A woman performing in STOMP seated while drumming

STOMP Returns to Denver in All Its Explosive, Syncopated Glory

Using percussion, everyday objects and not a word of dialogue, another sweeping storm of rhythm is brewing

It’s been a while since you heard those clomping, clanging racket makers — racketeers? — right here in your own back yard. Yes, STOMP is back in Denver in all its explosive, syncopated glory with those incredible percussionists who treasure the old adage about one man’s trash…

The cast of STOMP performs with large buckets

STOMP Created by Luke Cresswell and Steve McNicholas. Photo by Steve McNicholas

The troupe still doesn’t look at everyday objects the way the rest of the world does. In their hands, brooms, garbage cans, Zippo lighters (we’re not sure about Grouchos and Harpos) and the general detritus of the 21st century takes on a life of its own. Stomp, created and directed by Luke Cresswell and Steve McNicholas, is an exploration of the outer limits of rhythmic invention. It’s a Pipe (read drain pipe) and Drum (read anything) Corps for our age.

And speaking of age, it has not withered STOMP‘s clatter — or fun. STOMP, that concatenation of sound and skill, is back with its rhythms and drumbeats intact.

The same goes for its nonstop movement of bodies, objects, sound — even abstract ideas. There’s no dialogue, speech or plot. But music? Absolutely. Uncommon music, created in nontraditional ways — with every day objects ranging from matchbooks to every household item you can imagine. “It’s a piece of theatre that’s been created by musicians,” said  McNicholas. “It doesn’t have narrative and it doesn’t have dialogue and it doesn’t have melody particularly, but it is totally rhythmically based.” You’re bombarded by a caterwauling noise that under any other circumstances you would choose to shut out.

But not here.

The cast of STOMP dance with inner tubes

STOMP Created by Luke Cresswell and Steve McNicholas. Photo by Steve McNicholas

Here all is syncopated and choreographed with the precision of an army bugle corps (minus the bugles) and by the fertile imagination of buskers or street performers from the streets of Brighton — the spot where STOMP’s creators hail from and where they dream up versions of this utterly inventive, unexpected, whacked-out show. “Most ideas come from everyday life,” said McNicholas, “but when we put a routine together we are thinking not just in terms of the rhythmic qualities, the sound qualities of the instruments, but also visual impact.”

And impact it will have. So sit back, relax, tap your feet, clap your hands. There’s only fun to be had here — from the ringing of hollow pipes to clashing metal weaving its spell, and industrial strength dance routines involving a lot of supremely well-coordinated bodies.

STOMP is explosive, inventive, provocative, witty and utterly unique — an unforgettable experience for audiences of all ages. The international percussion sensation has garnered armfuls of awards and rave reviews and has appeared on numerous national television shows. The eight-member troupe uses everything but conventional percussion instruments – matchboxes, wooden poles, brooms, garbage cans, Zippo lighters, hubcaps – to fill the stage with magnificent rhythms. Year after year, audiences worldwide keep coming back for more of this pulse-pounding electrifying show.

Feb 21 – 26, 2023 · Buell Theatre

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