https://www.denvercenter.org/wp-content/uploads/2018/04/featured-image-5844.jpg586800John MooreJohn Moore2018-02-15 20:11:002025-04-01 11:34:25Tony Garcia: ‘American Mariachi’ is an American beauty
https://www.denvercenter.org/wp-content/uploads/2018/04/featured-image-5848.jpg431640John MooreJohn Moore2018-02-15 00:58:002025-04-01 11:34:32$70 million Ent Center isn’t a game-changer: It’s a whole new game
https://www.denvercenter.org/wp-content/uploads/2018/04/featured-image-5850.jpg427640John MooreJohn Moore2018-02-13 23:21:002025-04-01 11:34:40Summit prep begins at the intersection of Eugene O’Neill and Metallica
https://www.denvercenter.org/wp-content/uploads/2018/04/featured-image-5862.jpg1169800John MooreJohn Moore2018-02-09 19:08:002025-04-01 11:34:47When Leonor Perez found mariachi, she found her voice
https://www.denvercenter.org/wp-content/uploads/2018/04/featured-image-5874.jpg426640John MooreJohn Moore2018-02-04 02:33:002025-04-01 11:34:54For ‘The Great Leap’ playwright, family is a generation map
https://www.denvercenter.org/wp-content/uploads/2018/04/featured-image-5876.jpg548800John MooreJohn Moore2018-02-03 14:18:002025-04-01 11:35:00‘Zoey’ playwright Matthew Lopez: America could use a laugh right now
https://www.denvercenter.org/wp-content/uploads/2018/04/featured-image-5878.jpg403640John MooreJohn Moore2018-02-02 16:19:002025-04-01 11:35:09‘American Mariachi’ Perspectives: Music as a powerful memory trigger
https://www.denvercenter.org/wp-content/uploads/2018/04/featured-image-5882.jpg606800John MooreJohn Moore2018-02-01 01:28:002025-04-01 11:35:16Lester Ward retires: ‘There were really no dark days’
https://www.denvercenter.org/wp-content/uploads/2018/04/featured-image-5431.jpg333500John MooreJohn Moore2018-01-23 17:11:002025-04-01 11:35:23Perspectives: How is ‘Zoey’s Perfect Wedding’ funny? Let’s count to three, no, five
https://www.denvercenter.org/wp-content/uploads/2018/06/KINGANDI_seasonlineup_200x200.jpg200200Sylvie DrakeSylvie Drake2017-12-14 18:42:002025-04-01 11:31:48The King and Us: A former Anna recalls her time with Brynner
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Tony Garcia: ‘American Mariachi’ is an American beauty
/in Archive, Theatre Company, General/by John MooreFrom his new play’s very title, José Cruz González challenges us to examine what we consider to be ‘American.’
$70 million Ent Center isn’t a game-changer: It’s a whole new game
/in Archive, Community Engagement, General/by John MooreThe new home for students, arts groups, artists and residents is, in many ways, the new gateway to Colorado Springs itself.
Summit prep begins at the intersection of Eugene O’Neill and Metallica
/in Archive, Theatre Company, General, New Play Summit/by John MooreThe Denver Center’s 13th annual Colorado New Play Summit is underway as dozens of artists begin work on four new plays.
When Leonor Perez found mariachi, she found her voice
/in Archive, Theatre Company, General/by John MoorePioneering female mariachi musician was taught to keep her voice down, until she found the music that invited her to scream
For ‘The Great Leap’ playwright, family is a generation map
/in Archive, Theatre Company, General/by John MooreLauren Yee draws inspiration for DCPA world-premiere play from her father and his 1980s international basketball odyssey in China.
‘Zoey’ playwright Matthew Lopez: America could use a laugh right now
/in Archive, Theatre Company, General/by John MooreIn the face of these trying times, the playwright rejects the notion that simply ‘checking out’ is a preferable option.
‘American Mariachi’ Perspectives: Music as a powerful memory trigger
/in Archive, Theatre Company, General/by John MooreDirector James Vásquez says the world-premiere play is a good story — ‘and it’s also the best party you’ll come to this winter in Denver.’
Lester Ward retires: ‘There were really no dark days’
/in Archive, Press, Breaking News, General/by John MooreThe DCPA’s modest former president and longest-serving trustee officially retired last month after 46 years of service.
Perspectives: How is ‘Zoey’s Perfect Wedding’ funny? Let’s count to three, no, five
/in Archive, Theatre Company, General/by John MooreThe creatives explain why three is funnier than four in comedy. And: your first video look at Matthew Lopez’s world-premiere play.
The King and Us: A former Anna recalls her time with Brynner
/in Archive, Broadway/by Sylvie DrakeThe Broadway musical ‘The King and I,’ opening Jan. 2, is a triumphant survivor of changing theatrical fashions and wildly changing times.