Denver Public Schools, DPS Foundation and the Denver Center for the Performing Arts declare “let there be a 37th annual Shakespeare Festival.” Not plague, nor pestilence, nor pandemic will interrupt the pleasure that more than 5,000 schoolchildren of all ages take in the country’s oldest and largest Shakespearean festival for youth.
Earlier this week, PHI Studio, Legendary Entertainment, and Emerson Collective announced an ongoing partnership to take acclaimed director Alejandro G. Iñárritu’s virtual reality exhibition CARNE y ARENA (Virtually present, Physically invisible) on a multi-year, international tour, set to debut in Aurora, Colorado.
Twenty years ago, the Denver Center Theatre Company made history. In a co-production with the Royal Shakespeare Company, TANTALUS— the largest play ever to have been attempted… maybe to this day—received its world premiere. 2,500 years in the making. 17 years to write. Six months of rehearsal. Ten plays to recount the story of the Trojan War. A lifetime in theatrical history.
Twenty years ago, the Denver Center Theatre Company made history. In a co-production with the Royal Shakespeare Company, TANTALUS— the largest play ever to have been attempted… maybe to this day—received its world premiere. 2,500 hundred years in the making. 15 years to writing. Six month of rehearsal. Ten plays to recount the story of the Trojan War. A lifetime in theatrical history.
Make this a freakishly fantastic Halloween with expert makeup tips from DCPA Teaching Artist Rachel Taylor.
Hassan Salem is a mile-high banker who loves the great outdoors, enjoys golf, is an accomplished skier (not to mention one of the top bankers in the skiing industry), and an avid football fan who never misses a Broncos game if he can help it. He’s also engaged in the theater, predominantly behind the stage, where he is intent on keeping the arts alive and healthy – even in the middle of a global pandemic.
Last winter, playwright Tony Meneses asked our community to consider identity. More specifically, he asked our Latino community to consider its identity, its place in society and — most importantly — its responsibility in shaping the future of community.
Remember when you were a kid and maybe ditched class a few too many times that it raised suspicion? So does Allison Watrous, Executive Director of Education and Community Engagement at the Denver Center for the Performing Arts. When her mom came to observe her in class at the teacher’s request, she “quickly found out that I was visiting the bathroom to sing in the acoustics at a full belt!”
As the anniversary of 9/11 approaches, Come From Away revamped its “I Am an Islander” program so that students — whether attending school in person or remotely — can use the prompts and tools to investigate current challenges facing communities including COVID-19.
The wild, unexpected and keep-you-on-your-toes world of improv looks like fun, but is hard work. Jessica Austgen, a DCPA Education Teaching Artist and Artistic Director of the Denver Improv Festival has a tip or five to keep you alert, in the moment and engaged in the art of “Yes, and…”