• 'Respect' uses pop music to trace women from codependence to independence

    by John Moore | Feb 08, 2018
    Cast of Respect. Cherry Creek Theatre. Photo by Olga Lopez
    From left: Sarah Rex, Rachel Turner, Anna High and Sharon Kay White. Photo by Olga Lopez. Not pictured: Traci Kern.

    How a management professor turned a lecture into a musical tracing the story of American women over a century

    By John Moore
    Senior Arts Journalist

    Respect: A Musical Journey of Women
    started in 2004 as a conference lecture. Fourteen years later, it is a boutique musical that has been performed in 75 cities. It's a genial evening of wine, women and song — literally. The evening’s host uncorks a bottle and guides four girlfriends through a history lesson covering 100 years of pop music, which she believes parallels the ongoing struggle of American women from co-dependence to independence.

    But author Dorothy Marcic, a management professor turned playwright, admits there is something about the show that feels more urgent to her now in the wake of the #MeTooMovement.

    “I now see some of the parts of the show differently because of that," she said. "There are many kinds of abuses women have suffered over the centuries, and now there is more awareness. It is time for us to notice that. But my show was never about blaming men, because we were all socialized in the same way. Now we are all learning how to work together as partners.”  

    Respect. Cherry Creek Theatre Photo by John MooreThe Cherry Creek Theatre Company is presenting the Colorado premiere of Respect with an emphatically all-female cast and creative team led by director and choreographer Shannan Steele, a Denver Center favorite whose acting credits include the longest-running musical in Colorado theatre history, I Love You, You’re Perfect, Now Change. Her cast is deliberately stacked with high-powered local actors who each cover distinct pop-music genres: Sharon Kay White, Sarah Rex, Anna High, Rachel Turner and Musical Director Traci Kern. (White is also headlining two evenings of cabaret at the Aurora Fox on Friday and Sunday, Feb. 16 and 18.) 

    (Pictured above and right: Dorothy Marcic and Cherry Creek Theatre co-founder Maxine Rossman. Photo by John Moore for the DCPA NewsCenter. Below and right: Sarah Rex and Anna High. Photo by Olga Lopez.)

    Marcic, now a professor at Columbia University, attended opening weekend at the Mizel Arts and Culture Center and spoke to audiences afterward. Here are excerpts from her Q&A:

    What is a little of your background?

    I got my doctorate in organizational behavior, so I became a management professor and conducted hundreds of workshops on assertiveness training. I then became a Fulbright Scholar at the University of Economics in Prague. Four years later, I moved to Nashville to teach at Vanderbilt University’s Owen Graduate School of Management. That was quite a culture shock. When I lived in Prague, I had season tickets to the Czech National Opera. When I moved to Nashville, I had tickets to Opryland.

    How did that lead to the start of creating your show?

    Nashville is a music city, so I decided to incorporate music into my seminars. I was always interested in women in leadership. In 1999, I was asked to give a talk about gender equality, and I decided to throw some songs in there because I thought that might help to tell the larger story of women. So I went back and looked at popular music that started around 1900 and it’s all there: From Someone to Watch Over Me to I Will Survive.

    When did the lecture become a musical?

    Sarah Rex and Anna HighIt was at a conference in 2002 and one of the organizers who ran Cameron Macintosh’s office in New York City said to me, 'Dorothy, this has some commercial value. You have to develop this into a musical.' I thought, 'What do I know about musicals? I am a management professor.' But I workshopped it with some people in Nashville, and we started getting gigs. I was invited to bring it to South Africa and Israel and New Zealand and Australia and then it got picked up by a commercial producer in 2004. One day I woke up and I said, 'Oh my God - I am a playwright.' So I quit my job at Vanderbilt and started taking classes. I got my MFA in playwriting last year. In the meantime, Respect played for two years in Florida, one year in Chicago, and one year in Boston. We opened in New York in October under a different title: This One is for the Girls.

    How did you come up with the score that spans Betty Boop to Billie Holiday to Cyndi Lauper to Sara Bareilles?

    I did content analysis research looking at how women were depicted in 20,000 top-40 songs. These are songs that were really part of the zeitgeist of the culture. I focused on songs where women are singing, and they had to be top 40. People have asked me, 'Why don't you include a group like the Indigo Girls?' Well they were important, but they never had a top-40 song. For me, every song had to be iconic. So most of the songs were actually Top 10.

    And there is something of a sequel playing off-Broadway?

    Yes. Sistas The Musical is the African-American variation, and it has now been playing for 6 1/2 years off-Broadway.

    What do you want people to take away from this?

    In this show, your favorite Top-40 songs lay the soundtrack to real women’s personal stories about finding dreams, lost love, relationship issues, entering the workforce and gaining independence. My goal was to be entertaining but also help change your awareness, which is what theatre is about, isn't it? Seeing things in a new way.

    Respect: A Musical Journey of Women

    • When: Through Feb. 25
    • Showtimes: 7 p.m.Thursdays; 2 p.m. Sundays, Sun @ 2 p.m.; 7:30 p.m. Saturdays. Additional performances 7 p.m. Sundays, Feb. 18 and 25. (No shows on Fridays.)
    • Tickets $35 Adult; $30 Students and Seniors
    • 303-800-6578 or online at www.cherrycreektheatre.org
    • Mizel Arts and Culture Center, 350 S. Dahlia St.

    Additional creative team:

    • Susie Snodgrass: Producer
    • Kortney Hanson: Stage Manager
    • Tina Anderson: Scenic Designer
    • Star Pytel: Lighting Designer
    • Steffani Day: Costume Designer
    • Morgan McCauley: Sound Designer
    • Beki Pineda: Prop Mistress
    • Gloria Shanstrom: Publicist

     

     

  • February openings: 'Hamilton,' a Summit and a new $60 million jewel for Colorado Springs

    by John Moore | Feb 01, 2018
    February Arvada Center Electric Baby. Matt Gale Photography

    Jessica Robblee and Abner Genece in the Arvada Center's magical realism play 'The Electric Baby. Matt Gale Photography 2018.


    R-E-S-P-E-CT, Colorado theatre: You have provided 82 theatregoing options in the shortest month of the year

    By John Moore
    Senior Arts Journalist

    Hamilton.

    OK, there is a lot more than that going on in local theatre in February. At the Denver Center alone (in addition to that eagerly awaited national touring production) there will be three consecutive world-premiere plays: Zoey's Perfect Wedding, American Mariachi and The Great Leap that will be the cornerstone of the upcoming Colorado New Play Summit that was just named among the top 20 theatre festivals in the world. Also: STOMP's eighth Denver visit, and the musical comedy First Date continues at the Galleria Theatre. (Go to denvercenter.org for info on all of them.)

    And then there is ... the rest of the state. Now try to keep up ... but we warn you, it won't be easy — because the shortest month of the year may be presenting the most theatre offerings of any month ... ever. We're talking 34 openings and a whopping 83 theatregoing options overall, counting a huge number of special events. In 28 days.

    Here are just a few highlights outside the Denver Performing Arts Complex, followed by a comprehensive list of all your Colorado theatregoing options for February:

    Ten intriguing titles for February:

    NUMBER 1Oklahoma! All eyes will be on Colorado Springs this month for the opening of the jaw-dropping $60 million Ent Center for the Arts on the campus of the University of Colorado Colorado Springs. The new home of the venerable TheatreWorks and several other performing groups is a 92,000-square-foot building with multiple performance and gallery spaces. It officially launches with TheatreWorks' presentation of the classic Rodgers and Hammerstein musical in a sparkling new theatre with a familiar name to TheatreWorks audiences: The Dusty Loo Bon Vivant Theater. Feb. 15-March 11 at 5225 N. Nevada Ave., Colorado Springs, 719-255-3232 or theatreworkscs.org.

    NUMBER 2Respect: A Musical Journey of Women. Cherry Creek Theatre's musical tribute to women is being billed as the company's show of support for the #MeToo Movement. It's an all-female production: Directors, cast, crew and playwright. That's Dorothy Marcic, who will be in attendance for both the evening performance on Saturday, Feb. 3, and the matinee on Sunday, Feb. 4. The show is co-directed and choreographed by longtime Denver Center favorite Shannan Steele with a cast that includes big-shots Sharon Kay White, Rachel Turner, Sarah Rex, Anna High and co-director Traci Kern. The Top-40 score includes "I Will Survive," "These Boots are Made for Walking," "What's Love Got to Do with it" and many more. NOTE: No Friday performances — and evening shows start at 7 p.m. Feb. 1-25 at the Mizel Arts and Culture Center, 350 S. Dahlia St., 303-800-6578 or cherrycreektheatre.org

    NUMBER 3Intimate Apparel. The newly merged Colorado Springs Fine Arts Center at Colorado College brings revered playwright Lynn Nottage's breakout work to southern Colorado for the first time. Nottage, who later won Pulitzer Prizes for Ruined and Sweat, here tells an intensely personal story that weaves the joys and sorrows of an African-American seamstress in 1905 New York City. Feb. 8-25 at 30 W. Dale St., Colorado Springs, 719-634-5581 or csfineartscenter.org

    NUMBER 4Crying Wolf: Stories of the Lupus Warriors. Rhonda Jackson's new  play, presented by The Source Theatre Company (which has grown up in the shadow of the former Shadow Theatre Company) is an attempt to document what it's like to live with a chronic autoimmune disease such as  lupus. For mature audiences. Feb. 8-17 at Su Teatro Performing Arts Center, 721 Santa Fe Drive, 720-238-1323 or thesourcedenver.org

    NUMBER 5 The Electric Baby. The Arvada Center's second full repertory season kicks into full gear with Stefanie Zadravec's adult folktale about six strangers whose lives collide after a tragic car accident, forcing them to confront their secrets, hopes and fears. At the play’s center is a mysterious baby who glows like the moon. The play, directed by Rick Barbour of the University of Denver, combines magic, myth and humor to explore devastating loss and hopeful healing. Running Feb. 9-May 4 and in repertory with Sense and Sensibility and All My Sons (opening March 2) at 6901 Wadsworth Blvd., 720-898-7200 or arvadacenter.org

    NUMBER 6Waiting for the Parade William A. CottonWaiting for the Parade. Playwright John Murrell's 1977 fact-based drama introduces five very different women who find a way to survive by working together and accepting one another’s differences during the depths of World War II in 1940s Calgary. It's based on interviews with wartime survivors. Co-directed by Ami Dayan and Lou Ann Wright. Feb. 3-March 4 at the Bas Bleu Theatre, 401 Pine St., Fort Collins, 970-498-8949 or basbleu.org (Photo by William A. Cotton)

    NUMBER 7JANE/EYRE. Denver, meet the Grapefruit Lab, a new performance company that debuts with a queer adaptation of Charlotte Brontë’s classic novel with live original music by Teacup Gorilla and Dameon Merkl (of the Denver band Bad Luck City). Adapted by author, musician and True West Award winner Miriam Suzanne, along with former LIDA Project director Julie Rada. Their  hybrid play/concert takes a dark and often humorous look at early feminism — bringing a contemporary, queer perspective to Jane’s story. Feb. 23-March 3 at The Bakery, 2132 Market St., eventbrite.com

    NUMBER 8Wisdom from Everything. The latest provocative offering from Boulder's Local Theater Company asks: What you would sacrifice to escape a war? Chicago playwright Mia McCullough's story presents a 19-year-old Syrian who finds herself educating girls in the largest refugee camp in the world — until an older Jordanian doctor offers her an education in exchange for marriage. The primo cast includes  Amy Carle (known for her work on "Chicago MED" and for the Goodman and Steppenwolf theatres) and Mehry Eslaminia, who performed in the DCPA Theatre Company's world-premiere play Appoggiatura. Feb. 28-March 26 at The Dairy Center, 2590 Walnut St., Boulder, 720-379-4470 or localtheatercompany.org

    Fun Home is finding a home on stages all over Colorado

    NUMBER 9The Book Handlers. Buntport Theater's newest original creation in its 17th season of original creations is a world-premiere comedy about a handy service that will make your books look read, even though they haven't been. Because, you know ... who reads anymore? This fun satire is inspired by a short story written by Brian O'Nolan. Feb. 23-March 17 at 717 Lipan St., 720-946-1388 or buntport.com

    NUMBER 10A Kid Like Jake. Benchmark Theatre moves into its permanent new home at the former Edge Theatre with Daniel Pearle’s 2013 play that explores the conflict that grows between a married couple when it becomes plain their 4-year-old prefers Cinderella to GI Joe. Directed by Warren Sherrill. The Lakewood theatre has been renamed The Bench at 40W. Feb. 16-March 25 at 1560 Teller St., benchmarktheatre.com

    DCPA February listings
    Photo of 'American Mariachi' by Adams Viscom.

     

    NOTE: At the start of each month, the DCPA NewsCenter offers an updated list of upcoming theatre openings, spotlighting work being presented on stages statewide. Companies are encouraged to submit listings and production photos at least two weeks in advance to the DCPA NewsCenter at jmoore@dcpa.org.

    THIS MONTH'S THEATRE OPENINGS IN COLORADO:

    Feb. 1-25: Cherry Creek Theatre's Respect: A Musical Journey of Women
    At the Mizel Arts and Culture Center, 350 S. Dahlia St., 303-800-6578 or cherrycreektheatre.org

    Feb. 1-4: UpstART's Hedwig and the Angry Inch
    604 Clinton St., Ridgway, 81432, 970-325-3501or http://www.upstartmoves.org

    Feb. 2-25: DCPA Theatre Company’s American Mariachi
    Stage Theatre, 14th and Curtis streets, 303-893-4100 or denvercenter.org READ MORE

    Feb. 2-March 11: Vintage Theatre's Sleuth (with Lowry's Spotlight Theatre)
    1468 Dayton St., Aurora, 303-839-1361 or vintagetheatre.com

    Feb. 2-17: Longmont Theatre Company's Steel Magnolias
    513 Main St., Longmont, 303-772-5200 or longmonttheatre.org

    Seussical Ben Griffin and Melissa Morris. Matt Gale Photography 2018Feb. 2-May 25: Arvada Center Children's Theatre's Seussical
    6901 Wadsworth Blvd., 720-898-7200 or arvadacenter.org

    (Pictured at right: Ben Griffin and Melissa Morris. Matt Gale Photography 2018)

    Feb. 3-March 4: Bas Bleu Theatre's Waiting for the Parade
    401 Pine St., Fort Collins, 970-498-8949 or basbleu.org

    Feb. 3-March 3: Miners Alley Children's Theatre’s The Pied Piper of Hamelin
    1224 Washington St., Golden, 303-935-3044 or minersalley.com

    Feb. 8-25: Colorado Springs Fine Arts Center at Colorado College’s Intimate Apparel
    30 W. Dale St., Colorado Springs, 719-634-5581 or csfineartscenter.org

    Feb. 8-17: The Source Theatre Company’s Crying Wolf: Stories of the Lupus Warriors
    At Su Teatro Performing Arts Center, 721 Santa Fe Drive, 720-238-1323 or thesourcedenver.org

    Feb. 8-18: Millibo Art Theatre's Cake
    1626 S. Tejon St., Colorado Springs, 719-465-6321, themat.org

    Feb. 9-March 18: DCPA Theatre Company’s The Great Leap
    Ricketson Theatre, 14th and Curtis streets, 303-893-4100 or denvercenter.org READ MORE

    Feb. 9-May 4: Arvada Center's The Electric Baby
    6901 Wadsworth Blvd., 720-898-7200 or arvadacenter.org

    More Colorado theatre coverage on the DCPA NewsCenter

    Feb. 9-25: 5280 Artists Co-op's Colorism
    At the Aurora Cultural Arts District Building, 1400 Dallas St., Aurora, 720-432-9162 or 5280ArtistCoop.com

    Feb. 9-11: National touring production of Shen Yun
    Buell Theatre, Denver Performing Arts Complex, 888-316-4234 or shenyunperformingarts.org

    Feb. 9-Aug. 11: Iron Springs Chateau’s A Precious Bit of the West, or: She Was Simply a Delight!
    444 Ruxton Ave., Manitou Springs, 719-685-5104 or ironspringschateau.com

    Feb. 13-18: National touring production of STOMP
    Buell Theatre, 14th and Curtis streets, 303-893-4100 or denvercenter.org

    Feb. 15-March 4, 2018: Springs Ensemble Theatre's The Totalitarians
    1903 E. Cache La Poudre St., Colorado Springs, 80909, 719-357-3080 or springsensembletheatre.org

    Feb. 15-March 11: Colorado Springs TheatreWorks' Oklahoma
    At the Ent Center for the Arts, 5225 N. Nevada Ave., Colorado Springs, 719-255-3232 or theatreworkscs.org

    Feb. 16-March 25: Benchmark Theatre's A Kid Like Jake
    1560 Teller St., Lakewood, benchmarktheatre.com

    Feb. 16-24: Theatrix USA's Call Me Mrs. Evers
    At the Lakewood Cultural/Heritage Center, theatrixdenver.com




    Feb. 17-25: DCPA Theatre Company’s Colorado New Play Summit
    Helen Bonfils Theatre Complex, 14th and Curtis streets, 303-893-4100 or denvercenter.org

    Feb. 17-March 17: Firehouse Theatre's Gross Indecency: The Three Trials of Oscar Wilde
    John Hand Theatre, 7653 E. 1st Place, 303-562-3232 or firehousetheatercompany.com  

    Feb. 22-March 4: Colorado Springs TheatreWorks' Trouble in Tahiti
    At the Ent Center for the Arts, 5225 N. Nevada Ave., Colorado Springs, 719-255-3232 or theatreworkscs.org

    Feb. 22-March 10: Thunder River Theatre Company's The Price
    67 Promenade, Carbondale, 970-963-8200 or thunderrivertheatre.com

    Feb. 22-April 8: The BiTSY Stage’s Jotunheim: A Legend of Thor and His Hammer
    1137 S. Huron St., 720-328-5294 or bitsystage.com

    Feb. 23-March 17: Buntport Theater's The Book Handlers
    717 Lipan St., 720-946-1388 or buntport.com

    Feb. 23-March 25: Town Hall Arts Center's Something’s Afoot
    2450 W. Main St., Littleton, 303-794-2787 or townhallartscenter.org

    Feb. 23-March 18: Aurora Fox's Real Women Have Curves
    9900 E. Colfax Ave., Aurora, 303-739-1970 or aurorafox.org

    Feb. 23-April 15: Candlelight Dinner Playhouse's Kiss Me Kate
    4747 Marketplace Drive, Johnstown, 970-744-3747 or coloradocandlelight.com

    Feb. 23-March 10: Coal Creek Theater of Louisville’s Becky Shaw
    Louisville Center for the Arts, 801 Grant St., 303-665-0955 or cctlouisville.org

    Feb. 23-March 3: Grapefruit Lab's JANE/EYRE
    The Bakery, 2132 Market St., eventbrite.com

    Company Evergreen Chorale Feb. 23-March 11: Evergreen Chorale's Company
    At Center/Stage, 27608 Fireweed Drive, 303-674-4002 or evergreenchorale.org

    Feb. 27-April 1: National touring production of Hamilton
    Buell Theatre, 14th and Curtis streets, 303-893-4100 or denvercenter.org

    Feb. 28-March 26: Local Theater Company's Wisdom from Everything
    At The Dairy Center, 2590 Walnut St., Boulder, 720-379-4470 or localtheatercompany.org

     

    CONTINUING CURRENT PRODUCTIONS:

    Through Feb. 3: Lowry's Spotlight Theatre's Rumors
    John Hand Theatre, 7653 E. First Place, 720-880-8727 or thisisspotlight.com

    Through Feb. 3: Funky Little Theatre Company's The Bigot
    2109 Templeton Gap Road, Colorado Springs, 719-425-9509 or funkylittletheater.org

    Through Feb. 4: Town Hall Arts Center's Peter and the Starcatcher
    2450 W. Main St., Littleton, 303-794-2787 or townhallartscenter.org

    Through Feb. 4: Theatrix USA's Kiss
    At Dobrin Studios, 931 Santa Fe Drive, theatrixdenver.com

    Through Feb. 10: Aurora Fox's Hedwig and the Angry Inch
    9900 E. Colfax Ave., Aurora, 303-739-1970 or aurorafox.org

    Through Feb 11: Inspire Creative's The Little Mermaid
    At the PACE Center, 20000 Pikes Peak Ave., Parker, 303-805-6800 or inspirecreative.org

    Through Feb. 11: Lake Dillon Theatre Company's Building the Wall
    At the Silverthorne Performing Arts Center, 460 Blue River Pkwy, Silverthorne,  970-513-9386 or lakedillontheatre.org

    Through Feb. 11: StageDoor Theatre's The 39 Steps
    27357 Conifer Road, Conifer, 303-886-2819, 800-838-3006 or stagedoortheatre.org

    Through Feb. 14: Candlelight Dinner Playhouse's Beauty and the Beast
    4747 Marketplace Drive, Johnstown, 970-744-3747 or coloradocandlelight.com

    Through Feb. 17: OpenStage Theatre Company's The Crucible
    Lincoln Center, 417 W. Magnolia St., Fort Collins, 970-484-5237 or openstagetheatre.org

    Through Feb. 17: Breckenridge Backstage Theatre's Forbidden Broadway's Greatest Hits
    At  121 S. Ridge St. 970-453-0199 or backstagetheatre.org

    Through Feb. 17: Equinox Theatre Company's Evil Dead: The Musical
    At the Bug Theatre, 3654 Navajo St., 720-984-0781 or equinox’s home page

    Through Feb. 18: Boulder Ensemble Theatre Company's Guards at the Taj
    Dairy Center for the Arts, 2590 Walnut St., Boulder, 303-440-7826 or boulderensembletheatre.org

    Through Feb. 18: Lady Day at Emerson’s Bar and Grill
    1468 Dayton St., Aurora, 303-839-1361 or vintagetheatre.com READ MORE

    Through Feb. 18: BDT Stage's Motones vs. Jerseys
    5501 Arapahoe Ave., 303-449-6000 or bdtstage.com (Sundays only)

    Through Feb. 24: Curious Theatre's Detroit 67
    1080 Acoma St., 303-623-0524 or curioustheatre.org READ MORE

    Through Feb. 24: BDT Stage's Annie
    5501 Arapahoe Ave., 303-449-6000 or bdtstage.com

    Through Feb. 24: Avenue Theater's Comedy Sportz
    417 E. 17th Ave., 303-321-5925 or avenuetheater.com READ MORE

    Through Feb. 25: DCPA Theatre Company’s Zoey’s Perfect Wedding
    Space Theatre, 14th and Curtis streets, 303-893-4100 or denvercenter.org READ MORE

    SophieDotsonAbigaleKochevarandSusannahMcLeod Fun Home. Photo by Sarah Roshan.Through March 4: Miners Alley Playhouse's Fun Home
    1224 Washington St., Golden, 303-935-3044 or minersalley.com READ MORE

    (Pictured: Susannah McLeod, Sophie Dotson and Abigail Kochevar. Photo by Sarah Roshan.)

    Through March 17: Midtown Arts Center's Fun Home
    3750 S. Mason St, Fort Collins, (970) 225-2555 or midtownartscenter.com READ MORE

    Through March 25: Midtown Arts Center's Always ... Patsy Cline
    3750 S. Mason St, Fort Collins, 970-225-2555 or midtownartscenter.com

    Through April 22: DCPA Cabaret’s First Date
    Garner Galleria Theatre, 14th and Curtis streets, 303-893-4100 or denvercenter.org READ MORE

    Through May 6: Arvada Center's Sense and Sensibility
    Studio Theatre, 6901 Wadsworth Blvd., 720-898-7200 or arvadacenter.org

     

    ONGOING, MONTHLY or ONE-TIME PROGRAMMING:

    ADAMS MYSTERY PLAYHOUSE

    Sharon KayAURORA FOX ARTS CENTER

    • Feb. 16 and 18: True West Award-winning performer Sharon Kay White is the featured artist this month in the Aurora Fox's ongoing cabaret series in its studio theatre. In the shadow of Valentine’s Day, White weaves tales and music through a journey of love, loss, joy, heartbreak, relationships, realities and absurdities.

    9900 E. Colfax Ave., Aurora, 303-739-1970 or aurora fox.org


    BUG THEATRE
    • Feb. 15: The Emerging Filmmakers Project, showcasing Denver's indie film scene on the third Thursday of every month. This month's program will honor local actress Stacy Farrar, who was murdered along with her son by her husband last May.
    • Feb. 26: Freak Train: Open-mic variety show hosted by GerRee Hinshaw on the final Monday of every month

    3654 Navajo St., 303-477-9984 or bugtheatre.info


    BUNTPORT THEATRE


    THE CATAMOUNTS
    • Saturday and Sunday, Feb. 10-11: FEED: Love (an theatrical examination of the journey from our youthful ideals of love, to the more hard-won truths of adulthood — served with a four-course meal and live music by Wes Watkins, formerly of Nathaniel Rateliff and the Night Sweats. 7 p.m.
    At VOCO Studios, 3700 Franklin St., Denver. feedlove.brownpapertickets.com


    Leonard BernsteinCOLORADO COLLEGE
    • Feb. 22-24: Leonard Bernstein at 100, a three-day symposium examining the  composer, conductor and performer as one of the most celebrated figures of the 20th century. Includes and interview with oldest daughter Jamie Bernstein and keynote address by a Bernstein scholar. Registration is limited to 450 attendees and is required by Feb. 15 to attend any events on the conference program.
    At Colorado College’s Cornerstone Arts Center, 825 N. Cascade Ave., Colorado Springs


    DAIRY ARTS CENTER

    • Thursday, Feb. 8: Every discipline of the arts will be represented in a single evening at this fundraiser for the Dairy Center for the Arts in Boulder. With food stations, craft beverages, a live DJ and surprises. Performers include Frequent Flyers Aerial Dance with Spinphony, The work of Stacey Steers, Maya and Goddess Here Productions and comedian John "Hippieman" Novosad. 6 p.m.
    2590 Walnut St., Boulder, 303-440-7826 or thedairy.org

    DUMBANDDUMBER

    DENVER ACTORS FUND

    • Sunday, Feb. 18: Screening of the film Dumb and Dumber starring with live entertainment from Backstage Breckenridge Theatre's upcoming original party musical Totally Awesome '80s Ski Town USA. Entertainment 6:30 p.m.; film at 7

    At Alamo Drafthouse Sloan's Lake, 4255 W. Colfax Ave., drafthouse.com

    Bruce Montgomery 300EVERGREEN PLAYERS

    • Feb. 2 and 10: The Big B.M. (A one-man bio-comedy featuring Bruce Montgomery, pictured at right)

    At Center/Stage, 27608 Fireweed Drive, 303-674-4934 or evergreenplayers.org


    MILLIBO ART THEATRE
    • Feb. 3-4: The Dinosaur Show (for kids)
    1626 S. Tejon St., Colorado Springs, 719-465-6321, www.themat.org


    THEATRE MADE IN BOULDER FESTIVAL
    • Continuing through Feb. 10: Staged readings, low-tech productions and free public workshops from local artists. Featured production: How To Screw Up Your Life! by Ami Dayan
    • Feb. 4: Trans/Actions, by K. Woodzick and Ayla Sullivan
    • Feb. 4: What Happens in the Dark, by Kristofer Buxton
    • Feb. 11: Rooted, by Joy Barber
    • Feb. 11: Laura and Ibsen, by Susan Flakes
    Dairy Center for the Arts, 2590 Walnut St., Boulder, 303-440-7826 or thedairy.org


    THEATREWORKS

    • Saturday, Feb. 3: Grand opening of the University of Colorado Colorado Springs’ Ent Center for the Arts, including dedication ceremonies and performances throughout the building, including  the Colorado Springs Philharmonic, the Colorado Springs Children’s Chorale, Theatreworks, UCCS Music Program and UCCS Theatre and Dance Program.
    Located off Austin Bluffs Parkway in Colorado Springs, uccs.edu/entgala


    PARKER ARTS

    • Saturday, Feb. 17: Comedy & Cocktails: Nancy Norton, an evening of stand-up comedy that marks the re-opening of the newly remodeled Schoolhouse Theater. 8 p.m.
    Schoolhouse Theater, 20000 Pikes Peak Ave.,, Parker, 303-805-6800 or parkerarts.org

    THE SOURCE THEATRE COMPANY
    • Every third Monday: Monday! Monday! Monday! Cabaret
    At Su Teatro Performing Arts Center, 721 Santa Fe Drive, 720-238-1323 or thesourcedenver.org


    STORIES ON STAGE
    • Sunday, Feb. 11: Love & Marriage, 1:30 and 6:30 p.m.
    At Su Teatro Performing Arts Center, 721 Santa Fe Drive,  303-494-0523 or storiesonstage.org

    Stories on Stage has renowned actors bring stories to life by combining literature with theater. This month: “The Big Cat,” by Louise Erdrich, read by Timothy McCracken; “Madame Lazarus,” by Maile Meloy, read by Randy Moore; and “This is the Story of a Happy Marriage,” by Anne Patchett; read by Mare Trevathan

    VINTAGE THEATRE
    • Feb. 14: Same Time, Next Year (reading featuring Andrew and Kelly Uhlenhopp)
    1468 Dayton St., Aurora, 303-839-1361 or vintagetheatre.com
  • 2017 True West Awards: Steven J. Burge and Jeremy Rill

    by John Moore | Dec 30, 2017
    2017 True West Awards The Breakouts  Jeremy Rill Steven J. Burge

    2017 TRUE WEST AWARDS  

    Day 30: The Breakouts

    Steven J. Burge and Jeremy Rill


    By John Moore
    Senior Arts Journalist

    Steven J. Burge and Jeremy Rill are very different performers. Think Sean Hayes and Frank Sinatra. Burge will shock you into gut-busting laughter, while Rill will make you swoon. If Burge is the flamboyant life of the party, then Rill is more, say … sunset on the beach.

    “If there is a spectrum,” said director and actor Robert Michael Sanders, "those two are on the opposite ends of it.”

    The comedian and the crooner.

    Steven J Burge and Jeremy Rill But these two emerging actors have far more in common than you might think. Both had big-time breakout years on Denver stages in 2017 — and both were separately described as “the nicest guy in Denver theatre” in interviews for this very story.

    Something's gotta give.

    Steven Cole Hughes, Burge’s castmate in the Denver Center’s extended hit comedy An Act of God, goes so far as to declare with dead-on eye contact that “Steven Burge is the nicest guy working in the American theatre today. Period.”

    Even Hughes’ 2-year-old daughter, Birdie, backed her father up.

    “Hey Birdie, who is this?” Hughes said, pointing to a poster for An Act of God. The child’s face immediately lit up. She pointed to a photo of Burge playing no less than God Himself, and she declared enthusiastically: “Steven!”

    “She’s 2,” Hughes reiterated. “Even the 2-year-olds love Steve Burge.”

    That’s high praise (or short praise, come to think of it) for Burge, who has been working his way up to this moment with one joyful performance after another since moving from Iowa in 2003, most often in extroverted comic roles. Highlights have included playing Seymour in Little Shop of Horrors and conquering the epic challenge of playing 40 roles in the one-man comedy Fully Committed. In 2012, Westword’s Juliet Wittman flatly declared, “Steve Burge is one of the funniest actors anywhere.”

    Says his friend and fellow actor Shannan Steele: “I love watching him delight in making others happy.”

    But Burge’s body of work has revealed far greater range and uncommon emotional honesty in stagings such as Dog Sees God at The Avenue Theater (I called him "triumphant" in The Denver Post) and Curious Theatre’s Speech and Debate. No matter how big the character Burge is called upon to play, “you always know there's a real and very interesting person underneath," Wittman wrote.

    (Story continues after the photo.)

    Steven J. Burge United in Love Photo by John Moore
    Steven J. Burge co-hosted the 'United in Love' benefit concert with Eden Lane that raised $40,000 for The Denver Actors Fund.  Photo by John Moore.


    But Burge’s steady career trajectory took a turn for the skyward late last year when he was hired by Director Geoffrey Kent to be the understudy for An Act of God, a pointed social comedy in which God comes down to Earth in human form to set the record straight about the misguided ways in which we sometimes act in God’s name. When Broadway and TV star Wesley Taylor’s contract expired, the Denver Center did not seek out a similarly big-named national replacement. It already had Burge, who smoothly ascended to Almighty status for what turned into an extended run at the Galleria Theatre. The role called on all of Burge’s comic skills, as well as his uncommon gift to make people listen and laugh, even when they might not like what he is telling them. Burge had An Act of God audiences eating out of his holy goblet.

    To say that Burge made an impression in his Denver Center debut would be an understatement.

    “Steven has spot-on comic timing, a fantastic voice and the best rehearsal attitude and esprit de corps I know of,” said Kent. “He improves the quality of everything he touches.”

    More Colorado theatre coverage on the DCPA NewsCenter

    A few months later, Director Ray Roderick punched Burge's ticket for an immediate return trip to the Galleria Theatre in the musical comedy First Date. Gigs at the Galleria are considered jackpot jobs among local actors because they generally come with a minimum six-month contract.

    Burge plays many characters in First Date, most notably the quintessential gay best friend of a young woman who’s just starting to brave the dating pool. The reason Burge succeeds at taking such a stock character and making him meaningfully connect with an audience, says Steele, is his willingness to bring his authentic self to all his roles.

    “The thing you need to know about Steven is that just beneath his hilarious and charming exterior is a beautifully tender, vulnerable, compassionate and generous person,” she said.

    “Steven is the opposite of an old soul. He is brand new to his world ... and his childlike wonder and joy are palpable.”

    800 Red Hot and Cole Cherry Creek Theatre Jeremy Rill Phot by Olga LopezHe’s now being rewarded for paying his many dues, and everyone agrees — it could not be happening to a nicer guy. For years, Burge has been known for saying yes to anyone who asks for his time and talents. This year, he co-hosted a benefit concert at the Lone Tree Arts Center that netted $40,000 for the Denver Actors Fund, and Miscast 2017 at the Town Hall Arts Center, which raised $7,000 more. He also has kept the Colorado Theatre Guild’s Henry Awards buzzing along since 2012 with his unpredictable comic energy as co-host with GerRee Hinshaw.

    "To me, Burge encapsulates the heart and soul of the Denver theatre community,” Kent said. “He volunteers for almost every arts organization I can list. If Denver were to elect a ‘Theatre Ambassador,’ he would have my vote.”

    Also receiving votes for Nicest Guy in Denver Theatre would be Jeremy Rill, an Arkansas native who already was a big deal in the lofty Chicago theatre scene when he moved to Colorado for love. And it didn’t take long for people to notice.

    “It's that voice,” said his frequent director, Kelly Van Oosbree. “The richness and his absolute control of it is remarkable. The first time I heard Jeremy open his mouth, I said, ‘This guy is going to be big.’ You just can’t deny that voice.”

    Coming Sunday: 2017 Colorado Theatre Person of the Year

    The Performance Now Theatre Company in Lakewood was the first Colorado company to catch wise, casting Rill in the regional premiere of Jane Eyre (Edward Rochester), Guys and Dolls (Sky Masterson) and Ragtime (Younger Brother). By then it was becoming pretty obvious to anyone within earshot that Rill was going to be a man in demand this year.

    Jeremy Rill Miscast Photo by John MooreA lot more people know “that voice” after it opened up and sang for the first time on four different metro stages this year. Rill started out playing no less than Cole Porter himself in the Cherry Creek Theatre Company’s Red, Hot and Cole at the Mizel Arts and Culture Center, landing quite cozily among a star-filled cast that included Steele alongside local big-shots Seth Dhonau and Lauren Shealy (both now co-starring with Burge in First Date), Damon Guerasio, Stephen Day, Matt LaFontaine, Sharon Kay White and several others.

    Rill then earned karma points for life when he was asked to join the ensemble of the Arvada Center’s Jesus Christ Superstar after the actor playing Judas had to leave the show for medical reasons. That set off casting dominoes that ended with Rill stepping onto one of the biggest theatre stages in the state a mere four hours before the first performance in front of an audience.

    There’s a reason Arvada Center director Rod Lansberry turned to Rill, whom he had never before cast, when the chips were down, Van Oosbree said. It’s that Sinatra cool.

    “If someone ever asked me to do something like that, I would have said, ‘No, thanks,’ ” Van Oosbree said. “But Rod knew Jeremy could handle the pressure. And he did.”

    That may be one reason karma has smiled back on Rill, who will return to Performance Now to play Cinderella’s prince in Into the Woods opening Jan. 5 at the Lakewood Cultural Center. He then joins the cast of the Arvada Center’s Sunday in the Park with George — and on the first day of rehearsal this time. Rill will play Louis, fiancé of the model who attracts the eye of an artist based on Georges Seurat.

    Superstar led to the 2017 performance that will put Rill on every director’s radar – and wish list — for years to come. Van Oosbree tapped Rill to head another dauntingly loaded ensemble in Stephen Sondheim’s Company for the Aurora Fox that included Shealy, Heather Lacy, Lindsey Falduto, Carolyn Lohr, Rebekah Ortiz, Heather Doris and many others.

    (Story continues below the video.)


    Video bonus: Jeremy Rill performs 'Everybody's Girl' at Miscast 2017:




    You knew going in that Rill would bring any production of Company to a thunderous finish with his take on the forceful ballad “Being Alive.” But what separates a good Company from a great one is an actor who understands that Bobby’s journey is a serious rumination on the relative pros and cons of choosing a married or solitary life. Rill allowed himself to get fully lost in his journey — which at times meant going inside and checking out from the Aurora Fox audience altogether.

    Turns out, as Van Oosbree plainly puts it: Jeremy Rill is not just another pretty voice.

    “He’s also a really good actor,” she said. “He found the vulnerable in Bobby and the underlying pain that I think sometimes goes missing in other performances. The easy thing would be to make Bobby a fun, jovial bachelor, but that’s just not who this man is. Jeremy was clever and he was sexy and he was charming and he was cynical and he was sad. He was all the things. He just killed it.”

    Wrote Ramsey Scott for the Aurora Sentinel: “Jeremy Rill nails the mix of aloofness and emotional despair that plagues his character throughout the show and matches it with a voice that deserves to be the center of attention.”  Added Wittman for Westword: "Jeremy Rill has a richly melodious and supple voice that’s sheer pleasure to listen to."

    Norell Moore by Jeremy RillAnd Rill’s artistry, by the way, is not limited to the stage. He’s also a disarmingly effective portrait photographer who is known for bringing out an astonishing clarity of character in a single frame. Look no further than his revealing portrait of fellow actor Norrell Moore (right) soon after she started chemotherapy for breast cancer.

    “I mean this as no disrespect to any other photographer,” said Sanders. “But if you put 100 random actor headshots in a pile in front of me, I could easily pick out the ones taken by Jeremy because he has such a distinctive style behind the camera. He just has a way of making actors look their best. Maybe it’s because he’s one of them. But somehow he manages to put a sparkle in the eye of every single person he photographs.”

    John Moore was named one of the 12 most influential theater critics in the U.S. by American Theatre Magazine in 2011. He has since taken a groundbreaking position as the Denver Center’s Senior Arts Journalist 

    Steven J. Burge: 2017
    • The Almighty in DCPA Cabaret’s First Date
    • Co-Host, United in Love benefit concert
    • Co-Host, Colorado Theatre Guild Henry Awards
    • Co-Host, Miscast 2017
    • Multiple roles in DCPA Cabaret’s First Date

    Jeremy Rill: 2017
    • Man 1 (Cole Porter) in Cherry Creek Theatre’s Red, Hot and Cole
    • Ensemble in Arvada Center’s Jesus Christ Superstar
    • Aurora Fox’s Company
    • Emile de Becque in Platte Valley Players' South Pacific (concert version)
    • Performed in Miscast 2017 for the Denver Actors Fund

    Steven J Burge GerRee Hinshaw 2017 Henry Awards BLF Photography
    Steven J. Burge and GerRee Hinshaw co-hosting the 2017 Henry Awards. BLF Photography.


    About The True West Awards: '30 Days, 30 Bouquets'

    The True West Awards, now in their 17th year, began as the Denver Post Ovation Awards in 2001. DCPA Senior Arts Journalist John Moore — along with additional voices from around the state — celebrate the entire local theatre community by recognizing 30 achievements from 2017 over 30 days, without categories or nominations. Moore's daily coverage of the DCPA and the Colorado theatre community can be found at MyDenverCenter.Org

    A look back at the history of the True West Awards

    The 2017 True West Awards (to date)

     

  • A man among women: My night at 'Girls Only'

    by John Moore | Sep 18, 2017

    image

    I am not afraid of the alternate uses for this feminine product as suggested to me by the women of "Girls Only." Looking forward to it, in fact. Photobombing: Carla Kaiser Kotrc.

     

    What happens when a man ignores the writing on the wall?

    By John Moore
    Senior Arts Journalist

    (Note: This essay was originally published in 2014. Girls Only: The Secret Comedy of Women' returns to the Galleria Theatre from Sept. 21-Oct. 22, 2017.)

    This doesn’t happen every night at the theatre: At intermission, a kindly female usher came up to me at my seat and asked if I intended to use the men’s room during the break. I did a quick mental bladder assessment and determined … OK, pretty sure I'm good. … Why?

     “Well, then – with your permission – we are going to open up the men’s room for the ladies to use,” she said.

    I never thought I would ever hold such power.  But I was raised by a good woman. I knew what was good for me. I gave my blessing.

    Girls OnlyThat’s just sensible strategy, I thought. After all, in a room with more than 200 audience members, I was the only one – presumably – sporting the anatomical equivalent of a caveman’s club.

    Sunday night was my first time seeing Girls Only: The Secret Comedy of Women. That makes me no different from almost every other man in the world. But for the longest time, this fact has separated me from the more than 110,000 women who have seen Girls Only since 2008.

    That made this a theatregoing night six years in the making.

    You have to understand that I was the theatre critic at The Denver Post when noted local improv comedians Barbara Gehring and Linda Klein debuted their modest little slumber-party comedy at The Avenue Theater. At the time, I tried to see just about every local production I could fit into my schedule, and certainly any original work created by local actors. It was an immediate hit that ran for an extended seven-week run. But, like feminine wiles, Girls Only remained largely a mystery to me.

    The exclusionary nature of the title aside, I did want to go. And I would have, but, in those early days at The Avenue, they weren’t kidding with that title. I was not allowed in. No guy was. Once again, here I was: A middle-aged white man on the wrong end of the discrimination and exclusion propagated by the women who have long controlled this country.

    But I relented.  I didn’t even try to dress up and sneak in. We sent a female staff writer to review the show for The Denver Post instead. Soon the show was building so much momentum, it was picked up for a run here at the Denver Center’s Garner-Galleria Theatre. That was a history-making moment. The Denver Center's Broadway division had never before optioned a locally grown play for a full production in the big house. Or in this case … the big cabaret house. Girls Only ran continuously in The Garner-Galleria for more than two years. Additional productions have sprung up in Des Moines, Charlotte, Winnipeg, Minneapolis, Houston and others. The show has grossed more than $2.5 million in ticket sales.

    More Colorado theatre coverage on the DCPA NewsCenter

    Now, I’m not the kind of guy who likes being kept in the dark. My brothers did that to me enough times as a kid whenever they got bored and locked me in a closet. I did due diligence by writing with regularity about the show and its progress. But still, I had not seen it for myself. Later on, I learned that the Denver Center, being much more mindful of, you know – the law – than my friends at The Avenue Theater, never actually forbid men from seeing the show. Some men, I hear told, have come back to see it several times.

    image

    Barbara Gehring and Linda Klein singing 'Up With Puberty' from 'Girls Only: The Secret Comedy of Women.' Photo by Terry Shapiro.

     

    Fast forward to the recent re-opening night of Girls Only at the Galleria Theatre. By now, I was long gone from The Denver Post. Last August, I was scooped up by the Denver Center, where my job is that of an in-house journalist. My delicious duties now include snapping photographs backstage before every Denver Center opening.

    Which brings us to “The Night of Jan. 16.” (That’s also the name of a play, you may know. I played the judge in a high-school production. The audience jury decides if the femme fatale is guilty of murder. But no matter how they voted, I got to scold the jury for making an obviously idiotic decision. That training well-prepared me for my future life as a theatre critic. But I digress …)

    So here I was in the cramped backstage dressing room with my camera and my Girls (Only). I was trying to be a proper gentlemen despite the, shall we say … “casual nature” of my photo subjects. When Barbara and Linda began to undress right in front of me, I, of course, excused myself. They said they would call me back in when they were changed into their proper costumes. And they did just that. I walked back in to the sight of two women wearing nothing but bright, colorful bras and panties (with carefully hidden mic pacs!) … and grins from ear to ear. They snickered. I was blood in the water. My face was hot-pinker than Barbara’s bra.

    “OK, you got me,” I said. “Now call me back in when you put some clothes on.”

    But no, it was not a put-on. It was a take-off. “This is what we really wear to start the show,” Linda insisted.

    And it was!

    I promised to come back soon, see the show and write this manly first-person essay about the experience. They made me promise to bring women along. Lots of them. “You’ll need them for protection,” Barbara teased. Made sense. I didn’t want any women coming to the theatre to giggle about all things girly with their girlfriends to be made in any way self-conscious by the creepy old man sitting alone in the corner. I have my front porch for that.

    Which brings us to Sunday night.

    “Be afraid,” my friend Amy Board said on our way into the theatre, along with the rest of my distaff “Gaggle of Girls,” Carla Kaiser Kotrc and Sharon Kay White. I also had actor Amie MacKenzie, who understudies both of the women who act in the play, one row behind us, watching my back.

    To this point, I really didn’t know what the big deal was. Sure, the evening comes with a warning: “This show contains feminine subject matter including teenage diaries, breast feeding, tampons, shadow puppets, pantyhose, menstrual cycles, slumber parties, menopause and maxi pads.”

    What was on that list for ME to worry about?

    Turns out, not much. Because I think a few of the actual ladies in the house were more uncomfortable than I was with the prospect of using the sticky side of your maxi pad as the equivalent of a waxing agent.

    But man, were those women giggling from the first line to the final bow, both for the evident comic agility on display by these two actors, but for the rabbit hole they sent the audience down, right back into their own girlyhoods.

    The night begins with the aforementioned bra-clad Gehring and Klein revisiting one of their childhood bedrooms. The women read for a bit from their actual journals, comically revealing the universal gawky, geekiness of being a teenager. Who can’t relate to a girl who formed her own one-woman club, but only had enough self-esteem to elect herself  vice-president? I once formed my own political party. I called it the Antisocial Party – “No Other Members Allowed” – but, jeez, at least I elected myself president.

    image

    Audience members are encouraged to leave their thoughts in a diary kept at the Galleria Theatre.

     

    The night soon turns into a series of relatable comedy sketches very much in league with Mo Gaffney and Kathy Najimy’s Parallel Lives, or a guy-less I Love You, You’re Perfect, Now Change  These included sweet, sentimental and, occasionally taste-boundary-pushing revelations that were not just for the women in the house. When Linda pulled out her childhood Walkie Talkies, I was right back patrolling my home street of Dudley Court.

    The audience loved a bit called The History of Women, as told by shadow puppets, and recoiled with a reminder of the way women were depicted in 1950s TV commercials. There was some soft political humor. While discussing our societal obsession with boobs, Barbara says, “We even elected one once.” To which, as if on cue, pretty much the entire audience answered back with incredulous spontaneity … “ONCE???”

    The ex-theatre critic in me appreciated Girls Only most for the truly improvised moments. In one sketch, the women snag the purses of two unsuspecting women in the audience, and then build an original story out of whatever objects they find inside. They also make up parody songs on the spot. I can tell you that of all the performing arts, there is nothing more painful to sit through than improv comedy that is tentative, unsure or unclever. Girls Only makes plain that these two actors are among the best you will ever see at thinking on their feet.

    As the only man, I was occasionally called out for not comprehending the meaning of the words Girls Only. But, it turns out, I was not alone. Not really. After all, there was a poster of Shaun Cassidy on the bedroom wall staring back at us like a little lost lamb. 

    Read our Q&A with Barbara Gehring and Linda Klein

    Girls Only strikes me as gateway theatre. Not the kind of show that attracts a regular theatregoing crowd. But the kind of show that might help turn them into more regular theatregoers.

    I see about 160 plays a year, and I can tell you that I feel comfortable in any theater where people are laughing, engaged and having a good time. So rest assured, my dangling caveman club aside, I was one guy who felt right at home at Girls Only.

    John Moore was named one of the 12 most influential theater critics in the U.S. by American Theatre Magazine in 2011. He has since taken a groundbreaking position as the Denver Center’s Senior Arts Journalist.

    Girls Only: The Secret Comedy of Women: Ticket information
    At a glance: Girls Only is an original comedy that celebrates the honor, truth, humor and silliness of being female with a two-woman cast and a mix of sketch comedy, improvisation, audience participation, and hilarious songs and videos.

    • Presented by DCPA Cabaret
    • Playing Sept. 21-Oct. 22
    • Garner-Galleria Theatre at the Denver Performing Ats Complex
    • Tickets start at $39
    • Call 303-893-4100 or BUY ONLINE
    • Sales to groups of 10 or more click here
    • For more, go to the Girls Only website

    image

    My Gaggle of only 'Girls': Carla Kaiser-Kotrc (back), Sharon Kay White (left) and Amy Board. Photo by Randy Dodd.

     

     

     

  • Lake Dillon Theatre Company strikes gold in Silverthorne

    by John Moore | Jun 24, 2017
    Silverthorne Performing Arts CenterPhotos from Friday's grand opening of the new $9 million Silverthorne Performing Arts Center. To see more, click the forward arrow on the image above. Photos by John Moore for the DCPA NewsCenter.


    Lake Dillon makes big splash with three new theatres that are already stimulating Summit County economy


    By John Moore
    Senior Arts Journalist

    They call it the $9 million email, and it is now framed in the lobby of the new Silverthorne Performing Arts Center that opened to great fanfare last night with the opening performance of Lake Dillon Theatre Company’s Sister Act, The Musical.

    It’s a remarkably ordinary email dated Aug. 15, 2013, written by Artistic Director Christopher Alleman confirming an upcoming meeting with Silverthorne Town Manager Ryan Hyland.

    SILVERTHORNE. Lake Dillon“The truth is, it was a really boring email,” Hyland said. But the drama hidden between the keystrokes was anything but. The acclaimed Lake Dillon Theatre Company, which had been presenting award-winning theatre in Dillon’s original, teeny-tiny Town Hall cabin since 1995, would soon be made homeless. The town of Dillon planned to redevelop the historic site, so it was time for the theatre company to find a new home.

    That boring email was the start of a beautiful relationship with the girl, er, town next door. And that partnership culminated Friday with the grand opening of the $9 million Silverthorne Arts Center. The new 16,000 square-foot jewel brings the cultural heft of three performing spaces to a town best known for its sprawl of irresistible outlet shops about 70 miles west of Denver.

    (Pictured above right: Curtain call after the inaugural performance of 'Sister Act.' Photo by John Moore.)

    The deal called for Silverthorne to kick in $6.3 million and the theatre company $2.7 million. “This was the smartest thing we could have ever done,” Hyland said.

    SILVERTHORNE. Lake Dillon“It is supporting arts and culture, which is such an incredibly enriching tool for our community, particularly our youth. But it is also absolutely an investment in economic development. It’s not some wild idea to say that that if you bring culture to a downtown, you can generate economic activity. It’s been proven. And this performing-arts center will be a catalyst for big things to come in this downtown.”

    (Pictured above right, from left: Ryan Hyland, Chris Alleman and Joshua Blanchard. Photo by John Moore.)

    When the cultural partnership was announced two years ago, Hyland said, investors immediately started to look at Silverthorne differently. “Before the first shovel went into the ground, we secured a 32-unit condo development across the way that I can attribute directly to this partnership,” Hyland said. “There is also a brewery and a new restaurant coming, so we haven't even started yet.”

    SILVERTHORNE. Lake DillonThe Silverthorne Performing Arts Center, located in the Town Center at 4th Street and Blue River Parkway, is anchored by a still-intimate 165-seat mainstage theatre called The Flex, where Sister Act opened Lake Dillon’s 23rd season on Friday and plays through Aug. 13. To maximize space, the orchestra performs live in a specially constructed studio next to the backstage dressing rooms.

    The 60-seat studio theatre next door will remind faithful Lake Dillon theatregoers of the company’s longtime cramped cabin home just a mile up Highway 6 in Dillon. That opens with the musical adaptation of the movie Ghost on July 1, running through Aug. 27. There is also a small classroom theatre that will host the company’s Lab Solo Series – successive one-actor plays Buyer and Cellar (June 30-July 9), Grounded (Aug. 11-20) and Pretty Fire (Sept. 15-24).

    Grand Lake's Rocky Mountain Rep opens 50th season

    When Ghost and Buyer and Cellar open, the company will have productions running in all three of its performance facilities. On most days of the week, theatregoers will have two of them to choose from.

    And just outside the entrance to the very mod arts center, designed by Denver’s Oz Architecture, is an outdoor music pavilion that will bring Hazel Miller (July 8), Chris Daniels and the Kings (July 15) and comedian Jim Breuer (Sept. 13), among many others, to Summit County this summer.

    SILVERTHORNE. Lake DillonThe Lake Dillon Theatre Company was conceived by Lennie Singer (mother of Denver actor Jordan Leigh) and B.J. Knapp in 1993. Alleman joined in 2002 with his partner, future Executive Director and actor Joshua Blanchard, who is nominated for a 2017 Henry Award for his performance in last year’s Cabaret. Together they have grown the organization from a $140,000 annual budget to $1.4 million. The company has maintained  a remarkably steady annual growth rate of about 13 percent.

    Today the fully professional company supports nine full-time employees and an extensive theatre education program. The full summer company of actors, crew, staff and apprentices numbers 72. The company also includes Arvada Center favorite Adam Estes, who directed Sister Act and stars in Buyer and Cellar, Colorado Shakespeare Festival Henry Award nominee Hunter Ringsmith, and widely acclaimed area designers including Nick Kargel, Brian Mallgrave, Vance Mackenzie and Andy Bakehouse.

    The mood at Friday night’s opening celebration was euphoric. But a better description for Alleman and Blanchard might be exhausted. “I’ve gotten eight hours of sleep in the past three days,” said Alleman, whose fundraising work is not yet done.

    More Colorado theatre coverage on the DCPA NewsCenter

    “Our capital campaign is actually for $3.8 million,” he said. "That includes the $2.7 million we put into the building, but also a $500,000 reserve fund, plus the cost of fundraising. We're at $3.2 million right now, so we're not all said and done just yet.”

    SILVERTHORNE. Lake DillonJuliana Davis Ditmyer performed in Lake Dillon Theatre Company's first show under Alleman back in 2002, And the World Goes Round. She now lives in Florida, but came back this summer to be part of this new chapter in the company’s history. She’s choreographing Ghost.  

    “I was dying to be here for this," Davis said. "When I moved to Colorado, I was still not sure what I wanted to do with my life. I was living in Leadville when I stumbled across that little barn theatre in Dillon one day. I had no idea the impact it would have on me. This has not only been an artistic outlet for me but an artistic home. And although the building and surroundings are new, the heart is the same."

    Bob Moore, who has performed at theatres across Colorado since 1965, has appeared in 17 Lake Dillon Theatre Company shows, including the Monsignor in Sister Act. Make that 18 when he joins daughter Missy Moore in Noises Off, opening Sept. 1. (The director is his wife and her mother, Wendy Moore.)

    “This is now a destination facility, both for audiences and actors,” Bob Moore said. Missy Moore, who won the 2017 Henry Award for the Edge Theatre’s Getting Out, said, “Lake Dillon is absolutely bringing theatre in this part of Colorado to the next level.”

    Recent True West Award winner Sharon Kay White, who plays Mother Superior in Sister Act, is among many professional actors from Denver who find the mountain employment with Lake Dillon to be both rewarding and fulfilling. Among Colorado theatre companies, only the Denver Center and Arvada Center make more professional contracts available to Denver actors each year, Alleman said.

    “It's such an honor to be in the inaugural show in this beautiful space lovingly built by this city that embraced this theatre company that was made suddenly homeless,” said White, who previously played Sister Mary Patrick in the Arvada Center’s production of Sister Act last year. “And my goodness: This city is so beautiful. My plan was to drive home to Denver once a week all summer, but now I think I'm just staying up here all the time.”

    Our statewide Colorado summer theatre guide

    She said the quality of theatre in Silverthorne “fares great” in comparison to Denver’s best theatres. “It’s just bustling with activity. Everything feels new.”

    But while the summer of 2017 may be all about the new, Bob Moore says not everything has changed.

    “I would describe backstage at the old theatre as … very tight,” he said with a smile.  I mean, you really got a chance to know your fellow actors there. I remember a couple of times changing my clothes in the car.”

    And the new place?

    “Well, I would describe backstage at this theatre - for this particular show - as the same. But here’s the difference: There are 22 cast members in the show.” 

    That’s new.


    John Moore was named one of the 12 most influential theater critics in the U.S by American Theatre Magazine in 2011. He has since taken a groundbreaking position as the Denver Center’s Senior Arts Journalist.



    SILVERTHORNE. Lake Dillon

    The opening-night afterparty following 'Sister Act.' Photo by John Moore.


    LAKE DILLON THEATRE COMPANY

    At the Silverthorne Performing Arts Center, 460 Blue River Parkway, Silverthorne, 970-513-9386 or lakedillontheatre.org
    Through Aug. 13: Sister Act
    June 30-July 9: Buyer and Cellar
    July 1-Aug. 24: Ghost
    Sept. 1-17: Noises Off
    Aug. 11-20: Grounded
    Sept. 15-24: Pretty Fire

  • In the Spotlife: Heather Lacy of 'Priscilla, Queen of the Desert'

    by John Moore | Apr 18, 2017
    Heather Lacy. Todd Peckham. John Moore Heather Lacy and Todd Peckham recently sang a song from the Aurora Fox's 'Priscilla Queen of the Desert' before a benefit screening of the film for The Denver Actors Fund at Alamo Drafthouse. The stage production opens April 21. Lacy has performed at the DCPA in 'The Doyle and Debbie Show' and 'I Love You, You're Perfect, Now Change.' 


    MEET HEATHER LACY
    Heather Lacy plays Bernadette (the Terence Stamp role) in the Aurora Fox's regional premiere stage adaptation of the 1994 cult classic Australian film Priscilla Queen of the Desert. 
  • Hometown: Las Cruces N.M.
  • Home now: Denver ... and loving it
  • College: B.A. In Theater and Music from Colorado State University in Fort Collins
  • What have you done for us lately? Last month I had the joy of playing Rose in Enchanted April at the Colorado Springs Fine Arts Center
  • Twitter-sized bio: Actor, singer, sister, friend, lover of bacon, climber of mountains (because of the bacon), herder of teenagers, owner of YearRound Sound, listener.
  • What's your handle? @heatherlacy35 on Instagram, @yearroundsound on Twitter
  • Heather Lacy. Priscilla Queen of the DesertWhat was the role that changed your life? In my third year of college, I was cast as Sally Bowles in Cabaret, and it was a revelation to me. She is such a complicated character. It was such a journey to discover her motivations, and to really truly embrace the idea that every character believes, in the moment, that the choices they are making are the right choices.  
  • Ideal scene partner: I can think of so many but one that comes to mind today is Liev Schreiber. I think he is such a smart, present, genuine actor, with great range.
  • What is Priscilla Queen of the Desert all about? It's about two drag queens and a transgender woman who are contracted to perform a drag show at a resort in a remote town in the Australian desert. They head west, into adventure, on their lavender bus called Priscilla. It is a high-energy romp with lots of glitz and lively music. In the midst of all of this fluff there are touching stories about redemption and second chances.
  • What is the gender identity of your character? Bernadette is a transgender woman -  defined as a person born biologically male, but who identifies as a female. In the past, this role always has been played by a male. In fact, I think we are the first production anywhere to feature a cisgender woman in this role. Cisgender is a term for people whose gender identity matches the sex that they were assigned at birth. There was one production in Chicago where Bernadette was played by a transgender woman.
  • Tell us about the challenge of playing Bernadette: My challenge is to play Bernadette sincerely, and to give the character both the honesty and wit the role deserves. It is a new challenge, but there is so much to relate to in this lovely woman. Here are just a few relatable thoughts: 1. We all cast off parts of our younger selves - our beliefs, our boundaries, our choices in appearance, etc. - as we discover and become more fully who we each are. We evolve throughout our lives and make changes through the years to, hopefully, become even more genuinely ourselves. Bernadette is no different. 2. We all have experienced moments in our lives when someone has made us feel inferior, not good enough, or even judged. Bernadette is no different. 3. We all want to be loved. Bernadette is no different.
  • What can your casting as Bernadette teach us about gender identity? Perhaps this is a step forward in terms of how we think about all the members of our community. Perhaps in 10 years casting transgender and cisgender women in these roles will be the norm. I think about Jeffrey Tambor's Emmy Award speech, when he urged the TV industry execs to give transgender actors more opportunities, and I wonder what the future will bring. I hope it brings more of us together instead of finding ways for us to judge each other. I know we need each other. I know that much.

  • More Colorado theatre coverage on the DCPA NewsCenter

  • What do you hope audiences get out of seeing this play? I hope the audience walks away with a smile on their faces, a song stuck in their heads, and a greater appreciation for the journey each of us takes throughout our lives. 
  • What's one thing most people don't know about you? I have an identical twin sister. Oh, and when I am home alone, I have full conversations with my dogs.
  • What’s one thing you want to get off your chest? "A lot" is two words. It just is. 😊. No, but seriously: People who are good at what they do are kind. People who are confident in what they do are happy. People who are competent at what they do are pleasant to be around. If you come across a person who is mean, rude, controlling or self-important, run away quickly. Don't waste your life on those people. I have had experience with this, and it has taught me so much about who I want to work with and be surrounded by in my life. Life is too short. Be kind, and surround yourself with kind people!

  • Heather 800 2Part of the cast from the Aurora Fox's 'Priscilla Queen of the Desert' before a benefit screening of the film for The Denver Actors Fund at Alamo Drafthouse. Heather Lacy is back and second from the left.  

    Aurora Fox's Priscilla Queen of the Desert: Ticket information

    • Written by Stephan Elliott and Allan Scott
    • Presented by the Aurora Fox
    • Directed by Eden Lane
    • April 21 through May 28
    • Performances 7:30 p.m. Fridays and Saturdays; 2 p.m. Sundays beginning April 30
    • 9900 E. Colfax Ave., Aurora
    • Tickets $26-37 ($16 for 12 and under)
    • For tickets or information, call 303-739-1970 or go to aurorafox.org

    Cast list:

    • Todd Peckham as Tick/Mitzi
    • Heather Lacy as Bernadette
    • Rob Riney as Adam/Felicia
    • McKayla Marso as Marion/Ensemble
    • Harrison Lyles-Smith as Benji
    • Mark Rubald as Bob
    • Tashara May as Diva
    • Seles VanHuss as Diva
    • Krisangela Washington as Diva
    • Sharon Kay White as Shirley/Ensemble
    • Jenna Moll Reyes as Cynthia/Ensemble
    • Ammon Swofford as Miss Understanding/Ensemble
    • Ensemble: Melissa Morris, Jordan Manchego, Thomas Ilalaole, Michael Barlow,  Jonathan Sharp

    More 'In the Spotlife' profiles:
    Meet Lauren Bahlman of Wide-Eyed West's theMumblings
    Meet Mark Collins of And Toto Too's Lost Creatures
    Meet Carley Cornelius of Colorado Springs TheatreWorks' Constellations
    Meet Emily Paton Davies of Miners Alley Playhouse's God of Carnage
    Meet Kelsey Didion of Curious Theatre's Constellations
    Meet Denise Freestone of OpenStage's August: Osage County
    Meet Sam Gregory of the Arvada Center's Tartuffe
    Meet John Hauser of Curious Theatre's Hand to God
    Meet Jim Hunt of Buntport's The Zeus Problem
    Meet Jeff Jesmer of Spotlight Theatre's The Crucible
    Meet Wayne Kennedy of BDT Stage's Mid-Life 2
    Meet Carla Kaiser Kotrc of Miners Alley Playhouse's A Skull in Connemara
    Meet Seth Maisel of Town Hall Arts Center's The Firestorm
    Meet Tim McCracken of Local Theatre's The Firestorm
    Meet Angela Mendez of Beauty and the Beast
    Meet Joelle Montoya of Su Teatro's El Sol Que Tu Eres
    Meet Rebekah Ortiz of The Robber Bridegroom
    Meet Anne Oberbroeckling of Boulder Ensemble Theatre Company's Ripcord
    Meet Jessica Robblee of Buntport Theatre for All Ages' Siren Song: A Pirate Odyssey
    Meet Cory Sapienza of Miners Alley Playhouse's Hir
    Meet Sean Scrutchins of the Arvada Center's Bus Stop
    Meet Lauren Shealy of Lone Tree Arts Center's Evita
    Meet Jane Shirley of The Avenue's Santa's Big Red Sack
    Meet Marc Stith of Benchmark Theatre's The Nether
    Meet Peter Trinh of the Aurora Fox's Chinglish
    Meet Petra Ulyrich of Germinal Stage-Denver's Johnny Got His Gun
    Meet Megan Van De Hey of the Arvada Center's Sister Act
    Meet Sharon Kay White of the Arvada Center's I'll Be Home for Christmas

  • Cherry Creek Theatre pulls up carpet and moves into Mizel

    by John Moore | Jan 25, 2017

    Video above: Jeremy Rill as Cole Porter in 'Red Hot & Cole,' opening Jan. 26.



    Since 2010, Cherry Creek Theatre has performed in the most distinct setting of perhaps any local troupe – inside the Shaver-Ramsey Gallery surrounded by opulent, finely woven Oriental rugs more than likely worth more than the net worth of all the actors combined. But after six years and 18 productions, the company is apparently no longer feeling the (carpet) burn.

    Cherry Creek opens its seventh season on Thursday with its first show as the new resident theatre company at the Mizel Arts and Culture Center. The group will perform Red Hot & Cole in the Pluss Theatre, which is the Mizel’s intimate studio theatre. The Shaver-Ramsey Gallery in Cherry Creek North served the company well, but the set and portable lights had to be taken down after every performance so the store could conduct normal business by day. A more permanent venue has been long overdue.

    Cherry Creek Theatre Shannan Steele Quote“To continue to provide the quality productions the theatre is known for, and to expand its artistic pursuits, additional space is required,” said Mark Rossman, who co-founded Cherry Creek Theatre with his wife, Maxine. 

    Steve Wilson, Executive Artistic Director of the Mizel Arts and Culture Center, said he is overjoyed by the new partnership. “The Rossmans and Cherry Creek Theatre have been a powerful artistic presence in our area, and the MACC is delighted to bring them into our facility to assist in the continued growth of their outstanding work,” he said.

    Under Artistic Producer and outgoing Colorado Theatre Guild President Pat Payne, Cherry Creek Theatre has produced an eclectic mix ranging from Proof, Doubt and Twelve Angry Men to musicals including Baby, John & Jen and several Sondheim revues.

    Two huge upsides from the move: Free parking at the Mizel, and the ability to schedule more matinee performances. One downside: No Friday performances at the Mizel because of the Sabbath day of rest. Also, the move out of Cherry Creek North, given that the theatre company was specifically created in 2010 to bring live theatre to the shopping district.

    “While we would have liked to remain in Cherry Creek North, current redevelopment of the area has made this impossible from a cost standpoint,” Rossman said.  

    Red Hot & Cole is a two-act revue that traces Cole Porter’s career from Indiana to the world stages of New York, London, Paris and Venice, through his marriage, his friendships with contemporaries and the tragic riding accident that crippled him mid-career. The score features more than 25 Porter standards, including “Night and Day,” “Anything Goes” and “In the Still of the Night.”

    More Colorado theatre coverage on the DCPA NewsCenter

    Cherry Creek has helped make its name as a legit new company by often incorporating union actors into its productions, which is cost-prohibitive for most comparably sized small companies. The local theatre ecology is teeming with professional-caliber non-union actors. But by committing to hiring - and paying - union actors, Cherry Creek has the full pool of available talent to choose from, and Red Hot & Cole is a primary example. Among the cast of Jeremy Rill, Seth Dhonau, Damon Guerasio, Stephen Day, Matt LaFontaine, Sharon Kay White, Lauren Shealy, Shannan Steele, Susannah McLeod and Olivia James are five members of the Actors Equity union.

    Red Hot Cole Cherry Creek Theatre Those are some big names. Day starred in the Arvada Center’s La Cage Aux Folles and many others; White just won a True West Award for her work in Sister Act and others at the Arvada Center, and Steele is a very familiar face at the Denver Center, having appeared in I Love You, You’re Perfect, Now Change; The Last Five Years; My Way; Animal Crackers; Sweeney Todd, and A Christmas Carol. Likewise, Lauren Shealy has appeared at the Denver Center in Forbidden Broadway; A Christmas Carol; The Doyle and Debbie Show, and Love, Perfect, Change.

    The Director is Broadway performer Piper Arpan (Spamalot) and the Music Director is Susan Draus, Music Director of the recent Broadway hit Beautiful, The Carole King Musical and creator of last summer’s interactive party Reunion ’85 at the Lone Tree Arts Center.

    "This move into an actual theatre speaks volumes about the passion, commitment and drive of the Cherry Creek Theatre directors and board," said Steele. "They are such an asset to the arts community here in Denver."

    Cherry Creek Theatre’s inaugural three-show season at the Mizel will include The Baby Dance, directed by Gavin Mayer, March 30-April 30; and Beau Jest, directed by M. Curtis Grittner, Nov. 9-Dec. 10.

    Pictured above, clockwise from top left: Stephen Day, Susannah McLeod, Matt LaFontaine and Lauren Shealy.

    John Moore was named one of the 12 most influential theater critics in the U.S by American Theatre Magazine in 2011. He has since taken a groundbreaking position as the Denver Center's Senior Arts Journalist.

    Red Hot and Cole: Ticket information
    Who: Presented by the Cherry Creek Theatre Company
    When: Jan. 26 through Feb. 19
    Where: Mizel Arts and Culture Center, 350 S. Dahlia St.
    Times: 8 p.m. Thursdays and Saturdays; 2 p.m. Sundays; also 7 p.m. Sundays, Feb. 12 and 19. No Friday perfromances
    Tickets $30-$35
    Call 303-800-6578 or go to cherrycreektheatre.org

    Mizel Arts and Culture CenterThe exterior of the Mizel Arts and Culture Center, home of the Pluss Theatre. Photo by John Moore for the DCPA NewsCenter.
  • January: Colorado theatre listings

    by John Moore | Jan 04, 2017
    Becky's New Car, Firehouse Theatre,

    NOTE: At the start of each month, the DCPA NewsCenter offers an updated list of upcoming theatre openings, spotlighting work being presented on stages statewide. Companies are encouraged to submit listings and production photos at least two weeks in advance to the DCPA NewsCenter at jmoore@dcpa.org.

    Five intriguing titles for January:

    NUMBER 1Red Hot and Cole. The Cherry Creek Theatre begins its seventh season with a big move out of the Shaver-Ramsey Gallery and into the Pluss Theatre at the Mizel Arts and Culture Center. The cast includes Jeremy Rill, Seth Dhonau, Damon Guerasio, Stephen Day, Matt LaFontaine, Sharon Kay White, Lauren Shealy, Shannan Steele, Susannah McLeod and Olivia James. The director is Susan Draus, music director for the tour of Beautiful - The Carole King Musical and creator of last year’s fun romp at the Lone Tree Arts Center Reunion ’85. Jan. 26-Feb. 19 at 350 S. Dahlia St., 303-800-6578 or cherry creek theatre’s home page

    NUMBER 2The Wiz. Ignite Theatre’s 31st production will be the 1975 Broadway musical that tells the story of The Wizard of Oz from an African-American perspective. Ignite intended to ease on down this road last summer, but issues involving the use of the Aurora Fox as a host venue forced the postponement. Featuring Clarissa DuBose as Dorothy. Jan. 7-29  at the Aurora Fox, 9900 E. Colfax Ave., 720-362-2697 or ignite’s home page

    NUMBER 3Peter TrinhComing to America. Theatre Esprit Asia returns with a compelling collaboration with the Theatre Company of Lafayette: Two monologues addressing issues of immigration. In Boat Person, Peter Trinh recounts the bloody fall of Saigon. In Antecedents, Maria Cheng recollects the Americanization of a precocious Chinese teenager. Jan. 13-22 at the Mary Miller Theater in Lafayette, 300 E. Simpson, 720-209-2154 or www.tclstage.org

    NUMBER 4RFK: A Portrait of Robert Kennedy. James O’Hagan Murphy returns to his signature role as a tribute to his recently departed director, Terry Dodd. Presented by Vintage Theatre Jan. 6-8 at the Dairy Center in Boulder, 2590 Walnut St., 303-440-7826 or thedairy.org; and Jan. 13-22 At Center/Stage, 27608 Fireweed Drive in Evergreen, 303-674-4934 or evergreenplayers.com

    NUMBER 5The Happiest Song Plays Last. Curious Theatre presents the final chapter of its Elliot Trilogy of plays by Quiara Alegría Hudes. In a cozy North Philadelphia kitchen, a matriarch takes a stand in her new role as the heart and voice of a crumbling community. Halfway around the world in Jordan, her cousin (Elliot) finds that his wartime nightmares have followed him into his new life as a film star. Punctuated by live music from Puerto Rico and the Middle East. Jan. 14-Feb. 17 at 1080 Acoma St., 303-623-0524 or curioustheatre.org

    THIS MONTH'S THEATRE OPENINGS IN COLORADO:

    (Submit your listings to jmoore@dcpa.org)

    Jan. 5-Feb. 4: OpenStage Theatre & Company’s Bright Ideas
    Lincoln Center, 417 W. Magnolia St., Fort Collins, 970-484-5237 or openstagetheatre.org

    JANUOARY OPENINGS DCPA 1Jan. 6-28: Breckenridge Backstage Theatre's Red
    121 S. Ridge St. 970-453-0199 or backstagetheatre.org

    Jan. 6-22: Performance Now's Man of La Mancha
    Lakewood Cultural Center, 470 S. Allison Parkway, 303-987-7845 or performance now’s home page 

    Jan. 6-March 18: Midtown Arts Center's Million Dollar Quartet
    3750 S. Mason St., Fort Collins, 970-225-2555 or midtownartscenter.com

    Jan. 6-8: Vintage Theatre's RFK: A Portrait of Robert Kennedy
    At the Dairy Center for the Arts, 2590 Walnut St., Boulder, 303-440-7826 or thedairy.org

    Jan. 6-29: Jesters Dinner Theatre's Godspell
    224 Main St., Longmont, 303-682-9980 or jesterstheatre.com

    Jan. 7-Feb. 4: Firehouse Theatre Company's Becky’s New Car
    John Hand Theatre, 7653 E. First Place, 720-880-8727 or firehousetheatercompany.com

    Jan. 7-29: Ignite Theatre's The Wiz
    At the Aurora Fox, 9900 E. Colfax Ave., 720-362-2697 or ignite’s home page

    Bright IdeasJan. 10-22: National touring production of Fun Home
    Ellie Caulkins Opera House, Denver Performing Arts Complex, 14th and Curtis streets, 303-893-4100 or denvercenter.org

    Jan. 12-March 12: Candlelight Dinner Playhouse’s Forever Plaid
    4747 Marketplace Drive, Johnstown, 970-744-3747 or coloradocandlelight.com

    Jan. 12-29: Thingamajig Theatre Company's Buyer & Cellar
    Pagosa Springs Center for the Arts, 2313 Eagle Drive, 970-731-7469 or pagosacenter.org

    Jan. 13-Feb. 26: DCPA Theatre Company's The Book of Will
    Ricketson Theatre, Denver Performing Arts Complex, 14th and Curtis streets, 303-893-4100 or denvercenter.org

    Jan. 13-Feb. 12: The Edge Theatre's Burn This
    1560 Teller St., Lakewood, 303-232-0363 or theedgetheater.com

    Jan. 13-22: Theater Esprit Asia and Theater Company of Lafayette’s Coming to America
    At the Mary Miller Theater, 300 E. Simpson, 720-209-2154 or www.tclstage.org

    Jan. 13-Feb. 4: Town Hall Arts Center's Avenue Q
    2450 W. Main St., Littleton, 303-794-2787 or townhallartscenter.org

    Jan. 13-Feb. 12: The Avenue Theater's Almost, Maine
    417 E. 17th Ave., 303-321-5925 or the avenue’s home page


    Jan. 13-Feb. 4: Equinox Theatre Company’s The Who’s Tommy
    At the Bug Theatre, 3654 Navajo St., 720-984-0781 or equinox’s home page

    Jan. 13-22: Vintage Theatre's A Portrait of Robert Kennedy
    At Center/Stage, 27608 Fireweed Drive, 303-674-4934 or evergreenplayers.com

    Jan. 13-22: Vintage Theatre's A Portrait of Robert Kennedy
    At Center/Stage, 27608 Fireweed Drive, 303-674-4934 or evergreenplayers.com

    Carter NovingerJan. 13-March 5: Vintage Theatre's Brilliant Traces
    1468 Dayton St., Aurora, 303-839-1361 or vintage’s home page

    Jan. 13-29: Colorado Springs Fine Arts Center's WYNOT Radio Theatre in The Other Coast Caper
    30 W. Dale St., Colorado Springs, 719-634-5581 or csfineartscenter.org

    Jan. 13-22: Longmont Theatre Company's Leading Ladies
    513 Main St., 303-772-5200 or longmonttheatre.org

    Jan. 13-March 18: Midtown Arts Center's Forbidden Broadway (Studio Theatre)
    3750 S. Mason St., Fort Collins, 970-225-2555 or midtownartscenter.com

    Jan. 14-Feb. 17: Curious Theatre's The Happiest Song Plays Last
    1080 Acoma St., 303-623-0524 or curioustheatre.org

    Jan. 20-Feb. 19: Aurora Fox's Myth
    9900 E. Colfax Ave., Aurora, 303-739-1970 or aurorafox.org

    Jan. 20-Feb. 12: Parker Arts Center and Inspire Creative's Disney's Beauty and the Beast
    20000 Pikes Peak Avenue, Parker, parkerarts.org

    RFK VintageJan. 26-Feb. 19: Cherry Creek Theatre's Red Hot and Cole
    At the Mizel Arts and Culture Center's Pluss Theatre, 350 S. Dahlia St., Denver, 303-800-6578 or cherry creek theatre’s home page

    Jan. 27-Feb. 26: DCPA Theatre Company's The Christians
    Stage Theatre, Buell Theatre, Denver Performing Arts Complex, 14th and Curtis streets, 303-893-4100 or denvercenter.org

    Jan. 27-March 5: Miners Alley Playhouse's Hir
    1224 Washington St., Golden, 303-935-3044 or minersalley.com

    Jan. 27-Feb. 12: Something’s Afoot
    27357 Conifer Road, Conifer, 303-886-2819, 800-838-3006 or stagedoor’s home page


    CONTINUING CURRENT PRODUCTIONS:

    Through Jan. 8: Colorado Springs Fine Arts Center's Shrek: The Musical
    30 W. Dale St., Colorado Springs, 719-634-5581 or csfineartscenter.org

    Through Jan. 8: Vintage Theatre Productions' Beauty and the Beast
    1468 Dayton St., Aurora, 303-839-1361 or vintagetheatre.com READ MORE

    Through Feb. 19: BDT Stage's Thoroughly Modern Millie
    5501 Arapahoe Ave., 303-449-6000 or bdtstage.com

    Through March 12: DCPA Cabaret's An Act of God
    Galleria Theatre, Denver Performing Arts Complex, 14th and Curtis streets, 303-893-4100 or denvercenter.org READ MORE

    More Colorado theatre coverage on the DCPA NewsCenter


    ONGOING, MONTHLY or ONE-TIME PROGRAMMING:

    ADAMS MYSTERY PLAYHOUSE
    Ongoing productions
    2406 Federal Blvd., Denver, 303-455-1848 or adamsmysteryplayhouse.com

    THE AVENUE THEATER
    Jan. 26: Scriptprov (improv comedy and theatre actors working together)
    417 E. 17th Ave., 303-321-5925 or the avenue’s home page

    BUNTPORT THEATRE
    Jan. 14: Siren Song: A Pirate Odyssey (Monthly theatre for young audiences at 1 and 3 p.m. the second Saturday of each month, through May 13)
    Jan. 17: The Great Debate
    Jan. 18: The Narrators (a live storytelling show and podcast)
    Jan. 27: Untitled (in the freight elevator at the Denver Art Museum)
    717 Lipan St., 720-946-1388 or buntport.com

    THE CATAMOUNTS
    Jan. 27: FEED: Darkness
    An examination of why we need darkness in order to see the light through a  short performance piece and live music. With a four-course meal and drink.
    At Still Cellars, a distillery and arthouse, 115 Colorado Ave., Longmont


    Paula Poundstone

    COLORADO SPRINGS FINE ARTS CENTER

    Jan. 13-14: Staged concert of Next to Normal with Broadway veteran Susan Dawn Carson
    Jan. 27, 2017: An Evening With Paula Poundstone
    30 W. Dale St., Colorado Springs, 719-634-5581 or csfineartscenter.org

    CURIOUS THEATRE
    Jan. 8: Gabriella Cavallero host an evening of music and conversation with the Harlem Quartet. The program will spotlight the music in Quiara Alegría Hudes’ plays.
    1080 Acoma St., 303-623-0524 or curioustheatre.org


    Waiting for Obama

    DENVER ACTORS FUND

    Jan. 19: Staged reading of John Moore's play Waiting for Obama
    The Edge Theatre 1560 Teller St., Lakewood, 720-231-7547 email denveractorsfund.org
    (Free, no advance ticketing. Drop in.)

    Jan. 22: Billy Elliot (the movie)
    Denver Actors Fund monthly film series in partnership with local theatre companies)
    Pre-screening entertainment by cast of Vintahe Theatre's upcoming production of Billy Elliot, The Musical
    At the Alamo Drafthouse, Aspen Grove, 7301 S Santa Fe Dr, Littleton, 720-588-4107 or BUY TICKETS

    LANNIE’S CLOCKTOWER CABARET
    Jan. 6: The Jerseys sing the Four Seasons and more
    D&F Clock Tower, 16th and Arapahoe streets, 303-293-0075 or clocktowercabaret.com

    THE SOURCE THEATRE COMPANY
    Every third Monday: Monday! Monday! Monday! Cabaret
    At Su Teatro Performing Arts Center, 721 Santa Fe Drive, 720-238-1323 or thesourcedenver.org

    STORIES ON STAGE
    Jan. 14: Leaps of Faith
    "The Conversion of the Jews” by Philip Roth Young, performed by Michael Bouchard
    "The Blue Hole” by Erika Krouse, performed by Jessica Austgen
    "A Fable with Slips of White Paper Spilling from the Pockets” by Kevin Brockmeier, performed by Cajardo Rameer Lindsey
    1:30 p.m. & 6:30 p.m. Jan. 14 at At the Su Teatro Performing Arts Center, 721 Santa Fe Drive, 303-494-0523 or storiesonstage.org

  • 2016 True West Award: Sharon Kay White

    by John Moore | Dec 24, 2016
    True West Award Sharon Kay White


    30 DAYS, 30 BOUQUETS

    Day 24: Sharon Kay White

    Sharon Kay White is all kinds of funny – literally. Close-to-the-bone funny, rim-shot funny, vaudevillian funny. You name a style, and the dependable musical-theatre veteran knows a different way to make you laugh.

    White showed off at least three kinds of funny in three charmingly diverse performances in 2016. She nearly stole the show out from under infamous thief Frank Abagnale Jr. as the con man’s mother-in-law in the Aurora Fox’s Catch Me If You Can. She was just cheek-pinchable as the jovial cloistered nun Sister Mary Patrick in the Arvada Center’s Sister Act. And she brought the year home like the seasoned pro she is originating the role of a throwback variety-show sidekick in the Arvada Center’s world-premiere holiday musical, I’ll Be Home for Christmas. 

    True West Award. Sharon Kay White. Tim Howard. Photo by Christine Fisk. “You give that woman a song with a bit of sass and humor in it, and she’ll knock it out of the park every time. That’s her,” said actor Amy Board, her castmate in 2007’s The Great American Trailer Park Musical. “She knows how to set up a joke - and she knows how to drive it home.”

    Yes, White was every kind of funny in 2016. But there’s much more to her. White is a classic, old-school hoofer, Board said. But if you give her a chance to break your heart, then you had better grab a broom to sweep up the pieces. She brought Carol Burnett’s mother to gritty life in a memorable 2008 turn in Hollywood Arms, followed in 2011 by a riveting turn as the relentless social activist Emma Goldman in Ragtime.

    (Photo above and right: Sharon Kay White and Tim Howard in the Aurora Fox's 'Catch Me If You Can.' Photo by Christine Fisk.)

    “Sharon’s humor is well-known, but her excellence in dramatic roles is something many audience members don’t see coming,” said Arvada Center Artistic Producer Rod Lansberry. “Her work in Hollywood Arms still stands out as one of her strongest roles - as well as her Emma Goldman in Ragtime. We love her for her humor, but we admire her for her versatility.”

    Read our 'meet-the-cast' feature on Sharon Kay White

    Oddly enough, the Denver Center for the Performing Arts inadvertently changed the direction of White’s life forever in 1996. Not by hiring her to perform here, but rather by keeping her from performing here.

    Pop star Debbie Gibson’s national touring production of Funny Girl was supposed to be Broadway-bound. White, who was a member of that touring cast, had been a gainfully employed New York actor for years. She had starred as no less than Adelaide in a national touring production of Guys & Dolls, but Funny Girl was going to be her Broadway debut. Until late DCPA President Randy Weeks previewed the show in Minneapolis and was so unimpressed, he canceled the show’s upcoming Denver booking. And when Denver dropped out, the tour fizzled out.

    True West Award Sharon Kay White QuoteWhite took stock. She decided to exit the New York rat race and move to Colorado to live a more normal life. Why Colorado? “I saw picture of Colorado in a magazine on an airplane and said, ‘I am going there,’ ” she said.

    White came here intending to become a respectable Realtor – and she still is one. She has also had a reliable second career as a transcriber for all kinds of television shows – a job she can do from her home in Denver. But shortly after she arrived in Colorado, she got the acting bug again, and it has never left her since. She became a favorite of the now shuttered Country Dinner Playhouse, where she brought her Broadway-caliber Adelaide of Guys & Dolls to Arapahoe County. She also had memorable turns as a stripper in Gypsy and as Mrs. Potts in Beauty and the Beast, among many others.

    “She is a rock star,” said Paul Dwyer, who co-starred and produced many of her shows there. “She can do anything.”

    More Colorado theatre coverage on the DCPA NewsCenter

    White started 2016 with her surprisingly affecting turn in Catch Me If You Can, which further solidified Tim Howard as perhaps the leading leading man among the local twentysomethings. “But the night belongs to Sharon Kay White as the blusteringly sexy comic tour de force, Carol Strong, the Deep-South mother of Abignale’s fiancé,” wrote Dave Perry of the Aurora Sentinel. “White is famous for making every role seem that it was written for her, and this one is a memorable escapade that encapsulates the best part of the show.”

    In Sister Act, based on the Whoopi Goldberg film about a loose-moraled singer who witnesses a mob crime and is sent into hiding in a convent, White played one of the many naive nuns whose eyes are opened to the excitement of the outside world. “She was just so freaking earnest in her joy, and it wasn’t for a joke,” Board said. “It was honest.”

    At the end of 2016, White had the rare opportunity to create a character from scratch in the Arvada Center’s just-completed new musical I’ll Be Home for Christmas. It is written by Kenn McLaughlin and longtime Arvada Center resident Music Director David Nehls, who has been developing the piece from scratch over the past several years. And from the first iteration of the show, White has been cast to play an actor in the Bright family’s 1950s televised variety show. But now it’s the Vietnam era, and the Brights’ grown-up, all-American son is coming home from war to appear in the family’s annual Christmas special. There’s tension on the set, and White is there to break it.

    Her character’s name is Carol Marie, but think Rose Marie in The Dick Van Dyke Show - with a killer voice. White is given two songs that humanize the loneliness of a single, middle-aged woman of that era at Christmas. But she's playing a character-within-a-character. Carol Marie, the actor on the show, turns out to be a happily married mother.

    To top off White's year, she was nominated in July for a Colorado Theatre Guild Henry Award for her work in 2015's Irving Berlin's White Christmas.

    “In my humble opinion, Sharon Kay has some of the most sound, organic comic timing I’ve ever seen,” said Board. “And the amazing thing is, she was never taught comedy. Never once. It’s all her.”

    Sharon Kay White/At a glance

    • Hometown: Gilroy, Calif.
    • Home now: Denver
    • High school: Gilroy High School
    • College: Bachelor's of Science degree in Textile Science and Polymer Chemistry from the UC-Davis (California)
    • Coming up: She will be playing Elsa Maxwell in Cherry Creek Theatre's Red, Hot and Cole from Jan. 19-Feb. 26 in the Mizel Arts and Culture Center's Pluss Theatre
    ABOUT THE TRUE WEST AWARDS
    The True West Awards, now in their 16th year, began as the Denver Post Ovation Awards in 2001. DCPA Senior Arts Journalist John Moore — along with additional voices from around the state — celebrate the entire local theatre community by recognizing 30 achievements from 2016 over 30 days, without categories or nominations. Moore was named one of the 12 most influential theater critics in the U.S by American Theatre Magazine in 2011. He has since taken a groundbreaking position as the Denver Center's Senior Arts Journalist. His daily coverage of the DCPA and the Colorado theatre community can be found at MyDenverCenter.Org

    THE 2016 TRUE WEST AWARDS
    Day 1: Jada Suzanne Dixon
    Day 2: Robert Michael Sanders
    Day 3: After Orlando
    Day 4: Michael Morgan
    Day 5: Beth Beyer
    Day 6: Patrick Elkins-Zeglarski
    Day 7: donnie l. betts
    Day 8: Night of the Living Dead
    Day 9: The Killer Kids of Miscast
    Day 10: Jason Sherwood
    Day 11: Leslie O'Carroll and Steve Wilson
    Day 12: Jonathan Scott-McKean
    Day 13: Jake Mendes
    Day 14: Charles R. MacLeod
    Day 15: Patty Yaconis
    Day 16: Daniel Langhoff
    Day 17: Colorado Shakespeare Festival costumers
    Day 18: Miriam Suzanne
    Day 19: Yolanda Ortega
    Day 20: Diana Ben-Kiki
    Day 21: Jeff Neuman
    Day 22: Gabriella Cavallero
    Day 23: Matthew Campbell
    Day 24: Sharon Kay White
    Day 25: John Hauser
    Day 26: Lon Winston
    Day 27: Jason Ducat
    Day 28: Sam Gregory
    Day 29: Warren Sherrill
    Day 30: The Women Who Run Theatre in Boulder
    Theatre Person of the Year Billie McBride
  • In the Spotlife: Sharon Kay White of 'I'll Be Home for Christmas'

    by John Moore | Nov 18, 2016
    I'll Be Home for Christmas. Sharon Kay White. Photo P. Switzer
    Megan Van De Hey, left, and Sharon Kay White in the Arvada Center's 'I'll Be Home for Christmas.' Photo P. Switzer.

    (The DCPA NewsCenter regularly profiles actors performing in theatre productions throughout the state of Colorado.)

    MEET SHARON KAY WHITE

    Carol Marie in the Arvada Center’s world-premiere and home-grown new holiday musical, 'I'll Be Home For Christmas,' running now through Dec. 23.

    • Hometown: Gilroy, Calif.
    • Home now: Denver
    • High school: Gilroy High School
    • Quote Sharon Kay WhiteCollege: Bachelor's of Science degree in Textile Science and Polymer Chemistry from the UC-Davis (California)
    • What have you done for us lately? I played Sister Mary Patrick in the Arvada Center's production of Sister Act
    • Coming up: I will be playing Elsa Maxwell in Cherry Creek Theatre's Red, Hot and Cole from Jan. 19-Feb. 26 in the Mizel Arts and Culture Center's Pluss Theatre
    • What is I'll Be Home For Christmas all about? It's about a show-business family filming their annual Christmas TV variety special in 1969, and the challenges that arise when their 24-year-old son returns home from Vietnam and has trouble reconciling his role as an entertainer amid the ravages of war.
    • Tell us about the challenge of playing your character: Carol Marie is one of the comic guest stars of the TV variety special. She's so much fun to play. The acting challenge is to successfully play the tonal differences in the production from the realism "off-screen" to the presentational delivery of the "on-screen" moments. In this production, Carol Marie exists mostly in the on-screen television segments, while the central story is played out largely in the off-screen moments, so there is some challenge in getting the right level of heightened reality without going too far.
    • What do you love most about the Colorado theatre community? I love the supportive nature of our local theatre community. It truly has become like a family to me.
    • What's one thing most people don't know about you? In addition to theatre, I work as a real-estate agent. 
    • What’s one thing you want to get off your chest? There is a beautiful exchange in our play: "Do you really thinking singing and dancing can change the world?" "I believe singing and dancing may be the ONLY thing that can change the world." As artists, we feel strongly about this concept. With the fight to keep arts in schools, ever-decreasing government funding for arts in communities, a devaluing of artists' salaries and benefits, we get dejected. We know that arts make a positive impact on individual lives and, by extension, communities. How lucky we are here in the Denver metro area that we have the Scientific and Cultural Facilities District - the SCFD - and a populace that voted overwhelmingly on Nov. 8 to keep it going through 2030. The district collects one penny from every $10 of sales tax in the seven-county metro area and directs those funds to arts, science and cultural organizations. Last year, more than $53 million went toward deserving entities like The Denver Zoo, Denver Art Museum, Denver Center for the Performing Arts, Denver Museum of Nature & Science, and more than 300 other arts organizations, including theatre, that enriching the lives of all our residents. Bravo!

    I'll Be Home For Christmas: Ticket information
    • Original music and lyrics by David Nehls; book by Kenn McLaughlin
    • Directed by Gavin Mayer
    • Through Dec. 23
    • Presented by the Arvada Center, 6901 Wadsworth Blvd.
    • Performances: 7:30 p.m. Tuesdays through Saturdays; 1 p.m. Wednesdays; 2 p.m. Saturdays and Sundays
    • Tickets start at $53
    • Info: 303-623-0524, or go to curioustheatre.org 

    Cast List:

    • Noah Racey as Dana
    • Megan Van De Hey as Louise
    • Jake Mendes as Simon
    • Kim McClay as Maggie
    • Andrew Diessner as Len
    • Sharon Kay White as Carol Marie
    • Darius Jordan Lee as Sandy
    • Sheryl McCallum as Ruby
    • Ensemble: Rae Case, Jean-Luc Cavnar, Maddie Franke, Darrell T. Joe, Norrell Moore, Benjamin Roeling, Rachel Turner, Tucker Worley

    More 'In the Spotlife' profiles:
    Meet Lauren Bahlman of Wide-Eyed West's theMumblings
    Meet Mark Collins of And Toto Too's Lost Creatures
    Meet Carley Cornelius of Colorado Springs TheatreWorks' Constellations
    Meet Emily Paton Davies of Miners Alley Playhouse's God of Carnage
    Meet Sam Gregory of the Arvada Center's Tartuffe
    Meet John Hauser of Curious Theatre's Hand to God
    Meet Jeff Jesmer of Spotlight Theatre'sThe Crucible
    Meet Wayne Kennedy of BDT Stage's Mid-Life 2
    Meet Seth Maisel of Town Hall Arts Center's The Firestorm
    Meet Tim McCracken of Local Theatre's The Firestorm
    Meet Joelle Montoya of Su Teatro's El Sol Que Tu Eres
    Meet Anne Oberbroeckling of Boulder Ensemble Theatre Company's Ripcord
    Meet Jessica Robblee of Buntport Theatre for All Ages' Siren Song: A Pirate Odyssey
    Meet Petra Ulyrich of Germinal Stage-Denver's Johnny Got His Gun
    Meet Megan Van De Hey of the Arvada Center's Sister Act
     

    More Colorado theatre coverage on the DCPA NewsCenter

    White Christmas. Sharon Kay White. Photo P. SwitzerLast year at this time, Sharon Kay White was in another Arvada Center holiday production, 'Irving Berlin's White Christmas,' with Paul Page. Photo P. Switzer.
  • Colorado Fall Theatre Preview: 10 shows to watch

    by John Moore | Sep 04, 2015
    Town Hall Arts Center's 'West Side Story.'

    Town Hall Arts Center's 'West Side Story' opens Sept. 11.



    Theatre never takes a rest in the busy Colorado theatre community, but September is always considered the traditional launch of the theatre season. The NEA recently ranked Colorado first in the nation in per-capita theatre attendance, and while the Denver Center for the Performing Arts plays a major part in that success, so does the work of the approximately 100 theatre companies of all sizes throughout Colorado, as new President and CEO Scott Shiller acknowledged at a local theatre forum on Monday.

    Continuing a September tradition that goes back 16 years, DCPA Senior Arts Journalist John Moore will help mark the opening of the theatre season by offering a quick overview of all DCPA fall shows, as well as 10 intriguing titles on the upcoming theatre calendar outside the arches of the DCPA. These are not the 10 “best"; just 10 intriguing titles that have caught John’s eye as a former Denver Post theatre critic.

    OUR COMPLETE LIST OF SEPTEMBER THEATRE OPENINGS IN COLORADO

    Before we dig in, the 10 fall DCPA offerings (with links to more information on each):

    Through Sept. 13: The Book of Mormon, Buell Theatre
    After record-breaking engagements in 2012 and 2013, the hilariously profane Denver-born tour is back by popular demand for a limited engagement.

    Through Oct. 11: Defending the Caveman, Garner Galleria Theatre

    Enduring,insightful comedy about the ways men and women relate to each other in the  ongoing battle for understanding between the sexes.

    Sept. 9-20: Matilda The Musical, Buell Theatre
    An extraordinary girl, armed with a vivid imagination and a sharp mind, dares to take a stand and change her destiny.

    Sept. 11-Oct 11: Lookingglass Alice, Stage Theatre
    Imagination soars and laughter and awe abound in this Chicago-born, gravity-defying hit inspired by Lewis Carroll’s beloved stories.

    Sept. 25-Nov 1: As You Like It, Space Theatre
    Banished lovers Orlando and Rosalind become entangled in a beguiling game of mistaken identity when Rosalind disguises herself as a man.

    Oct. 9-Nov. 15: Tribes, Ricketson Theatre
    Meeting Sylvia causes Billy, deaf since birth, to question what it means to be understood.

    Oct. 13-25, 2015: If/Then, Buell Theatre
    In this tour launch, Broadway superstar Idina Menzel (Wicked, Rent, Frozen) will reprise her acclaimed role alongside other original cast members

    Oct. 21-Feb 13, 2016: Cult Following, The Jones
    Off-Center’s signature night of unrehearsed, unscripted theatre features the  quick-thinking talents of some of Denver’s best improv performers.

    Oct. 27, 2015-Feb 21, 2016: Murder For Two, Garner Galleria Theatre
     A musical murder mystery comedy with a twist: One actor investigates the crime, the other plays all of the suspects - and they both play the piano.

    Nov. 4-29, 2015: Disney's The Lion King, Buell Theatre​
    More than 70 million people have now experienced the Julie Taymor phenomenon. The national tour debuted in Denver a decade ago.



    Any Given Monday

    Vintage Theatre
    Sept. 4-Oct. 25
    Directed by Sam Gilstrap (pictured)
    Sam GilstrapOn the surface, this play sounds like it could be a trifle – it’s described as “a comedy for the men who love football and the women who despise it.” Yet it’s written by Bruce Graham – the same guy who wrote one of the most unsettling plays of the past 20 years in Coyote on a Fence, which was about a racist death-row inmate. So maybe this football romp has some bite. It’s about a good guy whose life is shattered when his wife leaves him for a smooth-talking lothario. A development that doesn’t sit well with his best friend, who takes matters into his own hands.

    More Bruce Graham: Graham’s biggest success outside Coyote on a Fence has been The Outgoing Tide, a “death with dignity” dramedy about a man who wants to ensure his family’s security before his mind is consumed by Alzheimer’s disease. It’s playing Sept. 11-Oct. 12 at the Bas Bleu Theatre in Fort Collins. 



    American Girls
    The Edge Theatre
    Sept. 4-27
    Directed by Angela Astle
    Edge Theatre In a very celebrity-driven culture, two God-fearing teenage girls have their sights set on much bigger things. They want fame, even if it means selling their souls to the devil in the name of the Bible. Their naiveté leads them down a dark and seedy path, forcing them to grow up much too soon. A regional premiere written by Hilary Bettis

    (Photo: Bethany Richardson and Alexis Robbins.) 



    The Flick

    Curious Theatre Company
    Sept. 5-Oct. 17
    Directed by Chip Walton
    John Jurcheck, left, and Laura Jo Trexler. Photo by Michael Ensminger. Polarizing playwright Annie Baker has been called everything from America’s next “it” playwright to the world’s next Harold Pinter. Which means she writes a lot of pauses. The Flick, winner of the 2014 Pulitzer Prize, is a short play – on paper – that lasts 3 hours in performance. That’s because Baker is known for writing giant intentional silences into her scripts that seem bent on forcing audiences to confront their discomfort with silence. But is that entertainment … or a psychological experiment? You decide as you follow three sad sacks who work at a run-down old movie house in Massachusetts. This play has been hailed as “an hilarious and heart-rending cry for authenticity in a fast-changing world.” Featuring Christopher Hayes, John Jurcheck, Royce Roeswood and Laura Jo Trexler.
    (Pictured: John Jurcheck, left, and Laura Jo Trexler. Photo by Michael Ensminger.)


    Lonny (Sean Riley) and Dennis (Joel Adam Chavez) in 'Rock of Ages' at the Midtown Arts Center.
    Lonny (Sean Riley) and Dennis (Joel Adam Chavez) in "Rock of Ages" at the Midtown Arts Center.

    Rock of Ages
    Midtown Arts Center, Fort Collins
    Sept. 10-Nov. 29
    Directed by Kurt Terrio
    Midtown is well-known for being first to locally stage some of Broadway’s most popular musicals. In this jukebox musical lark, Aqua Net, Lycra, lace and liquor freely flow in 1987 at one of the Sunset Strip’s last legendary rock venues. A small-town girl (natch) and a big-city rocker fall in love to rock legends of the ’80s such as Styx, Bon Jovi, Twisted Sister, Journey and more.



    Buddy: The Buddy Holly Story
    BDT Stage
    Sept. 11-Nov. 14
    Directed by Wayne Kennedy
    Brett AmblerThis easygoing bio-musical Starring Brett Ambler (pictured) tells the true and tragic story of the bespectacled Buddy’s rise to fame, from the 1957 day when “That’ll Be The Day!” hit the airwaves, through his tragic death less than two years later – a moment forever immortalized by Don McLean as “The Day The Music Died.” The score includes 20 Holly hits including: “Peggy Sue,” “Oh Boy,” “Rave On” and “Raining in My Heart.”




    Saturday Night Fever
    Arvada Center
    Sept. 11-Oct. 4
    Director: Rod Lansberry
    Shannan SteeleThe end of the Arvada Center’s summer musical tradition was an unsettling development, but Broadway spectacle – along with big hair, bell-bottoms and platform shoes – make a big comeback with the regional premiere of the stage adaptation of the classic John Travolta film. Featuring the music of the Bee-Gees, Saturday Night Fever brings back the zeitgeist and volatility of American pop-culture in the 1970s. Starring Ian Campayno and McKayla Marso as Tony ‘n Stephanie Mangano, and featuring local favorites including Emma Martin, Damon Guerrasio, Steven Burge, Tom Borrillo, Sharon Kay White, Adam Estes, Michael Bouchard, RJ Wagner, Shannan Steele (pictured right), Heather Doris, Sarah Rex, Kitty Skillman Hilsabeck, Jenna Moll Reyes and more. Costume design by Mondo Guerra.

    West Side Story
    Littleton Town Hall Arts Center
    Sept. 11-Oct. 11
    ​Directed by Nick Sugar
    Nick SugarTown Hall is revisiting Stephen Sondheim’s masterpiece 10 years after a staging that launched Elizabeth Welch (Maria) on her way to The Phantom of the Opera on Broadway. This production stars Carolyn Lohr and Jared Ming as the fated lovers, and brings back from 2005 director Nick Sugar, Ronni Gallup (Anita), Kent Randell (Bernardo) and Tim Howard (Riff).

    Northside West Side: The Candlelight Dinner Playhouse is also presenting West Side Story in Johnstown, about 45 miles north of Denver, from Sept. 24 through Nov. 15.

    Still more Sondheim: The Colorado Springs Fine Arts Center becomes just the second Colorado company to ever stage Putting It Together (Sept. 10-27), and the Cherry Creek Theatre Company presents Sondheim on Sondheim from Oct. 2-25.


    Emily Paton Davies and DCPA Head of Acting Tim McCracken will star in Boulder Ensemble Theatre Copmpanys 'Outside Mullingar' opening Sept. 17. Photo by Michael Ensminger
    Emily Paton Davies and DCPA Head of Acting Tim McCracken will star in Boulder Ensemble Theatre Company's 'Outside Mullingar' opening Sept. 17. Photo by Michael Ensminger.

    Outside Mullingar
    Boulder Ensemble Theatre Company
    Sept. 17-Oct. 11
    Directed by Rebecca Remaly Weitz
    Timothy McCrackenBetsy (the colloquial name for BETC) is the first of what is sure to many companies staging John Patrick Shanley’s latest comedy, which has been described as an Irish Moonstruck. It’s about two stubborn, feuding neighbors who put down their pitchforks and take a chance on later love. Featuring a stellar cast of Emily Paton Davies, DCPA Head of Acting Tim McCracken (pictured right), three-time 2015 Henry Award winner Billie McBride (DCPA's Benediction) and Chris Kendall.  

    More Mullingar: OpenStage & Company of Fort Collins will also stage Outside Mullingar in January.



    Baby with the Bathwater
    Phamaly Theatre Company
    Oct. 8-25 at the Avenue Theater
    Directed by Warren Sherrill
     Trenton SchindeleChristopher Durang’s 1983 absurdist comedy is about parents who are so clueless about even the most basic parenting skills, they think it’s a good idea to give their baby Nyquil. These two are too polite to check the child’s sex (it’s a boy) so they name him Daisy - which leads to all manner of future emotional and personality problems. Phamaly exists to provide performance opportunities to persons with disabilities. The cast includes Micayla Smith, Trenton Schindele, Daniel Traylor, Kimberlee Nanda and Kenzie Kilroy.


    The Explorers Club
    Lone Tree Arts Center
    Oct. 15-24
    Directed by Randal Myler
    photo of Sam GregoryNeil Benjamin’s wildly funny comedy features the madcap adventures of eccentric London-based explorers who are members of a prestigious club. And the looming possibility of a woman assuming the presidency of this club threatens to shake the foundations of the British Empire. This Colorado premiere features a notable cast filled with DCPA favorites including Brad Bellamy, Stephanie Cozart, Sam Gregory, Mark Rubald, Colin Alexander, Randy Moore, Director Randal Myler and Costumer Kevin Copenhaver.  

    OUR COMPLETE LIST OF SEPTEMBER THEATRE OPENINGS IN COLORADO
  • POPULAR POSTS
     
    ABOUT THE EDITOR
    John Moore
    John Moore
    Award-winning arts journalist John Moore has recently taken a groundbreaking new position as the DCPA’s Senior Arts Journalist. With The Denver Post, he was named one of the 12 most influential theater critics in the US by American Theatre Magazine. He is the founder of the Denver Actors Fund, a nonprofit that raises money for local artists in medical need. John is a native of Arvada and attended Regis Jesuit High School and the University of Colorado at Boulder. Follow him on Twitter @moorejohn.

    DCPA is the nation’s largest not-for-profit theatre organization dedicated to creating unforgettable shared experiences through beloved Broadway musicals, world-class plays, educational programs and inspired events. We think of theatre as a spark of life — a special occasion that’s exciting, powerful and fun. Join us today and we promise an experience you won't soon forget.