‘A Doll’s House’: How did Ibsen become a pioneering feminist anyway?
How a man made a woman’s call to self-knowledge the thesis of his entire canon
Tara Falk: ‘I turned my cancer into the most positive thing in the world’
Actor began work on play less than three weeks after reconstructive facial surgery
Deeper Dive: A closer look at ‘Choir Boy’
Joyous Broadway coming-of-age play sets spirits and voices soaring
Deeper Dive: A closer look at ‘Until the Flood’
Dael Orlandersmith’s unsparing look at the Ferguson riots ‘is an urgent moral inquest’
Deeper Dive: ‘A Doll’s House’ and ‘A Doll’s House, Part 2’
All eyes are sure to be on the first-ever repertory stagings of ‘A Doll’s House’ and ‘A Doll’s House, Part 2’
2019-20 Theatre Company season: New stories, new storytellers
Marginalized voices will be heard in innovative season that includes a return to repertory for both parts of A Doll’s House
2019 Summit introduced ghosts, snakes and an array of potent new older women
Denver Center’s annual celebration of new works for the American stage tackled tough and topical issues
Summit Spotlight: Isaac Gomez on writing his Walmart Chekhov
Playwright pays comic tribute to immigrant mother who rose from cashier to manager of a huge retail store on El Paso border
Summit Spotlight: Neyla Pekarek and Karen Hartman on ‘Rattlesnake Kate’
How a Greeley farmer grew into a Colorado legend, a concept album, and now, a new stage musical
Summit Spotlight: Bonnie Metzgar on the timeless search for safe harbor
Poetic drama looks to the past to help all those lost at sea to find their way home