DPS Shakespeare Festival returns with DCPA as new partner
About 5,000 DPS students from kindergarten through high school will perform on 14 stages in and around the Denver Performing Arts Complex.
Actor Jonathan Crombie of ‘Benediction’ has died at 48
Jonathan Crombie suffered a brain hemorrhage, according to DCPA Producing Artistic Director Kent Thompson announced today.
Page to Stage: Colin Hanlon and Gregory Treco of ‘The 12’
In these brief video hightlights from the Tattered Cover, Hanlon says: “I think people walk out hopefully saying, ‘What a beautiful message that is, love.’…
Art and artist: Kevin Copenhaver tips his hats to Broadway's 'Doctor Zhivago'
Veteran DCPA Costume Crafts Designer Kevin Copenhaver has a style all his own. And Broadway audiences will see it starting next week in “Doctor Zhivago.”
Annaleigh Ashford raises $735 for new Bobby G Awards memorial fund
Broadway star Annaleigh Ashford raised $735 over the weekend for the new Randy Weeks Memorial Fund for The Bobby G Awards, which celebrates Colorado high…
Neil Berg and the rockin’ roots of ‘The 12’
‘The 12’ is composer Neil Berg’s love letter to classic rock ’n roll. You’ll hear a little of The Who, Led Zeppelin, Tom Waits and…
‘The 12’: Three days that rocked the world
The world-premiere musical, says co-writer Robert Schenkkan, is about finding a way to recover your faith and move forward after experiencing a dark night of…
Theresa Rebeck is not getting angry: She’s getting even
Theresa Rebeck wishes the topic of gender disparity in the American heater would go away. But for that to happen, gender disparity would have to…
DeVotchKa frontman promises a ‘Sweeney Todd’ that’s ‘loud and proud’
Local band DeVotchKa will adapt Stephen Sondheim’s classic “Sweeney Todd” score for a fresh new staging by the DCPA Theatre Company. Frontman Nick Urata promises…
Interview with a Queen: Shirley Delta Blow revs up ‘Drag Machine’
Shirley Delta Blow is no stranger to the Denver drag scene, and her colorful costumes are just as unforgettable. Shirley stars in “Drag Machine,” opening…