• 2017 True West Award: Kenny Moten

    by John Moore | Dec 07, 2017
    2017 True West Award Kenny Moten. Photo by John Moore

    2017 TRUE WEST AWARDS  

    Day 7: Kenny Moten

    Motones vs. Jerseys
    Miscast 2017
    Aurora Fox Cabaret Series
    Owner, Narrative Creative Consulting

    By John Moore
    Senior Arts Journalist

    If you think being a performer is hard, try being a performer and the owner of your own entertainment and consulting company. Kenny Moten makes the transition from actor to producer to businessman and back again in same manner that often describes his rich singing voice: Smooth as silk.

    Moten is among the very few performers who also knows how to run a business.

    Kenny Moten“It’s rare because owning an entertainment business is brutal in a way that is very different from the way performing is brutal,” said Moten’s frequent creative partner — and employee — Jalyn Courtenay Webb. “When you’re the boss, you are not only responsible for yourself, but for the people you hire and the team you put together. But Kenny has just the right temperament for it. He does everything with integrity. He’s a solid human being.”  

    Moten is the creator and owner of Narrative Creative Consulting, which presents entertainment events and uses various art forms to help clients ranging from National Jewish Hospital to Snooze Eatery to the Denver Center shape their narratives, customer service, employee training and brand strategies.  

    Moten is also the co-creator, director, writer and a featured performer of a clever new musical form called Motones vs. Jerseys. In July, it was up for three Colorado Theatre Guild Henry Awards, including Outstanding Musical, for its nearly sold-out run at the Midtown Arts Center in Fort Collins.

    In September, Moten lent his support (and that smooth-as-silk singing voice) to the Denver Actors Fund by appearing in Miscast 2017 as one of the three Fionas singing I Know It’s Today from Shrek the Musical. In October, the Aurora Fox turned to Moten to launch its risky new monthly cabaret series with 12 O’clock Tales: An Evening of Songs and Stories. Both shows sold out, which Webb said is further indication of Moten’s popularity as a performer — and his business acumen. Both come from more than 20 years as a professional performer, Webb says.

    Kenny Moten Miscast 2017“Kenny’s name is synonymous with excellence, and people know that in our community and beyond,” she said. “He was not going to do his show in an empty house — and he certainly did not.”

    Moten caps a remarkable 2017 with a return next week to Motones vs. Jerseys as part of a unique new creative partnership with BDT Stage in Boulder. "MvJ," as the kids call it, is a feel-good, nostalgic evening featuring the music of Motown and The Four Seasons — along with their many ancestors and descendants — in a good-natured competition. After two teams of four performers each rock out a playlist spanning Marvin Gaye, Stevie Wonder, The Beach Boys, The Beatles, Bruno Mars and many more, the audience chooses a winning team using their cell phones to vote.

    (Pictured right: Kenny Moten with his 'Miscast 2017' co-stars, Margie Lamb, left, and Hope Grandon. Photo by John Moore for the DCPA NewsCenter,)

    It’s a concept Moten first developed with Chris Starkey, now of Imprint Group DMC. After several refinements, Moten unveiled a slick new version of the show last year at the Midtown Arts Center, where it received a standing ovation “every single night,” said Webb, who is both the show’s Music Director and nightly emcee. “And let me tell you, I’ve never seen that happen at any dinner theatre before in my life.”

    Motones vs. Jerseys opens on Dec. 10 and will play on Sunday, Monday and Tuesday nights through Jan. 23, playing in rep the rest of the week with BDT Stage’s holiday staging of Annie.

    More Colorado theatre coverage on the DCPA NewsCenter

    Moten, who is originally from Hagerstown, Md., graduated from Highlands Ranch High School and the University of Colorado Denver. He transitioned from Barnstormer to leading man with a remarkable 2005 performance in Ain’t Misbehavin’ at the late Country Dinner Playhouse opposite now Denver First Lady Mary Louise Lee. Westword’s Juliet Wittman called Moten not only “a wonderful singer with a voice full of poignancy and power,” but also “a charming and seductive performer who brings impressive precision and a smooth, lean elegance to the stage.”

    Other major credits include Swing at the Candlelight Dinner Playhouse and Altar Boyz at the Clocktower Cabaret, but it wasn’t long before Moten was off to New York. He re-settled in Fort Collins a few years ago and has since been on a roll that has not only furthered his personal and professional interests, but has gainfully employed dozens of local actors and crew members on his many public and corporate projects.

    “The thing I love about Kenny is that he’s so fun, but he’s also completely no-nonsense when it comes to the work,” said Webb. “He expects the highest quality and the highest level of performance possible from his performers, and we respect that. He knows what he wants — and he goes out and gets it."

    John Moore was named one of the 12 most influential theater critics in the U.S by American Theatre Magazine in 2011. He has since taken a groundbreaking position as the Denver Center’s Senior Arts Journalist.

    Motones vs. Jerseys: At a glance

    • Dec. 10-Jan. 23
    • BDT Stage, 5501 Arapahoe Ave., Boulder
    • Performances Sunday, Monday and Tuesday evenings. Dinner seating begins at 6:15, with the show to follow at 7:45
    • Featuring Brian Cronan, Will Hawkins, Brian Jackson and Jacob Villareal as The Jerseys, and Christian Mark Gibbs, Anthony McGlaun, Kenny Moten and Alejandro Roldan as The Motones.
    • Call 303-449-6000 or bdtstage.com


    ABOUT THE TRUE WEST AWARDS: '30 DAYS, 30 BOUQUETS'

    The True West Awards, now in their 17th year, began as the Denver Post Ovation Awards in 2001. DCPA Senior Arts Journalist John Moore — along with additional voices from around the state — celebrate the entire local theatre community by recognizing 30 achievements from 2017 over 30 days, without categories or nominations. Moore was named one of the 12 most influential theater critics in the U.S by American Theatre Magazine in 2011. He has since taken a groundbreaking position as the Denver Center's Senior Arts Journalist. His daily coverage of the DCPA and the Colorado theatre community can be found at MyDenverCenter.Org

    A look back at the history of the True West Awards

    The 2017 True West Awards (to date)

    Video bonus: Motones vs. Jerseys at the 2017 Henry Awards

  • 'Motown' performers visit D-Town's North High School

    by John Moore | Feb 17, 2017

    Video above: Cast members from the national touring production of Motown the Musical visited students from Denver's North High School to sing a song and answer their questions about life in the theatre.

    Michelle Alves, who plays 15 roles, and 11-year-old CJ Young, who plays a young Michael Jackson, offered advice and encouragement before returning to the Buell Theatre for 'Motown,' the story of founder Berry Gordy's journey from featherweight boxer to heavyweight music mogul. His American dream launched the careers of Diana Ross, Michael Jackson and Smokey Robinson. The conversation was led by DCPA Education’s Patrick Elkins-Zeglarski.

    Video by DCPA Video Producer David Lenk and Senior Arts Journalist John Moore.

    Photo gallery: Motown at Denver's North High School:

    'Motown' in Denver 2017
    Photos by John Moore for the DCPA NewsCenter. To see more, click the forward arrow on the image above.

    Motown the Musical: Ticket information
    Motown The MusicalThrough Sunday, Feb. 19
    The Buell Theatre
    ASL, Open Caption and Audio Described performance: 2 p.m. Saturday, Feb. 18
    Tickets: 303-893-4100 or BUY ONLINE
    800-641-1222 | TTY: 303-893-9582
    Groups (10+): 303-446-4829

    Previous NewsCenter coverage of Motown the Musical:
    How Berry Gordy turned a slogan into The Supremes

    Michelle Alves and CJ Young, center, with students from Denver North High School. Photo by John Moore. Michelle Alves and CJ Young of 'Motown the Musical,' center, with students from Denver North High School. Photo by John Moore for the DCA NewsCenter.
  • Video: Denver First Lady hosts students, 'Motown' cast members

    by John Moore | Apr 24, 2015

    Video by John Moore and David Lenk.




    Denver First Lady Mary Louise Lee with 'Motown' actors Reed L. Shannon and Leon Outlaw Jr. at Cableland. Photo by Emily Lozow. Motown at CablelandDenver First Lady Mary Louise Lee hosted students from Denver's Hamilton and Florida Pitt Waller middle schools for an afternoon of pizza, performances and inspiring conversations from Motown the Musical national touring production cast members.  And when the students were asked to return the favor, they sang a few songs for the pros as well.

    The participating Motown cast members included   Clifton Oliver, Leon Outlaw Jr., Reed L. Shannon, Patrice Covington, Ashley Tamar Davis and Martina Sykes.

    "I want everyone to know that this could be you too," said Lee, also the founder of  a nonprofit called the Bringing Back The Arts Foundation. "You can be anything you set your mind to. You can be an astronaut.  You can can be an architect. You an be the mayor of Denver. It doesn't matter what color you are, or where you come from."



    Pictured above: Denver First Lady Mary Louise Lee with Motown actors Reed L. Shannon and Leon Outlaw Jr. at Cableland. Photo by Emily Lozow.

    Our photo gallery from the day at Cableland:


    Photos by John Moore and Emily Lozow for the DCPA NewsCenter.
  • 'Motown' moments: Smooth moves earn retired Colonel trip to Boston

    by John Moore | Apr 13, 2015



    Shel and Karen Oli with 'Motown' star Allison Semmes. Photo by John Moore. Retired Air Force Colonel Shel Omi of Wheat Ridge won CBS-4's Motown superfan contest by submitting video of his father-daughter wedding dance to the Motown "My Girl," with his daughter, Paige.

    Omi won a trip to see 'Motown the Musical' in Boston, where he met cast members and took a private a backstage tour. DCPA Senior Arts Journalist John Moore and Video Producer David Lenk talked with Col. Omi at Opening Night of the national touring production's current stop in Denver, which runs through April 19.

    Footage from Boston courtesy CBS-4 Critic-at-Large Greg Moody. Pictured above: Shel and Karen Omi with Motown the Musical star Allison Semmes. Photo by John Moore.

    Watch the video of the full father-daughter dance by clicking here

    Motown the Musical: Ticket information
    Through April 19
    The Buell Theatre
    ASL, Open Caption and Audio Described performance: April 18, 2 p.m.
    Tickets: 303-893.4100 | buy online
    800-641-1222 | TTY: 303-893-9582
    Groups (10+): 303-446-4829
    Click here to go to the show's official web site

    Previous NewsCenter coverage of Motown, The Musical:
    9News' TaRhonda Thomas is a Supreme for a Day
    Video: A 'Motown' national anthem at Denver Nuggets game
    Mayor declares 'Motown the Musical Day' in Denver
    Video: Our Little Michael Jacksons in Denver
    Video: Allison Semmes on channeling Diana Ross
    Video: Scott Shiller's first day as DCPA CEO is Motown's opening night
    How Berry Gordy turned a slogan into The Supremes
    Photos: Motown in Denver
    Official show page
    Video: Montage of scenes

    Shel Omi with his family at the opening of 'Motown the Musical' in Denver. Photo by John Moore. Shel Omi with his family at the opening of 'Motown the Musical' in Denver. Photo by John Moore.
  • Video: Mayor declares 'Motown the Musical' Day in Denver

    by John Moore | Apr 06, 2015


    Denver Mayor Michael B. Hancock and his wife, Mary Louise Lee. Photo by John Moore. On Friday, Denver Mayor Michael B. Hancock declared April 3 to be Motown The Musical Day in Denver. He was accompanied by his wife, performer Mary Louise Lee.

    Hancock and Lee celebrated their 20th anniversary by flying to New York and seeing Motown The Musical on Broadway. The Hancocks already have attended the show three times in Denver. Hear what they have to say about the importance of Motown music not only for them, but for all music lovers.

    Lee made her professional debut at age 18 performing in the Motown inspired musical Beehive at what is now the Garner Galleria Theatre at the Denver Performing Arts Complex.

    The national touring production of Motown The Musical will be visiting Denver through April 19.

    Read the entire proclamation at the bottom of this page.

    Video by John Moore and David Lenk for the DCPA NewsCenter.

    Mayor Michael B. Hancock and wife Mary Louise Lee declare April 3 to be 'Motown the Musical' Day in Denver. Phot by John Moore.
    Mayor Michael B. Hancock and wife Mary Louise Lee declare April 3 to be 'Motown the Musical' Day in Denver. Photo by John Moore.



    Motown the Musical: Ticket information
    Through April 19
    The Buell Theatre
    ASL, Open Caption and Audio Described performance: April 18, 2 p.m.
    Tickets: 303-893.4100 | buy online
    800-641-1222 | TTY: 303-893-9582
    Groups (10+): 303-446-4829
    Click here to go to the show's official web site

    Previous NewsCenter coverage of Motown, The Musical:
    Video: Our Little Michael Jacksons in Denver
    Video: Allison Semmes on channeling Diana Ross
    Video: Scott Shiller's first day as DCPA CEO is Motown's opening night
    How Berry Gordy turned a slogan into The Supremes
    Photos: Motown in Denver
    Official show page
    Video: Montage of scenes

    Photos of Motown the Musical's stay in Denver:


    Here are  photos from the national touring production of 'Motown The Musical' in Denver. Photos by John Moore and Emily Lozow.



    The proclamation:
    April 3 is 'Motown the Musical' Day in Denver.
  • Video: 'Motown' moments: The Little Michael Jacksons in Denver

    by John Moore | Apr 03, 2015



    Reed L. Shannon and Leon Outlaw Jr., who are sharing the roles of Young Berry Gordy, Stevie Wonder and Michael Jackson in the national touring production of Motown the Musical, had a whirlwind first 24 hours in Denver that included Tuesday's opening-night afterparty, and media stops with both KDVR's 'Everyday' show with Chris Parente and Kathie J.; and KMGH's 'The Now' show with Lionel Bienvenu. The Wednesday performance was followed by an audience talkback.

    DCPA Senior Arts Journalist John Moore and Video Producer David Lenk chronicled the youngsters' first day and captured their thoughts on life on the road. "I have been inspired by Michael Jackson ever since I was in my mom's belly," Outlaw says. The pair already have spent a full year of their young lives playing the legendary Jackson, Wonder and Gordy. They will be here in Denver trading performances in Motown the Musical through April 19.

    Video by John Moore and David Lenk for the DCPA NewsCenter

    Here's a link to their video appearance on the 'Everyday' show
    Here's a link to their video appearance on 'The Now' show

    Motown the Musical: Ticket information
    Through April 19
    The Buell Theatre
    ASL, Open Caption and Audio Described performance: April 18, 2 p.m.
    Tickets: 303-893.4100 | buy online
    800-641-1222 | TTY: 303-893-9582
    Groups (10+): 303-446-4829
    Click here to go to the show's official web site

    Previous NewsCenter coverage of Motown, The Musical:
    Video: Allison Semmes on channeling Diana Ross
    Video: Scott Shiller's first day as DCPA CEO is Motown's opening night
    How Berry Gordy turned a slogan into The Supremes
    Photos: Motown in Denver
    Official show page
    Video: Montage of scenes


    Here are  photos from the national touring production of 'Motown The Musical' in Denver. Photos by John Moore and Emily Lozow.


    Reed L. Shannon, left, and Leon Outlaw Jr. Photo by John Moore.

    Reed L. Shannon, left, and Leon Outlaw Jr. Photo by John Moore.

  • Video: 'Motown' moments: Allison Semmes on Opening Night in Denver

    by John Moore | Apr 02, 2015


    Allison Semmes in Denver. Photo by John Moore. Allison Semmes, who is playing Diana Ross in the national touring production of Motown the Musical that just opened in Denver, talks with DCPA Senior Arts Journalist John Moore just after the opening performance at the Buell Theatre. Motown the Musical plays through April 19.

    Motown the Musical: Ticket information
    Through April 19
    The Buell Theatre
    ASL, Open Caption and Audio Described performance: April 18, 2 p.m.
    Tickets: 303-893.4100 | buy online
    800-641-1222 | TTY: 303-893-9582
    Groups (10+): 303-446-4829
    Click here to go to the show's official web site


    Previous coverage of Motown, The Musical:
    Video: Scott Shiller's first day as DCPA CEO is Motown's opening night
    How Berry Gordy turned a slogan into The Supremes
    Photos: Motown in Denver
    Official show page
    Video: Montage of scenes


    Here are  photos from the national touring production of Motown The Musical's opening night in Denver on Tuesday, March 31. Photos by John Moore and Emily Lozow.

  • Photos: D-Town becomes Motown as national tour opens in Denver

    by John Moore | Apr 02, 2015

    Here are  photos from the national touring production of Motown The Musical's opening night in Denver on Tuesday, March 31. Photos by John Moore and Emily Lozow.

    Motown Opening Night. Photo by John Moore. Our gallery includes fan photos in the lobby and shots from the opening-night party at Limelight attended by, among others, Denver dance legend Cleo Parker Robinson, Denver First Lady Mary Louise Lee and longtime local singer Robert Johnson. Lee is a performer who made her professional debut at age 18 in Beehive The Musical at the next-door Garner Galleria Theatre (then StageWest).

    The Motown opening was a homecoming for Production Manager Anna R. Kaltenbach, a graduate of the University of Denver and a longtime member of Denver's LIDA Project theatrical collective.

    All photos are downloadable for free at a variety of available sizes. Click here to go to our public Flickr album.

    Motown The Musical tells the true story of Motown founder Berry Gordy’s journey from featherweight boxer to heavyweight music mogul. His American dream launched the careers of Diana Ross, Michael Jackson, Smokey Robinson, shattered barriers, shaped our lives and made us move to the same beat.

    Leon Outlaw Jr. (Young Michael Jackson) and Denver First Lady Mary Louise Lee at the 'Motown' opening night. Photo by John Moore.

    Leon Outlaw Jr. (Young Michael Jackson) and Denver First Lady Mary Louise Lee at the 'Motown' opening night. Photo by John Moore.


    Motown the Musical:
    Ticket information

    Through April 19
    The Buell Theatre
    ASL, Open Caption and Audio Described performance: April 18, 2 p.m.
    Tickets: 303-893.4100 | buy online
    800-641-1222 | TTY: 303-893-9582
    Groups (10+): 303-446-4829
    Click here to go to the show's official web site

    Our previous NewsCenter coverage of Motown The Musical:
    Video: Scott Shiller's first day as DCPA CEO is Motown's opening night
    How Berry Gordy turned a slogan into The Supremes
    Official show page
    Video: Montage of scenes


  • 'Motown The Musical': How Berry Gordy turned a slogan into The Supremes

    by John Moore | Feb 05, 2015


    Berry Gordy Jr. changed the landscape of American music when he founded Motown Records in 1959. And Motown Records changed the landscape of the world.

    On Jan. 12, 1959, the 28-year-old obtained a loan of $800 from his family to start Motown. He set up his Detroit headquarters in a modest house emblazoned with an immodest sign: “Hitsville U.S.A.” The slogan was premature, but prophetic. The company had its first hit record in 1960, and between 1961 and 1971 landed 163 singles in Billboard magazine’s Top 20, including 28 songs that reached No. 1.
      Clifton Oliver as Berry Gordy in 'Motown the Musical.' Photo by Joan MarcusGordy, now 87, discovered, developed, and launched the careers of Smokey Robinson and the Miracles, Diana Ross and The Supremes, The Temptations, Stevie Wonder, Mary Wells, The Jackson 5, Michael Jackson, and Marvin Gaye – to name just a few – and Motown became the most successful business owned and operated by an African-American in the United States.

    “The love we felt for each other when we were playing is the most undisputed truth about our music,” Gordy said. “I sometimes referred to our sound as a combination of rats, roaches, soul, guts and love.” 

    Gordy’s journey from featherweight boxer to heavyweight music mogul is told in Motown the Musical, which will be performed in Denver from March 31 through April 19 at the Buell Theatre.

    Although Motown was home mostly to black artists, Gordy envisioned the music as “the sound of young America” – and by that he meant Americans of all colors and ethnicities. He started Motown just before the civil rights movement was in full flower, when neighborhoods throughout the country remained segregated, and music by black artists was mostly relegated to black radio stations and the chitin’ circuit.

    But Gordy and his team of writers, producers, in-house musicians and vocalists created fresh sound, an amalgam of gospel, blues and mainstream pop. Gordy endeavored to reach across the racial divide with music that could touch all people, and barriers began to tumble. Motown’s artists became a staple on mainstream white radio stations and at top venues around the world. Blacks and whites were seen dancing together at concerts. 

    The following is part of Gordy’s story, in his own words:

    Motown The Musical 2017
    Photo gallery: To see more, click the forward arrow on the image above. Photos by Joan Marcus.

    On Motown’s unlikely rise to the top: How did you do it?
    Hitsville had an atmosphere that allowed people to experiment creatively and gave them the courage not to be afraid to make mistakes. In fact, I sometimes encouraged mistakes. Everything starts as an idea, and as far as I was concerned, there were no stupid ones. “Stupid” ideas are what created the light bulb, airplanes and the like. … It was an atmosphere that made you feel no matter how high your goals, they were reachable, no matter who you were. I had always figured that less than 1 percent of all the people in the world reach their full potential. I realized that by helping others reach theirs, maybe I could reach mine.

    Obstacles faced by black artists prior to Motown:
    The biggest obstacle faced by talented black artists was having a place to go – a record company where they would be accepted, where the records would be distributed, get played, and where they would get paid. Another obstacle was an artist having access to great material and great production in order to get a hit record.

    How Motown changed the culture at white radio stations:
    Most black artists, I feel, were ignored because of segregation and the music industry’s blatant pigeonholing of artists as “Rhythm and Blues,” “Rock’ n Roll” or “Pop.” When I started out, I wanted music for all people: the cops and robbers, the rich and poor, the black and white, the Jews and the Gentiles. When I went to the white radio stations to get my records played, they would laugh at me. They thought I was trying to bring black music to white people, to “cross over,” and I said, “Wait a minute; it’s not really black music. It’s music by black stars.” I refused to be categorized. They called my music all kinds of stuff: Rhythm and Blues, Soul. And I said, “Look, my music is Pop. Pop means popular. If you sell a million records, you’re popular.” And that’s what we did.

    What made your music popular?
    I believed it’s what’s in the grooves that counts. Our music con­veyed basic feelings, cutting through cultural and language barriers. Every project I do – records, movies, TV or Broadway play – that’s what I have in mind. It’s all the same. I felt that people were all the same, that people have so much in common, and that our similarities were so much more powerful than our differences. So we just put out our music. We worked hard to deliver to people things like joy, love, and desire, the emotions that people felt but couldn’t always express.

    Motown the Musical


    On reaching white audiences:
    We released some of our early albums without showing the artists’ faces on them. The Marvelettes’ album Please Mr. Postman had a picture of a mailbox on it; Bye Bye Baby by Mary Wells, a love letter. We put a cartoon of an ape on the cover of the Miracles’ Doin’ Mickey’s Monkey; and an Isley Brothers album had two white lovers at the beach on its cover. This practice became less necessary as our music’s popularity started overcoming the prejudices.

    The committee approach to choosing records:
    In many ways, Hitsville was like growing up in the Gordy family— fierce closeness and fierce competition and constant collaboration.  I believed competition breeds champions.  I knew that competition could be a very effective tool in getting results, so I set up Quality Control, a system I had heard about at Lincoln-Mercury. The Friday morning product evaluation meetings were the lifeblood of our operation. That was when we picked the records we would release. Careers depended on the choices made those Friday mornings. Some of the employees who came to the meetings weren’t creative people, but I felt their reactions to the songs would be like those of the average record buyer. A noncreative person’s vote counted just as much as a creative person’s. I took the democratic approach because although I was in charge at Motown, I made logic the boss: no egos or politics allowed. Not even mine. And I did it because of truth. “The truth is a hit,” was what we used to say in our Quality Control meetings at Motown.

    Touring the South
    Things were very bad when we went to the South. I remembered in 1955 how terrified I was when I'd heard about Emmett Till, a 14-year-old kid from Chicago who was visiting relatives in Mississippi. Dragged from his grandfather's home, he was beaten unmercifully, lynched and his body was thrown in the Tallahatchie River. I couldn't believe it when I heard that his crime was “thinking” under a white woman's dress. Thinking! The two white men who had killed him were freed. Our first Motortown Revue started off in Washington, D.C., but as the bus approached Birmingham and other cities in the South, we were greeted with signs of  “Whites Only,” “No Coloreds Allowed.” Then our tour bus was shot at. We were aware of how tough the racial conditions could be – but my artists being shot at? All of a sudden the real world had shown its ugly face. Despite the hostility and racism we faced, we knew we were bringing joy to people. The audiences were segregated. The venues had a rope down the middle of the audience separating blacks from whites, but soon the rope was gone and black kids and white kids were dancing together to the same music. It created a bond that echoed throughout the world.

    Many of the quotes above are taken with permission from Berry Gordy’s 1994 autobiography, “To Be Loved.”

    Motown the Musical 2017: Ticket information
    Through Feb. 19
    The Buell Theatre
    ASL, Open Caption and Audio Described performance: 2 p.m. Saturday, Feb. 18
    Tickets: 303-893-4100 or BUY ONLINE
    800-641-1222 | TTY: 303-893-9582
    Groups (10+): 303-446-4829

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ABOUT THE EDITOR
John Moore
John Moore
Award-winning arts journalist John Moore has recently taken a groundbreaking new position as the DCPA’s Senior Arts Journalist. With The Denver Post, he was named one of the 12 most influential theater critics in the US by American Theatre Magazine. He is the founder of the Denver Actors Fund, a nonprofit that raises money for local artists in medical need. John is a native of Arvada and attended Regis Jesuit High School and the University of Colorado at Boulder. Follow him on Twitter @moorejohn.

DCPA is the nation’s largest not-for-profit theatre organization dedicated to creating unforgettable shared experiences through beloved Broadway musicals, world-class plays, educational programs and inspired events. We think of theatre as a spark of life — a special occasion that’s exciting, powerful and fun. Join us today and we promise an experience you won't soon forget.