This summer, Phamaly Theatre Company, in partnership with the Denver Center for the Performing Arts, is presenting a unique production of the musical A Chorus Line.

Phamaly Theatre Company, A Chorus Line

Celebrating its 35th anniversary, Phamaly’s decision to stage this dance-heavy show marks a significant milestone. Artistic Director Ben Raanan explained that the show had been a long-held ambition for the Phamaly founders. However, they encountered resistance from the theater community, with concerns that audiences wouldn’t buy into a cast of disabled performers taking on such an iconic Broadway show.

Raanan believes that now is the perfect time for Phamaly’s A Chorus Line. “People are more open to embracing difference,” he says, noting a shift in audience perspectives that aligns with re-evaluating traditions. This production aims to challenge conventional casting norms and serves as a tribute to the legacy of disabled theater and Phamaly’s own history.

Linda Wirth

Raanan emphasizes the inclusive nature of Phamaly, stating, “If you’ve ever been a part of Phamaly, even if you’re not in the cast, you’re in the cast.” This spirit of community is reflected in the determination of disabled actors who choose theater over easier paths, driven by their passion for performing. Quoting the show, he adds, “It’s what we do for love.”

The cast of A Chorus Line includes long-time Phamaly actor Linda Wirth, who plays Lois. “I love this show,” Wirth shared. “I never thought I would be cast at my age.” At 77, Wirth is thrilled to be part of this groundbreaking project. She finds personal resonance in the show’s themes, particularly in the song “What I Did for Love,” which speaks to the sacrifices and joys of being a performer. Wirth praises Raanan’s vision for breaking barriers and creating opportunities for actors of all ages and abilities.

Jessica Swanson

Another notable cast member is Jessica Swanson, who plays Cassie. Swanson, a dancer and actor, has faced health challenges, including episodes of dizziness and fainting likely related to COVID-19. These symptoms have limited her physical abilities, making it difficult to continue dancing in traditional settings. She relates deeply to Cassie’s resilience and determination in the face of adversity, reflecting her own experiences in the competitive theater industry.

Many versions of A Chorus Line use similar choreography and even costumes, but Swanson is excited to share something different with Denver audiences. “The show is about how hard it is to be a performer,” she shares. “To actually tell that story, you need to include people of all disabilities, of all body types, and of all different skill levels.” Phamaly aims to do that.

Savannah Svoboda

The company’s dedication to inclusivity also extends to the choreography. In the theatre world, where physical ability often dictates casting decisions and creative choices, Phamaly stands out. Five choreographers, each bringing their unique experiences, are involved in the production. Rather than adhering to a rigid choreographic template, this approach allows for a celebration of individuality, with choreography tailored to the strengths and identities of the performers.

Savannah Svoboda, founder of Full Expression! A Dance Collective, is one of the choreographers excited to push the boundaries of traditional dance. Svoboda, known for her tap dancing, is reimagining the number “I Can Do That” to feature a wheelchair user. She explains, “The innovation around being able to tap outside of our feet is such an easy concept. Our bodies can make noise in very different ways.”

This production challenges preconceived notions of dance, incorporating techniques like hand taps and chair-based choreography to showcase the diverse talents of the performers. Phamaly’s dedication to inclusivity aims to create a theater experience that truly represents the diversity of the community and highlights the progress made in embracing diversity within the performing arts.

DETAILS
A Chorus Line
August 8 – 25, 2024 | Kilstrom Theatre
Tickets