, 2590 Walnut St., Boulder, 303-440-7826 or thedairy.org

    Jan. 19-Feb. 4: Theatrix USA's Kiss
    At Dobrin Studios, 931 Santa Fe Drive, theatrixdenver.com

    Jan. 29-Feb. 11: Lake Dillon Theatre Company's Building the Wall
    At the Silverthorne Performing Arts Center, 460 Blue River Pkwy, Silverthorne,  970-513-9386 or lakedillontheatre.org

    Jan. 19-Feb. 10: Aurora Fox's Hedwig and the Angry Inch
    9900 E. Colfax Ave., Aurora, 303-739-1970 or aurorafox.org

    Jan. 19-Feb 11: Inspire Creative's The Little Mermaid
    At the PACE Center, 20000 Pikes Peak Ave., Parker, 303-805-6800 or inspirecreative.org

    Jan. 19-Feb. 3: Funky Little Theatre Company's The Bigot
    2109 Templeton Gap Road, Colorado Springs, 719-425-9509 or funkylittletheater.org

    Jan. 20-Feb. 17, 2018: OpenStage Theatre Company's The Crucible
    Lincoln Center, 417 W. Magnolia St., Fort Collins, 970-484-5237 or openstagetheatre.org

    Jan. 25-Feb. 18: Boulder Ensemble Theatre Company's Guards at the Taj
    Dairy Center for the Arts, 2590 Walnut St., Boulder, 303-440-7826 or boulderensembletheatre.org

    Jan. 26-Feb. 25: DCPA Theatre Company’s Zoey’s Perfect Wedding
    Space Theatre, 14th and Curtis streets, 303-893-4100 or denvercenter.org

    Jan. 26-March 4: Miners Alley Playhouse's Fun Home
    1224 Washington St., Golden, 303-935-3044 or minersalley.com

    Jan. 26-May 6: Arvada Center's Sense and Sensibility
    Studio Theatre, 6901 Wadsworth Blvd., 720-898-7200 or arvadacenter.org

    Jan. 26-Feb. 17: Breckenridge Backstage Theatre's Forbidden Broadway's Greatest Hits
    At  121 S. Ridge St. 970-453-0199 or backstagetheatre.org

    Jan. 26-Feb. 17: Equinox Theatre Company's Evil Dead: The Musical
    At the Bug Theatre, 3654 Navajo St., 720-984-0781 or equinox’s home page

    Jan 26-Feb 11: StageDoor Theatre's The 39 Steps
    27357 Conifer Road, Conifer, 303-886-2819, 800-838-3006 or stagedoortheatre.org

    Feb. 2-25: DCPA Theatre Company’s American Mariachi
    Stage Theatre, 14th and Curtis streets, 303-893-4100 or denvercenter.org

    Evil Dead
    From left: Emily Ebertz, Derek Helsing and Chelsea O'Grady from Equinox Theatre's 'Evil Dead The Musical.'

    CONTINUING CURRENT PRODUCTIONS:

    Through Jan. 6: Oddville and Stand Up Smart (Dave Shirley and Bob Dubac)
    At  121 S. Ridge St. 970-453-0199 or backstagetheatre.org

    Through Jan. 7: Colorado Springs Fine Arts Center at Colorado College's Annie
    30 W. Dale St., Colorado Springs, 719-634-5581 or csfineartscenter.org

    Through Jan. 14: National tour of Rodgers & Hammerstein's The King & I
    Buell Theatre, 14th and Curtis streets, 303-893-4100 or denvercenter.org

    Through Jan. 14: Vintage Theatre Productions' Red
    1468 Dayton St., Aurora, 303-839-1361 or vintagetheatre.com

    Through Jan. 30: BDT Stage's Motones vs. Jerseys
    (Sundays, Mondays and Tuesdays only)
    5501 Arapahoe Ave., 303-449-6000 or bdtstage.com

    Through Feb. 14: Candlelight Dinner Playhouse's Beauty and the Beast
    4747 Marketplace Drive, Johnstown, 970-744-3747 or coloradocandlelight.com

    Through Feb. 24: BDT Stage's Annie
    5501 Arapahoe Ave., 303-449-6000 or bdtstage.com

    Through April 22: DCPA Cabaret’s First Date
    Garner Galleria Theatre, 14th and Curtis streets, 303-893-4100 or denvercenter.org READ MORE

    ONGOING, MONTHLY or ONE-TIME PROGRAMMING:

    ADAMS MYSTERY PLAYHOUSE

    BOULDER ENSEMBLE THEATRE COMPANY

    • Jan. 11-21: P3M5: Privacy in the Digital Age, a transatlantic theatre project presented in a series of 5-minute films and live plays. 

    Boedecker Cinema at the Dairy Arts Center, 2590 Walnut St., Boulder, 303-440-7826 or dairyartscenter.org


    BUG THEATRE

    • Jan. 6: Fourth annual 50 First Jokes festival (50 of Denver's best comedians tell their first joke of the new year), benefiting The Gathering Place
    • Jan. 18 The Emerging Filmmakers Project, showcasing Denver's indie film scene on the third Thursday of every month.
    • Jan. 29: Freak Train: Open-mic variety show hosted by GerRee Hinshaw on the final Monday of every month
    • Jan. 30: Open Screen Night: Make a video of at least 2 minutes in length about this month's theme (16-bit) and include the phrase "All your base are belong to us." Info:  openscreennight.com

    3654 Navajo St., 303-477-9984 or bugtheatre.info


    BUNTPORT THEATRE

    • Saturday, Jan. 13: Siren Song: A Pirate Odyssey (Monthly theatre for young audiences at 1 and 3 p.m.)
    • Saturday, Jan. 13: The Penny Savers, for Stories on Stage, 1:30 and 7:30 p.m. at Su Teatro, 721 Santa Fe Drive (303-494-0523 or storiesonstage.org)
    500DAYSOFSUMMERDENVER ACTORS FUND
    • Monday, Jan. 22: Screening of the film 500 Days of Summer, starring Joseph Gordon-Levitt and Zooey Deschanel with live pre-screening entertainment from DCPA Cabaret's First Date. Entertainment 6:30 p.m.; film at 7

    At Alamo Drafthouse Sloans Lake, 4255 W. Colfax Ave., drafthouse.com


    EVERGREEN PLAYERS

    • Jan. 20 and Feb. 9: EPiC Returns (improv comedy featuring Evergreen High School's state-champion improv team
    At Center/Stage, 27608 Fireweed Drive, 303-674-4934 or evergreenplayers.org

     

    MILLIBO ART THEATRE
    • Jan. 6: RiP (improv comedy)
    • Jan 12-13: Vintage Glamour Burlesque
    • Jan 26-27: Cabaret Voltaire (variety performance art) 
    1626 S. Tejon St., Colorado Springs, 719-465-6321, www.themat.org


    THEATRE MADE IN BOULDER FESTIVAL
    • Jan. 18-Feb. 10: Staged readings, low-tech productions and free public workshops from local artists. Featured production: How To Screw Up Your Life!, by Ami Dayan
    • Jan. 21: Afropuff Lederhosen: A Critically Comical Investigation of Race, by Vanessa Roberts
    • Jan. 24: Strange Grace, by Jane Shepard
    • Jan. 28: Mud Season, by Felice Locker
    • Jan. 31: An Evening of Shorts: Terrember (Four Choose Two), by Mike Eisenberg; Kosmic Joke: Killing Time, by Buck Lee; and Bloodlines, by Ashley Rice
    • Feb. 4: Trans/Actions, by K. Woodzick and Ayla Sullivan
    • Feb. 4: What Happens in the Dark, by Kristofer Buxton
    • Feb. 11: Rooted, by Joy Barber
    • Feb. 11: Laura and Ibsen, by Susan Flakes
    Dairy Center for the Arts, 2590 Walnut St., Boulder, 303-440-7826 or thedairy.org

    THE SOURCE THEATRE COMPANY
    • Every third Monday: Monday! Monday! Monday! Cabaret
    At Su Teatro Performing Arts Center, 721 Santa Fe Drive, 720-238-1323 or thesourcedenver.org 


    STORIES ON STAGE
    • Saturday, Jan. 13: The Penny Savers, with members of Buntport Theater, 1:30 and 7:30 p.m. at Su Teatro, 721 Santa Fe Drive

       

    303-494-0523 or storiesonstage.org

    Stories on Stage has renowned actors bring stories to life by combining literature with theater.

  • 'American Mariachi': Cast announced, and 5 things we learned at first rehearsal

    by John Moore | Jan 04, 2018
    The making of American Mariachi: Photo gallery:

    Making of 'American Mariachi'

    Photos from the opening week of rehearsals for 'American Mariachi.' The world-premiere play with music performs in the Stage Theatre from Jan. 26 (opening Feb. 2) through Feb 25. To see more photos, click on the image above to be taken to our full gallery. Photo above by Bobby Plasencia. Other photos by John Moore for the DCPA NewsCenter.


    Director James Vásquez says now is a wildly important time to be telling stories about women in the American theatre

    By John Moore
    Senior Arts Journalist

    Rehearsals for the DCPA Theatre Company's upcoming world-premiere co-production of  playwright José Cruz González's American Mariachi began in earnest this week, launching an unprecedented partnership with the acclaimed Old Globe Theatre in San Diego.

    Amerian Mariachi QuoteThe new play with live music will open at the Stage Theatre in Denver on Feb. 2 and run through Feb. 25 as a featured attraction of the 2018 Colorado New Play Summit. And once it closes here, the entire production will be transported intact to San Diego for a second run opening March 29 – sets, actors and all.

    American Mariachi is set in the 1970s American southwest. It follows the journey of a young woman named Lucha, who has become the caretaker for a mother with dementia. When Lucha finds a mariachi record that briefly brings her mother back to life, she becomes determined to learn how to play this magical song for her before it is too late. But at a time when being a female mariachi player was unheard of in the U.S., Lucha's hopes for performing seem like a fantasy until she assembles a spunky group of female mariachi musicians who are ready to make her dream come true.

    "This is an opportunity to tell a really important story about women, about the Latinx culture and about music,” DCPA President and CEO Janice Sinden said at a gathering to greet the cast and creative team as they began rehearsals.  

    Director James Vásquez agreed that now is a “wildly, wildly” important time to be telling stories about women in the American theatre. “I grew up surrounded and influenced by strong women all my life,” he said, “so to be able to help tell these stories is an honor — and, I think, a duty.”

    Here are five things we learned at first rehearsal:

    NUMBER 1American Mariachi Patty Baca. Photo by John Moore The DCPA will host its second community conversation introducing American Mariachi and its importance from 6-8 p.m. Thursday, Jan. 11, at the Newman Building for Theatre Education, located at 13th and Arapahoe streets. DCPA Director of Strategic Projects FloraJane DiRienzo said the gathering is an opportunity for all interested parties to join Vásquez, learn more about the play and discuss with DCPA staff how to deepen engagement with the Hispanic and Latinx communities around this high-profile staging. "We are truly thrilled to have you here," said Dr. Patricia Baca (pictured above and right), longtime DCPA board member and former Denver Public Schools deputy superintendent, in welcoming the American Mariachi cast and creative team to Denver. "To me, this play is extremely important, certainly for the Latinx community, but really for all communities. We're going to get a lot of people here to see the talent that you bring, and the potential that you represent to young people in our community. You are the reality of what our kids dream of." Anyone wanting to attend the free conversation is asked to RSVP by email to Jennifer Kemps at JKemps@dcpa.org.

    Our report from the first Mariachi community conversation

    NUMBER 2 Conversations around American Mariachi reflect a rise in the term “Latinx” (pronounced “Latin X”), which is being more widely embraced among scholars, community leaders and journalists as a gender-neutral alternative to Latino or Latina.  According to The Huffington Post, Latinx is part of a “linguistic revolution” that aims to move beyond gender binaries and is inclusive of the intersecting identities of Latin American descendants. In addition to men and women from all racial backgrounds, Latinx also makes room for people who are trans, queer, agender, non-binary, gender non-conforming or gender fluid.

    American Mariachi Mural in progress. Designed by Regina Garcia. Photo by John MooreThe mural that made the director and playwright cry is shown in progress. It is the vision of Scenic Designer Regina Garcia. Photo by John Moore for the DCPA NewsCenter.

    NUMBER 3González returns to Denver with his third world-premiere play for the DCPA Theatre Company, following the lyrical magical realism piece September Shoes in 2005 and the outright comedy Sunsets and Margaritas in 2008. Last week, he and Vásquez got an early peek at a massive mural that will serve as the foundation of Regina Garcia's scenic design in the DCPA's scenic shop. "Both of us just started crying," Vásquez said. Addressing all of the artists who are working in any capacity toward the creation of this show, González said: "To me, you are all magical unicorns, because you make magic. You are the heart and soul of the DCPA, and I am humbled by that. Thank you for your talent, for your professionalism, and for your desire to make the impossible happen."

    American Mariachi Cast

    NUMBER 4 Vásquez described American Mariachi as the story of underdogs, "and right now, there is no better play to celebrate the underdog stepping into their voice than this one," he said. "We get to tell the story of five underdogs who have been pushed down, and they step out into the world and make a change. I think that's really exciting, and I think the world is ready for that. So that's what we are going to do."

    NUMBER 5 For more than a decade, the DCPA Theatre Company has typically introduced developing new works at its annual Colorado New Play Summit and then scheduled two or three titles to be fully staged on the next mainstage season. American Mariachi was given an unprecedented two-year gestation period, and for that, González is grateful. "It's really great to have been given the extra time to continue to develop the play with continuing workshops here and in Los Angeles, González said. "What was so wonderful about showing early versions of our story was seeing young women in particular come and see their lives being played out up there on the stage. That is a rare and important thing for them." 

    More Colorado theatre coverage on the DCPA NewsCenter

    American Mariachi: Cast and creatives announced:

    • Playwright: José Cruz González 
    • Director: James Vásquez
    • Music Director: Cynthia Reifler Flores
    • Natalie Camunas as Gabby / Ensemble
    • Crissy Guerrero as Soyla / Sister Manuela / Ensemble
    • Rodney Lizcano as Mino / Padre Flores / Ensemble
    • Doreen Montalvo as Amalia / Doña Lola/ Ensemble
    • Jennifer Paredes as Lucha / Ensemble
    • Bobby Plasencia as Federico / Ensemble
    • Luis Quintero as Mateo / René / Rubin / Ensemble
    • Amanda Robles as Isabel / Tía Carmen/ Ensemble
    • Heather Velazquez (Hortensia (Boli) / Ensemble 
    • Scenic Designer: Regina Garcia
    • Costume Designer: Meghan Anderson Doyle
    • Lighting Designer: Paul Miller
    • Sound Designer: Ken Travis
    • Dramaturg: Shirley Fishman
    • Stage Manager: Rachel Ducat
    • Assistant Stage Managers: Heidi Echtenkamp and Amanda Salmons
    • Violin: Martin Padilla
    • Violin :Tomás Tinoco Jr.
    • Trumpet: Guadalupe Zarate
    • Vihuela:Erick Jiménez
    • Guitarrón: Ruben Marin
    John Moore was named one of the 12 most influential theater critics in the U.S. by American Theatre Magazine in 2011. He has since taken a groundbreaking position as the Denver Center’s Senior Arts Journalist.

    American Mariachi: Ticket information

    160x160-amercian-mariachi-tempAt a glance: Lucha and Boli are ready to start their own all-female mariachi band in 1970s’ Denver, but they’ll have to fight a male-dominated music genre and pressure from their families to get it done. This humorous, heartwarming story about music’s power to heal and connect includes gorgeous live mariachi music..

    • Presented by the DCPA Theatre Company
    • Performances Jan. 26 through Feb. 25
    • Space Theatre, Denver Performing Arts Complex
    • Tickets start at $30
    • Call 303-893-4100 or BUY ONLINE
    • Sales to groups of 10 or more click here

    Video: José Cruz González at the 2016 Colorado New Play Summit

     José Cruz González talks with John Moore about 'American Mariachi' during its first iteration in 2016.

     

    Previous NewsCenter Coverage of American Mariachi:
    American Mariachi: Community conversation begins
    Summit Spotlight video: José Cruz González, American Mariachi
    2016 Summit: An infusion of invisible color and hidden voices
    Vast and visceral: 2017-18 Theatre Company season
    Denver Center taking new plays to new level in 2017-18

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ABOUT THE EDITOR
John Moore
John Moore
Award-winning arts journalist John Moore has recently taken a groundbreaking new position as the DCPA’s Senior Arts Journalist. With The Denver Post, he was named one of the 12 most influential theater critics in the US by American Theatre Magazine. He is the founder of the Denver Actors Fund, a nonprofit that raises money for local artists in medical need. John is a native of Arvada and attended Regis Jesuit High School and the University of Colorado at Boulder. Follow him on Twitter @moorejohn.

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