• For one day in Denver, 'Hamilton' makes students the stars

    by John Moore | Mar 23, 2018


    The video above offers a full recap of 'EduHam' day in Denver, complete with interviews and performance excerpts. Separate videos of each individual performance below. Videos by DCPA Video Producer David Lenk and Senior Arts Journalist John Moore.

    Education program allows underserved students to rise up and have their voices be heard before thousands of peers 

    By John Moore
    Senior Arts Journalist

    Wednesday was no ordinary day at the Buell Theatre.

    The decibel was higher, the shrieks were louder, the ages were younger and the faces were distinctly more varied in color. 

    EduHam Mathenee TrecoThis was “EduHam,” the innovative educational program developed by the Broadway musical phenomenon Hamilton. On Wednesday, 2,700 students and teachers from 38 Denver-area high schools participated in morning activities followed by a matinee performance of the sold-out, Tony Award-winning musical. 

    You knew this performance would be different before it even began when the students in the mezzanine started a wave. You knew it during the show as they finger-snapped in affirmation of lines that connected with them and roared at the end of songs as if this were a rock concert. Which, in many ways, it was. You knew it as the show was ending when one voice pierced the silence with a scream of “Oh my God!” as, onstage, one of history’s most infamous bullets was piercing Alexander Hamilton’s heart.   

    The students were not only watching a piece of history. They were part of it. Because there has simply never been another pop-culture phenomenon quite like Hamilton. And, to shamelessly quote the show's anthem: They were in the room where it happened.

    “There are moments that the words don’t reach … “ 

    Hamilton, winner of 11 Tony Awards, is the story of Alexander Hamilton, an immigrant from the West Indies who became George Washington's right-hand man during the Revolutionary War and was the new nation’s first Treasury Secretary.  With book, music and lyrics by Lin-Manuel Miranda, it features a score that blends hip-hop, jazz, blues, rap, R&B and Broadway.

    Cast member Mathenee Treco calls Hamilton the story of America then, as told by America now.

    Lin-Manuel Miranda on theatre's power to eliminate distance

    Hamilton changes lives,” said Treco, who attended Eaglecrest High School in Aurora. And EduHam was perhaps recalibrating the lives of many of the students who spent the day at the Denver Center participating in the show’s innovative educational program that debuted on Broadway in 2015 and has continued in every city it has visited since.

    The participating students prepared by spending up to three months in their classrooms studying American history through a special integrated curriculum about Hamilton and the nation’s other Founding Fathers. On Wednesday morning, select students performed original works based on their studies – songs, rap, poetry, scenes and monologues – on The Buell Theatre stage, in front of their peers. Afterward, they had a Q&A with six cast members.

    “Immigrants … we get the job done”

    Treco, like Hamilton and many of the students in Wednesday’s audience, is an immigrant himself, having been born in the Bahamas and moving to Aurora with his family at age 6. “Today they saw a representation of themselves on the stage," he said. "Their energy was tangible. I could feel their excitement. And I think it's going to propel them.”

    Hamilton is performed by an almost entirely non-white cast. That the audience on Wednesday was almost entirely students of color, Treco said, was overwhelming — in the best possible way. “I want to see children of color feeling empowered and feeling uplifted,” said Treco. But it was not a coincidence, said Hamilton Education Program Manager Amy DiChristina of the Gilder Lehrman Institute of American History.

    It was the point. 

    “The goal of this program is to reach Title I schools across the country, and those schools are very often underserved,” DiChristina said. Title I schools have high percentages of children from impoverished families, many of which speak English as a second language. “They don't have the resources they need. And they don't normally have access to field trips like these, or tickets to a show like this.”

    DiChristina’s research indicates more than 65 percent of students who participate in EduHam  have never before attended a Broadway-level show in their lives. “So to be able to offer them both access and educational resources is the goal,” she said.

    Cast member Sabrina Sloan, who plays socialite Angelica Schuyler in Hamilton and volunteered to emcee the morning program at The Buell, said “it was incredible to see this group of students, specifically being mostly kids of color. I remember the first show my parents took me to was West Side Story, and seeing people who were brown onstage and seeing people who looked like me meant the world. It told me that theatre was something that was accessible to me. So knowing that Hamilton might be their first show ever really gives me chills.”

    (Story continues after the video playlist below.)

    Click the video above to see all 14 of the Denver 'EduHam' student performances in one video playlist. Each one plays after the other. Videos by DCPA Video Producer David Lenk.


    “I wrote my way out…”

    Grace Padilla, a junior at Vantage Point High School, was one of the students who applied for — and won — a chance to recite from her poetry on The Buell stage. She has been writing since she was 7 years old, and self-published her own book at 14. She was inspired to bridge Hamilton’s story with her own by penning a variation on a song from the Broadway musical called “Wrote My Way Out.” It’s the story of how Hamilton, born out of wedlock on the Caribbean island of Nevis, was abandoned by his father, orphaned at 13 and came to the American colonies two years later to further his education. Padilla can relate.

    “I was born of dirt, but I will live of redwoods,” Padilla read, bringing her peers to their feet.

    “Growing up, I had to deal with being very poor in an abusive, broken home,” she said afterward. “Hamilton wrote his way out, and that is what I have been doing with my life, too. I really wanted to touch other people and be their voice and let them know they are heard, too.”

    Noah Thomas, a junior at Atlas Preparatory High School in Colorado Springs, opened the program by reading a poem called “Remember the Ladies,” written by his best friend, Laci Caballero. It's about Abigail Adams, wife of the second president, John Adams.  “While her husband was off building the country, he forgot the ladies," he said afterward. "This was Laci’s way of saying, ‘Remember them.’

    More Colorado theatre coverage on the DCPA NewsCenter

    Performing for thousands of peers, Thomas said, made him feel emboldened. 

    "Even though I'm just a 17-year-old kid from Colorado, I felt like my voice was heard, and Laci's words were heard, and the message behind them were heard," he said.

    That, DiChristina said, is the point. “We want these students to go out into the world and feel empowered to use their voices for whatever they feel is important.”

    Four students from West Leadership Academy used their voices to perform a full scene called The Story of Peggy, about Hamilton's wife, in their native Spanish.

    "I’m young, scrappy and hungry, and I’m not throwing away my shot."

    Padilla said Miranda’s spoken-word writing style is the biggest attraction to Hamilton for students  “because you just can't connect with the younger generation today without a little hip-hop and rap,” she said.

    Treco said Miranda isn’t telling a different story than what is already being told in history books. He’s just telling it in a more exciting way.

    Sloan says presenting constitutional debates and personal disputes as rap battles is not only a clever variation on a Broadway theme — it is an essential way of reaching younger theatre audiences. “And it doesn’t just reach students,” she said. “It reaches everyone across generations, color lines, social, economic backgrounds. There is a truth to it. There is a humanity in how he speaks."  And the way he speaks, Treco added, "makes history sound really, really cool.”

    Life doesn’t discriminate between the sinners and the saints…”

    The Hamilton Education Program is one of several history education programs funded by the Gilder Lehrman Institute. “This project is transformative," said president James G. Basker — who devised the education program in New York in tandem with Miranda, Hamilton producer Jeffrey Seller, The Rockefeller Foundation and the New York City Department of Education.

    "Hamilton has struck a chord with students because it embodies what great history education is all about: Bringing the past to life, and fostering connections with the exceptional individuals and moments that have made us who we are. This program empowers students to reclaim their own narrative and empowers teachers to bridge classroom learning with the stage.”

    (Story continues after the video below.)



    The response to EduHam on social media was rapturous. On Twitter, Jill Williams called the Hamilton “the best history lesson ever.” A sample of others:

    • “One of the best things about Hamilton is that every person in the room is excited about art and music and collectively vibrates with good energy,” a woman named Jennifer Tweeted. “We need more of that.”
    • Wrote Lois Rapport on Facebook: This was so fabulous. I am so happy to be a part of a group that encourages learning and helps kids fall in love with the theater. I was lucky that my parents took me to the theater at a young age, and I immediately was hooked.”
    • West Early College posted: We are so proud of our very own Josiah Blackbear, who was selected as one of the students to perform on stage for EduHam Keep an eye on our rising star. He is going places.
    • "That was amazing for those students. I hope the felt as inspired as I did," posted Matt Carnes.

    This is not a moment, it is a movement

    Treco said for it took guts for the high-school students to bare their souls before their peers on the Buell Theatre stage, but he’s sure the experience laid seeds of courage left that are already now germinating.

    "They killed it," Treco said. "Honesty is scary. But at the end of the day, they spoke their truth, and I promise you some of those kids just got really addicted to that feeling. … And some of them will be performing in Hamilton someday.”

    John Moore was named one of the 12 most influential theater critics in the U.S. by American Theatre Magazine in 2011. He has since taken a groundbreaking position as the Denver Center’s Senior Arts Journalist.

    The participating schools:

    ·    Alameda International High School
    ·    Arapahoe Ridge High School
    ·    Atlas Preparatory School
    ·    Bruce Randolph High School
    ·    Denver School of Science and Technology
    ·    Green Valley Ranch High School
    ·    Denver South High School
    ·    DSST: College View High School
    ·    Early College Academy
    ·    Emily Griffith High School
    ·    Global Leadership Academy
    ·    Harrison High School
    ·    High Tech Early College
    ·    John F. Kennedy High School
    ·    Justice High School
    ·    KIPP Denver Collegiate High School
    ·    KIPP Northeast Denver Leadership Academy
    ·    Kunsmiller Creative Arts Academy
    ·    Legacy Options High School
    ·    Manual High School
    ·    Mapleton Early College High School
    ·    Moffat School (K-12)
    ·    Monte Vista High School
    ·    Noel Community Arts School
    ·    North High School
    ·    Northglenn High School
    ·    Overland High School
    ·    RiseUp Community School
    ·    Sheridan High School
    ·    Sierra High School
    ·    STRIVE Prep RISE
    ·    STRIVE Prep- SMART
    ·    STRIVE Preparatory Schools - Excel Campus
    ·    The New America School Thornton
    ·    Vantage Point High School
    ·    Venture Prep
    ·    West Early College
    ·    West Leadership Academy
    ·    York International 

    The student performers (with video links):

    Noah Thomas, Atlas Preparatory School
    “Remember the Ladies”
    Direct video link: https://youtu.be/0v1stGZo7po

    Esteban Gallegos and Madis, on RustEmily Griffith High School
    “Hypocrisy of America”
    Direct video link: https://youtu.be/fys9vkwFyWc

    Eduardo Gonzalez and Sydney Hernandez, Global Leadership Academy
    “Boston Tea Party”
    Direct video link: https://youtu.be/VEbqfxspC58

    Erin JonesHarrison H, igh School
    “My Father”
    Direct video link: https://youtu.be/mrk_pIx_-7U

    Albert Ortega, High Tech Early College
    “George Washington at Valley Forge”
    Direct video link: https://youtu.be/dXjmAHPVTAw

    John Le, Kunsmiller Creative Arts Academy
    “Aaron Burr”
    Direct video link: https://youtu.be/-hT17DgOelU

    Luis Castro and Jesus Villa, Mapleton Early College High School
    “Hamilton v. Jefferson Constitution”
    Direct video link: https://youtu.be/xNR2vJ226_4

    Ryker Poor and Sabian Storm, Moffat School
    “Jefferson v. King George”
    Direct video link: https://youtu.be/wh1Af6pU5s0

    Precious Allen, Sierra High School
    “Common Sense”
    Direct video link: https://youtu.be/hAe-INcmJ2k

    Issak Lucero, Strive Prep - SMART
    “Benjamin Franklin"
    Direct video link: https://youtu.be/KQBBuj94vxo

    Isabel Aguilar, Jaqueline Garcia and Brandon Garcia
    The New America School at Thornton
    “Boston Massacre”
    Direct video link:  https://youtu.be/xIv7YatWQfE

     Isabel Aguilar, Jaqueline Garcia, Brandon Garcia, The New America School at Thornton
    “Boston Massacre”
    Direct video link: https://youtu.be/bWk5j00QsGc

    Grace Padilla, Vantage Point High School
    “Wrote My Way Out”
    Direct link: https://youtu.be/wMlT6NmvrPE

    Josiah Blackbear, West Early College
    “Alexander Hamilton”

    Zehydi Chaparro-Rojas, Jose Torres-Andazola, Rossy Martinez-Sanchez and Alexandra Andazola-Chavez, West Leadership Academy

    “The Story of Peggy”
    Direct link: https://youtu.be/sRfGFcMZjC8

  • Videos of all 'EduHam' student performances in Denver

    by John Moore | Mar 22, 2018

    Watch students from 14 schools perform original songs, rap, poetry, scenes and monologues based on studies

    EduHam” is the innovative educational program that Hamilton debuted on Broadway and continued in Denver on Wednesday, March 21, when 2,700 students and teachers from 38 Denver-area high schools attended an all-student matinee performance of the hit musical at The Buell Theatre

    The students spent several weeks in their classrooms studying American history through a special integrated curriculum about Alexander Hamilton and the nation’s Founding Fathers. Before the special performance, students representing various Title I schools performed original works they created based on their classroom studies – songs, rap, poetry, scenes, monologues – in front of their peers on The Buell stage. Title I schools have high percentages of children from low-income families.

    The Hamilton Education Program is one of several history education programs at the Gilder Lehrman Institute of American History. “This project is transformative," said president James G. Basker — who devised the education program in New York in tandem with Hamilton creator Lin-Manuel Miranda, producer Jeffrey Seller, The Rockefeller Foundation and the NYC Department of Education.

    "Hamilton  has struck a chord with students because it embodies what great history education is all about: bringing the past to life, and fostering connections with the exceptional individuals and moments that have made us who we are. This program empowers students to reclaim their own narrative and empowers teachers to bridge classroom learning with the stage.”

    The emcee in Denver was cast member Sabrina Sloan. Later Thursday, you can read more about “EduHam” in Denver on the DCPA NewsCenter, MyDenverCenter.Org

    Click here to see all 14 of the student performances in one video playlist, where each one plays after the other. 


    Noah Thomas
    Atlas Preparatory School
    “Remember the Ladies”
    Direct link: https://youtu.be/0v1stGZo7po



    Esteban Gallegos and Madison Rust
    Emily Griffith High School
    “Hypocrisy of America”
    Direct link: https://youtu.be/fys9vkwFyWc





    Eduardo Gonzalez and Sydney Hernandez
    Global Leadership Academy
    “Boston Tea Party”
    Direct link: https://youtu.be/VEbqfxspC58



    Erin Jones
    Harrison High School
    “My Father”
    Direct link https://youtu.be/mrk_pIx_-7U



    Albert Ortega
    High Tech Early College
    “George Washington at Valley Forge”
    Direct link https://youtu.be/dXjmAHPVTAw



    John Le
    Kunsmiller Creative Arts Academy
    “Aaron Burr”
    Direct link https://youtu.be/-hT17DgOelU



    Luis Castro and Jesus Villa
    Mapleton Early College High School
    “Hamilton v. Jefferson Constitution”
    Direct link: https://youtu.be/xNR2vJ226_4


     



    Ryker Poor and Sabian Storm
    Moffat School
    “Jefferson v. King George”
    Direct link: https://youtu.be/wh1Af6pU5s0


     



    Precious Allen
    Sierra High School
    “Common Sense”
    Direct link: https://youtu.be/hAe-INcmJ2k



    Issak Lucero
    Strive Prep - SMART
    “Benjamin Franklin”
    Direct link: https://youtu.be/KQBBuj94vxo


     

    Isabel Aguilar, Jaqueline Garcia and Brandon Garcia
    The New America School at Thornton
    “Boston Massacre”
    Direct link:  https://youtu.be/xIv7YatWQfE


     

    Grace Padilla
    Vantage Point High School
    “Wrote My Way Out”
    Direct link: https://youtu.be/bWk5j00QsGc


     

    Josiah Blackbear
    West Early College
    “Alexander Hamilton”
    Direct link: https://youtu.be/wMlT6NmvrPE




    Zehydi Chaparro-Rojas, Jose Torres-Andazola, Rossy Martinez-Sanchez and Alexandra Andazola-Chavez
    West Leadership Academy
    “The Story of Peggy”
    Direct link: https://youtu.be/sRfGFcMZjC8

  • Announcing the 'Hamilton' lottery in Denver

    by John Moore | Feb 12, 2018

    Hamilton lottery. Photo by Joan MarcusThe national touring production of 'Hamilton.' Photo by Joan Marcus.

    The #HAM4HAM lottery will make 40 tickets for every performance at the Buell Theatre available for $10 each

    Producer Jeffrey Seller is pleased to announce a digital lottery for HAMILTON tickets will begin in conjunction with the show’s first performance (February 27) in Denver at The Buell Theatre.  Forty (40) orchestra tickets will be sold for every performance for $10 each.  The digital lottery will open at 11:00 AM MT on Sunday, February 25 for tickets to the Tuesday, February 27 performance.  Subsequent digital lotteries will begin two days prior to each performance. The digital lottery will begin two days prior to each performance.

    HOW TO ENTER:

    • Use the official app for HAMILTON, now available for all iOS and Android devices in the Apple App Store and the Google Play Store (hamiltonmusical.com/app).
    • You can also visit hamiltonmusical.com/lottery to register.
    • The lottery will open at 11 a.m. (Mountain Time Zone) two days prior to the performance date and will close for entry at 9 a.m. (Mountain Time) the day prior to the performance.
    • Winner and non-winner notifications will be sent at approximately 11 a.m. (Mountain Time) the day prior to the performance via email and SMS (if mobile number is provided).
    • There is a limit of one entry per person, and each winner can purchase two tickets. Repeat entries and disposable email addresses will be discarded.
    • Tickets must be purchased online with a credit card by 4 p.m. (Mountain Time) the day prior to the performance using the purchase link and code in a customized notification email. Tickets not claimed by 4 p.m. (Mountain Time) the day prior to the performance are forfeited.
    • Lottery tickets may be picked up at will call beginning two hours prior to the performance with a valid photo ID. Lottery tickets void if resold.

    ADDITIONAL RULES

    Limit one (1) entry per person, per performance. Multiple entries will not be accepted. Patrons must be 18 years or older and have a valid, non-expired photo ID that matches the name used to enter. Tickets are non-transferable. Ticket limits and prices displayed are at the sole discretion of the show and are subject to change without notice.

    Lottery prices are not valid on prior purchases. Lottery ticket offer cannot be combined with any other offers or promotions. All sales final — no refunds or exchanges. Lottery may be revoked or modified at any time without notice. No purchase necessary to enter or win. A purchase will not improve the chances of winning.

    Tickets for HAMILTON are currently on sale.  Patrons are advised to check the official HAMILTON channels, denvercenter.org/hamilton, and the Denver Center for the Performing Arts Box Office for late release seats which may become available at short notice.

    HAMILTON is the story of America's Founding Father Alexander Hamilton, an immigrant from the West Indies who became George Washington's right-hand man during the Revolutionary War and was the new nation’s first Treasury Secretary.  Featuring a score that blends hip-hop, jazz, blues, rap, R&B, and Broadway, HAMILTON is the story of America then, as told by America now.

    With book, music and lyrics by Lin-Manuel Miranda, direction by Thomas Kail, choreography by Andy Blankenbuehler and music supervision and orchestrations by Alex Lacamoire, HAMILTON is based on Ron Chernow’s biography of Founding Father Alexander Hamilton. The HAMILTON creative team previously collaborated on the 2008 Tony Award ® Winning Best Musical In The Heights. HAMILTON features scenic design by David Korins, costume design by Paul Tazewell, lighting design by Howell Binkley, sound design by Nevin Steinberg, hair and wig design by Charles G. LaPointe, and casting by Telsey + Company, Bethany Knox, CSA.

    The musical is produced by Jeffrey Seller, Sander Jacobs, Jill Furman and The Public Theater. The HAMILTON Original Broadway Cast Recording is available everywhere nationwide.  The HAMILTON recording received a 2016 Grammy for Best Musical Theatre Album.

    For information on HAMILTON, visit HamiltonMusical.com, Facebook.com/HamiltonMusical, Instagram.com/HamiltonMusical and Twitter.com/HamiltonMusical.

    About THE DENVER CENTER FOR THE PERFORMING ARTS

    The Denver Center for the Performing Arts (DCPA) is the largest non-profit theatre organization in the nation, presenting Broadway tours and producing theatre, cabaret, musicals, and innovative, multimedia plays. Last season the DCPA engaged with more than 1.2 million visitors, generating a $150 million economic impact in ticket sales alone. Follow the DCPA on social media @DenverCenter and through the Denver Center for the Performing Arts News Center. The DCPA Broadway season is generously sponsored by UCHealth and United Airlines. Media sponsorship is provided by The Denver Post and CBS4. Denver Center for the Performing Arts is supported in part by the Scientific and Cultural Facilities District (SCFD).

    Selected previous NewsCenter coverage of Hamilton

    Hamilton’s celebrated education program debuts March 21 at DCPA
    'Rise Up!' More things to know about Hamilton tickets
    Hamilton tickets: Don't get scammed on Monday
    2018 Saturday Night Alive guests will attend Hamilton

  • Hamilton’s celebrated education program debuts March 21 at DCPA

    by John Moore | Feb 08, 2018
    Hamilton. Joan Marcus

    The 'Hamilton' national touring company. Photo by Joan Marcus.

    2,700 students and teachers will attend performance of the Broadway musical at The Buell Theatre

    The innovative educational program that debuted at HAMILTON on Broadway will continue in Denver (Denver Center for the Performing Arts) on Wednesday, March 21 when 2,700 students and teachers from Denver area high schools attend the matinee performance of the musical at The Buell Theatre. 

    The March 21 all-student matinee performance in Denver will provide more than 2,700 Denver area high school students the opportunity to experience the musical HAMILTON after having spent several weeks in their classrooms studying American history through a special integrated curriculum about Alexander Hamilton and the nation’s Founding Fathers. 

    In addition to seeing a performance of HAMILTON, students will participate in a Q&A with members of the HAMILTON cast.  As well, students representing various schools in attendance will perform an original work they created based on their classroom studies – songs, rap, poetry, scenes, monologues – on The Buell Theatre stage in front of their peers.  

    The Hamilton Education Program is one of several history education programs at the Gilder Lehrman Institute of American History. Its president, James G. Basker -- who devised the education program in New York in tandem with HAMILTON creator Lin-Manuel Miranda, producer Jeffrey Seller, The Rockefeller Foundation and the NYC Department of Education -- adds, “This project is transformative. HAMILTON has struck a chord with our nation’s students because it embodies what great history education is all about: bringing the past to life, and fostering connections with the exceptional individuals and moments that have made us who we are. This program empowers students to reclaim their own narrative and empowers teachers to bridge classroom learning with the stage.”

    HAMILTON producer Jeffrey Seller, who was instrumental in developing the HAMILTON Education Program, says about the program in Denver, “Our goal is to ensure that students have a shot to see HAMILTON and use its words, music and staging to further their understanding and enjoyment of American History, music and drama. We’ve had the pleasure of expanding the education program outside of New York in Los Angeles, Chicago and other cities around the country.”

    Dr. Rajiv Shah, President of The Rockefeller Foundation said “After the initial success of the partnership in New York City we could not throw away our shot to ensure students across the United States had the opportunity to witness living breathing history. We look forward to seeing the creativity and engagement this program continues to spur.”

    The HAMILTON producers are making tickets for this educational partnership available for $70, $60 of which is subsidized by Google. Tickets will cost $10 for each student.

    "Google is proud to work with Hamilton Education Program and the Gilder Lehrman Institute of American History to bring Hamilton to thousands of students in the Denver community. The play shares a critical piece of American history and it's especially important for high school students to be engaged in civic learning and have a deep understanding of our country's past so they can make informed decisions about its future," says Gerardo Interiano, Head of External Affairs for Colorado. 

    The Rockefeller Foundation provided an initial grant of $1.46 million that funded the educational partnership in New York City.  After the resounding success of the partnership in New York, The Rockefeller Foundation committed an additional $6 million to the effort to support the national expansion of the program.  The Rockefeller Foundation has a long history of supporting the arts and humanities, fueled by a belief that the cultivation of aesthetic sensibilities through literature, music and other fine arts is essential to the well-being of humanity.  The HAMILTON Education Program underscores the Foundation's commitment to nurturing the vitality of American cultural institutions and the role of the arts as a catalyst for social change.   

    HAMILTON is the story of America's Founding Father Alexander Hamilton, an immigrant from the West Indies who became George Washington's right-hand man during the Revolutionary War and was the new nation’s first Treasury Secretary.  Featuring a score that blends hip-hop, jazz, blues, rap, R&B, and Broadway, HAMILTON is the story of America then, as told by America now.  

    With book, music and lyrics by Lin-Manuel Miranda, direction by Thomas Kail, choreography by Andy Blankenbuehler and musical supervision and orchestrations by Alex Lacamoire, HAMILTON is based on Ron Chernow’s biography of Founding Father Alexander Hamilton.

    The HAMILTON creative team previously collaborated on the 2008 Tony Award ® Winning Best Musical In the Heights. 

    HAMILTON features scenic design by David Korins, costume design by Paul Tazewell, lighting design by Howell Binkley, sound design by Nevin Steinberg, hair and wig design by Charles G. LaPointe, and casting by Telsey + Company, Bethany Knox, CSA.

    The musical is produced by Jeffrey Seller, Sander Jacobs, Jill Furman and The Public Theater.

    The HAMILTON Original Broadway Cast Recording is available everywhere nationwide. The HAMILTON recording received a 2016 Grammy for Best Musical Theatre Album. 

    For information on HAMILTON, visit www.HamiltonMusical.com, www.Facebook.com/HamiltonMusical, www.Instagram.com/HamiltonMusical and www.Twitter.com/HamiltonMusical.

    ABOUT THE GILDER LEHRMAN INSTITUTE OF AMERICAN HISTORY

    Founded in 1994 by philanthropists Richard Gilder and Lewis E. Lehrman, the Gilder Lehrman Institute of American History is the leading American history nonprofit organization dedicated to K–12 education, while also serving the general public. Drawing on the 65,000 documents in the Gilder Lehrman Collection and an extensive network of eminent historians, the Institute provides teachers, students, and the general public with direct access to unique primary source materials.

    As a 501(c)(3) nonprofit public charity the Gilder Lehrman Institute of American History is supported through the generosity of individuals, corporations, and foundations. The Institute’s programs have been recognized by awards from the White House, the National Endowment for the Humanities, and the Organization of American Historians.

    For information on the Gilder Lehrman Institute of American History, visit www.gilderlehrman.org, www.Facebook.com/gilderlehrman, www.instagram.com/gilderlehrman and www.twitter.com/Gilder_Lehrman.

    About THE DENVER CENTER FOR THE PERFORMING ARTS

    The Denver Center for the Performing Arts (DCPA) is the largest non-profit theatre organization in the nation, presenting Broadway tours and producing theatre, cabaret, musicals, and innovative, multimedia plays. Last season the DCPA engaged with more than 1.2 million visitors, generating a $150 million economic impact in ticket sales alone. Follow the DCPA on social media @DenverCenter and through the Denver Center for the Performing Arts News Center. The DCPA Broadway season is generously sponsored by UCHealth and United Airlines. Media sponsorship is provided by The Denver Post and CBS4. Denver Center for the Performing Arts is supported in part by the Scientific and Cultural Facilities District (SCFD).

  • Tickets for 'Hamilton' in Denver go on-sale Jan. 22

    by John Moore | Dec 29, 2017
    Mathenee Treco, Jordan Donica, Ruben J. Carbajal & Michael Luwoye - HAMILTON National Tour (c) Joan MarcusFrom left: Aurora native and Eaglecrest High School graduate Mathenee Treco with Jordan Donica, Ruben J. Carbajal and Michael Luwoye in the 'Hamilton' national touring cast. Tickets for the Denver engagement go on-sale Jan. 22. Photo by Joan Marcus.


    Tickets go on-sale to the public next month with a caveat: Buy only from the Denver Center or risk overpaying 

    Producer Jeffrey Seller and the Denver Center for the Performing Arts announced today that single tickets for Hamilton at the Buell Theatre will go on-sale to the public at 10 a.m. on Monday, Jan. 22, at hamilton.denvercenter.org. Tickets will be available for performances Feb. 27 through April 1.  

    There is a maximum purchase limit of four (4) tickets per account for the engagement. Prices vary by date and availability. There will be a lottery for forty (40) $10 orchestra seats for all performances. Details will be announced closer to the engagement.

    Helpful tips for when Hamilton tickets go on sale in Denver

    Seller said anyone buying tickets to Hamilton anywhere other than hamilton.denvercenter.org runs the risk of overpaying.

     

    “It's tempting to get tickets any way you can," said Seller. "There are many web sites and people who are selling overpriced, and in some cases, fraudulent tickets. For the best seats, the best prices and to eliminate the risk of counterfeit tickets, all purchases for the Denver engagement should be made through hamilton.denvercenter.org.”

    PUBLIC ON-SALE FAQ

    SUBSCRIBER PRE-SALE FAQ

     Hamilton Tickets

    Tickets will also be available by phone at 303-893-4100 or in-person at the DCPA Box Office in the lobby of the Helen Bonfils Theatre Complex lobby, located at the northwest corner of the Denver Performing Arts Complex at Speer Boulevard and Arapahoe Street.

    Hamilton is the story of America's Founding Father Alexander Hamilton, an immigrant from the West Indies who became George Washington's right-hand man during the Revolutionary War and was the new nation’s first Treasury Secretary. Featuring a score that blends hip-hop, jazz, blues, rap, R&B, and Broadway, Hamilton is the story of America then, as told by America now.

    To receive alerts related to Hamilton in Denver, click here

    With book, music and lyrics by Lin-Manuel Miranda, direction by Thomas Kail, choreography by Andy Blankenbuehler and musical supervision and orchestrations by Alex Lacamoire, Hamilton is based on Ron Chernow’s biography

    The Hamilton creative team previously collaborated on the 2008 Tony Award-winning best musical In the Heights. Hamilton  features scenic design by David Korins, costume design by Paul Tazewell (DCPA Theatre Company's The Unsinkable Milly Brown), lighting design by Howell Binkley, sound design by Nevin Steinberg, hair and wig design by Charles G. LaPointe, and casting by Telsey + Company, Bethany Knox, CSA. The musical is produced by Jeffrey Seller, Sander Jacobs, Jill Furman and The Public Theater. The Hamilton original Broadway cast recording is available everywhere nationwide. The Hamilton recording received a 2016 Grammy for Best Musical Theatre Album.

    For more information on Hamilton, visit:

    More Colorado theatre coverage on the DCPA NewsCenter

    Related NewsCenter coverage:

    SoleaPfeifferEmmyRaver-LampmanAmberIman-HAMILTONNationalTour(c)JoanMarcusSolea Pfeiffer, Emmy Raver-Lampman and Amber Iman in the 'Hamilton' national' touring production of 'Hamilton.' Photo by Joan Marcus.

  • Two decades later, 'RENT' still comes in on time

    by John Moore | Nov 09, 2017
    RENT Carol-Rosegg
    The 20th Anniversary Tour of 'RENT' visits the Buell Theatre from Nov. 14-21. Photo by Carol Rosegg.

    When we think of RENT, we think of the ’90s. Yet it hasn’t become a period piece. Audiences are still coming.

    By Dan Sullivan
    For the DCPA NewsCenter

    Musicals are time capsules. Oklahoma! recalls what we were fighting for in ’43; Hair shows what we were fighting for in ’67; A Chorus Line mirrors the anxieties of the ’70s; The Phantom of the Opera captures the gilded ’80s.

    When we think of RENT, we think of the ’90s. Yet it hasn’t become a period piece. The music still sounds like today and the story sounds like a storm warning. The burning question, “How we gonna pay the rent?” echoes the not too distant past.   

    It was a question that was true of New York in the ’90s and one that Jonathan Larson, RENT’s young composer-lyricist, often asked himself while waiting on tables in SoHo. When somebody proposed he write a campy uptown version of La Bohème, Larson decided instead to set it in the East Village and to take his characters as seriously as Puccini had.

    To see who's in the 20th Anniversary Tour cast, click here

    The result was the megahit that every Broadway composer dreams of. Tragically, Larson died of an aortic aneurysm just before previews were to begin, as severe a shock as Kevin McCollum, RENT’s co-producer, ever hopes to sustain.

     RENT Carol-Rosegg Quote Kaleb Wells Skyler Volpe“Jonathan’s death was a tragedy,” McCollum said. “But it’s a mistake to see him as a character in his own story. It never occurred to him that he wasn’t going to be the new voice in the American musical theatre.”

    Like La Bohème, Rent concerns a band of would-be superstars, not all of them geniuses, toughing out the winter in an unheated loft in the East Village. As members of Generation X, they speak the musical language they were brought up on: rock, pop, soul, salsa, disco, country.

    Although hard to track, their adventures on Avenue B are both exuberant and alarming. And Rent shows why today’s parents agonize even more than their parents did when a child takes off to a roach-ridden apartment in the big city in order to “find out who I am.”
    “Can’t you do that around here?” Mom and Dad want to say. Instead they murmur, “Don’t forget to call.” Which the kid never does. So the parents do, and get voicemail.

    Mom’s fake-cheery voice from Scarsdale gets a laugh in RENT, but not a mean one: Larson, a White Plains boy, shares her concern. La vie bohème on Avenue B is hard-core and high-risk. Where Hair once glossed over the penalties of freaking out, Rent deals with them. A music video for “the life,” it’s not.

    Human, it is. One’s heart goes out to Mimi, the clueless cat-dancer, and to Roger, the out-of-tune guitarist, struggling to come up with his one great song (which keeps turning into Musetta’s waltz from Bohème).

    Yet hope keeps breaking in. Plus a certain amount of self-dramatization. (I said these were young people.) And true love, of course. (I said it was an American musical.) And a terrific score.

    RENT may not have been the first big step that the rock musical had taken since Hair — we can’t forget Jesus Christ Superstar — but it was the most propulsive musical to surface in a long while, fired not only by the energy of the young, but by their desperate need to make their lives happen before they ran out of time.

    The intensity of the emotion does not swamp the ship. “Mindless,” the usual synonym for rock musicals, won’t work for this one. If Larson’s tunes sound like the Top 40 fare his kids grew up on, he wrote them as a theatre composer, with careful attention to character and situation. Meanwhile his lyrics have an ironic edge that keeps the show from whining.

    “Jonathan did write a song about what victims his characters were; he took it out,” said McCollum, whose partner, Jeffrey Seller, had been tracking Larson’s career. RENT’s first workshop in ’93 hadn’t knocked Seller out. The next winter, Seller said to McCollum: “Remember that thing I saw a year ago? They’re doing another workshop tonight.”
    McCollum wasn’t interested.

    “I’d been doing deals all day and just wanted to go home and read a book. But Jeffrey says it’ll be good for me to go out. We walk into the New York Theatre Workshop. We see this huge stage with three metal tables set up. Jeffrey says, ‘This is either gonna be brilliant or a total mess.’

    “The show starts; I don’t know what’s going on. A girl called Mimi comes out and sings, ‘Light my candle’ and I start to cry. And the next song, and the next, and it’s some of the best writing I’ve ever heard. At the end of the first act I turn to Jeffrey and say, ‘Get out the checkbook.’ ”

    It wasn’t that simple, of course. It got very complicated after Larson’s sudden death just as the show started previews in the winter of 1996. It left McCollum and Seller with an unfinished show. Larson’s score was amazing, his characters alive, but the story still needed sorting out.

    More Colorado theatre coverage on the DCPA NewsCenter

    A solution was proposed: Incorporate Larson’s stage directions into the dialogue. The device helped to clarify what the characters wanted — not perfectly, but well enough — and McCollum wasn’t about to apologize for it.

    “We didn’t change Jonathan’s show. We made it clearer by using the clues he left us. We didn’t go with the cliché, ‘What would Jonathan have wanted?’ He would have wanted people to come to his musical.”

    Thousands of performances later, they’re still coming.

    The RENT 20th Anniversary Tour visits the Buell Theatre in Denver from Nov. 14-21.


    Dan Sullivan directed the Eugene O’Neill Theater Center’s National Critics Institute and reviewed for the Los Angeles Times.

    RENT: 20th Anniversary Tour: Ticket information200x200-rent

    At a glance: This Pulitzer Prize and Tony Award-winning masterpiece returns to the stage in a vibrant 20th anniversary touring production. With its inspiring message of joy and hope in the face of fear, this timeless celebration of friendship and creativity reminds us to measure our lives with the only thing that truly matters.

    • National touring production
    • Performances Dec. 19-31
    • Buell Theatre, Denver Performing Arts Complex
    • Tickets start at $25
    • Call 303-893-4100 or BUY ONLINE
    • Sales to groups of 10 or more click here
    RENT. Jasmine Easler, Lyndie Moe. Photo by Carol Rosegg.  Jasmine Easler, left, and Lyndie Moe. Photo by Carol Rosegg. 
  • Broadway's 'Hamilton' is heading to Denver

    by NewsCenter Staff | Jul 06, 2016



    By Heidi Bosk
    For the DCPA NewsCenter

    The national tour of the Broadway musical Hamilton will play the Buell Theatre as part of the Denver Center for the Performing Arts’ 2017-18 Broadway subscription series, it was announced today by producer Jeffrey Seller and the DCPA.
     
    On Sunday, Hamilton won 11 2016 Tony Awards, including Best Musical, after having set the all-time record with 16 nominations.

    Hamilton. Daveed Diggs. The best way to guarantee tickets to Hamilton is to purchase a full 2016-17 Broadway subscription. Broadway subscribers who renew their 2016-17 Broadway subscription packages for the 2017-18 Broadway season will guarantee their tickets for the DCPA's premiere engagement of Hamilton.

    Hamilton will be on the 2017-18 Broadway subscription package. Information regarding engagement dates and how to purchase groups and single tickets will be announced at a later time.
     
    DCPA's full 2016-17 Broadway subscription package features the pre-Broadway debut of Frozen, The Phantom of the Opera, Roundabout Theatre Company's Cabaret, An Act of God, Finding Neverland, Fun Home, An American in Paris and The Curious Incident of the Dog in the Night-Time. Subscriptions for the 2016-17 Broadway season start as low as eight payments of $51.25 and are available at DenverCenter.org.  Please be advised that the Denver Center for the Performing Arts is the ONLY authorized online ticket provider for the Broadway touring productions in Denver.

    (Pictured above right: Daveed Diggs as Marquis de Lafayette the Broadway musical 'Hamilton.')
     
    With book, music and lyrics by Lin-Manuel Miranda, direction by Thomas Kail, choreography by Andy Blankenbuehler and musical direction and orchestrations by Alex Lacamoire, Hamilton is based on Ron Chernow’s biography of Founding Father Alexander Hamilton.

    Subscription information for 2016-17 Broadway season

    Hamilton is the story of America's Founding Father Alexander Hamilton, an immigrant from the West Indies who became George Washington's right-hand man during the Revolutionary War and was the new nation’s first Treasury Secretary.  Featuring a score that blends hip-hop, jazz, blues, rap, R&B, and Broadway, Hamilton is the story of America then, as told by America now.  
     
    Daveed Diggs, Okieriete Onaodowa, Anthony Ramos and Lin-Manuel Miranda in 'Hamilton.'
    Daveed Diggs, Okieriete Onaodowan, Anthony Ramos and Lin-Manuel Miranda from the Tony Award-winning Broadway cast of 'Hamilton.'

    Hamilton
    's creative team previously collaborated on the 2008 Tony Award-winning Best Musical In the Heights.
     
    Hamilton features scenic design by David Korins, costume design by Paul Tazewell (DCPA Theatre Company's The Unsinkable Molly Brown), lighting design by Howell Binkley, sound design by Nevin Steinberg, hair and wig design by Charles G. LaPointe, and casting by Telsey + Company, Bethany Knox, CSA.

    More Colorado theatre coverage on the DCPA NewsCenter

    Hamilton is produced by Jeffrey Seller, Sander Jacobs, Jill Furman and The Public Theater.
     
    The Hamilton Original Broadway Cast Recording is available everywhere nationwide. The Hamilton recording received a 2016 Grammy for Best Musical Theatre Album.
     
    Follow the DCPA on social media @DenverCenter and through the DCPA's News Center.
     
    For more information on Hamilton, visit:
    HamiltonOnBroadway.com
    Facebook.com/HamiltonMusical
    Instagram.com/HamiltonMusical
    Twitter.com/HamiltonMusical

    Hamilton’s 2016 Tony Awards:
    Best Musical: Hamilton
    Best Book of a Musical: Lin-Manuel Miranda
    Best Original Score (Music and/or Lyrics) Written for the Theater:
    Best Performance by an Actor in a Leading Role in a Musical: Leslie Odom Jr.
    Best Performance by an Actor in a Featured Role in a Musical: Daveed Diggs
    Best Performance by an Actress in a Featured Role in a Musical: Renee Elise Goldsberry
    Best Costume Design of a Musical: Paul Tazewell
    Best Lighting Design of a Musical: Howell Binkley
    Best Direction of a Musical: Thomas Kail    
    Best Choreography: Andy Blankenbuehler
    Best Orchestrations: Alex Lacamoire

    Related DCPA NewsCenter coverage:
    Tony Awards offer powerful response to Orlando massacre
    The HamilTony Awards: What Denver’s voter has to say 
    Colorado's ties to the 2016 Tony Award nominations
    Lin-Manuel Miranda on the power of theatre to eliminate distance
    Why Lin-Manuel Miranda's father is obsessed with The Unsinkable Molly Brown




    Hamilton. Phillipa Soo, Renée Elise Gold, Cephas Jones.
    Phillipa Soo, Renée Elise Goldsberry and Jasmine Cephas Jones.


    The Broadway company of Hamilton.
    The Broadway company of 'Hamilton.'

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ABOUT THE EDITOR
John Moore
John Moore
Award-winning arts journalist John Moore has recently taken a groundbreaking new position as the DCPA’s Senior Arts Journalist. With The Denver Post, he was named one of the 12 most influential theater critics in the US by American Theatre Magazine. He is the founder of the Denver Actors Fund, a nonprofit that raises money for local artists in medical need. John is a native of Arvada and attended Regis Jesuit High School and the University of Colorado at Boulder. Follow him on Twitter @moorejohn.

DCPA is the nation’s largest not-for-profit theatre organization dedicated to creating unforgettable shared experiences through beloved Broadway musicals, world-class plays, educational programs and inspired events. We think of theatre as a spark of life — a special occasion that’s exciting, powerful and fun. Join us today and we promise an experience you won't soon forget.