• 2018-19 DCPA Theatre Company season: In with the old ... and the new

    by John Moore | Apr 01, 2018
    Chris Coleman offers a play-by-play look at the 2018-19 DCPA Theatre Company season, his first as the company's new Artistic Director. Video by David Lenk and John Moore for the DCPA NewsCenter.


    Coleman's 40th anniversary season includes two world premieres, Tolstoy and an African-American Oklahoma!

    By John Moore
    Senior Arts Journalist

    Incoming DCPA Theatre Company Artistic Director Chris Coleman has announced a 40th anniversary season he believes both honors the company’s past and boldly steps into the future — and in some intriguing examples, at the same time.

    Coleman will return to the company’s roots by presenting its third Rodgers and Hammerstein musical following previous stagings of Carousel and South Pacific. But Coleman is promising a fresh new look at Oklahoma! by telling the beloved story of a spirited rivalry between local farmers and cowboys from a mostly African-American perspective. Similarly, Coleman will offer adaptations of Tolstoy’s Anna Karenina and W. Somerset Maugham’s The Constant Wife, stories of women overcoming great societal barriers that may strike audiences as remarkably contemporary.

    A Last Night 800 1“It’s incredibly exciting to imagine what you want your first season at an organization to be,” said Coleman, who assumes his full-time Denver duties in May. "This company has long been known as a place where you can do really big, interesting, meaty, dramatic literature. One of the things that's exciting to me is to do something really traditional and then follow that with something that is brand new and edgy. That collision of styles and voices is really juicy to me.”

    Pictured above: Valerie Curtis-Newton, left, will return to again direct 2017 Colorado New Play Summit offering 'Last Night and the Night Before' on the mainstage season. Photo by John Moore for the DCPA NewsCenter.)

    Coleman covers the traditional-to-edgy gamut with the announcement of both an eight-play Theatre Company season that includes three classics and two world premieres, as well as an innovative five-play slate from the company's adventurous Off-Center wing.  

    nataki-garrettWhen Coleman was named Artistic Director in November, he promised programming that will further the DCPA’s efforts to diversify its audiences, champion local storytelling and give voice to underserved communities. All five of the other mainstage directors he named today are women — and three of the playwrights are women or persons of color. Four if you count Off-Center's commission of a planned immersive hip-hop piece from This is Modern Art co-writer Idris Goodwin.
      

    The mainstage season includes two world-premiere plays: Donnetta Lavinia GraysLast Night and the Night Before, which was featured at the company’s 2017 Colorado New Play Summit, and Itamar MosesThe Whistleblower. With the exception of A Christmas Carol, which returns for a 26th year, every playwright and source writer (even Tolstoy) will be new to Theatre Company audiences except Nottage, whose Ruined was one of the most celebrated productions in company history In 2011.

    The Off-Center offerings, said Curator Charlie Miller, will complement the Theatre Company season and tell exciting stories in unconventional ways. “From original micro plays to new theatrical experiments to a large-scale immersive hip-hop show, Off-Center will take audiences into unexpected Denver spaces and showcase local artists, stories, and communities,” he said.

    Take a deeper dive into each play on the 2018-19 season

    The Theatre Company debuted on New Year’s Eve 1979 with The Caucasian Chalk Circle, starring Tyne Daly. Coleman says there is special significance to this being the 40th anniversary season because the company is old enough to have built an significant canon but also young enough to still have staff, artists and audience members who have been here all along — a lot of them.

    "As we step into the next chapter of the Theatre Company’s history, it's inspiring and energizing to look back on the extraordinary body of work that this company has brought to the region over the last 40 seasons," Coleman said. "What's really vivid to me is how many people have been around from Day 1. There are so many people who are really invested in the history and the future of this organization. So, to me, that's worth celebrating. And I view that as a launching pad for me.

    These playwrights and directors are the cream of the crop, and I look forward to the conversations these works will open up with the Denver community."

    John Moore was named one of the 12 most influential theater critics in the U.S. by American Theatre Magazine in 2011. He has since taken a groundbreaking position as the Denver Center’s Senior Arts Journalist.

    Meet new Theatre Company Artistc Director Chris Coleman


    Chris Coleman 2018-19 season announcement


    2018-19 DCPA Theatre Company season at a glance:

    • Aug. 24-Sept. 30: Vietgone (Ricketson Theatre) DEEPER DIVE
    • Sept. 7-Oct. 14: Rodgers & Hammerstein’s Oklahoma! (Stage Theatre) DEEPER DIVE
    • Sept. 21-Oct. 21: The Constant Wife (Space Theatre) DEEPER DIVE
    • Nov. 21-Dec. 24: A Christmas Carol (Stage Theatre) DEEPER DIVE
    • Jan. 18-Feb. 24, 2019: Last Night and the Night Before (Ricketson Theatre) DEEPER DIVE
    • Jan. 25-Feb. 24, 2019: Anna Karenina (Stage Theatre) DEEPER DIVE
    • Feb. 8-March 10, 2019: The Whistleblower (Space Theatre) DEEPER DIVE
    • April 26-May 26, 2019: Sweat (Space Theatre) DEEPER DIVE

    DCPA Theatre Company tickets and subscriptions: New and renewing subscribers have the first opportunity to reserve tickets. Subscription packages are now available online at denvercenter.org or by calling 303-893-4100. Subscribers enjoy 30 percent off savings, free ticket exchanges, payment plans, priority offers to added attractions, discounted extra tickets, a dedicated VIP hotline, free events including talkbacks and receptions, and the best seats at the best prices, guaranteed. Single ticket on-sale date will be announced at a later time. BUY ONLINE

    2018-19 Off-Center season at a glance:

    • July 11-Aug. 22: Mixed Taste: Tag team lectures on unrelated topics (Wednesdays only, with MCA Denver, Seawell Ballroom)
    • Oct. 23-Nov. 18: Bite-Size: An evening of micro theatre (at BookBar)
    • Nov. 23-Dec. 24: The SantaLand Diaries (with Boulder Ensemble Theatre Company at The Jones)
    • March 2019: Powered by Off-Center (The Jones)
    • Dates TBA: Untitled Immersive Hip-Hop Show

    Off-Center ticket information: The single ticket on-sale date for all Off-Center productions will be announced at a later time. Subscriptions are not available for Off-Center shows.


    2018-19 THEATRE COMPANY SEASON: Title by title

    (Descriptions provided by DCPA Theatre Company)

    Vietgone

    • Oregon Shakespeare Festival 2016 VietgoneBy Qui Nguyen
    • Original music by Shane Rettig
    • Directed by Seema Sueko
    • Aug. 24-Sept. 30, 2018 (Opens Aug. 31)
    • Ricketson Theatre
    • Glance: This rap-spitting, pop culture-crusted dramedy is an ode to the real-life courtship of Playwright Qui Nguyen’s parents. Forced to leave their country during the height of the Vietnam War, two refugees find themselves at the same relocation camp in Arkansas – the land of Harleys, hot dogs and “howdy!” Before they find their way into each other’s arms, they’ll have to blaze a trail in their weird new world and leave behind the baggage they didn’t pack. Jump on this emotional ride for an adventure that hums with excitement as it hops across time and around the globe through the highs and lows of love.
    • Fun fact: Qui Nguyen is the self-described geeky playwright behind She Kills Monsters, which addressed stereotypes and social issues through the game “Dungeons and Dragons.”
    • Take a deeper dive into Vietgone

    (Pictured: Oregon Shakespeare Festival's 2016 production of 'Vietgone,' courtesy Oregon Shakespeare Festival.)

    Rodgers & Hammerstein’s Oklahoma!

    • Oklahoma!Music by Richard Rodgers; book and lyrics by Oscar Hammerstein II
    • Based on the play Green Grow the Lilacs by Lynn Riggs
    • Original Dances by Agnes de Mille
    • Directed by Chris Coleman
    • Sept. 7-Oct. 14, 2018 (Opens Sept. 14)
    • Stage Theatre
    • Glance: With a spring in their step and a song in their hearts, cowboys, farmers and travelling salesmen alike have chased their destinies to a land that promises everything they could hope for: love, opportunity and a brighter future. The first collaboration by the legendary team of Rodgers and Hammerstein became a landmark musical for its rollicking music and stunning dance numbers, and this joyful presentation will solidify why it has stood the test of time. New DCPA Theatre Company Artistic Director Chris Coleman makes his DCPA directorial debut with this production, and he will set the story in one of the 50 all-African-American towns in the early days of the Oklahoma Territory. Discover an overlooked piece of American history as one small community stakes its claim on a place full of hope. The choreographer will be Dominique Kelley, a dancer in the film La La Land and the musical Bring in 'Da Noise, Bring in 'Da Funk.
    • Fun fact: Oklahoma! opened on Broadway at the St. James Theatre 75 years ago Saturday, and the cast of the Denver-born Frozen marked the anniversary with a curtain-call singalong that you can watch at this YouTube link.
    • Take a deeper dive into Oklahoma!

    The Constant Wife

    • The Constant WifeBy W. Somerset Maugham
    • Directed by Shelley Butler
    • Sept. 21-Oct. 21, 2018 (Opens Sept. 28)
    • Space Theatre
    • Glance: As the intelligent, charming housewife of a successful doctor, Constance Middleton cheerfully plays her traditional role. But she knows far more than she’s willing to let on. This cheeky satire pokes holes in the expectations of relationships, fidelity and social roles that were just as relevant in the 1920s as they are today. Featuring an infectiously plucky heroine at the helm, The Constant Wife takes joy in the imperfections of life and applauds those who elude the strict confines of society to discover true happiness. DCPA alum Shelley Butler (Human Error, The Most Deserving) returns to direct this contagious comedy.Fun fact: Variety calls Maugham’s protagonist “a perverse protofeminist — and an antecedent to the women of “Desperate Housewives” and “Sex and the City.”
    • Take a deeper dive into The Constant Wife

    A Christmas Carol

    • Sam Gregory A Christmas Carol. By Charles Dickens
    • Adapted by Richard Hellesen
    • Music by David de Berry
    • Directed by Melissa Rain Anderson
    • Nov. 21-Dec. 24, 2018 (Opens Nov. 29)
    • Stage Theatre
    • Glance: Based on Charles Dickens’ classic novel, the Theatre Company’s joyous and opulent seasonal offering now in its 26th year traces money-hoarding skinflint Ebenezer Scrooge’s triumphant overnight journey to redemption. A Christmas Carol illuminates the meaning of the holiday season in a way that has resonated for generations. Note: This is an added attraction, not part of the Theatre Company subscription season.
    • Fun fact: Denver favorite Sam Gregory is scheduled to return for a third time as Scrooge.
    • Take a deeper dive into A Christmas Carol

    Last Night and the Night Before (world premiere)

    • Summit. Last Night. Donnetta By Donnetta Lavinia Grays
    • Directed by Valerie Curtis-Newton
    • Jan. 18-Feb. 24, 2019 (Opens January 25)
    • Ricketson Theatre
    • Glance: When Monique and her 10-year-old daughter Samantha show up unexpectedly on her sister’s Brooklyn doorstep, it shakes up Rachel and her partner Nadima’s orderly New York lifestyle. Monique is on the run from deep trouble and brings their family’s Southern roots with her, grabbing hold of Rachel’s life more ferociously than she could have ever imagined. Poetic, powerful and remarkably funny, Last Night and the Night Before play explores the struggle between the responsibilities that are expected of us and the choices we actually end up making.
    • Fun fact: This play was featured in the 2017 Colorado New Play Summit. Its original title was simply, Sam. The new title references a line from the children’s game "Last night and the night before, I met my baby at the candy store."
    • Take a deeper dive into Last Night and the Night Before


    Anna Karenina

    • TC-web-Season-Ann-400x3003By Kevin McKeon, adapted from the novel by Leo Tolstoy
    • Directed by Artistic Director Chris Coleman
    • Jan. 25-Feb. 24, 2019 (Opens Feb. 1)
    • Stage Theatre
    • Glance: Love holds the power to bind us together or tear us apart, and no one knows better than Countess Anna Karenina. As a noblewoman and socialite, her glamorous lifestyle shrouds her unhappy marriage. But everything changes when she meets the dashing army officer Count Vronsky. She risks her social status, marriage, friends and family for the thrill of forbidden love. Anna Karenina uses the romantic backdrop of Tsarist Russia to tell a turbulent tale of passion and betrayal, dreams chased and lost, and the consequences of getting swept off your feet. Helmed by Artistic Director Chris Coleman, this lush, modern adaptation of Leo Tolstoy’s masterpiece brings the opulent setting and heart-wrenching story to life.
    • Fun fact: The play was made into a 2012 movie adapted by Tom Stoppard and featuring Keira Knightley and Jude Law.
    • Take a deeper dive into Anna Karenina


    The Whistleblower (world premiere)

    • itamarmoses whistleblowerBy Itamar Moses (pictured right)
    • Directed by TBA
    • Feb. 8-March 10, 2019 (Opens Feb. 15)
    • Space Theatre
    • Glance: For screenwriter Eli, an offer to finally create his own TV show should be the ultimate culmination of his goals, but instead shocks him into wondering why he had those dreams in the first place. Armed with a new sense of spiritual clarity, he sets out on a quest to serve up some hard truths to his coworkers, family, exes and friends. What could possibly go wrong? A lively world premiere about the lies we tell to protect ourselves  and how the tiniest gestures can have deep impact on those around us. Written by Itamar Moses, the award-winning author of the musical The Band’s Visit, currently on Broadway.
    • Fun facts: The Whistleblower was first introduced as a staged reading at South Coast Repertory’s 2015 Pacific Playwrights Festival in Costa Mesa, Calif. — alongside Vietgone. Also, Moses was an Executive Story Editor for HBO's "Boardwalk Empire."
    • Take a deeper dive into The Whistleblower

    Sweat

    • TC-web-Season-Ann-400x3004By Lynn Nottage
    • Directed by Nataki Garrett
    • April 26-May 26, 2019 (Opens May 3)
    • Space Theatre
    • Glance: For the people of poverty-stricken Reading, Pa., work is so much more than a paycheck – it’s the glue that holds the town together. The floor of their central factory is where lifelong friendships are made, where love blossoms and where family members work side-by-side. But as layoffs become the new norm and a cheaper workforce threatens the viability of the local union, the threads that once kept the community together begin to fray. Sweat is an “extraordinarily moving drama,” said The New York Times, that powerfully contrasts life’s happiest highs with the heart-wrenching struggles of survival. Using warm humor and deep empathy, this 2017 Pulitzer Prize winner from Lynn Nottage (Ruined) paints a moving portrait of today’s working-class America in decline.
    • Fun fact: Nottage developed her play through interviews with actual former steelworkers in Reading.
    • Take a deeper dive into Sweat

    2018-19 OFF-CENTER SEASON: Title by title

    Mixed Taste: Tag team lectures on unrelated topics

    • Mixed Taste Aug 9Co-presentation with MCA Denver
    • July 11-Aug. 22, 2018 (Wednesdays only)
    • Seawell Ballroom
    • Glance: Returning for a second summer series, even mismatched subjects find common ground in this fun lecture forum that can go pretty much anywhere. Two speakers get 20 minutes each to enlighten you on unrelated topics, but can’t make any connections to each other. Ideas start to blend afterward, when audience members ask questions to both speakers and anything goes.
    • Fun fact: One clever example from last year’s series: “Wild West mail delivery and post-conceptual art.” Last year’s series emcee Suzi Q. Smith wrote a poem during each performance and read them at the end of every evening.
     

    Bite-Size: An evening of micro theatre

    • 2017 TRUE WEST AWARDS Gary Grundie Meridith C. GrundeiCreated and directed by Meridith Crosley Grundei
    • Oct. 23-Nov. 18, 2018
    • At BookBar, 4280 Tennyson St.
    • Glance:
    • Bite-Size brings you five short plays with bookish twists performed in and around BookBar, an independent bookstore and wine bar in the Tennyson Street Arts District. Grab tapas and drinks between the short performances of original works by Colorado-based artists. There is no better way to see a variety of local playwrights and performers in one place. Whether you’re a theatre geek, a bookworm or on the hunt for an off-beat night out, this evening will leave you eager to crack into a fresh hard-cover and dream up some tales of your own.
    • Fun fact: Director Meridith Grundei, a 2017 True West Award winner, packed up a used R.V. and hit the road with her husband and daughter in 2017 to travel the United States and Mexico for a year.


    The SantaLand Diaries

    • A Santaland Diaries Michael BouchardCo-presentation with Boulder Ensemble Theatre Company
    • By David Sedaris, adapted for the stage by Joe Mantello
    • Directed by Stephen Weitz
    • Nov. 23-Dec. 24, 2018 (Opens Nov. 25)
    • The Jones Theatre
    • Glance: This acclaimed one-man show is based on David Sedaris’ best-selling memoir about his curmudgeonly experience working as a Macy’s SantaLand elf, once again featuring Michael Bouchard and Luke Sorge as David, and his devilish Macy’s persona, Crumpet the Elf. Think holiday shopping is brutal? Try being on the receiving end of Macy’s SantaLand madness in a pair of pointy shoes. This twisted tale is the cure for the common Christmas show and the perfect excuse to take a break from it all.
    • Fun fact: 2018-19 will mark the 10th anniversary of BETC’s annual holiday staging, the last seven in partnership with Off-Center. That will equal The Bug Theatre’s run of 10 seasonal The SantaLand Diaries starring Gary Culig.

    Powered by Off-Center

    • March 2019
    • The Jones Theatre
    • Glance: Discover your next favorite Colorado performer as they debut new work at the Denver Center. Off-Center is offering the spotlight to local creators of all kinds as they get their projects off the ground with the support of our team. We’re giving our local artistic community a new place to play and a platform to experiment, engage and excite us all. Performance dates and participating artists to be announced.

    Untitled Immersive Hip-Hop Show

    • Idris Goodwin 160Written by Idris Goodwin
    • Directed by Jenny Koons
    • Glance: Following the hit experiential shows Sweet & Lucky and The Wild Party, Off-Center is cooking up its next large-scale immersive adventure. Off-Center has commissioned playwright Idris Goodwin and New York-based director Jenny Koons (Burn All Night at American Repertory Theatre) to create a one-of-a-kind new hip-hop-inspired event. Title, location, dates, and details to be announced.
    • Fun fact: Goodwin is the director and co-writer of This is Modern Art, currently playing through April 15 in The Jones Theatre.

    Note: Due to the nature of live performance, all productions, prices and dates are subject to change.

    More Colorado theatre coverage on the DCPA NewsCenter

  • Lenne Klingaman to explore Hamlet's feminine side for Colorado Shakes

    by John Moore | Mar 02, 2017
    Lenne Klingaman



    The Colorado Shakespeare Festival has announced casting for its 60th anniversary season in the summer of 2017, and it includes not only a female Hamlet, but one familiar to DCPA Theatre Company audiences. Lenne Kingaman, who played Juliet in Romeo and Juliet and two roles in Appoggiatura, will be mulling the meaning of her existence on the University of Colorado's intimate indoor stage. 

    And DCPA veteran Robert Sicular will be playing Julius Caesar. He’s performed in 11 Theatre Company productions from 1994-2012, most recently Heartbreak House, The Liar and The Taming of the Shrew. Anthony Powell (All the Way) directs.

    "I’m super excited about the cast we’ve put together,” Producing Artistic Director Timothy Orr. “We worked really hard to assemble a group of local favorites — some of the best in Colorado — as well as actors from California and New York who we’ve been trying to get out here for several years.”

    Robert SicularCarolyn Howarth is directing a contemporary version of Hamlet in a fresh way that should unlock more of the enduring mysteries of the play, Klingaman said.

    “To be a woman sinking my teeth into a role that is so iconic, but from a female perspective, is going to allow us to open up the characters and the relationships in the story in a way that will help us find our way to an even more universal portrayal of the character and the play as a whole,” she said.

    For centuries, women have been going through the same juggernaut of earth-shattering experiences Hamlet went through, Klingaman said. Audiences just have not been allowed to see that play out on a stage until now.

    “To be a woman and to get to tackle those issues of power and mortality and duty and love will be extremely thrilling," Klingaman said. “But I am also excited about what it does to every relationship in the play" 

    It should be noted that Ophelia still will be played by a woman (Emelie O'Hara).

    “Our understanding of masculinity and femininity today is so different from Shakespeare’s time," she said. "Some of our ideas of what might be feminine today are now more in line with might have been considered masculine in Shakespeare’s time. I want to open up a more fluid conception of gender and masculinity and femininity. It's not just a question of one or the other."

    University of Northern Colorado theatre professor Shelly Gaza will make her Colorado Shakes debut as Kate in a New York-centric, post-war The Taming of the Shrew. Scott Coopwood, a Marin Shakespeare Company and Portland Center Stage regular, will play Petruchio.

    More Colorado theatre coverage on the DCPA NewsCenter

    Gaza’s Kate is a plucky Air Force pilot who’s just returned to New York City from a tour in World War II, and Coopwood’s Petruchio, older and wiser in this production, must grapple with the fact that he’s fallen in love with his strong, stubborn match.

    Michael Bouchard (The SantaLand Diaries) and DCPA Teaching Artist Sean Scrutchins will play the title characters in Tom Stoppard’s Rosencrantz & Guildenstern Are Dead, a comic retelling of Hamlet from the perspective of its two most minor characters. Most of the actors in Hamlet will play their same roles in Rosencrantz & Guildenstern Are Dead.

    “I can’t believe I get to work with Sean and Michael in the title roles,” said Orr, who will direct. “Comedically, these guys can tear the roof off a theatre.”

    Other familiar DCPA names include Sam Gregory (Scrooge in A Christmas Carol), Mare Trevathan (The Sweetest Swing in Baseball), Rodney Lizcano (The Book of Will) and Meridith C. Grundei (Frankenstein). Also well-known to Colorado Shakes audiences or around the metro area include Christopher Joel Onken, Casey Andree, Rachel Turner, Sam Sandoe, Anne Sandoe, Bob Buckley and Anne Penner. 

    The design teams include DCPA costumer Meghan Anderson Doyle (An Act of God, The Glass Menagerie), sound designer Jason Ducat (Two Degrees) and lighting designer Shannon McKinney (Tribes). Acclaimed New York scenic and lighting designer Stephen C. Jones will light both indoor plays (the other is a yet-to-be-cast Original Practices performance of Henry VI, Part 3.

    Additional reporting by Jill Kimball of CU Presents.

    HAMLET, indoors
    June 23-Aug. 13
    Shakespeare’s masterpiece, often considered the greatest play in the English language, returns for CSF’s 60th season. When Hamlet’s world is ripped apart by his father’s sudden death and his mother’s hasty remarriage, the young prince’s mind wrestles with his heart in a tormented quest to uncover the truth. Staged for the first time inside the intimate University Theatre, this is Hamlet as you’ve never seen it before.

    Gary Wright: Claudius
    Michael Bouchard: Rosencrantz
    Kristofer Buxton: Osric/Tragedian
    Elise Collins: Fortinbras/Tragedian
    Sam Gregory: The Player/Ghost
    Lenne Klingaman: Hamlet
    Ava Kostia: Laertes
    Rodney Lizcano: Polonius/Gravedigger
    Jihad Milhem: Horatio
    Emelie O'Hara: Ophelia
    Sean Scrutchins: Guildenstern
    Cindy Spitko: Voltemand/Tragedian
    Austin Terrell: Cornelius/Tragedian
    Mare Trevathan: Gertrude
    Blake Williams: Marcellus/Tragedian

    Carolyn Howarth: Director
    Paul Behrhorst: Stage Manager
    Whitney Brady: Assistant Lighting and Scenic Designer
    Jason Ducat: Sound Designer
    Hugh Hanson: Costume Designer
    Stephen C. Jones: Scenic Designer, Lighting Designer
    Darion Ramos: Assistant Stage Manager

    JULIUS CAESAR, outdoors
    July 7-Aug. 12
    Benaiah Anderson: Cinna/Titinius/Ensemble
    Casey Andree: Casca/Strata/Ensemble
    Bob Buckley: Cobbler/Publius/Lepidus/Ensemble
    Michael Chen: Volumnious/Ensemble
    Scott Coopwood: Marcus Brutus
    David Derringer: Trebonius/Clitus/Ensemble
    Evan Ector: Young Cato/Ensemble
    Erik Fellenstein: Flavius/Anthony's Messenger/Octavius Caesar/Ensemble
    Ian Roy Fraser: Lucius
    Shelly Gaza: Calphurnia
    Christopher Joel Onken: Marc Anthony
    Anne Penner: Portia/Soothsayer
    Tony Ryan: Carpenter/Metellus Cimber/Lucilius/Ensemble
    Sam Sandoe: Caius Ligarius/Ensemble
    Matthew Schneck: Cassius
    Robert Sicular: Julius Caesar
    Ayla Sullivan: Artemidora/Ensemble
    Andy Walker Decius: Brutus/Pindarus/Ensemble
    Coleman Zeigen: Marullus/Populous/Lepidus/Ensemble

    Anthony Powell: Director
    Caitlin Ayer: Scenic Designer
    Jonathan D. Allsup: Assistant Stage Manager
    Jason Ducat: Sound Designer
    Clare Henkel: Costume Designer
    Shannon McKinney: Lighting Designer
    Stacy Renee Norwood: Stage Manager

    THE TAMING OF THE SHREW, outdoors
    June 11-Aug. 13
    CSF kicks off its 60th season with a zany comedy set in swinging 1940s New York City. Enter Kate, a plucky pilot who’s just returned from the fray of World War II, and her stubborn match, Petruchio. On the vibrant streets of Little Italy, the two duke it out in a battle of wits, dance the night away and discover, against all odds, a mutual respect that’s almost like being in love.

    Benaiah Anderson: Biondello
    Casey Andree: Hortensio
    Michael Chen: Ensemble
    Scott Coopwood: Petruchio
    David Derringer: Tailor / Ensemble
    Evan Ector: EnsembleIan
    Roy Fraser: Haberdasher/Ensemble
    Shelly Gaza: Kate
    Meredith C. Grundei: Curtis
    Christopher Joel Onken: Lucentio
    Tony Ryan: Tranio
    Anne Sandoe: Widow
    Sam Sandoe: Gremio
    Matthew Schneck: Grumio
    Robert Sicular: Baptista
    Ayla Sullivan: Ensemble
    Rachel Turner: Bianca
    Robert Wester: The Pedant
    Coleman Zeigen: Vincentio

    Christopher DuVal: Director
    Caitlin Ayer: Scenic Designer
    Jonathan D. Allsup: Assistant Stage Manager
    Meghan Anderson Doyle: Costume Designer
    Jason Ducat: Sound Designer
    Shannon McKinney: Lighting Designer
    Stacy Renee Norwood: Stage Manager

    ROSENCRANTZ & GUILDENSTERN ARE DEAD, indoors
    July 21-Aug. 13
    In this hilarious and mind-bending comedy by the Oscar-winning screenwriter of Shakespeare in Love, Hamlet is brilliantly retold through the eyes of two minor characters. Rosencrantz and Guildenstern, two bewildered schoolmates sent to pull Prince Hamlet out of his descent into madness, grapple with fate, free will and the game of life. CSF’s production brings its full Hamlet cast on stage to inhabit Stoppard’s ingenious parallel universe of wit and wisdom.

    Gary Wright: Claudius
    Michael Bouchard: Rosencrantz
    Elise Collins: Tragedian
    Sam Gregory: The Player
    Lenne Klingaman: Hamlet
    Rodney Lizcano: Polonius
    Jihad Milhem: Horatio
    Emelie O'Hara: Ophelia
    Sean Scrutchins: Guildenstern
    Cindy Spitko: Tragedian
    Austin Terrell: Tragedian
    Mare Trevathan: Gertrude
    Blake Williams: Tragedian

    Timothy Orr: Director
    Paul Behrhorst: Stage Manager
    Whitney Brady: Assistant Lighting and Scenic Designer
    Jason Ducat: Sound Designer
    Hugh Hanson: Costume Designer
    Stephen C. Jones: Scenic Designer, Lighting Designer
    Darion Ramos: Assistant Stage Manager

    ADDITIONAL COMPANY
    Casting by Sylvia Gregory Casting
    Company Armorer: Benaiah Anderson
    Props Supervisor: Katie Hamilton
    Costume Shop Manager Adam M. Dill


    TICKET INFORMATION  

     

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ABOUT THE EDITOR
John Moore
John Moore
Award-winning arts journalist John Moore has recently taken a groundbreaking new position as the DCPA’s Senior Arts Journalist. With The Denver Post, he was named one of the 12 most influential theater critics in the US by American Theatre Magazine. He is the founder of the Denver Actors Fund, a nonprofit that raises money for local artists in medical need. John is a native of Arvada and attended Regis Jesuit High School and the University of Colorado at Boulder. Follow him on Twitter @moorejohn.

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